Premiere: Denver's Boot Gun Debuts with a Bang with Two Singles & a New Music Video

Denver’s Boot Gun have entered the Colorado music scene with a serious bang. Today, the three-piece are releasing their debut single and video for “Virginia,” a high-energy rock’n’roll track with a Southern twang, and a rebellious video featuring a slew of Denver haunts to match. And folks, one thing’s for sure, the trio comprised of Keith Lawrence (guitar/vocals), Davie Landry (bass/vocals), and Cody Hart (drums), have brought the party.

“Virginia” was recorded and mixed by Todd Divel (The Yawpers, In The Whale, The Velveteers) of Silo Sound and mastered by Hans Liburd of Burdhouse Mastering. The video was directed and filmed by Colin Anders of Slice Cinematics (Nathaniel Rateliff & The Nightsweats, A Shadow of a Jaguar, Dragondeer). Boot Gun also featured several friends on the track’s instrumentals including Bullfrog Baugh on harmonica, who makes an appearance in the video about 40 seconds in, Sam Janik on guitar, and Bill McKay on organ and piano.

Says frontman Keith Lawrence about the track, "Virginia came to me in multiple dreams last summer. I showed the boys the main riff and they said ‘Sounds great. Where's the rest of the song?' I told 'em I had to go back to sleep to hear [and] see the rest of it. A few months and a couple of disco naps later, we had us a rock’n’roll ripper."

A ripper it is indeed. “Virginia” is a boot-stompin’ tune rife with slashing rips, harmonica twang, and a jangly toe-tappin’ keys solo that will force you on your feet. Some of that energy didn’t enter the track until the boys rounded things out in the studio though.

Says Keith, “As a band, we all believe that a song isn't finished being written until we record it. Todd at Silo pushed for certain creative ideas that we were able to let shine on these tracks. Having Bill McKay sit in on keys helped round out the sound and bring our musical intention into fruition."

Boot Gun. Photo Credit:  Mountain Trout Photography

Boot Gun. Photo Credit: Mountain Trout Photography

Along with “Virginia” and their debut music video, Boot Gun also released their B side “Feels Like A Storm” today. While “Virginia” takes you on a wild ride, quite literally in the video, “Feels Like A Storm” is the moodier, heavy-hitting track from the trio.

Says Davie, “‘Storm’ is a song that we wrote collectively. It started with Keith singing but never felt completely right. So we argued and laughed, and laughed and argued, and I was forced to sing it… In the end, it became the beast that you're listening to today."

You can listen to “Virginia” and “Feels Like A Storm” on all major streaming platforms and catch Boot Gun live at Cervantes with Dave Watts & Friends on Friday, April 12th.

Says Davie on Boot Gun’s debut, “It’s a young band's take on all the rock’n'roll we love and grew up on. We go from A to Z, then back to A just make sure you're still with us."

Join that trip and keep up with Boot Gun here.

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Extra Gold's Debut Record Has the Boot-Stompin' Bangers Denver's Country Scene Needs

With festivals like Country Jam and Bands in the Backyard, Colorado is no stranger to some good ol’ western music. And though it may not be as prevalent a genre as Colorado’s rock or hip-hop scenes, bands like Denver’s Extra Gold are setting the stage for a country Mile High takeover.

Extra Gold’s album art.

Extra Gold’s album art.

Formed in 2017, Extra Gold cut their chops by throwing a once-a-month showcase for country music at Denver’s Syntax Physic Opera. Crafted as “a take on country music cocktail that is equal parts golden-era country revival, folk, and rock & roll,” Extra Gold soon found themselves opening for larger Colorado favorites like The Yawpers and Dragondeer. Now, the band are set to release their debut record High & Lonesome this Friday, November 30th with a show at Denver’s Hi-Dive.

Founded by Evan Holm (guitar/vocals), Extra Gold is comprised of Gan Matthews (guitar), Carl Sorenson (drums), Randi Guthrie (bass), Ben Waligoski (pedal steel), Erin Armstrong (vocals), and Sami Steidl (fiddle). After the crew started gaining a reputation for their “tender three-part harmony ballads” and inciting “two-steppin’, beer slingin’ dance parties,” they picked up shows with honky-tonk heroes Whitey Morgan, Joshua Hedley, Jesse Dayton, Zephaniah Ohora, and more. They also played Denver’s Underground Music Showcase this past summer, and have plans for a slew of shows in 2019.

High & Lonesome, which is an 8-track LP mix of cosmic country ballads and boot-stompin’ bangers is a very solid debut for this Colorado band. The record was recorded with Mark Anderson in Denver. Tracks like “Emily” showcase the band’s incredible harmonies, “When The Matches Meet The Wood” has fiery strings that will force you to your feet, and title track “High And Lonesome” is the record’s crooner, a tune that is perfect for your favorite fireside playlist this season.  

Extra Gold’s debut record is available for listening on all music platforms. Give their new tunes a listen and find tickets to their Hi-Dive show here.

Keep up with Extra Gold at this link.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Why Rock'n'Roll Won at This Year's KAABOO Del Mar Festival

KAABOO Del Mar. Photo per Alive Coverage.

KAABOO Del Mar. Photo per Alive Coverage.

This past weekend, KAABOO Del Mar Festival returned for its fourth year of bringing Southern California music fans together to celebrate and dance to musicians of all genres. Katy Perry brought the pop, Wiz Khalifa and Post Malone brought the hip hop, and Earth, Wind & Fire and Tower of Power brought the funk. But even with these star-studded artists, it was evident that rock’n’roll stole the show this year to make the point that while your streaming service might disagree with us, rock’n’roll is alive and well.

Friday, the first day of the festival, Jimmy Eat World took the stage and set the precedent that although there were a handful of bands performing at the festival that haven’t seen a huge hit in the last decade or so, it does not mean they’re no longer making great music and giving one-of-a-kind live shows. Of course Jimmy Eat World stirred up plenty of energy in the crowd when they played classics like “Sweetness” and “The Middle,” but the group still received plenty of positive reception when they played their 2018 release “Love Never,” a song that seems to captivate everything people love about the band while still providing something new and never-before-heard.

Later on in the day, Calabasas, California band Incubus began their late afternoon set with zero apologies. Lead singer Brandon Boyd opened with arguably two of Incubus’ most rambunctious songs: “Anna Molly” and “Megalomaniac.” The energy stayed constant thereafter. For a group that has released only 40-minutes of new music in the past six years, it was surprising that the younger attendees of the festival were jumping and singing as if it was their favorite band growing up. It goes to show that these rock legends have created songs that remain memorable in the collective consciousness of American rock music.

Foo Fighters. Photo per Alive Coverage.

Foo Fighters. Photo per Alive Coverage.

To close out Friday night, Nirvana-alum-turned-Foo Fighters frontman Dave Grohl embodied rock’n’roll throughout the band’s set. It wasn’t just the classics he was playing that proved his incredible reign as a rock lord- originals like “Learn To Fly” and covers like Queen’s Another One Bites the Dust” were heard- but the sheer confidence and appearance that he was hardly trying, yet epicly succeeding in firing the crowd up really amped things up. At one point, teasing at his legendary status, Grohl yelled to the crowd, “We have 35 minutes left to play 116 songs!” At another point in the band’s set, a train loudly passed by, distracting the band and fans. Seizing the moment, the band played a one minute blues-sounding song just for kicks. It was just another example that proved these performers are professionals, and are still as lively and fun as ever.

Saturday was another rock-filled festival day, and this time with more of a focus on rock that is currently popular. Early in the day, Austin groove rock band Mamafesta brought a completely new style to the Del Mar Fairgrounds. With a hint of funk and plenty of jam band qualities in their sound, this melodic four piece group is one to definitely watch out for in the near future if you’re not already!

Imagine Dragons. Photo per Alive Coverage.

Imagine Dragons. Photo per Alive Coverage.

Closing out the second night were international stars Imagine Dragons. It seemed that the band played hit after hit for a full 90-minute set. Not only was the music good, but lead singer Dan Reynolds was simply inspiring. Speaking out about mental illness and suicide prevention, he acted as a true leader to the younger fans in the crowd. After his words of wisdom, once again the group got the crowd jumping with the epic number “Believer.

Sunday closed out with, you guessed it, even more rock, this time both new and old. Many fans stayed at the “MGM Resorts Grandview” stage from 3:00PM to festival close to see bands like The All American Rejects, Alice In Chains, and Robert Plant.

The All American Rejects did a great job of not taking themselves too seriously. Although the band played fan favorites like “Gives You Hell” and “It Ends Tonight,” they joked between songs that while they may not getting much radio play now, in the early 2000s, it was “hard to escape our music if you walked in a TJ Maxx.” Still, the group gave it their all and played new songs that they were clearly proud to perform.

Following All American Rejects was Alice In Chains, a band that had a larger crowd considering the KAABOO attendees were a bit older than other festivals. Alice In Chains did not disappoint, and it is safe to say that their hit song “Rooster” had the loudest-singing crowd of the festival.

Robert Plant. Photo per Alive Coverage.

Robert Plant. Photo per Alive Coverage.

As exhibited by a large number of KAABOOers walking around sporting Led Zeppelin and Robert Plant shirts, it was clear that Plant was the most anticipated act of Sunday, even while competing with Katy Perry during the headlining time slot. It was no surprise that Plant payed homage to Led Zeppelin by opening up with the tracks “Good Times, Bad Times” and “Lemon Song.” His 13-song setlist was filled with impressive guitar solos and a little headbanging. Closing with an artist from the iconic Led Zeppelin was the nail in the coffin that rock stole the show this year at KAABOO, and a sign that this genre will hopefully continue thriving at this festival!

Dates for 2019’s KAABOO have already been announced for the weekend of September 13th-15th. Get your early bird tickets and festival passes here! 

-Ben

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Colorado Music Festivals 2018: Your Official Guide To Fest Season

Festival season is the biggest time of the year for the music world. So here at BolderBeat, we’ll be updating this feature with every Colorado festival announcement that comes our way. Stay as on the pulse as we are:

May Play Music Festival May 11th

Downtown Greeley is hosting their fourth annual May Play fest with artists like The Burroughs, Brent Cowles, Slow Caves, Silver & Gold, and Post Paradise on the bill. There are a ton of other great local artists to check out, so swoop details and tickets here.

Spread The Word Music Festival May 11th-13th

Taking place at Denver’s Fox Street Compound, Spread The Word features a mix of local and national artists with styles including rock, jam, funk, reggae, hip-hop, folk/grass, electronic and fusion. Headliners of this year's fest include Jeff Austin Band (formerly of Yonder Mountain String Band), Everyone Orchestra (conducted by Matt Butler), A-Mac & The Height, and Bass Physics. Full lineup here.

303 Music Festival May 17th

Hosted by Ru Johnson at Denver's The Church, 303 Magazine is bringing you one awesome night of local music. Trev Rich, CITRA, Eldren, and The Other Black are just some of the bands on the lineup. Full details and tickets here

Five Points Jazz Festival May 19th

This FREE annual festival is back this year in Denver's Five Points neighborhood and will feature artists like Jakarta, The King Stan Band, Impulse, The Hendersons, Patrick McDevitt Nation, and more. You can bounce between venues or just walk around and take in all the good sounds. Full lineup and details here.

Mountain Games June 7th-10th

GoPro is putting on a festival in Vail with headliners like Chris Robinson Brotherhood, St. Paul & The Broken Bones, Bonfire Dub, and The Wood Brothers. The weekend will also feature a slew of athletic events, including competitions for your dog, a silent disco, and art exhibits. You can grab tickets to Mountain Games here.

Greeley Blues Jam June 8th-9th

The Greeley Blues Jam keeps the blues scene alive and this year, their lineup includes The Devon Allman Project, Ronnie Earl & The Broadcasters, and Danielle Nicole. This is one weekend you’ll enjoy being blue. Full lineup on their website.

Taste of Fort Collins June 8th-10th

The 22nd annual Taste of Fort Collins headliners include William Michael Morgan, Eddie Money, Everlast, and Judah & the Lion. Tickets are only $5-$10 and the fest is hosted at Civic Center Park in Old Towne. Grab more info on their website.

Country Jam June 14th-17th

Grand Junction will host Country Jam’s 27th annual four-day fest this year. Florida Georgia Line, Miranda Lambert, Brantley Gilbert, Brett Eldredge, and Big & Rich top the headliners list of the 30+ artists that will play to your boot kickin’ desire. Surrounded by the red rocks of GJ, this festival annually hosts some of the biggest names in country music. More info at this link.

Sonic Bloom Festival June 14th-17th

If you like electronic music, there’s no better place to be than Colorado’s Sonic Bloom Festival. Happening at Hummingbird Ranch in Spanish Peaks Country, the weekend will feature performances from Shpongle, Keys N Krates, Nightmares On Wax, Liquid Stranger, EOTO and a huge array of other beatmasters. The festival will also feature yogis and movement leaders, as well as interpretive artists. And did we mention the visuals? Full lineup here.

Telluride Bluegrass Festival June 15th-18th

Telluride Bluegrass Festival celebrates its 45th year this summer! Tedeschi Trucks Band, Greensky Bluegrass, and Leftover Salmon top the fest’s 2018 list. We can tell you from past experience that this fest is magical and we’ve even met some our favorite musicians at (where else?) the Port-a-Potties. More info and tickets here.

Cover Rock Festival June 22nd-23rd

Looking for tunes from tribute bands? This festival is all about it. Hosted in Avon, Cover Rock Festival will feature tributes to artists like Simon & Garfunkel, Bruce Springsteen, The Doors, the late Tom Petty (RIP!!), and others. More info and tickets here.

Westword Music Showcase June 23rd

Denver’s alt weekly newspaper will host their annual summer celebration this year. With Galantis, Bonobo, The Front Bottoms, Joywave, and a ton of local artists, this will be one to clink a summer beer to and enjoy. More info and tickets on their website.

Van’s Warped Tour July 1st

Warped Tour recently announced that 2018 will be the last year for the traveling festival. Though much has changed since what was arguably Warped Tour’s heyday (moshing is now frowned upon), we’re still sad to see it go. Give these bands a proper send-off- locals 30H!3 are top-billed with acts like All Time Low, Asking Alexandria, and more. Tickets here.

Colorado Rocky Mountain Old Time Music Association (CROMA) July 11th-15th

CROMA's annual Parrish Ranch festival features a great old-time music lineup, workshops, nightly dances, open jams, classes for kids, open stage times, and couples dance workshops. The festival manages to keep old traditions alive while also bringing a modern twist to some elements. Artists at this year's fest will include Bryant and Brown, The Onlies, Betse & Clarke, The Barn Owls, Patt and Possum, Caroline Oakley, Chris Kemiet, and Larry Edelman. Get full details and tickets here.

The Ride Festival July 14th-15th

The String Cheese Incident, Sheryl Crow, and Grace Potter will headline The Ride Festival this year, another Telluride fest that is sure to get you groovin’. Joe Russo’s Almost Dead, Chris Robinson Brotherhood, Big Something, and others will keep your summer-chill vibes in check at this one. Full lineup here.

Global Dance Festival July 20th-21st

If you’re ready to dance, Global’s got a crazy mix of electronic and hip-hop artists like Deadmau5, Gucci Mane, Future, and Machine Gun Kelly topping their list. The event is at Sports Authority Field this year and you can snag tickets here.

The Underground Music Showcase July 27th-29th

One of our absolute favorite weekends of the summer is Denver’s The UMS due to its focus on local artists, and all the fun that comes along with wandering around the South Broadway venues hosting the three-day event. In news this year, Two Parts has taken over the event. This year's lineup is stellar with headliners like Alvvays, BJ the Chicago Kid, Classixx, Deerhunter, Digable Planets and over 100 local artists who we absolutely adore. Tickets and full details here

Rockygrass Festival July 27th-29th

Bluegrass, bluegrass, and more bluegrass. That’s what Rockygrass in Lyons is all about! Last year, the festival showed us the changing face of the genre. This year, Sam Bush Bluegrass Band, David Grisman and Peter Rowan, and Hot Rize are already confirmed for this pickin’ celebration, so get your tickets now. More info and tickets at this link.

ARISE Music Festival August 3rd-5th

Colorado’s ARISE is back for its sixth year at Loveland’s Sunrise Ranch, and features seven stages of live music, yoga, workshops, theme camps, art galleries & installations, a children’s village, speakers, and films! Some of the top billed artists for 2017 include Slightly Stoopid, Thievery Corporation, and Trevor Hall. Get more details here.

Bohemian Nights at NewWestFest August 10th-12th

Bohemian Nights at NewWestFest is a FREE, recurring, three-day music festival held every August in the historic downtown of Fort Collins. Bohemian Nights headliners this year include The Motet, Blondie, and The Decemberists. The festival also hosts a number of local bands on their stages- get the full schedule and details for the weekend here.

Local Jam Grand Junction August 10th-12th

Known for its "creativity, passion, dedication, style,  [and] massive talent," Grand Junction's three-day festival Local Jam is a celebration of Western Slope bands ranging from metal to bluegrass. Stray Grass, Jack + Jill, Suckafish, Tim + Richard, and others have been announced for the year. Full details and lineup here.

Mountain Town Music Festival August 17th-18th

Back for its fifth year, Keystone’s Mountain Town Music Festival features a mix of rock and grass bands like Ages & Ages, Mipso, Strange Americans, and Shovels & Rope. The fest is a celebration of “all things Colorado” so you can expect some good brews along with the shows. More info and tickets here.

Velorama Colorado August 17th-19th

Following the Colorado Classic bicycle race, Velorama is returning to Denver’s RiNo Neighborhood for its second year this summer. Cold War Kids, Matt & Kim, Rainbow Kitten Surprise, and The Kills are the bands announced so far, and you don’t have to bike in the race to partake in the party. Plus local acts Brent Cowles, Wildermiss, and Slow Caves are on the bill! More about this new fest here.

Rocky Mountain Folks Festival August 17th-19th

Rocky Mountain Folks Festival showcased artists who brought current politics into their tunes last year, bringing people together in solidarity. Along with its songwriting workshops, the Lyons, CO fest created an awesome artistic community that managed to showcase great national acts too. Indigo Girls, Jeff Tweedy, and Los Lobos have been announced for this year’s fest. Tickets here.

Compound Sound Festival August 24th-26th

Boogie Groove Entertainment is producing this year's first annual Compound Sound. What started as friends performing at a private ranch in 2009 has officially launched into a major music festival. Along with headliners like Cycles, Lucid Vision, Tnertle, and Spectacle, the fest will also have food trucks and vendors, yoga and flow workshops, a healing village and "many more shenanigans." Details and tickets here

Four Corners Folk Festival August 31st-September 2nd

Pagosa Springs 23rd annual Four Corners Folks Fest is ready for a campout with bands like Nahko And Medicine For The People, Amy Helm, We Banjo 3, and Jon Stickley Trio. The weekend will also feature jam camps for kids and adults, and lots of tasty local vendors. See more for yourself and grab camping info and tickets here.

Jazz Aspen Snowmass August 31st-September 2nd

Lionel Richie, Jack Johnson, Zac Brown Band, Michael Franti & Spearhead, Fitz and the Tantrums, Gary Clark Jr., Bahamas, and The Record Company are the big acts at Jazz Aspen’s Labor Day event this year. JAS has a smaller June event too, which will feature Lizz Wright, Leslie Odom Jr., Lyle Lovett and His Large Band, Josh Kagler and Harmonistic Praise Crusade, and Georgia On My Mind: A Tribute To Ray Charles. Details on both events here.

Seven Peaks Music Festival August 31st-September 2nd

Dierks Bentley is throwing a three-day music festival in Chaffee County this year with headliners like Miranda Lambert, Brothers Osborne, Elle King, Lanco, Del McCoury, Sam Bush and The Cadillac Three. The new fest is a real treat for country lovers and the scenery of Buena Vista sure won't hurt! Get details and tickets here.

Denver Jazz Festival September 14th-16th

With a mix of local and international jazz acts, Denver Jazz Festival promises over 600 dancers and listeners for their three-day fest. Hal Smith's Swing Central, Jonathan Doyle Swingtet, Red Hot Rhythm Rocket, and many others are on the lineup. Check out news and get tickets here.

Grandoozy September 14th-16th

Superfly, the geniuses behind Bonnaroo, are bringing Grandoozy to Denver this year! In what could possibly be the biggest festival production the state has seen, headliners have already been announced and include Kendrick Lamar, Florence + The Machine, and Stevie Wonder. Sturgill Simpson, Miguel, and St. Vincent have also made the list; Denver-based acts Tennis, Dragondeer, Gasoline Lollipops, and Flaural will perform as well. This fest is our most highly anticipated of 2018 so don’t snoozy- Tier 1 tickets are already sold-out so grab your passes here.

Telluride Blues & Brews September 14th-16th

As regular festivalgoers of Blues & Brews say, “It's not the altitude that'll take your breath away. It's the views.” That, and of course, the music. This year, Robert Plant and the Sensational Space Shifters, Ben Harper and Charlie Musselwhite, Govt Mule, Booker T’s Stax Revue, JJ Grey & Mofro, and Anders Osborne will headline. Early bird tickets are already sold-out, so grab passes while you can here.

Festivals of The Past

Wondering what happened to some of your other favorite Colorado festivals? Project Pabst dissipated into the PBR-fueled mountain air with no Denver announcement this year (but Superfly who put it on is the force behind Grandoozy). Bass Center is now in Virginia after the fest was first moved from Colorado to New Jersey last year; Divide Music Festival, who were rumored to return this year, has now been postponed until 2019 stating, “greater forces are working against us;” Groove Festival’s web presence is still replaced by this Japanese site making us still question everything; Mad Decent Block Party appears to have officially gone off the radar; Riot Fest has again only listed its Chicago date in 2018 after the fest cancelled its Denver show last year; and Vertex (which we freakin’ loved) appears to be a distant dream after it was cancelled in 2017.

Make sure to keep up with our festival coverage all summer on BolderBeat’s dedicated fest page!

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Thunderpussy Are the Storm the Rock'n'Roll Revival Needs

By: Hannah Oreskovich

This Seattle four-piece are shaking up rock'n'roll with a vengeance.

Last Sunday, a thundering snow storm hit Colorado’s Front Range. As the sky rumbled and started spitting fat white flakes instead of rain, Seattle’s Thunderpussy rolled into Denver fresh off of four SXSW sets including an official C3 Entertainment showcase. The band recently made NPR’s “100 Artists to Watch at SXSW” and during the fest, debuted the new song “Show Your Colors,” which they co-wrote with Pearl Jam’s Mike McCready. Their Denver gig was hand-squeezed between a quick trip home and their upcoming Treefort Music Festival appearance and if you braved the storm, Thunderpussy rewarded you with a seductive, spitfire show of rock’n’roll that left the crowd swooning.

Thunderpussy.

Thunderpussy.

“Hi! I’m Molly!” frontwoman Molly Sides exclaimed as she traipsed inside Summit Music Hall, wrapped in a leopard-print coat. As I reached my hand out to hers, she giggled, “Sorry I’m freezing!” and after shaking hands, she held mine and laughed, “But you’re nice and warm!”

As we chatted about Sides’ affinity for snow as an Idaho native, the girls headed to the green room for wardrobe. If you’re curious what that entails, it’s velvet onesies, fishnet stockings, rhinestone bras, and thigh-high glitter boots. And those boots were made for stompin’ on more than just the stage. In a recent interview with Billboard, guitarist Whitney Petty talked about K.Flay’s Grammy nod as the only female artist in the rock category, musing, “I'd say the time is ripe for Thunderpussy to high kick the patriarchy where it counts with a thigh-high, rhinestone encrusted, platform boot.”

And that’s how Thunderpussy rolls- they’ll hold your hand right before serving up their brand of kickass on the stage.

Whitney Petty.

Whitney Petty.

After a session of greenroom pictures where the girls kept apologizing for the cloud of hairspray that hung above us (“Don’t worry! It’s organic!” bassist Leah Julius promised with a smile), the girls paraded out in their heels to the cheers of the crowd.

Currently touring on their 2018 record Greatest Tits with a full album dropping later this spring, the band opened with “Speed Queen,” a song which nods to Led Zeppelin, Aerosmith, and The Runaways all at once. As Sides sang into a vintage-looking mic, her gyrations soon turned to her crawling on the floor while locking eyes with audience members; meanwhile Petty stood above her with one heel pranced on an amp as she leaned into the crowd ripping on guitar and headbanging. Julius jumped off of drummer Ruby Dunphy’s “Pussy” emblazoned kick drum and jazz-trained Dunphy kept a steady beat while the chaos ensued. And this, truly was just the beginning.

Molly Sides.

Molly Sides.

As a frontwoman, Sides seems to pull from performance artists like David Bowie, Elvis, and even Lady Gaga. She is never found standing still, her soaring vocals envelope a room, and though I didn’t get to ask, I left feeling like she must have a dance background. Her stage persona is rock’n’roll seductress, something you can also see in the band’s music video for “Speed Queen.”

Sides is almost impossible to stop looking at, but when you do Petty, Julius, and Dunphy are equally engaging. Petty slashes on guitar in a way that 80s hair metal bands would look up to. She slays, and her solos bring forth those classic rock’n’roll eruptions you look for in this type of sound.

Holding down the low end, Julius’ performance is highlighted with fits of energy- she headbangs just as much as the crowd when she’s not jumping from amps and the kick drum. And Dunphy, who was flying back to Seattle the next morning so that she could make it to her classes at Cornish College of the Arts, is a damn riot. She’s all smiles whether she’s pounding cymbals on “Velvet Noose” or tapping the snare with a light jazz flair on “Torpedo Love.”

Apart, each of these women ooze talented prowess; together the four-piece have an undeniably intense chemistry, one which builds and disseminates throughout the room from start to finish. It’s no surprise that the band has been selling out shows on their Pour Morals tour at spots like LA’s Viper Room, where Red Hot Chili Peppers’ Chad Smith was seen checking out the band. At Sunday’s Denver show, Kid Rock’s entire tour crew strolled in for a listen, blowing off steam before prepping for Rock’s Pepsi Center performance later in the week. When industry pros start showing up for you regularly, you know you’re doing something right.

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Thunderpussy closed the night with “Torpedo Love,” which they just premiered a video for with NPR. In it, Thunderpussy perform the track live in an abandoned nuclear power plant silo.

Said Sides about the video, "When working with Magic Mama Massy, enthused wild ideas literally explode everywhere…  As we crept up to the monstrous structures, it seemed as though they'd been waiting for us, and the concrete curtains calling to us. With both nature and nuclear walls hovering, a beautifully eerie collaboration ensued."

And somehow, that sums up Thunderpussy too: one part sensitive, seductive, and beautiful; the other nuclear, explosive, and ready to tear your heart out.

Sink your teeth into Thunderpussy’s newest music and catch them at Treefort and other major festivals all summer. They’re poised for a takeover, so best brace yourself for the storm.

-Hannah

Follow Hannah on Instagram.

All photos per the author. All videos and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Review: American Grizzly Release New Folk Rock Record Of Past, Present, & Future Sounds

By: Norman Hittle

American Grizzly, a Chicago-based folk rock unit, has released their new self-titled EP to a steadily growing fanbase.

To those of you familiar with The Lumineers, you’ll notice a good deal of homage paid by American Grizzly. But also in attendance are some mellow nods to Mumford & Sons and a slight helping of Neil Young. The band’s own take on their style is rock’n’roll influenced by all things past, present, and future: from tube-screaming noise-rock to the minimalist approach of rural American folk music.

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The EP starts out with the calm folk ballad “Ex-Lovers,” picking out a steady warm chorded windchime of rhythm into the equally calm, but more minimalistic “Ain’t Whupped Me Yet.” Track three, “When Love is Found,” comes in with a southern flair and more upbeat feel. The more straightforward “Rock n’ Roll Cigarettes” lives up to its name with a very muted 40s era feel, yet boasts being the edgiest track. Finally, the EP closes out with the innocent feeling “From a Window,” which comes as a return to classic folk with a solid influence of blues.

American Grizzly.

American Grizzly.

If you like what you hear, the band has a solid backlog of discography that you can peruse with leisure on their Bandcamp!

-Norman

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Famous Men Release Debut Single & Video "Gambler's Cry"

By: Mirna Tufekcic

A brand-spankin’ new trio, Famous Men, who were forged while busking the Pearl Street Mall during the summer of 2017 in Boulder, Colorado, are coming out with their very first album Gambler’s Cry this spring. Recently they released a video for the title track from their upcoming record and we have it here for your viewing pleasure. Check it out below and get stoked for more cool things to come from these guys, like their weekly Facebook live shows every Thursday where they serenade you with originals and covers (of your choice!). You can follow them here.

The band focuses on traditional folk songwriting, while pairing it with rock’n’roll and blues, reminiscent of The Black Keys if they melded with The Wood Brothers and Ryan Adams. Hunter Stone, vocals and guitar of the band, brings a unique twist to this style with a raspy tone that is undeniably cool. His slide guitar skills kill too. Joe Plante on the bass and keys and Joshua Thomas on the drums add to the blues-rock-country feel of this band as a whole. In fact the vibes from these guys at their live performances simply capture the audience’s attention effortlessly. I know because I’ve already seen them on several occasions.

Famous Men.

Famous Men.

Famous men mean business and they deliver. So check them out here first with the video produced by the band themselves. Then make sure to go see them live. How will you know where and when? Head over to their Facebook page.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The Velveteers' Release Party Was Bloody Good Rock'N'Roll

By: Mirna Tufekcic

The Velveteers sold-out the iconic Hi-Dive in Denver last Friday for their self-titled EP release party. An hour after the doors opened, the place was packed with both young and seasoned heavy rock’n’roll fans.

Plastic Daggers. Photo Credit: George L. Bosser

Plastic Daggers. Photo Credit: George L. Bosser

The keen energy in the room was stoked by Denver’s own hard rock/punk band Plastic Daggers, who by the end of their set decided to smash their bass against the stage. Their drummer also brought so much thrill to the performance that he left the stage with bloody hands. There is nothing like blood and broken instruments to start off a good night of music at the Hi-Dive.

Plastic Daggers. Photo Credit: George L. Bosser

Plastic Daggers. Photo Credit: George L. Bosser

During set break, fans were getting excited for the main event of the evening. As sound check started, people eagerly stared at the stage in anticipation for the first riff from The Velveteers to send them off. When you have fans getting this excited for sound check, let’s be real, you must be doing something right.

The Velveteers. Photo Credit: George L. Bosser

The Velveteers. Photo Credit: George L. Bosser

The lights dimmed and The Velveteers walked onstage, accompanied by grave-like organ instrumentation blasting over the speakers. Noah Shomberg and John Demitro hit the first beat on two synced drum sets positioned on opposite sides of the stage as Demi Demitro, the front lady set dead center between them, sent out her signature harsh and heavy, yet elegant strokes of baritone guitar off into the crowd.

Demi Demitro. Photo Credit: George L. Bosser

Demi Demitro. Photo Credit: George L. Bosser

If you haven’t already heard, Demi Demitro is a powerhouse to be reckoned with. Her undeniable talent and presence on stage demands attention and awe as she sings mesmerizing lyrics with enchanted vocals seasoned to put a hex on you. But it’s the song “Just Like The Weather,” the lead single from the band's new self-titled EP, that is ripe with vivacity and momentum to take this band to even higher places than they've already been. Their entire performance was the guitar-scraping-monitors, head-banging blast that the band has come to be known for.

The Velveteers. Photo Credit: George L. Bosser

The Velveteers. Photo Credit: George L. Bosser

The Velveteers’ Hi-Dive show kicked off their release tour, which will take them around the Midwest for the rest of the month. For their upcoming shows, keep up with their Facebook. May the rock’n’roll be with you!

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

This Is Why Every Fruition Show Feels Like Home

By: Mirna Tufekcic

Fruition, a five-piece band from Portland, Oregon, have been playing around Colorado for around ten years, accumulating big love from their fans and innocent first-time observers alike. I proudly consider myself a part of the Fruity Freaks Family, as we Fruition fans like to call ourselves. I have been following Fruition for over eight years now, seeing them play in bars like Oskar Blues in Lyons and at day sets at Ned Fest. They’ve come a long way since then and their newest album, Watching It All Fall Apart, which dropped earlier this month, is a testament to that growth.

Fruition.

Fruition.

For someone like me, who has seen Fruition turn from a green seedling into a blossoming tree, experiencing them rock Denver’s Ogden this past weekend was heartwarming. Their Saturday night performance was nothing short of awesome. The set was filled with music off the new record with soulful songs like “Northern Town” and “I Should Be (On Top Of The World),” rock’n’roll tunes like “I’ll Never Sing Your Name,” “Stuck On You,” “There She Was,” and finally sprinkled throughout were old school Fruition barn-stompers like “Never Again and Boil Over.”  As the band got onstage and the lights turned red and blue, the energy was stoked and by the third song in, the room was electric. People were dancing and singing and catching up with old friends. Taking it all in was a blast.

The thing about a band like Fruition is their family, good-time, sing-and-stomp-along vibe beckons to be experienced on multiple occasions. Going to their shows is like coming back home to catch up with old friends and family and share in the common thread that is their amazing musical talent and performance. And although their latest record is a departure from their grassroots foundation toward an experiment in rock‘n’roll and soul, the essence of Fruition still remains. Any band that plays together and stays together for ten years or more is bound to search and experiment new ways of expressing themselves, and these five members just keep exploring ways to harmonize and express themselves individually and simultaneously cohesively. Morphing into maturity through depth and curiosity, all the while staying grounded and kind, is something that I have always admired about Fruition and why I always believed that they were a powerhouse of musicians worthy of everyone’s attention. After seeing them play this past weekend, my admiration of them is only stronger and my anticipation of their next Colorado visit only higher.   

Check out Fruition at Winter Wondergrass this month, February 24th in Steamboat Springs and later this summer at Red Rocks Amphitheater on August 18th. You can follow them on Facebook for more events and cool videos, like behind the making of their latest album.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Review: Nate Barnes Dives Deep On New Solo Project Plutinos

By: Julia Talen

Having toured and played with musicians and bands such as Rose Hill Drive, Ryan Bingham, Pete Townshend, and Matisyahu, Nate Barnes has set out on his own with his musical project Plutinos. Listeners can pick up on subtle influences, from the rock’n’roll of Rose Hill Drive to the mellow, singer/songwriter qualities of music by Ryan Bingham in Barnes’ new record, but Plutinos dives deep, proving Nate Barnes as a musician with his own sound and vision. Barnes has written, performed, and recorded all of the music on the EP, and each track incorporates a plethora of Barnes’ musical skills encompassing a wide variety of rock genres, from psychedelic, to indie, lo-fi, classic, and everything in between. Simultaneously, verse content explores the nuances of breaking the mold and becoming yourself after trying to fit into others’ boxes.

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The first track off the self-titled EP titled, “Out of Touch,” draws listeners into the disorientation of feeling “out of touch” with reality and with yourself. The guitar and bass are strong, and symbols thrash as we drop into the tune. Barnes’ voice is hazy and distant, rounding out the harder rock’n’roll instrumentals while also playing on the theme of feeling mixed-up and frustrated, “floating in the wicked sea” of “false hope, broken dreams” and feeling “out of touch.”

The second track, “Dream is Lost,” juxtaposes the first, with a slower more reflective tone. The tune opens up with language that conjures vague but evocative imagery with phrases like “slowly fades away” and “edges blur” denoting dreams, memories, and lost feelings. The instrumentals in this track mirror the sung lines, and the tune feels abstract and lulling.  Echoing and ethereal “ooo’s,” which we got a taste of in the first track, accompany the repetitive refrain in which Barnes croons, “the dream is lost.” His vocals are so echoey they are almost hollow, hovering over the resounding and meandering guitar that takes us through this misty, introspective track, which mourns the loss of a real, true dream, forgotten from getting caught up in a fantastical illusion.

Nathan Barnes.

Nathan Barnes.

Up next is “Trying To Be,” which traverses the relentless pressures of fitting into conventional molds or boxes you think you should be in. The guitar and drums are heavy, again contrasting Barnes’ hazy vocals, which feel slightly more clear in this song. The lyrics are relatable, talking about social media’s influence on people “trying to be” something they’re not, and the tune, quite catchy, makes this one a stand out.

In “Falling Away,” the track opens with a more rustic guitar before Barnes layers his now signature “ooo’s” that haunt and echo with a bass and drums that reverberate. There is a beautiful bridge in this one, almost as if we come to a reckoning in this EP’s story of self-destruction while trying to fit in, where Barnes’ sublime guitar reminds me of something in a Sigur Ros song. Listeners get lost in this tune as it ebbs out and we wake up to the final track.

“Hand in Hand” is a hopeful send off to forge forward from the messiness of life with support so you don’t fade into illusory societal conventions and pressures. The verses sound like Tame Impala- psychedelic and deliciously dreamlike- yet the refrain, which builds, reminds me of the rawness that the Dum Dum Girls cultivate in a variety of their tunes.  A few bridges bring in that interesting, experimental, and ethereal guitar soloing similar to the previous track, highlighting how this holistic album weaves vocal and instrumental themes throughout, keeping it cohesive.

This record “venture[s] into uncharted wates… to dive deep,” as Barnes’ explains, like the mythological creatures named after the trans-Neptunian plutinos, who are associated with an underworld. Barnes’ self-titled EP feels hypnotic, raw, and contemplative. He has taken his experience playing with other bands, elevated it, and created something that is true, authentic, original, and definitely astronomical.

-Julia

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: Denver Meatpacking Company Release Chaotic New Video For "Warning Shot"

Last fall, Denver Meatpacking Company released their second record Escape, “a throwback to the early 90s rock scene, with a unique blend of indie and a little grunge, creating an old school sound with hints of The Pixies and The Presidents of the United States of America.

The Denver rock three-piece have been busy since then, releasing videos for several of the songs on the album and playing area shows. Today, we’re premiering the band’s newest music video for their song “Warning Shot,” the third track on Escape.

The video opens with what looks like the aftermath of a night partying on the beach. There’s a pause as the waves crash, and then the video moves on to city-scapes and shots of the nighttime sky. Interspersed with these is a DMC live performance and actors getting pummeled with water, pillows, and even a hand slap for the song’s chorus. The video closes with a rewind scene on a mushroom cloud. Much of the video was actually filmed and created by the band.

DMC.

DMC.

Said member David Simutis about the video, “The inspiration [for the video] was very much related to the meaning behind the song. While the song isn't really overtly political, it's hard to avoid the climate we find ourselves in. So you have this sense of nature and calm being interrupted by chaos and people everywhere, and sometimes something just wakes you up from the day-to-day drudgery- it's like a slap in the face. And the live footage is just so people know we're actual real people playing in basements and garages and not robots. Or something like that…”

Denver Meatpacking Company’s next show is this Friday, 01/26 at 3 Kings Tavern with Vic N' The Narwhals and Waiting ‘Til Three. After you check out their new video, make sure to catch the band live and keep up with them on Facebook.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Television Generation's 'Peel' Is About Your Lonely Life As A Millenial

By: Norman Hittle

Denver’s own apathetic indie-rockers Television Generation are back on the scene with the same attitude and a new EP.

Check out Peel below:

The new music was released December 8th, 2017 through At Night Group. According to the band: “Peel is a 7-song excursion through the eyes of a Denverite's lonely millennial existence in an ever-gentrifying city.” Staying close to the same vein as their previous release (the four-song EP Fuchsia), TVG harnesses a raw energy brought to popularity by greats such as Nirvana (circa Bleach), The Strokes (circa Room on Fire), and indie greats Japandroids.

TVG.

TVG.

“Whatever” kicks off this release with a straightforward garage rock feel in a Dandy Warhols kind of way, highlighting the simple, yet, effective and easy to relate to lyrical content TVG presents to its listeners. “I’d Kill Myself But I Have to Go to Work Tomorrow” follows suit with an added level of dirty bass and a monologue-esque style of singing that reminded me of The Hives.

Katy Johnson.

Katy Johnson.

“The Model” holds coveted spot number three on the EP and presents the listener with what I interpreted as a sarcastic critique of the lifestyle of a fashion model, sung by bassist Katy Johnson. “My Favorite Drug” is a laid back punk vibe (if there is such a monster) alluding to a relationship being a favored drug. “Placeholder” comically comes in as an homage to its own name, but is noteworthy due to the song being uncharacteristic of the energy of the rest of the EP, and almost like an early Radiohead song in regard to its droning lethargy. “Going Blank Again” returns to a more traditional post-punk vibe, as well as being the longest track at over five minutes. “Thirteen” closes out the EP in emo-pop/punk style with a playful guitar lead while Will Hayden sings from the point of view of being a thirteen-year old.

Keep up with TVG on their social media and check out Television Generation live March 9th at Streets of London Pub. Event details here.

-Norman

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: Grayson County Burn Ban Release Second Single From Upcoming Debut Record 'Better Neighbor'

By: Hannah Oreskovich

Denver’s Grayson County Burn Ban first came together in 2014 after frontman Austen Grafa was on the road with another Colorado band and decided he wanted to combine two of his favorite genres: country and rock’n’roll. Having grown up in Texas, Grafa was inspired by songwriters like Guy Clark, Jerry Jeff Walker, Terry Allen, and Robert Earl Keen. After teaming up with fellow Denver musicians Nate Wilson, Travis Page, Brian Beer, and Tyler Brewer (Ned Garthe Explosion), GCBB was formed and Grafa began using his influences to craft what is now considered the band’s “campfire country” sound.

This January, GCBB are releasing their debut record, titled Better Neighbor. The title track from the 12-song release is already out with an accompanying music video (see above), and one that is hard for any Denverite not to laugh along with. It details (rather sarcastically) some of the trials of Denver city life, like trying to park in Cap Hill, or the frustration many have faced when finding recyclable beer cans in the trash bin after day-drinking in Cheesman Park. The song’s refrain, “Are you an idiot? Or just an asshole?” will have you laughing as the band members experience other annoyances while venturing around their neighborhood and asking you to be the exact thing the title of their new record suggests.

Today, the band has released their second single and accompanying video for their song “Up Here.”

Animated by artist, Sarah Letteny, the video follows a character slowly climbing up a ladder in black and white while reflecting on the world down below before it falls through a psychedelic-colored sky back to its colorless reality. As the chorus repeats, “I’m higher than I’ve ever been/looking down at this little world I’m in/Everything is making sense/but I don’t know if I should be alone up here,” things like money and cars appear just out of reach of the video’s character before it crashes through the clouds.

Said Grafa about the video, “Sarah did an amazing job bringing our vision to life for this song, which is, as the lyrics state, all about being ‘a little too high,’ where you can see everything going on, but maybe you shouldn’t be so high alone.”

“Up Here” continues GCBB’s “campfire country” sound with Grafa’s rolling, storytelling vocals over guitar before it breaks into a full-band-at-your-favorite-dive-bar slow country jam.

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Grayson County Burn make the kind of music you want to crush cans to. Just make sure you recycle those when you're finished.

Keep up with Grayson County Burn Ban here.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Review: Gasoline Lollipops' New Record 'Soul Mine' Leaves Nothing Left Unsaid

By: Julia Talen

Colorado's beloved alt-country band Gasoline Lollipops release their new album Soul Mine  this month, with a vinyl release party happening December 16th at The Fox Theatre in Boulder. The band will be making their homecoming after a long stint in Europe touring throughout Belgium and the Netherlands. Fans and listeners will not be disappointed, as this album gives us the rugged-punk, country rock’n’roll sound fans know and love while exploring themes of emotional heartbreak, pain, motivation, and growth. The opening track and title of the album hint at the content within, as the band welds together folk and untamed alternative-country-rock to produce a record full of depth, stories, and music that compels listeners to take a stand while also contemplating.

Gasoline Lollipops at Red Rocks. Photo:   Hannah Oreskovich

Gasoline Lollipops at Red Rocks. Photo: Hannah Oreskovich

Clay Rose's voice immediately reminded me of the likes of Tom Waits and Leonard Cohen; deep, gritty and dark, yet sustained with unwavering intensity and truth. The title track begins with a soulful, bluesy opening accompanying Rose's rich vocals and the band's groovy guitar solos. Lyrics like "started out digging for diamonds and gold/now I'm digging through the long, dark night of the soul/to see dawn" and "love springs from deep wells/faith is born in the forge of hell/forge on" allude to the theme of the album: one of transformation. "Soul Mine," evolves as a track as well. At one point the refrain builds and then pulls back, stripped down to bare instruments and vocals, only to rebuild into an epic finish that swells. This engrossing track sets the tone for the album as listeners dive deep into stories of loss and evolution.

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The first half of the album is filled with songs that showcase Gasoline Lollipop's eclectic style and ability to explore country rock beyond the confines of a genre. Rose's profound voice sounds subterranean and electrified at times, while other times rustic and lightened, yet still powerful. Drum beats, guitar solos, and harmonic keys shine through in many of the tracks as listeners settle into the tales that the album chronicles. "Woman and a Gun," the third track, begins slowly and vocally; it sounds like a story told near a fire out west about an outlaw named Jessie. The tune's refrain breaks the early, rustic, folktale feel as the track builds. The second half of the song surges with lyrics, "all my faith is a bullet/all my God is a gun/all this world was just smoke and mirrors/I'm gonna break them one by one." After repeating the last verse, "gonna break them one by one," the song launches into a fast, dynamic progression full of intricate guitar solos and percussion that intensifies, elevating the ending of the track by taking it to an edge.

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As the album continues, listeners move through songs of heartbreak. "Casanova" wavers in and out of a harsh rock’n'roll sound and a slow, somber refrain: "If a man goes livin'/for the heart for too long/he's bound to be eaten alive." The track "Montreal" details an ending and nostalgia for the past, as GasPops evoke emotion and leave nothing left unsaid.

"Burns" comes soon after and opens with strings that cry out from the start. There is an evocative darkness hovering over the track, that reminded me of The National. However, Rose's voice builds and breaks boundaries as he repeats "and it burns" towards the end of the track. This one gave me chills, because once again, it felt like GasPops were taking me into the fire with them. Their music goes beyond instruments and vocals; their passionate lyrics, layered with brilliant instrumentals, grab you and take you into an experience they construct with their music, one in which you feel the pain from a past memory that their music expresses in the present moment.

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After exploring more heavy transformation and darkness with tracks titled, "Ghost of a Man," and "Leaving Alone," the album ends with the tune, "Put me to the Task," a hopeful send off, complete with elements of upbeat country rock. The steel guitar and violin liven the tune along with Rose's vocals and the warm harmonies that round out the refrain. The bass carries through and lights a spark under the folds of sound that grow throughout the song. The song finishes off with lyrics, "Well I know/time has come to make good what we don't/but I'm eager to please." We are left with some light at the end of this dark, yet resounding album.

Soul Mine takes listeners to a vulnerable threshold, all the while showcasing the band's dynamic sounds, sounds that truly liberate them from one specific genre. This mighty and gripping album is one that listeners can relate to, contemplate, and even dance to, making it an album that anyone can connect with. Don't miss Gasoline Lollipops album release party on December 16th at The Fox Theatre, followed by their NYE show December 31 at Hodi's Half Note in Fort Collins!           

-Julia

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: Augustus Release New Single "Demons" From Upcoming EP

By: Andrew Wright

In the dizzying internet world where all the different kinds of music thrown at you can be overwhelming, to the pop-dominated airwaves of half-dead radio, it is a touch of awesome nostalgia to hear simple, cool, straightforward rock and roll. The Boulder-based band Augustus are a call back to this music, the kind that simply exudes cool without trying.

“Demons” is the first single from the band’s forthcoming EP, which is due out in the spring of 2018. “Demons” is simple in its form as a rock song, but this is a good thing. The most important lesson I ever learned in music theory class was to write music and then have the theory make sense of it; in other words it’s ok to be simple when the music is actually good. Augustus have accomplished this powerful principle with “Demons,” making this band yet another solid one in the ever-growing pool of awesome talent in Colorado. With bluesy guitars under frontman Colin Kelly’s thick and reverb-y vocals, to the rock-heavy drum patterns on this track, “Demons” is a perfect wave of rock’n’roll.

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“Demons” is the first of two singles to be released from the band’s Denver Art Institute sessions, where drummer Jay Elliot is an adjunct professor. Members Jim Herlihy (guitar) and Chad Mathis (bass) tracked their instruments live at DAI along with Elliot (drums) and students from an advanced audio course helped engineer the sessions, making this song bleed even more Colorado music community vibes. The vocals and lead guitar were tracked at Casa Nostra Studios in Boulder by Kelly (vocals/guitar), with mastering by Dominick Maita.

Augustus have plans to release a music video for "Demons" soon. You can keep up with this four-piece rock'n'roll outfit and their next EP here.

-Andrew

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The Hollow Are Making A Lot More Noise Than Just "Sleep Talkin'"

By: Elizabeth Lee

The goal of The Hollow (a band we once joined on tour aboard their "CrowBus") is very straightforward: “to deliver exceptional music that makes you fall in love with rock and roll all over again.” Since the alternative-rock band was formed in 2013, they have done exactly that, aiming to transform the landscape of contemporary rock and roll music. They released their first EP in 2015 and are now on the tail of an extremely successful tour in 2016, which has featured sold out shows, national support appearances, and festival slots.

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“Sleep Talkin” is their latest single, accompanied by a newly released music video, which dropped November 4th. The video is a testimony to all that The Hollow has worked for, collaborating with Kind Dub, AlphaPixel Digital, Evergroove Studio and many others. The song focuses on honesty and open communication in relationships, as the video shows a couple heading to sleep with unspoken words.

Watch "Sleep Talkin'":

Visually, the video is evocative and eye-catching, serving as a metaphor for the narrator’s struggle. The single keeps with the band’s hard-hitting, focused style of rock'n'roll, with a heavy rhythm section, skillfully layered guitar-laced with strong vocals, and powerful lyrics. The Hollow draw their influence from rock icons such as MUSE and Queens of the Stone Age, and it shows even in the mood of the video.

Check out “Sleep Talkin” and be sure to catch The Hollow at their next live show, December 9th at Peak 31 Union Station in Colorado Springs.

Keep up with the band here.

-Elizabeth

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Psych Rock & Multimedia Project King Eddie To Release New Record 'Holographic Universe'

By: Norman Hittle

King Eddie, a denver-based psychedelic rock and VR multimedia project, is preparing to release their second full-length album, Holographic Universe, this Friday, November 17th.

King Eddie.

King Eddie.

Holographic Universe was recorded at Moon Magnet Studios in Denver and marks the band’s first full length release since 2015’s King Eddie (self-titled) release.

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The band’s charge, led by Jay Mars (guitar and vocals), is further filled out by guitarist Benjamin Buttice, bassist Velvet Adams, and drummer Linton Wright. King Eddie’s sound is reminiscent of some of the more lo-fi Britpop concepts of the late 70’s mixed with perhaps a touch of Tame Impala’s signature modern version of psychedelic rock.

Regarding what Holographic Universe represents, singer and guitarist Jay Mars told BolderBeat: “[The record] is a concept album about reconciling human vulnerability and the depth of your own experience with what quantum science and ancient religions tells us is true- ‘reality’ is an illusion. It's loosely based around virtual reality and the futurism of Philip K Dick and Westworld.”

Jay Mars.

Jay Mars.

The Holographic Universe release party will feature Kyle Emerson, Panther Martin, and DeCollage (DJ set), along with live virtual reality visuals from the DenVR collective. Check out this fully immersive experience at their album release show this Saturday, November 18th at the Hi-Dive in Denver, CO. Event details and tickets here!

-Norman

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: Last of the Easy Rider's Release New Psych Rock Single "Unto The Earth"

By: Julia Talen

Denver’s Last of the Easy Riders released their self-titled EP about one year ago. Since then, they have been busy playing shows and writing new music, having recently released a single called, “Goin' Down Slow” in September 2017. Their self-titled EP and “Goin' Down Slow” continue to showcase the band’s good ol’ sixties cosmic rock’n’roll vibe, effervescent of The Band or Crosby, Stills, Nash, and Young. However, a subtle eerie quality hovers over their most recent track, “Unto The Earth,” expanding upon the group's psychedelic tendencies and echoing obscure nuances like those found in The Byrds’ “Eight Mile High" or Pink Floyd's “See Emily Run.”

Listen to "Unto The Earth": 

“Unto The Earth” opens with funky guitar scale progressions alluding strongly to late 60s and early 70s rock as notes and instrumentation blend with the group’s vocals, giving us a hazy, psychedelic feel. The vivid, colorful, and poetic verses are as enticing as the funky, bohemian sound with opening lyrics, "In her I see greens of spring/softly glistening/coming after me" and “Walking beside my love at dawn/wishing for an endless morning/a crown of violets in her hair/wilting as its warning.” The pastoral imagery enthralls the listener, invoking illustrative elements amidst the experimental guitar scales and chords that build and retract. The refrain "unto the earth we all return/laid to rest in these strawberry ferns/rosemary and white clover" slightly haunts the tune as well, with wailing harmonies and ghostly "ahhs" as we feel themes of grappling with love, existence, and endings permeate the track.

Last of the Easy Riders.

Last of the Easy Riders.

The song is even and balanced with psychedelic and vintage elements as it wanders, tunneling and traversing instrumentally, vocally, and lyrically. It has a kaleidoscopic quality, and though it's perhaps a little different than what we're used to from the Last of The Easy Riders, it highlights the group's versatility in exploring the many realms of rock’n’roll, from classic, country-folk, and psychedelic. You can see the Last of The Easy Riders alongside Casey James Prestwood and the Burning Angels play this song and others at their upcoming show, November 22nd in Denver at Globe Hall!

-Julia

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

A Shadow Of Jaguar Release New Music Video "Don't Want to Die Here" In Anticipation Of Debut Record 'RAW'

By: Andrew Wright

The 60s and 70s were largely marked by civil unrest on multiple fronts, and when you compare those times to the events of today, it’s not hard to see similarities. Music artists are picking up on that reality, and bringing back not only the sound of that time, but the ideas and movements as well. A Shadow of Jaguar’s new music video “Don’t Want To Die Here” is one example of this kind of art. The music video features a woman dancing in white against a white screen with multiple apocalyptic images behind her, and at one point, the dancer even puts a small sunflower in her mouth before anything starts, beginning with a sort of symbolic silence that harkens back to “flower children” of the late 60s, an acid hit, and the anti-war protest of the 60s and 70s all at once.

The music itself here has crunchy distortion, a catchy rhythm, and a singer with a vintage-sounding voice (Brian Hubbert) singing about a dismal place, of smoking cities and other ghastly images. He sings the title of the track, “Don’t Want to Die Here” multiple times as a cry for life and safety. The more you listen to this song, the more you almost get a sense of a past voice crying out, but in something that is relevant today with current events, like the threats of nuclear war, civil unrest, and war that seems never ending and unwinnable at times.

A Shadow of Jaguar.

A Shadow of Jaguar.

If you care about music that has the soul of this era in sound and message, then listen to and watch the music video for “Don’t Want to Die Here” by A Shadow of Jaguar. Their debut album, RAW is coming fast, and drops this weekend on October 28th.

Keep up with A Shadow of Jaguar here.

-Andrew

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.
 

Gasoline Lollipops Brought A Storm Of Sound To Debut Red Rocks Performance

By: Hannah Oreskovich

There's a certain feeling of pride you get when you see local artists accomplish something big, like when The Yawpers were signed with Bloodshot Records or when Nathaniel Rateliff & The Nightsweats got their first Jimmy Fallon gig and blasted into the international spotlight. This week, that same heartwarming feeling was much aglow as fans watched Colorado’s Gasoline Lollipops take the stage at the state’s best, Red Rocks Amphitheatre.

Clay Rose.

Clay Rose.

The GasPops, as the band is more affectionately known to fans, first started back in 2009. Founding and original member Clay Rose, who is also the project’s frontman, grew up between Boulder & Nashville’s music markets. Piecing together sounds from each city’s scene, along with other influences, GasPops music combines punk, alternative, folk, country, and rock’n’roll. The Boulder band have been called everything from gypsy punk to “dirt floor folk” and played just about every venue in the state to date over the last six years.

Except for The Rocks. And that's why Monday’s show was just so special.

As the opening entertainment for the film Twister, the last “Film On The Rocks” of the summer for Denver Film Society’s series, Gasoline Lollipops brought a real storm of sound to the stage. There was a boot-stompin’ thunder of drums and standup bass (courtesy of Adam Perry and Brad Morse respectively), tempestuous, warm crackles of sound from Rose’s harmonica mic and Jeb Bows’ (Gregory Alan Isakov) violin solos, and a whirlwind of tight, raining vocal harmonies between Alexandra Schwan and Rose. Donny Ambory’s electric guitar playing also added a swirl of heated rebelliousness to the mix, an element the Gasoline Lollipops are well-known to evoke in their live shows.

GasPops on the Rocks.

GasPops on the Rocks.

The band opened their hour set with “Smoke and Steam” and played songs from several of their records, including “Death,” “Longest Night,” “Love Is Free,” “The Wire,” and “White Trash.” The six-piece also introduced us to some new tunes from their upcoming record Soul Mine, “Leaving Alone” and “Burns.” And the crowd, who sat for the film, were on their feet for the entirety of the GasPops’ set. There were hollers, cheers, and a lot of dancing happening between the night’s glowing rocks, which seem to be common sights and sounds at the punk rock hoedown that is a Gasoline Lollipops show.

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Overall, Gasoline Lollipops played a very Red Rocks-worthy performance for their debut at the venue. After the show, several crowd members voiced that they hoped for a GasPops storm to hit the rocks again next year. I'm hoping for it too but until then, catch them at the Fox Theatre this December for their Soul Mine vinyl release show, or drop everything and roll with them on their upcoming overseas tour this fall, where the GasPops storm of sound will be raging on.

Keep up with Gasoline Lollipops here.

-Hannah

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All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.