Premiere: LiteLvl's New Music Video Is an Ambisonic Audio & 360-Degree Visual Experience

LiteLvL released their debut single “Boost Your Immunity While You Sleep/Inspire Photosynthesis In Plants” last week. The duo, comprised of Katey Sleeveless (Eros & the Eschaton) and Jay Marz (King Eddie), are self-described as “installation soundscore.” Today, we’re proud to premiere their debut music video for the track:

“Boost Your Immunity While You Sleep/Inspire Photosynthesis In Plants” was mixed with ambisonic audio, which means just like the video itself, the sound is also three-dimensional. Filmed at Moon Magnet Studios, the video features LiteLvl members Katey Sleeveless and Jay Marz, Andy Ai & Kevin Netz on visuals/projections, and dancers Kailani Dobso & Holly Seidcheck. Videographer Ben Tyson of DenVR is behind the entrancing, psychedelic video experience.

LiteLvl. Photo Credit:   Julianna Photography

LiteLvl. Photo Credit: Julianna Photography

“As you move, you'll hear different things. When you look at one guitar amp, you'll hear more of it. When you turn around, it'll feel like that amp is now behind you, and you hear the second amp in front of you louder.” frontman Jay Marz said of the trippy, mylar-fueled experience.

The band play FoCoMX - Fort Collins Music eXperiment this Saturday, April 27th at 4PM at Art Lab Fort Collins.

Keep up with LiteLvL here.

Premiere: Denver's Boot Gun Debuts with a Bang with Two Singles & a New Music Video

Denver’s Boot Gun have entered the Colorado music scene with a serious bang. Today, the three-piece are releasing their debut single and video for “Virginia,” a high-energy rock’n’roll track with a Southern twang, and a rebellious video featuring a slew of Denver haunts to match. And folks, one thing’s for sure, the trio comprised of Keith Lawrence (guitar/vocals), Davie Landry (bass/vocals), and Cody Hart (drums), have brought the party.

“Virginia” was recorded and mixed by Todd Divel (The Yawpers, In The Whale, The Velveteers) of Silo Sound and mastered by Hans Liburd of Burdhouse Mastering. The video was directed and filmed by Colin Anders of Slice Cinematics (Nathaniel Rateliff & The Nightsweats, A Shadow of a Jaguar, Dragondeer). Boot Gun also featured several friends on the track’s instrumentals including Bullfrog Baugh on harmonica, who makes an appearance in the video about 40 seconds in, Sam Janik on guitar, and Bill McKay on organ and piano.

Says frontman Keith Lawrence about the track, "Virginia came to me in multiple dreams last summer. I showed the boys the main riff and they said ‘Sounds great. Where's the rest of the song?' I told 'em I had to go back to sleep to hear [and] see the rest of it. A few months and a couple of disco naps later, we had us a rock’n’roll ripper."

A ripper it is indeed. “Virginia” is a boot-stompin’ tune rife with slashing rips, harmonica twang, and a jangly toe-tappin’ keys solo that will force you on your feet. Some of that energy didn’t enter the track until the boys rounded things out in the studio though.

Says Keith, “As a band, we all believe that a song isn't finished being written until we record it. Todd at Silo pushed for certain creative ideas that we were able to let shine on these tracks. Having Bill McKay sit in on keys helped round out the sound and bring our musical intention into fruition."

Boot Gun. Photo Credit:  Mountain Trout Photography

Boot Gun. Photo Credit: Mountain Trout Photography

Along with “Virginia” and their debut music video, Boot Gun also released their B side “Feels Like A Storm” today. While “Virginia” takes you on a wild ride, quite literally in the video, “Feels Like A Storm” is the moodier, heavy-hitting track from the trio.

Says Davie, “‘Storm’ is a song that we wrote collectively. It started with Keith singing but never felt completely right. So we argued and laughed, and laughed and argued, and I was forced to sing it… In the end, it became the beast that you're listening to today."

You can listen to “Virginia” and “Feels Like A Storm” on all major streaming platforms and catch Boot Gun live at Cervantes with Dave Watts & Friends on Friday, April 12th.

Says Davie on Boot Gun’s debut, “It’s a young band's take on all the rock’n'roll we love and grew up on. We go from A to Z, then back to A just make sure you're still with us."

Join that trip and keep up with Boot Gun here.

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The Strange American's "Till You're Told" Music Video Is Symbolic Of The Musician's Journey

By: Sam Piscitelli

As a musician, whether you’re a solo artist or in a band, there is this acknowledgement that comes with garnering a certain amount of fans or receiving positive praise. It’s as though you are no longer a lone act playing your songs in your bedroom; instead you seem to be a well-known somebody. From there, all seems like it will move upwards rather than careening into a haze of obscurity. But, what people don’t know is the long-haul you’ve placed yourself in; the countless times you  practice your craft, the stomach-turning preparation of every interview or review of you and your art, and the unnerving fear that as quickly as your dreams were made, they can just as easily disappear. In their music video for “Till You’re Told” the Strange Americans symbolically covers the landscape of the music business while also relying on the talent that brought them their success.

The video begins with each band member on their own, forging their individual paths. They all carry one item with them, the items being symbolic of who the band is when they come together. The symbolism in the music video is very subjective, but to me each item plays off one another. For example; the lantern is for the fire the band has inside of themselves, the sticks are the framework of the band, the amp is the way in which they express themselves through music, the shovel is about burying the past, and the suitcase is for the accomplished dreams they wish to carry with them one day. With their now unified front, the Strange Americans then begin to traverse the land together. To me, this shows that while they are further than they’ve ever been before, they’re still on the journey. It’s a music video that reflects upon anyone’s time in the music industry. You can walk for miles with the passions you have, the items you bring along for the ride and create as much as you want, but nothing is certain.

While the symbolism can- and mostly likely will be debated- we can’t ignore how this video catches the heart of the struggling musician. It’s a message that no matter how much you go through from the very beginning till the end of your make or break career, that nothing will be set in stone, especially your reputation “Till You’re Told” otherwise. In a business that is continuously changing, the only thing you can be sure of is the work you put out into the world. Once it’s out there, it represents you and that’s what matters. For a video that has a lot of hidden meanings, it’s untold truth is undeniable.

Keep up with the Strange Americans here.

-Sam

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Knuckle Pups’ “Last Whim” Live Session Proves There’s Still Magic In The Intimacy of a Small Room

By: Sam Piscitelli

There’s something about the simplicity of sitting in tight-knit spaces and playing the music you made with your friends. Maybe it’s the resurfacing of the first time you discovered that a particular chord progression mixed correctly and almost sounds poetic. Maybe it’s the feeling of the fire that was first lit after your initial “unofficial” soundcheck in your bandmate’s basement, living room, or garage. Or maybe it’s the ability to play with the sole purpose of letting your music speak for itself. Either way, the energy that can be felt from the Knuckle Pups “Last Whim” live session is spellbinding.

Instead of gunning for a large budget production or over-the-top visual effects, the Knuckle Pups grip listeners with their organic chemistry as a band. Set up in a small recording room, listeners can feel the magic come alive from the beginning of the session, as the voices of the bandmates and the tuning of their instruments carries outward. From there, we’re fortunate to see the Knuckle Pups for who they really are, a group of musically-inclined friends who riff off each other. There’s no glossy cover-up or unnatural introduction; rather there’s a sense of quaint humility. Through the next three minutes and fifty-one seconds, fans and non-fans alike bare witness to a band that gracefully flake on what the standard of an image should be and create their own.

Knuckle Pups.

Knuckle Pups.

You come to understand that while the music video contributes to the branding of Knuckle Pups, it only truly personifies the essence of what the band itself represent, which is allowing their music to speak for itself. Rather than let some false narrative introduce them to the world, the Knuckle Pups use their raw talent and hard work to indicate their presence. It’s a gutsy move, especially for a band that just released their first EP into the world. But, it pays off, as we’re introduced to a band who is both fearless and heartfelt.

-Sam

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Fast Car Slow Car Has Us Dreaming About "Waffles"

By: Julia Talen

Philly-based bassist Breshon Martzall of The Districts’ offshoot project Straw Hats has ventured into his own side project called Fast Car Slow Car. He recently released a music video for his latest single called “Waffles” and it’s definitely worth a watch. The trippy video embodies a DIY vibe, gritty and not overly-produced, containing intriguing visuals, contemplative themes, humor, and rad wackiness.

The video opens with Martzall standing in front of a blank wall with an animation projected onto it, and corded phones hanging upside down; a very peculiar, inverted world evocative of the track’s lyrics “I feel so upside down on picture perfect days.” The opening shot is a play on perceptions, reality, and truth, priming viewers for the remaining scenes and shots of the film. As the video progresses, multi-colored shapes like circles, squares, and hearts distort, focus in on, or cover up parts of each frame, elevating the videos themes surrounding confusion and search for clarity.

The self-aware intermission in the video made me chuckle, filled with silly factoids about waffles, offering a reminder to not read too deeply into the trippiness of the video and perhaps the world’s general absurdity. Either way, the project evokes, intrigues, and invites a rewatch.

Keep up with Fast Car Slow Car here.

-Julia

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: Future Joy's New Music Video for "Thirsty" Is Saxually Satisfying

Denver’s Future Joy are known for their sultry sax sounds. They’re self-proclaimed as a “saxually active glitch hop” outfit and 303 Magazine recently called their new self-titled record the “sweet spot between the heavy hitters and sexy saxophone serenades.” Today, the band dropped their music video for the track “Thirsty” and we’re stoked to premiere it for you here:

Future Joy, comprised of Zach Simms on saxophone (MLIMA) and Frederic Park on percussion, is a seriously tasty combination of all things electronic with sax, funk, and hip-hop thrown in. The result is saxually satisfying, and “Thirsty” feels like a banger from its opening riff.

Annabelle.

Annabelle.

Denver’s Annabelle, whose whisper vocals are featured on the track, stars in the video alongside dancers Gina and Sheridan. Annabelle choreographed the video, which was filmed and edited by Connor Tieulie. She also sings on much of Future Joy’s latest record.

The video’s location may look familiar to some Denverites- it was shot at Tetra Lounge and The Bolt Factory; later Jeffrey Charles Stanley added in the animations and graphics. These give the video a real psych party vibe.

Said Simms of filming the video, “We didn’t have too much planning- we just went with the flow of the locations and let the editors do their thing.”

Simms and Park.

Simms and Park.

The track “Thirsty” was recorded in Simms’ living room before the duo made their way to Side 3 Studios for finishing touches, which included Annabelle’s vocals and her opening a can of seltzer water because everyone knows LaCroix is the best way to booze these days.

Simms and Park have already started working on their next record, and are planning for an early 2019 release. Prior to, they’ve got a Colorado tour in the works, so keep up with their live dates here and turn up with “Thirsty.”

joemurray. Drops New "Greater Than I Am" Music Video

By: Julia Talen

At the end of April, Denver-based indie musician Joe Murray (stylized as joemurray.) released his latest single, “Greater Than I Am” with a music video composed of visual representations reflective of the song’s intent and lyrics. “Greater Than I Am” speaks to the very human experience of wanting to be something “great than” you are in the current moment while grappling with the long journey it takes to get there.

The video opens with a bird’s eye view of cars moving through a circle drive, as well as opening credits that introduce the strong accompanying font that will run throughout the video with the lyrics. As Murray begins singing the lyrics, “I can’t breathe when I’m underwater/But I can see all the way to Mars,” each syllable of a word pops onto a black background in bold white font. The syllables don’t come on the screen in the same places, or even in left-to-right linear order, and your eyes can’t seem settle on one focal point when you’re watching. This visual element to the video emphasizes the theme of taking a spiralized pathway toward your goals, rather than something straight forward. Additionally, because the words to the song are segmented on the screen, the step-by-step process of building and reaching one’s goal is further showcased.

As the tune moves toward the refrain, the backdrop changes to a tape of fireworks lighting up the night’s sky within a frame of water moving over rocks and swimming fish. Murray’s careful to put the fireworks video inside the frame because the end goal (or to the “moon” as Murray references lyrically) is enveloped in experiences of feeling stuck (“underwater”) and moving through those emotions.

As the track progresses, and our eyes search the screen for the next syllable of a lyric, images- like a pathway up a mountain, a band playing for an audience, the carp swimming, a train passing, a bird- become layers of one another, mixing and meshing, like the instances that bring us to our achievements.

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It’s no doubt that Murray’s music video has been intentionally crafted to accentuate the meaning of his new single. Viewers don’t miss a beat trying to understand where Murray is coming from. If fact they’ll relate to the human experience of moving through life, wanting something more, but having to be patient and work a little bit each day to get to where they want to be.

-Julia

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

 

King Eddie's New Music Video Was Inspired By A Family Member's Life Saving Liver Transplant

Last November, psych rock and multimedia group King Eddie released their second full-length record Holographic Universe. The album is “reminiscent of some of the more lo-fi Britpop concepts of the late 70s mixed with perhaps a touch of Tame Impala’s signature modern version of psychedelic rock.”

Recently, the band unveiled their latest music video at Alamo Drafthouse Cinema in Denver for their track “ENTER THE MAN,” the sixth tune on the record. Teeming with the trippy visuals the band is known for, the video was shot at Denver’s Globeville Riverfront Art Space “on a very cold day in January.” It was directed and edited by Steve Besette & Kendal Hurst and costumed by Jacqueline Cordova, who stars in the video alongside Nick Ellingson. King Eddie’s members also make painted appearances.

The song, which was remixed for the video by Mike Schulze (director of the University of Denver's Recording Arts program), also has a powerful story behind it which heavily influenced the direction of the video creatively.

Velvet Adams of King Eddie. 

Velvet Adams of King Eddie. 

Shares frontman Jay Mars, “‘ENTER THE MAN’ started as a song I wrote in Atlanta shortly after my father's life saving organ transplant. The summer of 2016, he was diagnosed with an aggressive liver disease, and by Thanksgiving, I was headed to Georgia to either witness a miracle or say goodbye. The disease exposed a lot of fault lines within my own family, and power struggles that made my ability to care for him and my own search for answers even more difficult. His boss called me a week before Thanksgiving… I didn't realize how sick he was, and I needed to get there as soon as possible. I felt like the situation was being covered up, and I didn't know why or what for. I was stunned to see what the disease had done to his body in a few months. I didn't even recognize him… ”

Jay Mars.

Jay Mars.

As he waited for his father in the intensive surgical recovery center for over a week after the transplant operation, Mars began writing “ENTER THE MAN.”

Says Mars, “I wrote what become the chorus, and the lyrics, ‘Faith enter the man, through a hole inside his head.’ I see this song as a psychedelic drama about staring down your own mortality. The lyrics ‘in a white room stripped to your own, you'll find out yourself’ were inspired by something he said about heading into the surgery, at the 11:59:59 of his life, knowing there was no going back, and he would either die or have a second chance at life. The surgery room was white, circular, surrounded by doctors, and he was lying naked in the center of the room, surrounded by unfamiliar experts in liver pathology. It's hard to imagine what that must have felt like. My best guess is the hallway scene in the video, racing toward something… and on the other side: he miraculously wakes up. ‘ENTER THE MAN’ is a song that explores mortality, the relationship between mind and body, life and death, condemnation and rebirth. We live often completely wrapped up in stories we've projected onto ourselves, about ourselves, about others, the way life is and ought to be. I wanted to explore that space because I thought that's where dissatisfaction might instinctively arise. ‘ENTER THE MAN,’ and the rest of our album Holographic Universe are furthermore inspired by the writings of Michael Talbot in his book The Holographic Universe, asking: If reality is maya, or illusion, can we create our own hologram?”

Whether or not we can, King Eddie sure try. Watch their psychedelic experience above and keep up with King Eddie here.

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: Denver Meatpacking Company Release Chaotic New Video For "Warning Shot"

Last fall, Denver Meatpacking Company released their second record Escape, “a throwback to the early 90s rock scene, with a unique blend of indie and a little grunge, creating an old school sound with hints of The Pixies and The Presidents of the United States of America.

The Denver rock three-piece have been busy since then, releasing videos for several of the songs on the album and playing area shows. Today, we’re premiering the band’s newest music video for their song “Warning Shot,” the third track on Escape.

The video opens with what looks like the aftermath of a night partying on the beach. There’s a pause as the waves crash, and then the video moves on to city-scapes and shots of the nighttime sky. Interspersed with these is a DMC live performance and actors getting pummeled with water, pillows, and even a hand slap for the song’s chorus. The video closes with a rewind scene on a mushroom cloud. Much of the video was actually filmed and created by the band.

DMC.

DMC.

Said member David Simutis about the video, “The inspiration [for the video] was very much related to the meaning behind the song. While the song isn't really overtly political, it's hard to avoid the climate we find ourselves in. So you have this sense of nature and calm being interrupted by chaos and people everywhere, and sometimes something just wakes you up from the day-to-day drudgery- it's like a slap in the face. And the live footage is just so people know we're actual real people playing in basements and garages and not robots. Or something like that…”

Denver Meatpacking Company’s next show is this Friday, 01/26 at 3 Kings Tavern with Vic N' The Narwhals and Waiting ‘Til Three. After you check out their new video, make sure to catch the band live and keep up with them on Facebook.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: Kyle Emerson Invites You Into His Living Room In New Video For "Wise Blood"

By: Hannah Oreskovich

2017 was arguably a breakout year for Denver’s Kyle Emerson. The former Plum member released an EP, Worth It, in May of last year, which he followed up just a few months later with Dorothy Alice, his debut full-length album via Guilty Pleasure Records. OpenAir CPR called Worth It one of the best records of the year, and both Denver Post’s The Know and Marquee Magazine listed Dorothy Alice as one of the top Colorado albums of 2017.

Kyle Emerson.

Kyle Emerson.

Though Emerson’s solo sound careens with components of his former life as a psych-rocker in Plum, there are more traces of jazz and folk in his latest work. He’s combined drippy guitars with synth sounds, a slide guitar with Beatles-esque pop harmonies, and soft, Elliott Smith-like vocals with upbeat and catchy melodies. These elements paired with the slacker-rock revival vibes of someone like Kurt Vile and the production work of Sunboy’s Justin Renaud have formed much of what you’ll hear on Dorothy Alice, and more specifically on Emerson’s single “Wise Blood.”

Today, Emerson has released a video for “Wise Blood,” which you can check out in our exclusive premiere below. It showcases Emerson and his bandmates (who are somewhat of their own Colorado supergroup, with members from Paper Bird, Shady Elders, Bluebook, and Sunboy) in a living room performance interspersed with scenes of the band cruising around Denver and generally hanging out. The video has a vintage film look in certain parts and meanders with the song’s melody from scene to scene.

Kyle Emerson has arguably made more noise in the Denver music scene in mere months than most, and is a Colorado artist you should be following if you weren’t already. Make sure to give Dorothy Alice a listen here and “Wise Blood” a view above.

What will 2018 hold for Emerson and his supergroup? We’re stoked to find out.

Keep up with Kyle Emerson here.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: Indigenous Robot Take You To Space With "One World"

By: Norman Hittle

Denver’s Indigenous Robot are not your run-of-the-mill “out there” sort of band. Instead, they’re more a culmination of "out there" ideals ranging from hints of indie legends The Flaming Lips to psychedelic rock legends The Doors. Even better, they just released a video that sums up their artistry for their latest song “One World.” Check it out:

As you can see, Indigenous Robot doesn’t hesitate to put it all out there. Their video (which looks to be filmed at none other than Colorado Springs' own Garden of the Gods) highlights a retro Star Trek vibe while managing to include some modern day video tech, which is fitting because a lot about Indigenous Robot and their sound is modernly retro. The video has already won "Outstanding Music Video" by Zed Fest Film Festival

Indigenous Robot.

Indigenous Robot.

Regarding their song “One World,” the band does well both grounding the listener with their gritty dirge-like bass and guitar while also allowing the mind to wander with shimmering vocal effects over calm singing and synths. Interestingly enough, the band’s ability to create an almost mundane, yet groove-laden arrangement manages to hook the listener and leaves a haunting reverie throughout the experience. It reminds me a great deal of some of Queens of the Stone Age’s deeper cuts and fan favorites “I Think I Lost My Headache” and “Gonna Leave You”.

If you enjoy “One World” check out Indigenous Robot's 2014 release Revolting and their 2013 EP Castles.

Keep up with Indigenous Robot here.

-Norman

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: Grayson County Burn Ban Release Second Single From Upcoming Debut Record 'Better Neighbor'

By: Hannah Oreskovich

Denver’s Grayson County Burn Ban first came together in 2014 after frontman Austen Grafa was on the road with another Colorado band and decided he wanted to combine two of his favorite genres: country and rock’n’roll. Having grown up in Texas, Grafa was inspired by songwriters like Guy Clark, Jerry Jeff Walker, Terry Allen, and Robert Earl Keen. After teaming up with fellow Denver musicians Nate Wilson, Travis Page, Brian Beer, and Tyler Brewer (Ned Garthe Explosion), GCBB was formed and Grafa began using his influences to craft what is now considered the band’s “campfire country” sound.

This January, GCBB are releasing their debut record, titled Better Neighbor. The title track from the 12-song release is already out with an accompanying music video (see above), and one that is hard for any Denverite not to laugh along with. It details (rather sarcastically) some of the trials of Denver city life, like trying to park in Cap Hill, or the frustration many have faced when finding recyclable beer cans in the trash bin after day-drinking in Cheesman Park. The song’s refrain, “Are you an idiot? Or just an asshole?” will have you laughing as the band members experience other annoyances while venturing around their neighborhood and asking you to be the exact thing the title of their new record suggests.

Today, the band has released their second single and accompanying video for their song “Up Here.”

Animated by artist, Sarah Letteny, the video follows a character slowly climbing up a ladder in black and white while reflecting on the world down below before it falls through a psychedelic-colored sky back to its colorless reality. As the chorus repeats, “I’m higher than I’ve ever been/looking down at this little world I’m in/Everything is making sense/but I don’t know if I should be alone up here,” things like money and cars appear just out of reach of the video’s character before it crashes through the clouds.

Said Grafa about the video, “Sarah did an amazing job bringing our vision to life for this song, which is, as the lyrics state, all about being ‘a little too high,’ where you can see everything going on, but maybe you shouldn’t be so high alone.”

“Up Here” continues GCBB’s “campfire country” sound with Grafa’s rolling, storytelling vocals over guitar before it breaks into a full-band-at-your-favorite-dive-bar slow country jam.

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Grayson County Burn make the kind of music you want to crush cans to. Just make sure you recycle those when you're finished.

Keep up with Grayson County Burn Ban here.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The Hollow Are Making A Lot More Noise Than Just "Sleep Talkin'"

By: Elizabeth Lee

The goal of The Hollow (a band we once joined on tour aboard their "CrowBus") is very straightforward: “to deliver exceptional music that makes you fall in love with rock and roll all over again.” Since the alternative-rock band was formed in 2013, they have done exactly that, aiming to transform the landscape of contemporary rock and roll music. They released their first EP in 2015 and are now on the tail of an extremely successful tour in 2016, which has featured sold out shows, national support appearances, and festival slots.

21762706_1452031011512927_3379998576234412785_o.jpg

“Sleep Talkin” is their latest single, accompanied by a newly released music video, which dropped November 4th. The video is a testimony to all that The Hollow has worked for, collaborating with Kind Dub, AlphaPixel Digital, Evergroove Studio and many others. The song focuses on honesty and open communication in relationships, as the video shows a couple heading to sleep with unspoken words.

Watch "Sleep Talkin'":

Visually, the video is evocative and eye-catching, serving as a metaphor for the narrator’s struggle. The single keeps with the band’s hard-hitting, focused style of rock'n'roll, with a heavy rhythm section, skillfully layered guitar-laced with strong vocals, and powerful lyrics. The Hollow draw their influence from rock icons such as MUSE and Queens of the Stone Age, and it shows even in the mood of the video.

Check out “Sleep Talkin” and be sure to catch The Hollow at their next live show, December 9th at Peak 31 Union Station in Colorado Springs.

Keep up with the band here.

-Elizabeth

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

A Shadow Of Jaguar Release New Music Video "Don't Want to Die Here" In Anticipation Of Debut Record 'RAW'

By: Andrew Wright

The 60s and 70s were largely marked by civil unrest on multiple fronts, and when you compare those times to the events of today, it’s not hard to see similarities. Music artists are picking up on that reality, and bringing back not only the sound of that time, but the ideas and movements as well. A Shadow of Jaguar’s new music video “Don’t Want To Die Here” is one example of this kind of art. The music video features a woman dancing in white against a white screen with multiple apocalyptic images behind her, and at one point, the dancer even puts a small sunflower in her mouth before anything starts, beginning with a sort of symbolic silence that harkens back to “flower children” of the late 60s, an acid hit, and the anti-war protest of the 60s and 70s all at once.

The music itself here has crunchy distortion, a catchy rhythm, and a singer with a vintage-sounding voice (Brian Hubbert) singing about a dismal place, of smoking cities and other ghastly images. He sings the title of the track, “Don’t Want to Die Here” multiple times as a cry for life and safety. The more you listen to this song, the more you almost get a sense of a past voice crying out, but in something that is relevant today with current events, like the threats of nuclear war, civil unrest, and war that seems never ending and unwinnable at times.

A Shadow of Jaguar.

A Shadow of Jaguar.

If you care about music that has the soul of this era in sound and message, then listen to and watch the music video for “Don’t Want to Die Here” by A Shadow of Jaguar. Their debut album, RAW is coming fast, and drops this weekend on October 28th.

Keep up with A Shadow of Jaguar here.

-Andrew

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.
 

Premiere: Treehouse Sanctum's Music Video For "Shebiy," A Jazzy, Instrumental Duet

Earlier this year, we premiered Treehouse Sanctum’s music video for “Chacala,” a single from their 2017 release Vivere. Today, we bring you another video by the band for “Shebiy.” The track is also from Vivere but unlike “Chacala,” it’s purely instrumental. “Shebiy” is jazzy and vacillates between TS members Andrew Horwath on keys and Dewayne Rymer on trumpet.

Horwath, who wrote the song, was inspired to create this track when he was studying the Babylonian Exile of the Jewish people, found in the Book of Daniel, from the Old Testament of the Bible.

Said the band, “The frustrating lack of resolution that is achieved in the 7/8 timing, prevalent in the song, adheres to this premise of a captive being seeking escape.”

Watch "Shebiy": 

Frontman Sam Rymer also shared with us, “I’ve been playing music with Andrew for five years now- our humble drummer never played piano in front of me, other than doodling on it in passing. One winter day last year, just before we were scheduled to start recording Vivere at The Keep Recording Studio in Denver, Andrew sat down while we were taking a break during rehearsal. And then he took off. Dewayne Rymer, our trumpet player, improvised around the chording and we all felt like we were listening to an old conflicted jazz recording for a moment. I asked them both to try that again when we hit the studio and the result is what you hear on the album’s final track, ‘Shebiy.’”  

Treehouse Sanctum. 

Treehouse Sanctum. 

The video for “Shebiy” was filmed at Regis University with Ben Fout of thebande.co. It’s Treehouse Sanctum’s third video release of the year, following “Chacala” and “Play It Cool.”

This Sunday, September 10th, Treehouse Sanctum will take the stage at Denver’s newest outdoor venue, Levitt Pavilion. They’ll share the stage with Nashville’s Humming House and the show is FREE to the public! Make sure to catch them to hear “Shebiy” live, and give their video for the track a view for yourself above.

Keep up with Treehouse Sanctum here.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Motion Trap Release Alluring Single + Video In Anticipation Of Their Forthcoming Record 'Heavenly Bodies'

By: Hannah Oreskovich

Denver’s Motion Trap have been referred to as “Tycho with dance moves” and “Mogwai on crack.” The nu-dicso duo, comprised of Kyle Williams and Nathan Rogers, formed back in 2012 and have been making ears everywhere drip in thick synth dance hooks ever since. This September, Motion Trap are releasing their newest record, ‘Heavenly Bodies.’ The indie electro dance album mashes guitar tones with synth, distorted vocals, and all things digital into something impossible not to groove to. It's mysterious, alluring, and dancey as hell. Recently, Motion Trap released their single from the record, “Youth Blood,” and the track’s accompanying music video. It caught our eardrums, so we chatted with the band to learn more about this glow-in-the-dark two-piece and their newest vid. Read on:

What is the story behind the video for “Youth Blood?”

Recently we have been writing more upbeat songs, like our first single 'Molecule,' but with 'Youth Blood' we decided to showcase a darker side to our songwriting. I have heard people describe this sound as being ‘a more sexy Motion Trap.’ It has a deeper feel, and a possibly deeper meaning, one that is open to interpretation, but also means something to us. We love double meanings in our songs and this one has the internal dialogue of a person struggling with a feeling and trying to cope or figure it out in that moment.

Watch Motion Trap's music video for "Youth Blood": 

Who filmed the video?

Jeremy Pape shot it and Shaun Burder edited and directed it. They are both from Collective Culture out of Denver and do an amazing job. We also had the opportunity to work with some great actors, JoJo Lupe and Rob Ferrell.

Motion Trap. Photo Credit:   Blake Jackson

Motion Trap. Photo Credit: Blake Jackson

Where did you record the single?

We always record all of our songs in our home studio and when they get to a spot we call 'almost finished,' we sit in without our engineer Rocky Tran at Conway Sound to put some final love on the tracks before sending them to be mastered.

Of all the tunes on upcoming Heavenly Bodies, why’d you choose to release “Youth Blood” to us as one of the first?

I would say because it is so different than most of our music. We love the deeper feel this song has. That is why we chose this- to showcase a different side of our songwriting capabilities. Also the dark tone of this song felt like it lent really well with our black light theme. We had a great time experimenting with different lighting and painting techniques with this video.

Kyle Williams. Photo Credit:   Hannah Oreskovich

Kyle Williams. Photo Credit: Hannah Oreskovich

Cool! What’s up next for Motion Trap?

We have our CD Release Show at Larimer Lounge September 8th! The record will contain both singles, 'Molecule' and 'Youth Blood,' as well as six other tracks. We are bringing a massive light show along that we are collaborating on with our good friend Nate Davis from Color Shadow Productions. We have some special things up our sleeves for this show and can't wait to release the new album!

Make sure to catch Motion Trap at Larimer Lounge on Friday, September 8th with Get Along and Time Scale for their release show! Tickets here; keep up with Motion Trap and their new record ‘Heavenly Bodies’ by peeping their website.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: Retrofette's New Music Video For "Skeletons" Will Make You Shake Your Bones

By: Hannah Oreskovich 

Denver’s synth-pop new wave four-piece Retrofette formed just a year ago, but in that time, they’ve managed to build quite a following after the release of their debut EP I Don’t Mind. In 2016, the band, comprised of Sean Culliton, Xavier Provencher, Ben Weirich, Dylan Johnson, played two sold-out shows at Denver’s Hi-Dive, opened for acts like Magic Sword and Mark Mallman, and jumped back into the studio to record more music. Today, they dropped their first music video for the tune “Skeletons.” Watch the premiere below:

The track “Skeletons” is actually on the band’s debut EP. It was mixed and mastered at The Blasting Room in Fort Collins. Chris Beeble helped the band record vocals and mix the tune, while the rest of the song was recorded and produced by Sean Culliton and Xavier Provencher. Sean also takes writing credit on the track. And Hidden Woods Media braved the cold to film the video.

Xavier & Sean. 

Xavier & Sean. 

Said the band about the "Skeletons" video, “For the shoot of this music video, we watch our heroic dancing skeleton survive below-freezing weather and a few awkward encounters with the police of North Denver. His struggles were the real life illustration of what the song ‘Skeletons,’ and in a greater scope the whole concept of Retrofette, is all about. We make music because we want to see people dance in spite of their everyday problems. Maybe you're a skeleton that doesn't feel love. Maybe you're a skeleton that doesn't feel wanted. Maybe you're a skeleton who doesn't feel its face because you're wearing a latex suit in the middle of a blizzard. Whatever the problem, Retrofette plays music for people who want to escape for a minute and get sweaty on the dance floor.”

And just why does Retrofette think getting your own bones up to dance is so important?

Said Xavier, “I think dancing is the most basic and maybe primal form of human celebration. I love being able as a musician to give that to an audience. I love watching people be able to drop whatever their day has done to them and celebrate together. It’s also maybe a bit self-fulfilling. Lyrically, I feel I can get a little dark and down on the world. Setting those ideas to dance beats and watching people get down while you expound your sorrows onstage is the weirdest and most satisfying sort of therapy. I like the idea of people celebrating both happiness and sorrow.”

Retrofette’s “Skeleton” video release show is tonight, June 9th at Denver’s Fort Greene Bar with DJ Erin Stereo, and promises to be an intimate viewing experience.

Added Xavier, “We're so excited about this video release because it’s a brand new platform for us to share what we do with the world. We genuinely think that synth pop is a genre that the Coloradan people are missing out on, and can't wait to show everyone why they should be listening to it!”

So make sure to get yourself over to Denver’s Fort Greene Bar tonight and dance! Retrofette play Boulder’s Lazy Dog June 15th, followed by Denver’s Westword Music Showcase and The Underground Music Showcase. They’re also heading back into the studio to record some new music soon, and we’re stoked to see what those sessions bring.

Keep up with Retrofette here.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: Wolf Van Elfmand's New Music Video "Rose"

By: Hannah Oreskovich 

In April, we premiered Wolf van Elfmand ’s music video for “The New Folk” from his upcoming record, Real Wolf. The EP, which was co-produced with Dango Rose of Elephant Revival, drops this Saturday, June 10th with a release party at Denver’s Fort Greene Bar. Today, we bring you yet another Wolf video premiere, this time for his more solemn tune, “Rose.”   

“Rose” was filmed in Old Town Fort Collins by Ghostrunner Films, and was directed by Jesse Nyander. Elfmand’s cascading vocals and soft guitar build the basis for this emotional tune. Dango Rose is featured on bass on the track, with Enion Pelta Tiller (Taarka) on violin.

Said Wolf about the video, “I wrote ‘Rose’ in that feeling when you try to convince yourself you're able to move on, leaving behind something comfortable yet corrosive for greener pastures."  

Make sure to watch Wolf’s newest video and get details on his release party for Real Wolf here.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: This Broken Beat's "Sleep" Showcases Denver Eerie Electropop

By: Norman Hittle

Denver based indie-pop duo This Broken Beat are all about exposing the fine line between living safe and taking risks. The band has said all of us in life “will inevitably get caught up in ideas of irrelevance years down the road, and make mistakes out of in-the-moment emotions, but it's all to illuminate the beauty of choice and free will.” Little more exemplifies their creed than their latest video for their single “Sleep”:

The video was filmed and edited by Justin Urban of UrbanImpression, and the song was recorded with Tyler Glasgow and Jack Roberts of Streetlight Audio.

Regarding the video, This Broken Beat told BolderBeat: “We really fell in love with the eerie, dark aspect of the song, so we wanted the video to also paint that picture. A good portion of our music is major and upbeat, so it was cool to dive into something different. We were hoping for a foggy day for many of the nature shots and fortunately we got one right when we needed it. There are subtle stories throughout the video alluding to the big picture story, which the last scene gives away, so watching it in full-length is crucial if you're wanting to understand the production as a whole. Some days, staying in your bed with your dreams sounds much easier than going out to face life's challenges, and we wanted to capture that emotion."

This Broken Beat.

This Broken Beat.

The duo, which consists of Julio on guitars/vocals and Annie on drums, have been playing together since 2013. “Sleep” is their third release after 2016’s Sweat & Blood single and their 2016 self-titled EP. With a sound that’s reminiscent of Ed Sheeran and perhaps Maroon 5 circa Songs About Jane (with some added electropop flair), This Broken Beat bring a beautiful and full-depth soundscape to the Denver scene with “Sleep.” The song is very well-produced and tight, and you can tell these guys went to great lengths to write and record a quality project.

Make sure to check out “Sleep” for yourself above, and keep up with This Broken Beat’s upcoming shows here.

-Norman

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: Bo DePeña's Toe-Tappin' Track & Video "If I Let You Go Again"

By: Jura Daubenspeck

Last time we checked in with Americana singer/songwriter Bo DePeña, he had just released the single and music video for his intoxicating love ballad “The Weed and The Wine.” Since then, Bo has cast the finishing touches on his upcoming EP Long Road to Denver and been on the road for an astounding five-month 40+ show tour throughout Colorado, New Mexico, Texas, Montana, South Dakota, and Wyoming.

Bo DePeña. Photo Credit: Chris Bohlin

Bo DePeña. Photo Credit: Chris Bohlin

Even while on tour, the work never stops, and the hits just keep on coming. While traveling from Boerne, TX to Austin, TX, Bo stopped in to Austin Signal recording studio to film the live recording of yet another new track, “If I Let You Go Again.” The song, which was written two weeks before the final wrap-up of Long Road to Denver, was recorded with the help of Grammy Award winning recording/mixing engineer Charlie Kramsky and featured Sean Giddings (piano), Pat Harris (standup bass), and Josh Rodgers (drums).

Listening to “If I Let You Go Again,” influences of western swing, country, and jazz can all be heard. At first listen, the song has a simple, bare bones feel, like a piano bar in backroads country. However, the simplicity really comes from how smoothly each instrument- the guitar, piano, standup bass, and drums- all intertwine.

The song pulls from artists like Willie Nelson (circa 1960’s), Bob Wills and His Texas Playboys, and Lefty Frizzell. It touches on heartbreak and the “what if's?” strung between the moments of clarity. True to many of Bo’s musical numbers, “If I Let You Go Again” carries a sweet somberness within its toe-tapping rhythms, a combination that makes his music ever so easy to listen to.

Watch “If I Let You Go Again:”

“If I Let You Go Again” is the perfect release to precede Bo's upcoming EP, which will be released on May 26th. Listeners who just can’t get enough can also pre-order the EP at Bo’s upcoming show this Saturday, May 13th at The Walnut Room. Event details can be found here, and tickets can be purchased at this link- get ‘em while they’re hot!

Connect with Bo on FacebookInstagramSoundcloud, and Twitter,.

-Jura

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.