Dynohunter Evoke The Depth And Expansiveness The EDM Scene Is Craving

By: Mirna Tufekcic

Boulder, Colorado, a city closely associated with bluegrass and jam bands, is also home to thriving EDM musicians. Born out of the Lotus and STS9 jam scene, Boulder’s own Dynohunter is a hybrid of electronic dance music production and live band improvisation. Pulling electronic influences from house, techno, and electronica, while continuing to be influenced by their instrumental funk, jazz, and jam roots; blending electronic influences with live saxophone, drums and bass, Dynohunter evoke the depth and expansiveness the EDM scene is craving.

Dynohunter.

Dynohunter.

The trio has been around since 2010 and they’ve come a long way in their time as a band. Clark Smith has been keeping Dynohunter fresh with sax, keys, and percussion while mixing and producing the music, Fred Reisen adds the essential drooling low bass grooves, and drops a synth note when appropriate, Nic Thornsberry seamlessly kicks the drums and SPD-SX.  Blend these with tasteful original electronic soundscapes peppered with other organic instruments (like a conch shell, for example) and you got yourself an EDM journey deep into the universe (or jungle, or ocean, or insert your own temperature and atmosphere preference here). You are bound to at least bob your head, if you’re not fully compelled to dance.   

Watch Dynohunter’s recent live session at Knew Conscious:

Clark’s sparking creativity stems from his take on the music genre, “I just feel like EDM, Techno, and House music have so much untapped potential and unexplored pockets that intrigue and excite me. With other music genres, it feels like most avenues have already been explored.”

Dynohunter.

Dynohunter.

Early on in their career, the band played alongside the likes of Sunsquabi, Infected Mushroom, Shpongle, The New Deal, Papadosio and more. They’ve toured the country and have performed at music festivals coast to coast including Summercamp, Joshua Tree Music Festival, Sonic Bloom, and Arise. But along with their successes, the band has also dealt with tough loss. In April 2016, the band’s drummer and dear friend Justin Ehmer passed away after a long battle with cancer. Justin was a key member of the band who poured his heart and soul into the project. Since then, Dynohunter has pushed on, healing with time, but keeping Justin’s spirit alive in their music. A picture of his smiling face still stands behind the drums in Dynohunter’s home studio, a place the band has recently been working hard in.

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Dynohunter’s 2015 full length album The Nomad was well received; since then they have released four EPs, with Rattle the Cage being their most recent. Their fifth and upcoming EP titled Tilmun is scheduled for release on December 13th, with the single dropping December 6th, just a couple of days before they headline The Bluebird Theater in Denver.

Dynohunter at   Knew Conscious  .

Dynohunter at Knew Conscious.

Being a musical experience of their own, Dynohunter is well worth seeing live.  If you can catch them this Friday, December 8th at The Bluebird Theater, you’ll be in for a treat with fresh music right out of the studio and onto the stage.

According to Reisen, “[Dynohunter] sure has a way of bringing that experiential aspect of music to life and if you’re coming into it open-minded, you’ll be taken on a journey of higher vibration; an hour and a half experience that leaves you feeling a little bit better and expanded.”  Spoken like a true Boulderite, Fred!

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Mlima Goes Interstellar: Fiske Planetarium Concert To Become New Album

By: Will Baumgartner

Denver’s Mlima have covered a lot of ground in the five years since their formation, but their journey, in a lot of ways, is only beginning. The group, who have coined the term “mountain groove music” in an attempt to encapsulate their sprawling sounds, first played together in 2012. Since then, they’ve played Red Rocks and were discovered and nurtured by the late legendary concert promoter Barry Fey; they’ve been with Fey’s management company, Feyline Presents, ever since. The band has also seen multiple personnel changes since their inception, with the one constant being percussionist Jack Breitenbach, the group’s founder. But as saxophonist/vocalist Zach Simms told me in a recent interview, it’s really been in the past year and a half that Mlima has found itself coalescing into the type of band that can look into the sky and say, “We could go there. And fill it with music.”

Mlima at Fiske Planetarium.

Mlima at Fiske Planetarium.

 In a very tangible way, that’s exactly what they did in their recent concert at CU Boulder’s Fiske Planetarium. Following a set of powerful, funky space-jazz by opening trio Dandu (definitely another Denver band to watch, by the way), Mlima populated the stage in their current incarnation featuring the locally ubiquitous vocalist Jessica Jones (who has sung with dozens of bands from the Glitta Kings to Galactic), masterful guitarist Jeph Kennedy, keyboardist Nate Todd (of Whiskey Tango and Jaden Carlson Band), bassist Ryan Thrush, drummer Lance Croucher, and the aforementioned Zach Simms on sax and vocals (also of Zobomaze and Like A Kenny G6). Together, these musicians proceeded to take the audience on a sonic journey that perfectly complemented the planetarium’s projected backdrop of intergalactic scenery.  

Watch Mlima’s live set at Fiske Planetarium: 

 

Aside from rallying all the talent onstage into an impressive and affecting musical whole, the concert marked another rather stunning achievement: virtually the entire set had been recently written by the band specifically for the planetarium concert, and the show was a debut performance of that material. This ambitious undertaking harkens back to another recent Mlima project, the transformation of their 2016 New Year’s show at The Bluebird Theater in Denver into the band’s soon-to-be-released next album, which drops August 17th, 2017. Much like this show, the Fiske Planetarium set will now be taken into the studio and made into the group’s next album, which they plan to release just a couple of months after the upcoming Bluebird record. These are not going to be live albums, but rather present an interesting twist on the live album formula: write a set for a specific show, go perform that show, and then take the material into the studio. If another band has taken that approach in the past, I haven’t heard about it! 

The tradition among local bands playing Fiske Planetarium has been to gear their sets toward the starry, trippy background of projections against Fiske’s domed ceiling, and for both Mlima and openers Dandu, this concert was no exception. But make no mistake that both bands, while playing sets that definitely leaned toward a reflection of the psychedelic/spacey feel of the visuals, did not skimp on the funk and hard grooves. Fiske has a largely seated arrangement, but that didn’t stop people from getting out of those seats and dancing in the aisles during portions of the show. Since most of the music in Mlima’s set was new, I of course didn’t recognize most of the songs, but for being brand-new material, there was no sense of the band “rehearsing” the songs onstage. In fact, many of these songs came across as anthems one might remember from dreams, or from life in another galaxy. With titles like “Planet Borscht” and “Hallucination Rain,” there was a sense of not only the type of tripping-through-the-universe groove which might remind one of Pink Floyd at their “Astronomy Domine”/”Set The Controls For The Heart of the Sun” starry best, but also of the kind of mad fun one might find at a concert by Gogol Bordello, especially in the crazed performance of the Klezmer-party Mlima original “Kosher Dumpling,” which came near the end of the show and had Simms wandering among the audience honking on his baritone sax while audience members danced gleefully around him. 

The one song I definitely did recognize was their cover of the psyche-pop classic “Just Dropped In (To See What Condition My Condition Was In),” which was Kenny Rogers’ first hit in 1968. Mlima did the song proud, ably abetted by Jessica Jones’ always soulful and hugely powerful voice. For as much as that girl gigs, I must admit rather shame-facedly that this was my first time catching a performance by her, and I was far from disappointed. Her vocals are indeed a local treasure, but then again, everyone in Mlima brought so much to the stage: Simms is an insanely watchable frontman and an excellent saxophonist, and all the other musicians displayed dazzling virtuosity while making it all look easy and ridiculously fun. They definitely made a fan of me, and I can’t wait to hear their two upcoming albums when they’re released nearly back-to-back later this year.  

I don’t know what Mlima were like when they started, but Barry Fey must have seen their potential when he arranged to have them open for The Disco Biscuits at Red Rocks during their first year as a band. It seems from that highly auspicious beginning, the band has truly grown into a full realization of that potential, and will go amazingly onward and upward from here: even the sky may not be the limit for this band.

Mlima play The Fox Theatre July 7th opening for Jaden Carlson and Broccoli Samurai. Tickets here. Keep up with Mlima on their Facebook.

-Will

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.  

"Artist on the Verge" Event This Saturday Features All Local, All Lady Lineup

By: Hannah Oreskovich

This Saturday, October 8th, CU’s Verge Campus chapter will hold its first “Artist on the Verge” event. Hosted by the awesome peeps over at Cosmic Collective, the night will feature music by four local female artists. Povi will headline the evening after Yasi, jilly.FM, and SIXXXD take the stage.

Povi, who recently released a visual arts video for her remix of Lil Yachty’s “Minnesota”, is an electronic soul and hip-hop artist based in Denver. Just last week, she shared a stage with NAO and RumTum at The Bluebird that we caught live, and her set was wicked. Check out our photos by Annie Kane from that event:

Yasi, another Denverette, will be bringing her singer/songwriter vibes to the room with music that she says, “I make to better understand the world.” Tight. Next is jilly.FM, who joined the Colorado scene in 2010 and has been on the come-up in the future R&B dance realm. Just this year, she was nominated for a Westword Music Award in the “Best DJ/Producer” category. Spins from her will be sweet, and SIXXXD will be poppin’ as well. Known as a member of the ZOIDcrew, SIXXXD works with hip-hop, world, trapsoul, and jazz music in her bumpin’ creations.

jilly.FM. Photo Credit:   Sierra Voss

jilly.FM. Photo Credit: Sierra Voss

Overall, it’s going to be one awesome night of all local; all ladies. Get your tickets here- they’re only $8 and it’s totally gonna be worth the dough. The show starts at 9PM. Go dance!

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The Pamlico Sound: Get Baptized in Funk This Saturday at The Lazy Dog

By: Hannah Oreskovich

Boulder's TPS are back in the game. 

Funk, soul, and psychedelia. That’s what Boulder’s The Pamlico Sound is all about. Formed in 2010, TPS has shared the stage with acts like Orgone, Kung Fu, Rowdy Shadehouse, The Magic Beans, and Technicolor Tone Factory. The eight-piece outfit have played The Fox, The Boulder Theater, The Bluebird, The Oriental, and many other local favorite spots. In 2014, the band took a hiatus as members worked on other projects, but they want you to know something Boulder: They’re Back! The Pamlico Sound will be throwing one crazy dance party at The Lazy Dog this Saturday, complete with a new killer rhythm section, an explosion of energy, and their “Jive Church” experience (just keep reading and it will all make sense soon young ones). In anticipation for the show, we sat down with the driving force behind the band, Will Baumgartner (vocals/baritone and soprano sax/flute/harmonica) to chat more about TPS and their plans for a 2016 takeover! Keep reading:

So Will, talk to us more about the “Jive Church” concept that TPS and their fans have been raving about since the band’s reformation. We’ve heard good things.

Glad you asked! The Jive Church basically turns our shows into an interaction between Pastor Will B (aka me, The Reverend Ever Ready), the Deacons (band members), Ghana Queen (our female vocalist), and the Congregation (audience) like so: As the pastor/reverend, I ask emphatically, “Can I get a ‘Hell Yeah’ from the Deacons?!”, to which the people onstage reply even more vigorously, “HELL YEAH!” Then, I turn to the audience: “Can I get a ‘Hell Yeah’ from the CONGREGATION?!” This often escalates to urgent calls of “Can I get a ‘F*CK YEAH?!’” And so on… Then, at least once during the show (usually toward the middle and the end), we offer a Funk Baptism, which consists of encouraging members of the Congregation to come to the edge of the stage (or up onto the stage itself), to be sprayed with Funky Holy Water (it’s a lot more sanitary than it sounds) while they writhe and contort in the Holy Spirit of the Funk. Our shows are also spiced up by brief “sermons” from me, Pastor Will/Reverend Ever Ready.

Wow. You literally spray people with Funky Holy Water and they love it?! I’m intrigued and impressed. Are you planning a lot of Funk Baptisms for Saturday’s show at The Lazy Dog? What else are you guys excited about?

Dang, that’s a GOOD QUESTION! In no particular order: Returning to our favorite small club in the homietown; our first show with new member (on trombone and vocals) Thom Holum; our second show with new drummer Curtis Collazo; the great likelihood of having some old friends/local luminaries sit in with the band; periodic stage diving into the arms of our beloved homiefans…

The Pamlico Sound bringing a funkadelic party to any show almost feels like an understatement for the picture my mind is making from all of this…

Yeah- we started out playing rager parties on the Hill to delirious hordes of sweaty wild-eyed lunatics, and that’s still how we approach every show: if you’re not sweaty, wild-eyed and delirious, you’ve mistakenly wandered into another show by a band of impostors. We are here to make you (and ourselves) feel ridiculously happy and free. And aside from the Jive Church shenanigans mentioned above, we always do things like sending the horn players out to wander amidst the crowd and play directly to them, “walk the bar” and so on; we also are known to frequently leap offstage and dance with crowd, and invite audience members to come onstage to sing and  dance with us.

The Pamlico Sound. Photo Credit:   Miles Photography

The Pamlico Sound. Photo Credit: Miles Photography

It sounds like to get the full TPS experience, we’ve got to come to a live show. We can’t wait! Beyond the insanity planned to rock the LD, what’s on deck for The Pamlico Sound in 2016?

We plan to give up sugar and coffee, participate in beauty pageants, and save kittens from trees. After we’ve done all that, we are planning to record all our new songs with Josh Fairman at Scanhope Sound (Josh has recently recorded/produced/mixed/mastered albums by The New Mastersounds, Atomga, and Analog Son, among others.) We’re also in the planning stages for our next Funkstravaganza, which is where we choose our favorite local funk bands and throw a big fat dance party with them at Cervantes’ in Denver. That will probably be happening in March or April. We’re also looking at festivals and regional tours.

Awesome! Anything else you want to tell us before Saturday, Pastor Will B?

Bring us your wired, your floored, your hugging bastards longing to be Flea.

Funk yeah. See you there Beaters.

Join the FB event here.

Watch The Pamlico Sound perform in the Radio1190 Studio here:

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.