Review: Dinosaur City Records Has a New Mixtape Out & It's More Important to Listen to Now Than Ever

By: Julia Talen

Dinosaur City Records (DCR), a small independent label out of Sydney, Australia, has been issuing annual mixtapes for the last couple of years. With their third one released at the end of May, Jordanne Chant, co-founder of the label shared, “the mixtapes are a nice way of showcasing a diverse mix of brilliant music that’s being made at the moment.”

Cody Munro Moore. 

Cody Munro Moore. 

Most of the tracks off Dinosaur City Records Mixtape #3 are unreleased, and listeners can locate indie musicians based in Australia, NYC, and LA across the compilation’s 23 tracks. Moreover, as the DIY music scene continues to go unrecognized or be simply dismissed (ahem Rhinoceropolis and Glob here in Denver), it’s important for people to tune in to what artists are continuing to create and innovate.

Thankfully, DCR is keeping independent music alive. Chant and co-founder Cody Munro Moore clearly have a keen ear for original musicians and listening to this mixtape (via online streaming, digital album, or cassette tape) is a must for any music nerd or curious listener looking for something different than their Spotify “Discover Weekly” playlist.

The mix starts with Ali Flintoff of Denise Le Menice. Her hazy track, “Addiction” casts a lofi DIY vibe that’ll permeate much of the album, weaving psychedelic surf rock undertones into the fiber of the tune. It’s catchy, lovely, and enticing.

As we move through the tracks, we get a taste of a variety of genres. “Tender” a tune by Sophie McComish, the artist behind Tuffence Meringue, soothes the listener with hypnotic vocals and instruments, evocative of authentic musicians like Frankie Rose.

Brooklyn-based band Navy Gang’s tune, “Just Kidding Not” follows. Their infectious and witty tune with lyrics, “I’m indecisive/I fucking hate you/No I don’t/Don’t know if I love you” evokes Animal Collective during its chorus, as the band whales, “I don’t ever wanna be alone again.” It’s pretty brilliant. And this clever, experimental tune leads into “Cockroach,” by Bourgeois Earth, which is probably my favorite of the 23 songs.

“Cockroach” is wildly exploratory, melding electronic sounds with brass instrumentation, and ethereal and alien-like vocals that make their mark. If you like the 2009 album Merriweather Post Pavilion, or really any sort of experimental pop music, you’re going to love this one. Though it’s exploratory, this ingenius track is compact and holds together, not flailing every which way as it probes all sorts of music genres and instrumentation throughout its corners.

Mezko’s “Without You” reminds me of some genius new work from LCD Soundsystem, Bored Short’s “Bar Cards” slows things down a little, reminding me vocally of Alex Cameron’s somber, but brilliant songs. Sadventure’s “One More Night” also breaks ground with its drifty, floaty melody, similar to a song off an old M83 album, getting heavier as it moves along.

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In the latter half of the album, we hear Painter Paige Emery’s lo-fi, hazy tune, “Here Now Stay Go” which sounds like she’s painting pieces of her song into the air to create a masterpiece of sounds.Track 17, Romy Church of e4444e’s song, Volume Two has a rhythmic opening and shifting and folding lo-fi vocals that are calm yet penetrating. And Cody Munro Moore’s new wave tune “As The Empire Fell Apart” definitely evokes the artful, post-punk vibes of Talking Heads.

I’ve only scratched the surface on the myriad of incredible music across this mixtape. DRC’s curated a record that’s original, unique, cutting edge, and incredibly important to listen too. The small label’s mission to honor and acknowledge independent music is of utmost importance to the music scene these days, so be sure to tune in.

-Julia

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

King Eddie's New Music Video Was Inspired By A Family Member's Life Saving Liver Transplant

Last November, psych rock and multimedia group King Eddie released their second full-length record Holographic Universe. The album is “reminiscent of some of the more lo-fi Britpop concepts of the late 70s mixed with perhaps a touch of Tame Impala’s signature modern version of psychedelic rock.”

Recently, the band unveiled their latest music video at Alamo Drafthouse Cinema in Denver for their track “ENTER THE MAN,” the sixth tune on the record. Teeming with the trippy visuals the band is known for, the video was shot at Denver’s Globeville Riverfront Art Space “on a very cold day in January.” It was directed and edited by Steve Besette & Kendal Hurst and costumed by Jacqueline Cordova, who stars in the video alongside Nick Ellingson. King Eddie’s members also make painted appearances.

The song, which was remixed for the video by Mike Schulze (director of the University of Denver's Recording Arts program), also has a powerful story behind it which heavily influenced the direction of the video creatively.

Velvet Adams of King Eddie. 

Velvet Adams of King Eddie. 

Shares frontman Jay Mars, “‘ENTER THE MAN’ started as a song I wrote in Atlanta shortly after my father's life saving organ transplant. The summer of 2016, he was diagnosed with an aggressive liver disease, and by Thanksgiving, I was headed to Georgia to either witness a miracle or say goodbye. The disease exposed a lot of fault lines within my own family, and power struggles that made my ability to care for him and my own search for answers even more difficult. His boss called me a week before Thanksgiving… I didn't realize how sick he was, and I needed to get there as soon as possible. I felt like the situation was being covered up, and I didn't know why or what for. I was stunned to see what the disease had done to his body in a few months. I didn't even recognize him… ”

Jay Mars.

Jay Mars.

As he waited for his father in the intensive surgical recovery center for over a week after the transplant operation, Mars began writing “ENTER THE MAN.”

Says Mars, “I wrote what become the chorus, and the lyrics, ‘Faith enter the man, through a hole inside his head.’ I see this song as a psychedelic drama about staring down your own mortality. The lyrics ‘in a white room stripped to your own, you'll find out yourself’ were inspired by something he said about heading into the surgery, at the 11:59:59 of his life, knowing there was no going back, and he would either die or have a second chance at life. The surgery room was white, circular, surrounded by doctors, and he was lying naked in the center of the room, surrounded by unfamiliar experts in liver pathology. It's hard to imagine what that must have felt like. My best guess is the hallway scene in the video, racing toward something… and on the other side: he miraculously wakes up. ‘ENTER THE MAN’ is a song that explores mortality, the relationship between mind and body, life and death, condemnation and rebirth. We live often completely wrapped up in stories we've projected onto ourselves, about ourselves, about others, the way life is and ought to be. I wanted to explore that space because I thought that's where dissatisfaction might instinctively arise. ‘ENTER THE MAN,’ and the rest of our album Holographic Universe are furthermore inspired by the writings of Michael Talbot in his book The Holographic Universe, asking: If reality is maya, or illusion, can we create our own hologram?”

Whether or not we can, King Eddie sure try. Watch their psychedelic experience above and keep up with King Eddie here.

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

(Un)Traditional Love Songs: A Playlist For Your Valentine's Day & So Much More

By: Joliene Adams

Forget complaints about Valentine’s Day commercialism. Let’s think instead on the limitations of the kind of love that gets advertised to us. Love comes in all shapes and sizes far beyond romantic, and this playlist reflects all those feelings and shades of love. Wherever you are at in your love life and whoever you love in whatever ways, whether the burning embers of passion or the charcoal heart of getting burned from love; from your lover to your mother, it’s all here:

Listen to BolderBeat’s “(Un)Traditional Love Songs” Playlist:

1. “Death Hex” – The VelveteersDeath Hex (2016)

No one said love came without barbs. Hook, line, and sinker, The Velveteers rock straight for the jugular. John Demitro’s drums thunder with the urgency of foreboding storms while Demi Demitro’s tight, heavy guitar licks smack you awake. Staggered vocal notes build tension up to lift off as Demi lets melodic hollers unapologetically rip. If their rock doesn’t shatter the teacups on your shelf, you haven’t turned that heavy grit up loud enough.

And this one’s lyrical content doesn’t dote expressly on love. Demi speaks to this in an interview covered by BolderBeat’s Hannah Oreskovich, “‘Death Hex’ is about awakening from the dead and saying goodbye to the past. It was really inspired by a sense of magic I felt happening. It’s a story of coming back from a bad situation and coming out on the other side better than you ever imagined.” It might not be about love, but it’s an ages old story, that of the lover who rises from the ashes. Take your heartbreak, wipe the floor clean with it, and rise from the ashes bigger, better, stronger, faster, badder-asser.

2. “Didn’t See You There” – Red Fox RunRed Fox Run (2015)

Ever turned around or glanced sidelong at your buddy and all of a sudden SPLAT, you think, “I did NOT realize my friend was this cute let alone that that I was in love with them this whole time?” This number cascades and careens as your own feelings might at such a realization. Red Fox Run fearlessly showcase vocalist and rhythm guitarist Daniel Rondeau shouting out a proclamation from the truths that sit in the center pit of a heart. He’s proclaiming hopeful, but it’s clearly uncertain since “I couldn’t love you more than I do right now” isn’t the end of the sentence. Red Fox Run keep it playful, but in the end, they’ve said all they need to say.

It’s the year anniversary of Red Fox Run being no longer, an anniversary that may bring with it many a fan’s broken heart. But the good news is that three out of four original RFR members continue on in their new Denver-based project Wildermiss.

3. “I Like You” – Ned Garthe Explosion Flashlight Tan (2016)

Crash forward, skid in sideways, stop abruptly- you’ll travel at all different speeds in Ned Garthe Explosion’s capable hands. Splaying themselves across diverse elements is something familiar to Ned Garthe Explosion and their fans. As Andy Thomas of Westword notes, 2016’s Flashlight Tan finds frontman Ned Garthe and his co-conspirators messing around with genre and intent “writing deliberately toward a certain genre, in an earnest near-parody that’s so good you can’t tell it’s a parody. It’s a depth of vision that can only be achieved late at night, when the cops are nowhere to be found.” But isn’t that love sometimes? Crashing forward, landing backwards… and even sometimes ending in a weird parody you sort of knew existed.

4. “Call Through the Wire” – Inner Oceans Call Through the Wire (2016)

“If I leave you in the night...” The suggestion alone leaves you indignant, does it not? The sentiment wells up from something clearly much deeper as Inner Oceans’ frontman Griffith Snyder sings lushly of the story unfolding. “I see you all the time and it hurts to think you were right,” he sings. The sound is atmospherically absorbing while the message delivers clear adoration with a twinge of regret and a still-in-love/lust-with-you. Sometimes it’s hard to separate the two, in life or in music, and I can’t come down on which it might be here but I’m ok with it.

5. “Shooting Star” – RossonianYou Are Your Own Dentist (2013)

Rossonian use space and astral phenomena as metaphor, delivering dreamy and delicate wonder. This one is absolutely a love song, but also earns love for the success of their symbolic narrative. It propels, then floats, taking pause to deliver changes in emphatic subtleties. Rossonian is master of small sound shifts across a slow build, lending the song a complexity that doesn’t announce itself like a smack to the face, but rather comes at and through you like the feeling of slowly waking up. This one’s a gentle journey from one end of conscious awareness to another, starting gently and sleepily as it comes to burn bright-eyed awake.  

6.  “Day I Was Born” – 5ive, Jessica Jones – Radioland (2016)

There’s romantic love, and then there’s the love for your mother. Both can overpower. If I had any doubts as to which it was here at first (the word “mama” is sufficiently vague enough terminology to always throw me off without further clear direction), Jessica Jones’ vocal turn sways results to the latter. “Mama you believed in me, even when my skies were gray, you gave me the entire world… people asked me how’d I got so strong. I tell ‘em that my mama showed me the way. You always raised me up right, with all the love you gave.” Where 5ive (Quinn Lynch) and Jessica Jones put the soul in your playlist, your mother put you and your soul into this world. So if you tell anyone you love them on Valentine’s Day, make it your mother and be sure to thank her.

7. “If I Grew a Violet (You’d Ask for a Rose)” – Andy Sydow A Little Messed Up (2016)

Ever read the children’s book If You Give A Mouse A Cookie? This is an adult version of that tale in more ways than one. If you give a mouse a cookie, they’ll want a glass of milk. They will want something else and more after the glass of milk, so on and so forth until eternity. Sydow dishes up love pangs boiled over lost hopes in the spirit of said book. Emotionally honest, raw words of disappointed love come in, combined with loving, earnest, even sweet melody. The message delivered could interpret as one lover's greed or the other’s embittered pessimistic complacency. You can’t tell who is at fault but you can tell who fell short of the two: the “I” of the singer. It sounds at once an apology, and at once a screw you.

But this tune is also for the times everything you give or have isn’t enough. It’s a song of love exhausted and felled short. Although heartbreak does lead to some great songwriting, as Andy Sydow reminds. Thank you for breaking your open heart for us, Andy.

8. “Tilt-A-Whirl” – The RailsplittersThe Faster It Goes (2015)

If Colorado’s associated with bluegrass, The Railsplitters play a huge support role in buttressing the strong reputation and taking it on tour across the nation. Clear-ringing harmonies usher in a fast-paced minimalism foregrounding wise essentials and together, they come carrying melodies at different speeds, much as a Tilt-a-Whirl carousel making circles. Research lends insight here, for when Dusty Rider songwrites he, “writes with the full band in mind, imagining an entire song in his head before it’s even heard it out loud.” This one is a reflective reminiscence on the memories of someone who came before, but is gone now. And with mind racing, you start to question yourself and all that was.

Lauren Stoval’s lead vocals are clear as sunlight on snow, while Dusty Rider and Peter Sharpe’s alternations between plucking each note and full-bodied strumming chords lend interest and supplement with distinctive, rhythmic filler. Leslie Ziegler’s bass comes in barely, but richly, serving the more invisible role, like that of editor to writer. And of course, there’s Joe D’Esposito’s fiddle coming in on the top to send the song off into its final soars of that gloriously spinning Tilt-a-Whirl.

9.  “Someone Like Me” – SF1 Inamorata (2012)

From hand drums to lyrical repetitions, SF1 keeps their sound light, and their message relatively straightforward. There’s a serious sense in which this song seems at once upbeat, and then anything but. It’s a song that wouldn’t have to come without heartbreak, but it takes its pride on walking away in fulfilled request from another. “You’ll never find someone like me” could come out all wrong in a breakup, but the cheerful sonic delivery here gives this song a quality of what you sing in your head knowingly to comfort and uplift your own self on the walk home, giving props to your emotional regulation in honoring a request, and moving on.

10. “Bloodstream” – IoliteBloodstream (2016)

Bloodstream’s sophisticated stormy pop comes through even better on headphones, as Iolite’s (Elina Odnorlav) full-bodied indie-electronica pounces at you with confident authority. She fuses an ear, talent, and a decade of piano work with electronic assets wisely, and all at the ripe old age of seventeen. Laying down this kind of sophisticated, well-calibrated arrangement with undergirding convinces you she’s worth your ear time. The sheer carnal sensuality of this tune pulses at you with a cosmopolitan sensibility, one that makes the heart beat fast. Iolite is fierce, and if you need more proof, read BolderBeat’s interview with Odnorlav by Sierra Voss.

11. "Wait to Rust” – Kayla Marque, Kid Astronaut, Sur EllzLive and Die Like This (2016)

Triple Denver whammy! This Kayla Marque, Kid Astronaut (Jon Shockness), and Sur Ellz (Khalil Arcady) collaboration 110% comes out the most natural thing in the world. Lyrically and vocally caressing you with emotion, this trio allures in their fervent R&B/soul blend as soft finger snaps and harmonies soften your ear and melt into your heart chambers.

Marque caresses your emotions with intimacy in both lyric and lead vocals. Muted cymbal, reliant drums, and the hushed guitar unobtrusively lend rhythm, combining together and across this song to create instrumental romance and a certain sense of enchantment. The heart, bloodstream, nervous system, and muscle memory in you recognize the message: wanting something at a cellular level you know at a cognitive one is only going to destroy or undo you. Having a heart is a wonderful gift and real son of a gun, ain’t it?

12.  “They Love to Hate” – Molina Speaks, DJ Icewater Sex Money Ego (2016)

Robust, fresh beats thump and bump as they palpitate at heart rate speed. Chill, smooth, and with a pinch of lyrical sass, this one’s also purely carnal. It’s got sexy love and wantingness combined with a creed of holding-your-cool and enjoying all the spontaneous pleasures of life. It’s definitely a turn-up tune for cruising in your car, or even cooler, on your low-rider bike with the sweet speaker you should probably have. Molina Speaks and DJ Icewater have collaborated to make something seductive, both in romantic passions and in making you just want to live out loud to the full. So get to it.

13. “Lucid Recall” – Sunboy Yesterday Is in Love With You (2016)

Yes to a song that I’d enjoy instrumentally, yet do with its lyrics just the same. Sunboy give it a good 55 seconds before vocals seep in though, setting the feel first. If only we all had lucid recall, but memory doesn’t always work that way. Yet, at the same time, it’s by dint of the lyric “haven’t felt this way in a long time” that we remember: sometimes it isn’t the memory, but the feelings evoked that bring back lucid recall in all its vivid glory. And what a robust memory sensation it is when it hits.

Synthy sounds and a certain protraction allow emotions here to take flight. Vocals and piano instrumentation undergird a sound that might be tinny and emotionless otherwise, which would be the last desirable thing in a song so emotionally charged in content. Like Iolite’s “Bloodstream,” headphones are most recommended on Sunboy’s “Lucid Recall” for best up-close-and-personal vibes.  

14. “Medicine” – Rose QuartzAxis of Love (2015)

In the abstract, medicine is there to make us better. Humans are no strangers to using or abusing another person in this way at some time. Sometimes leaning on others is necessary and appropriate. But there is a difference between asking for help and being soul-suckingly co-dependent or reliant. Like a prescription drug, it can be toxic, and this song rails against the notion that one partner serves that role. You can use medicine or abuse it, and this one splits the difference.

A combination of electronic space-esque warble, full-bodied guitar notes, and clips on the drum machine set the scene. Lyrically unapologetic, this is a power number for those times you need to speak to your decision to leave someone who treats you like something to be used up rather than given to. Rose Quartz build and release tension with efficacy, establishing a subtle back and forth strain that fits the bill in the stark truths this electronic groove-pop song seeks to sing out and deliver sans apology. The only thing bigger than its sound may be the heart behind it. This is definitely one to get sassy to under lights on the dance floor, and that sounds like a great way to spend Valentine’s Day.

Make sure to follow us on Spotify to take a listen to this playlist and more Colorado music playlists at BolderBeat.

-Joliene

All songs per the artists featured. This feature was edited for brevity and clarity by BolderBeat.

Elephant Stone's New Record 'Ship of Fools' Is A Psych-Pop Delight

By: Jura Daubenspeck

Montreal’s psychedelic sorcerers Elephant Stone physically released their fourth full-length album Ship of Fools on November 25th, and boy, is it groovy. Courtesy of Burger Records, their newest release takes you on a kaleidoscopic trip down the rabbit hole with a slew of sounds that are redefining modern psych-pop.

In this eleven-track album, Rishi Dhir (singer/bassist/songwriter) and his bandmates Miles Dupire (drums/backing vocals), and Gabriel Lambert (guitar/backing vocals) set up camp around the sacred pillars of evolution, exploration, and excavation. The record’s opener “Manipulator” sounds like a 70s era party montage. But don’t be fooled by its inviting sensuality- the lyrics point more fingers than just a passing thumbs up.

Watch Elephant Stone’s video for “See The Light”:

Flirting between the strobe dance floor (“Where I’m Going;” “The Devil’s Shelter (feat. Alex Maas))” and a dim-lit hookah lounge, (“Run, Sister, Run;” Silence Can Say So Much,”) Ship of Fools incorporates a vibrant array of colors, textures, and flashes of light. With clever guitar hooks, sitar solos, and dreamy synth vocals that remind you of that one afternoon you spent in outer space, it’s a psychedelic trip that can be ingested song by song, but is better served in its entirety.

Check out Ship of Fools for yourself on Spotify:

Listening to Ship of Fools, it’s almost certain you’ll be reminded of other psychedelic rockers such as Ty Segall, Thee Oh Sees, Tame Impala, The Flaming Lips, The Black Angels, and The Brian Jonestown Massacre, the latter two of which Rishi Dhir has recorded, performed, and toured with.

This is one record it’s best to let yourself float away with as you're carried by its astronautical ship of wonders, exchanging pleasantries with the debris because in the end, we’re all just fools anyway, right?

Listen to Ship of Fools here, and in the meantime, check out Elephant Stone’s multicolored music video for “See The Light” above.

-Jura

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Blanket Empire: Gutter Glam Hits the Larimer Lounge Tonight

By: Hannah Oreskovich

Gutter Glam never tasted so good. 

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Gutter glam. It’s what Denver band Blanket Empire describe themselves as, and it’s super tasty kids! Lucky for you, they’ve got a show at the Larimer Lounge tonight that we’re going to go ahead and call a must-see. Frontman Jimier Murphy has a Jack-White-esque vocal thing happening and while he’s tapping out rad psychedelic guitar solos, drummer Jason Schierbeck is making waves with his cymbals that kiss your cheek and pull you into the tide of Benjamin Mund’s bass. Can you tell we’re diggin’ ‘em? They make you want to cover yourself in glitter and mosh until you can’t move. And something tells us that live, their energy will be absolutely explosive. So go check them out- Chocolate Diamond, Silver Face, and Ivar Evan are opening the LL show. The fun starts at 8PM; $10 at the door. Read more about the event here.

Listen to Blanket Empire's Radio1190 performance here:

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The Weekend Six: Six Shows to See 10/16 & 10/17

By: Hannah Oreskovich

TGIF! Time to catch some shows:

Today (Friday, 10/16)

All Chiefs.

All Chiefs.

All Chiefs at Vindication Brewing 6PM-Close

Boulder-based All Chiefs call themselves an “indie/dance/rock/pop explosion Xtreme!!!” and tonight they’ll get you on your feet at Vindication. They’ve played to a sold out Fox crowd before and you can check out some of their older music here. Stop by after work and then go power nap for our other Friday picks.

Augustus.

Augustus.

Augustus at Johnny’s Cigar Bar 9PM-Close

Is it a cigar bar? Is it a martini bar? Answer that question for yourself tonight when you join Boulder’s Augustus for a rockin’ set at Johnny’s. These boys have been playing all over Colorado as of late, so catch them for a local set over a beer tonight to start the weekend off right. And if you still haven’t checked out their latest EP Into Frames (where have you been?) stream it here.

Policulture.

Policulture.

Policulture at Conor O’Neill’s Irish Pub 10PM-Close

There will be some sweet reggae creeping out of Conor’s tonight. Boulder’s own six-piece Policulture, who dub themselves “Original Mountain Reggae,” will be tappin’ root rhythms for you while you throw one back on Conor’s dance floor. They’ve got bass, they’ve got horns, and they’ve shared the stage with some pretty big reggae acts. So go jam with ‘em.

Tomorrow (Saturday, 10/17)

Asalott. Photo Credit:   Hannah Oreskovich

Asalott. Photo Credit: Hannah Oreskovich

Asalott at the Jamestown Mercantile Co. 8PM-Close

We love love the Middle Eastern beats of Asalott and you know how many times we’ve begged you to make the drive to the Merc. It’s the best. And so is this trio. They’ll put you into a dancing trance while you sip on some Cliffhouse Kombucha on-tap. Make the short drive, burst out of the Boulder bubble, and go lend your ears to Forrest Lotterhos’ awesome dulcimer playing. It’s a show you shouldn’t miss.

Kyle Donovan aka Miles Wide.

Kyle Donovan aka Miles Wide.

Miles Wide at The No Name Bar 10PM-Close

Miles Wide is a Denver-based singer/songwriter (Kyle Donovan) who has toured the US non-stop for more than a year. He’s set his roots in Colorado for the moment, so he’s been playing all over the state. Donovan’s music just makes you smile. As he said about tomorrow’s show, “it’s going to be a night full of friendship, beer, and rock and roll.” Donovan is actually also working on an upcoming feature for our site, so stay tuned! In the meantime, go hang with him behind the big brown door tomorrow evening.

Both Nights (Friday, 10/16 & Saturday 10/17)

Beats Antique Creature Carnival at the Boulder Theater 9PM-Close

By demand, experimental world fusion and electronic trio Beats Antique are headlining two shows at the Boulder Theater this weekend. Known for their wild blend of instrumentation and visually stunning performances, this show sounds totally worth it for only $32. On this particular tour, their focus of the Creature Carnival is “a journey. . .dynamic, psychedelic, and participatory.” It sounds like their shows are going to be insanely entertaining, and if you want to hit up both nights, you can do so for only $55. The picture above tells you every reason why you should go check out one of their shows.

See yah ‘round Beaters.

PS: CHECK BACK HERE FOR MUSIC MONDAY- WE HAVE A BIG ANNOUNCEMENT ABOUT THE FALL SHOWCASE THAT WE CAN'T WAIT TO SHARE!

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The Weekend Six: Six Shows to See 09/25 & 09/26

By: Hannah Oreskovich

It’s the weekend! Get out and jam with these bands:

Today (Friday, 09/25)

An illustration of Ben Hanna.

An illustration of Ben Hanna.

Ben Hanna Band at Still Cellars 630PM-Close

Rumor has it that Ben Hanna has been working on a followup album to his 2013 debut “We Were All Like Whatever” with local producer Robbie Stiefel. We’re hoping to hear some of those new tracks at this show! So come grab a brew and hang out!

Community Music Night at eTown Hall 7PM-9PM

What cooler way to support Boulder’s music community than to head to eTown for a night of “every-day folk: scientists, educators, engineers and more” playing music? It’s a bunch of Boulderites with a passion for “full band soul, folk/bluegrass, pop, classical, and even on-the-spot comedic originals.” It’s only $10 so check it out!

Grupo Chegando Lá at The Laughing Goat Coffeehouse 8PM-Close

Last week, we mentioned Sambadende’s awesome show at the St. Julien. Tonight, some of the members of that group will be bringing samba sounds to The Laughing Goat under the name Grupo Chegando Lá. It’s definitely a show worth checking out, so go boogie!

Tomorrow (Saturday, 09/26)

Whiskey Autumn AT THE MERC. Photo credit   per the author.

Whiskey Autumn AT THE MERC. Photo credit per the author.

Whiskey Autumn at The Merc 8PM-Close

Pardon me for my selfish ways, but TOMORROW IS MY BIRTHDAY! And I’ll be spending it at one of my all-time favorite Colorado joints, The Merc, with one of my all-time favorite Boulder bands, Whiskey Autumn! I’ll be snapping photos, dancing on tables with Matteo, and generally having an awesome night, so come join us all!

The Growlers at The Fox Theatre 830PM-Close

“Take five SoCal guys, mix in some surf, stone, and psychedelic, and throw them in a haunted mansion in West Ho Chi Minster and with a little luck, you might get a band like The Growlers.” Sounds like a good time to me! Check it out for less than $25 at the Fox tomorrow night.

PDMF.

PDMF.

Punch Drunk Munkey Funk at Conor O’Neill’s 10PM-Close

Punch Drunk Munkey Funk are making the drive from Fort Collins to dance with us tomorrow night at Conor’s. They’re a five piece who blend “funk, jazz, hip hop, R&B, rock, & soul.” Sounds like they got a jam for just about everyone, so go groove with these cool cats.

See you around! Xoxo

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

CU’s Welcomefest Was a Massive Bash Booming with Bass, Lasers, and Infectious Energy

By: Hannah Oreskovich and Greg Laut

Welcome back Buffs.

Welcomefest.

Welcomefest.

The Buffs are back in town. And nothing proved that more than the electric energy buzzing around Farrand Field on Saturday night for CU’s Welcomefest. Put on by Program Council, Welcomefest is CU’s annual concert extravaganza for students. This year the lineup included headliner and dubstep DJ Seven Lions, NY-based Joywave, Denver’s Sunboy, and Boulder’s very own Innerspace. What started out as a few hundred people sitting in the field at 530PM turned into over 7000 students packed along the stage barriers dancing, jumping, and crowdsurfing to Seven Lions’ waves of bass.

Innerspace, a local alternative rock outfit, kicked things off while the sun was still high in the sky. They played some guitar-heavy, head-banging licks from their latest EP, Earthrise. The guys call themselves “space rock” and you can check out a ton of their songs here.

Sunboy. Sidenote: Their bassist wins for "Best Dressed" of the whole fest. we Dig. 

Sunboy. Sidenote: Their bassist wins for "Best Dressed" of the whole fest. we Dig. 

Next up was Denver’s Sunboy, a psychedelic rock pop five-piece with some Tame Impala undertones. These boys have been getting some noticeable buzz lately, and played both the UMS and the Denver Pysch Fest this summer. Though they couldn’t incorporate the visuals they’re known for in their live performances into Saturday’s show, member Justin Renaud told us they recently created a new light production that they’ll be using for upcoming gigs. When we asked hypnotizing frontman and former CU student Jordan Lempe what it was like to be back on campus getting paid for a show, he laughed and told us, “It’s great to be on the other side.” Word.

The silhouettes of Joywave.

The silhouettes of Joywave.

As the sun set, Joywave entered, all in black. Joywave released their debut EP How Does It Feel? just last April, and they’ve already played on a number of late-night TV shows, opened for The Killers, are jetting off to play Reading & Leeds + Lollapalooza Berlin soon, and will return to headline their own US tour following their European adventure. If you caught any of Joywave’s set, you know why. They’re a five-piece indie pop and electronic crew who brought sweet beats, mad energy, and fun stage banter that engaged the crowd. Frontman Daniel Armbruster had CU students dancing, screaming, and jumping with him throughout their set. By the end Armbruster had everyone begging for “One more song!” and the group ended with their most popular track, “Tongues.” The crowd erupted in excitement and a massive sing-along commenced.

Seven Lions. Let it drop.

Seven Lions. Let it drop.

With the night in full swing, DJ Jeff Montalvo aka Seven Lions, took the stage. At this point, Welcomefest was packed. Students crowded against the stage barriers and when Seven Lions emerged, they went crazy. Girls jumped onto the shoulders of boys to rock out, there were tons of crowdsurfers, and everyone was moving to the bass. And that’s because the bass was insane. It was as if Seven Lions was controlling heartbeats with every thump. He had a ton of incredible visuals behind him as well. Lasers jetted out above the crowd until they hit the dorms across the field and the stage lights strobed in time with the beat. 

Seven Lions first gained popularity for his dub and trance tracks in 2011 when he remixed Above & Beyond’s “You Got to Go.” Since then, he’s toured with Porter Robinson and played several notable festivals including SxSW, Ultra, and EDC. And, lucky for the Buffs, Seven Lions just released a brand new track, “Falling Away” on August 14th, which he played at the show. The energy of the crowd was as palpable as the bass, and at some points, the crowd even started “Let’s Go Buffs!” chants. Welcome back, indeed.

Whippin' hair and heartbeats. 

Whippin' hair and heartbeats. 

Overall, Program Council assembled a very successful lineup. When we talked about the bands chosen with Aaron Rogers, Director of Public Relations for Program Council, he told us, “The whole process [of booking acts] takes months. Booking depends on budget, timing, artist availability, and a whole lot of other factors.” This year, Program Council’s time and investment were clearly worth it.

Well done Welcomefest.

-Hannah and Greg

Follow Hannah on Instagram and Twitter. Follow Greg on Twitter.

All photos per the authors. This feature was edited for brevity and clarity by BolderBeat.

Watch a Seven Lions video below: