Denver Cellist & Soundscape Artist Lief Sjostrom Releases New EP 'Counting Breaths'

By: Norman Hittle

Lief Sjostrom, a cellist and guitarist living in Denver, has released his latest cinematic neo-classical full-length album Counting Breaths. Take a listen below!

Lief performs and records his own original, cinematic, and neo-classical/post-rock compositions; he also performs and records with live bands. His first solo EP, Her Prayers Sound Like Warnings, was released in 2017, and according to him, this latest album is a continuation of that EP with a darker edge.

Counting Breaths is a 14-track journey that takes the listener through cinematic soundscapes that alter in movement from track to track. One moment the listener may feel like they’re at the top of a verdant mountain range in Middle Earth, and the next they’ll be guided into the high tension of the misty woods of M. Night Shamylan’s The Village. Next they’ll find themselves gliding through a beautiful glade on sparkling waters along with some Game of Thrones-like heroes all before being taken to the doors of a sepulcher in a Lovecraftian-inspired horror tale. Both beautiful and emotionally captivating, these compositions could easily be on some epic gaming playlists and I know I’ll be adding them to my own.

Lief Sjostrom. 

Lief Sjostrom. 

On the side, Lief has been teaching cello and guitar lessons for four years, and has been a central component of the band PrettyMouth the last six years. He’s also performed or recorded with Edison, Sawmill Joe, King Cardinal, The Patient Zeros, Florea, Chad Price, Tyto Alba, Brianna Straut, Adam Hooks, Poor Me, and The Dead Orchids, to name a few. He’s also crafted music for the score of a documentary by Adam Reynolds.

Keep up with Lief Sjostrom on his social media and make sure to catch his set at Denver’s UMS this week Sunday at 1PM at Baere Brewing Company!

-Norman

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

I Traded Bison Bone Some Mangoes For A Great Conversation & Some Heartfelt Tunes

By: Joliene Adams

I arrived with two mangoes and departed empty handed, heart full, reeking of campfire at the next morning’s unrelated 8AM professional meeting for my day job. I blame and thank two fifths of Denver’s cosmic country band Bison Bone: Brianna Straut (vocals, harmonica, tambourine) and Courtney Whitehead (vocals, guitar, songwriting). Both are singer-songwriters in their own right, currently on tour performing both as individuals but also as a stripped down Bison Bone duo. Brianna is also a member of Denver’s Americana folk group Tomahawk Fox, where she handles vocals and rhythm guitar.

Brianna & Courtney.

Brianna & Courtney.

They stopped off at Patterson Alley in Eugene to play the outdoor backyard alley house venue; the backyard that pulls a lot of shows and knows how to host food and drinks with fancy strung up lights and all. Denver’s own King Cardinal has also played here within the last year.

The Beer Pairing

Naturally, the first thing I wanted to know was: What kind of beer best pairs with your music? Brianna infectiously belly laughs, endearing her to anyone in earshot.

She explains: “That’s really funny. We talked about that on the way up here and about making a little flyer for all the shows, and saying with each song of mine, or his, or us together, which beer goes with it.”

Courtney chimes in that as for the band’s sound overall? “Probably some kind of sour.”

More laughter from Brianna, then from Courtney and myself reflexively as a doctor’s knee-hammer at just the right spot on the patella. That the two are sardonically earnest comes through in interview as much as it does in their lyrical content.

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Brianna swiftly recovers, reflecting on her own personal singers-songwriter musician sound: “Probably some kind of pale ale.” She specifies: “an Oskar Blues [pale ale but consumed] at a tasting room in Austin, Texas.” Brianna grew up in east Texas and last lived in Austin before her move to Denver. “So a little bit Texas, a little bit Colorado,” she explains. Courtney hails from Oklahoma.

Silence lingers in the air for a moment. “Yeah, sour.” he chimes. More laughter from all.

The Good, the Bad, & the Ass-Busting

It’s a fine line between surviving and surthriving in this world. Musicians often endure this reality acutely. Bless their darn hearts. Brianna and Courtney opened up about it.

Courtney first: “You know, whether you’re creating new music or rotating band members, people don’t realize [the hard work it takes]. They show up in their town and they’re ready to party.”

Yet Courtney and Brianna’s own appreciation for their encountered gains is as blatant as it is poignant.

“This tour has been really incredible and I think it’s always like such an amazing way to see how people respond to this travelling circus we have… The way that they like welcome you with open arms… the last place we were in we were staying at this girl’s house for two days. She hosted us for a night of music. We have some friends that live there that took us out, they bought us drinks, they spent a lot of money on merch… [and this girl] was just constantly leaving little notes out for us and it was just that kind of stuff is like what really helps move us on to the next place. Not only monetarily but just like…”

Courtney pipes in, “... soulfully.”

I sat there thinking, "They brought music and all I brought were two mangoes. At least I brought mangoes? At least I brought mangoes."

Brianna continues, “It keeps our spirits up because it’s really hard whenever you go back you’ve got, you know, we’ve got our bills to pay, we’ve got everything else… you know we have life and society telling us we are doing something that’s so bizarre. But it’s really nice to see what it ignites in people… it opens our eyes up to really great times of people just being really wonderful in a time that’s really hard to see the good in people.”

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Brianna and Courtney take their music and that appreciative attitude on the road. I can only hope they see that they themselves embody showing the good, being the uplifting and relatable in the tough times.

Songs like Courtney’s solo performance of Bison Bone’s "Walls,” which is about coming home for the first time after your dog’s died but is relatable in terms of other loss, may not be happy sunshine feel-good uplifting, but people need the real and relatable so hard sometimes and particularly in hard times all the more. We all need the keep-it-realers and these two are expert at it.

Nine times out of ten, someone will appreciate your saying, “sometimes life gives you lemons and makes you eat them rinds and all” far more than “when life gives you lemons, make lemonade” on a bad day. I’m not suggesting negative is good, but that real and raw, empathy and emotional insight matter a hell of a lot; Brianna and Courtney are capable of bringing that and it rings loud and true in what they do together and apart. They touch you right where your wounds are in a way that might hurt, but simultaneously cleanses and heals like castille soap on a newly scraped knuckle.

The Band Description

Bison Bone’s band description is that of  “a working class cosmic country band from Denver, CO.” Previously, Daniel Mescher of Colorado Public Radio (CPR) and Tom Murphy of Westword both asked Courtney what puts the “cosmic” in the “cosmic country.” Much of it comes down to the psychedelic influences of the 60s and 70s that blend with the country at the roots. I probed the “working class” element.

Courtney explains, “I would say that mostly when we talk about that [the working class element], obviously any band now can say that with regards to the way they work: loading their own shit, buying their own van, running around doing everything, that kind of do-it-your-own. Even if you are playing a thousand-person venue in any city, you know, you’re still doing a lot of that on your own. Creating your own art, creating your own merch… But when I describe it that way [as a working-class band], I’m mostly talking about it lyrically, and somewhat sonically. We write about the stories we know- where we come from, the people we know, and we come from a working-class background.”

The Road Test

Even when it isn’t raining everything is wet, always, in Oregon Octobers; dampness, cold from the inside to the brim of your bones. It lent itself to habitual bouts of guitar tuning this eve. But tuning guitars in different environments is ultimately the first step to tweaking perspective and being self–reflective for these two.

Brianna reflects, “You can only play so much in your hometown. But when you’re playing a different place each night [on the road], to a different crowd, you really get to test out and see new stuff.”

Courtney adds, “Yeah, I like to use the word road tested or lived in… it is different to drive somewhere, show up, load your stuff up, set up, and then you may play a song that you’ve played thousands of times before but it’s going to feel different in that place if it’s your first time being in that venue or geographical location.”

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The road, currently, is a way to help the pair try out new tunes. I naively assumed it was about promoting Bison Bone’s History of Falling album, out this past April. The 10-song, approximately 47-minute album is no longer the primary focus. It was initially recorded around a year ago but now, the band is learning from what it was and moving on towards what they want to be(come).

The Artistic Process

Bison Bone’s History of Falling was by and large a live, in-studio recording. Research tells me this is partly a function of preference, partly a function of time and expense. Research, listening, and an interview also tell me the band is highly process and discovery-oriented. They are at once intuitive, attentive, attuned, and insightful.

Courtney resonates, “[A] lot of it, you know, as any artist from any medium- a lot of what you’re doing is taking stuff and throwing it against the wall and seeing if it sticks and adjusting after that, you know.”

As for the storytelling that at least partly drew Courtney to country, it often first comes with a melody. If “it’s a happier melody,” you’re more liable to think of a happy story you know from real life, “but if it’s something sadder, like in a minor key, you’re probably going to write something mad or sad,” Courtney clarifies, the latter being much more of what Bison Bone naturally leans into. But again, Courtney pins down the whole statement by reflecting on the process, and how the melody “kind of does the job itself if you allow it to get out of the way.” It’s a touch and go of inception and discovery.

Note to self: throw the pizza against the wall and see what happens, but don’t stand in the path of the pizza’s trajectory. That’s where art comes from. End essay.

The Relationship Business And Next Big Thing

In an AXS interview “Get to Know a Denver Band” with Alli Andress, Courtney reflected on learning that “it’s not the music business, it’s the relationship business.” That’s a good chunk of what being on the road is about for these two. It’s about the relationship with the people and places they encounter, the relationship to their music, and the relationship between the two and the three back in Colorado.

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“Next we’ve got a lot of shows,” Brianna informs, adding, “We’re looking forward to getting a new album out and working on that with the band, coming back with what we’ve learned from tour.” As for the pair, “The biggest impact I’ve seen [on the road] is the way we communicate. Bring tired, being hungry, and working every day, and uncomfortable… that will strengthen us as two friends in our friendship and in our relationship professionally.”  

Courtney resonates, “You just learn so much [on the road] and you’re excited to put whatever you learned into practice.” He reflects that since History of Falling, Bison Bone had a great year that followed, playing a lot of great Colorado shows, festivals, and playing in New Mexico.

“Doors were opened and it’s allowed us to keep moving forward... I think that’s what we’re always excited about is when we do something new. When we come back to something a little more normal or routine, we’re going to come back and be way beyond the levels that we were at in most normal situations before. Just more professional, more sonically in tune, just better at all aspects of it; more efficient with all of it and getting a better ear and growing patience and figuring it out. It’s just all problem solving, you know.”

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As for what radio stations the band’s encountered on the road and recommends listening to? Podcasts. Particularly, Dan Savage Lovecast, Sword and Scale: A True Crime Podcast, The New Yorker podcast, and KCRW’s Left, Right, & Center podcast.

“Don’t listen to music!” Courtney fervently quipped when asked about radio stations. This time, the laughter was sufficient to garner glances from the gathering crowd at the stage. Really, it was Courtney’s way of saying we all need a break to produce our best when your passion is otherwise your every waking moment. Heed the intelligence.

Thank you Brianna and Courtney for your hard work and stout hearts. Everyone in Colorado check out Brianna at The Jamestown Mercantile this Friday, October 20th at 6PM. She masterfully blends crooning and lullaby, tinged with grace, humor, and aplomb. I can’t say enough about these guys and how much you’ll enjoy them live no matter what mood you are or aren’t in, or your feelings towards and preconceived notions about country generally.

Keep up with Bison Bone here.

-Joliene

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The 2017 Underground Music Showcase Announces Second Round of Artists

The Underground Music Showcase 2017 just announced their second round of artists for this year's festival! Additions include: Headliner Zola Jesus and artists like Bad Licks, Chocolate Diamond, Dear Rabbit, Decatur, Edison, HERESTOFIGHTIN, The Hollow, innerspace, The Kinky Fingers, Ned Garthe Explosion, Retrofette (we should mention here we're premiering something awesome from this band this Friday), Sleepy SunSIR, Sugar Skulls & Marigolds, Sur Ellz, Treehouse Sanctum, Turvy Organ, & more! Make sure to get your tickets for the July 27th-30th festival in the heart of Denver here. And see our previous story for initial lineup announcements at our original announcement link.

Reminiscing on last year's UMS? Peek back at our coverage of 2016:

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The 2017 Underground Music Showcase Initial Lineup Has Arrived

By: Hannah Oreskovich

The long-awaited and highly anticipated Underground Music Showcase 2017 lineup has arrived. With headliners Benjamin Booker, Red Fang, & Esmé Patterson, this year's fest will take place July 27th-30th. Colorado’s Bandits, Britt Margit, This Broken Beat, Bud Bronson & The Goodtimers, Brent Cowles, The Burroughs, Chloe Tang, CITRA, Coastal Wives, Colfax Speed Queen, Corsicana, déCollage, Dirty Few, Dragondeer, Wolf van Elfmand, Evan Holm & The Restless Ones, Gasoline Lollipops, Get Along, Jilly.FM, Joseph Lamar, King Cardinal, Last of the Easy Riders, Loretta Kill, Mawule, Modern Leisure, One Flew West, The Other Black, Povi, RL Cole, The Savage Blush, Silver and Smoke, SIXXXD, Slow Caves, SYCDVK, Television Generation, The Velveteers, Whiskey Autumn, Whole Milk, Wildermiss, and Yasi are just some of the acts on the bill we've featured in the last year, so needless to say, we're stoked on this lineup. And there are more artists still TBA!

Stay tuned for more UMS info and get ready to join us on Denver's South Broadway for one of our favorite events of the summer! Tickets here.

Reminiscing on last year's UMS? Peek back at our coverage of 2016:

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

'Resolution As Revolution' - Give Our January Spotify Playlist A Listen!

By: Joliene Adams

Did I make a New Year’s resolution? Did you? Whether any of us did or didn’t, the fundamental spirit behind it is a worthy reminder. Every day is an opportunity to begin a personal revolution in all the ways you might dream. Here is a playlist that, for each of its own various sonic and lyrical reasons, can help you toward your own resolution for revolution in 2017.

Click here for our 'Resolution As Revolution' Playlist or play it below:

1. “Highways” - REIGHNBEAUSister Grotto – Blood (Deluxe) (2016)

“Highways” has audible ebb and flow. Electronic pulses fuzz and fade in close while ten words make up the lyrical content and are given constant return. The repetition begins to act on the ear and body/brain like a mantra. A collaboration between New Mexico’s REIGHNBEAU and Denver’s Sister Grotto (Madeline Johnston), this one is dream fuzz that occupies a space somewhere between the here and there of the slightly awake and half asleep. What begins with gentles sounds of a rainstick fades to what sounds like a resampling of the rainstick with more static and fuzz interlaced. Sophisticated subtleties keep this song interesting alongside its relaxed and meditative feel. Let this one help you develop your own mantra for the year to come. Open your heart throttle and imbibe sound poetry: 2017 is a wholly open road.

2. “When” - RUMTUM – Mystic Wonders (2013)

Sampling Vincent Gallo’s hauntingly wistful and imminently gorgeous 2001 “When,” RUMTUM puts a pip in Gallo’s depressive downtempo and melancholic step. RUMTUM takes it away and makes it fresh, fun, and comparatively light. Basically, they take Gallo’s frown, turn it upside down, and give it proverbial jazz hands. They take Gallo’s gentle cooings and splice them to a tune to tap your toe to. RUMTUM isn’t afraid to experiment with anything, and you shouldn’t be either. It’s the new year after all.

3. “Elevate” - Kid Astronaut – Moon Theory (2015)

“Elevate” is chalk full of takeaways. “We were not born to be complacent,” Shockness maintains. Agreed. His loungy R&B sound with a soft hip-hop thump to undergird here goads and uplifts you gently into that place of higher being. And, “We were born to be special.” The task is yours to become the most special version of yourself you can. The possibility to be that is the gift you are given at birth. You owe it to yourself, and the most fundamental things between you and better you at any given time is complacency if you’ve fallen into it. Shake yourself awake. “Elevate” is loaded positivity; it is, in other words, more than positivity for positivity sake. Kid Astronaut summons the best of you.

4. “Base” - CRL CRRLL – Wave (2015)

CRL CRRLL (Carl Carrell) successfully builds a musical jenga tower with “Base” one piece at a time. The song retains solid structure despite the increased pressure of newly added elements, balancing R&B notes in lead vocals, hip-hop in backup vocals, a jazzy quality to the drums and keys, and  then you already have several musical layers by the time her chill lead vocals come in clear. As the song chugs forward into jazzier fusion with all these elements, it ends with a sudden peaceful fade out of ocean shorescapes and the faintest mutterings of what could be voices at the wharf: “Lovin’ just what I am, lovin’ just what I ain’t.” The creed of self-acceptance will serve you well in the next year if you can abide.

5. “Into the Wind” – King Cardinal – Once a Giant (2015)

Remember that scene from Ace Ventura where Ace himself rips out a waiter’s heart and gives it to him in a doggy bag? Welcome to how it feels to listen to King Cardinal’s soulful alt-folk. This is a safe one to cry, mourn, long, hope, and remember to. Brennan Mackey gives the term singer/songwriter new meaning, and he wants your second chance. You enter without words, while Ben Waligoske’s steel pedal daggers you in the side. It continues to supplement, yet give that country-underbelly feel that allows heart pangs to echo through the room. Lean into life as you would gale force winds. Looking back too hard can get you depressed, looking forward too much can bring you anxiety. Just lean where you are, lean into the wind; trust your struggle and be not afraid.

6. “Just Don’t Stop” – The Kinky Fingers – Vagabond (2015)

Tone and message make this a happy, head-bop worthy (or inducing) tune. There is a delightful float in Taylor Doyle’s guitar, and soar in his vocals. Eventually, he stops crooning as he sends you off on a couple high notes, punctuated neatly with three steps back down and low, “Just. Don’t. Stop.” We take instrumental flight with Daniel Hogan and Travis Page’s soft rhythmic drums keeping it steady while the guitar takes surf rock-esque flight with reverb indulgences. This one’s a fun journey for the ear that never loses its path despite its wanderings. It’s a good one to get, or keep, you going in the new year.

7. “Get Loose Have Fun” – Dirty Few – Get Loose, Have Fun (2012)

Dirty Few touts warm beer and out-of-tune guitars; they never get too serious about themselves save two exceptions: partying and playing drinking man’s music. They want you to have a jolly good sullied blast of a night, and they shake it off with the tambourine whose sound drops into the background but propels the track forward from the get-go no less. Dirty Few here has that slight 60s pop beat in its pulse and the “ooh, ooh, OHH, OOH” backup vocals. It’s the kind of 60s vibe you can readily imagine leading to proto-punk on down the line, and then to skate rock. But we’ll call it dive-bar rock because no matter the acoustics of the place, any dive-bar is the best venue to catch Dirty Few in. It’s homecourt. Let’s get this 2017 party started!

8. “The Mtn Song” – Rayland Baxter – Ashkelon (2013)

Uh oh. We’re getting sentimental again. But Rayland Baxter could be singing about shoelaces and nonsense and get you to emote. Fortunately, he knows not just how to sing with all his heart, but to storytell both as musical abstraction and in literal lyrical composition. This is one to give you chills. It’s so soft and sweet. He whistles, serenades, and implores, turning over tender phrase after tender phrase as drums and guitar support this gentle, unhurried, and earnest offering of love. Love is all he has to give. Is that enough? Normally I’d say no. But syrup-ing from his earnest, low-lyrical valleys and high peaks, I’d say, “I’ll think on it. Ask again tomorrow,” and know I’ve already decided while falling asleep to the sound of those endearing whistlings in my own head. Even if love is all you have to give in 2017, it’s better than nothing at all, and is, quite truly, one of the best things in the world you can give. So take a note from Baxter and do it with all your heart, soul, and perhaps even your singing voice, should you be so inclined.

9. “Whistle While You Work” – Wheelchair Sports Camp – No Big Deal (2016)

You come in building off mixed whispers of Emcee Kalyn Heffernan. It’s a sheer drop at 00:20 into straight hip-pop thereafter, coming at you with melodic and rhythmic whistles and Joshua Trinidad’s synchronized trumpet horn on blast. Intermixed are, by comparison, callous, hard-cutting electronic beats. They all join together and maintain the BPM to make this track the banger that it is. From the first, Emcee Kalyn Heffernan’s vocals and lyrical delivery are all her own. She captivates. And when she turns the phrase, “they call me Little Miss Guided,” it’s just one of her many lyrical delights. In reference to Wheelchair Sports Camp, the Village Voice reported, “If there were ever a moment for a queer, disabled rapper with a love for pot, jokes, and revolution to be a star, the moment is now.” It’s about time. Thank you 2017.

10. “Left Fist Evolution” – Bianca Mikahn – Left Fist Evolution (2010)

A low, thumping beat and hushed, bluesy choral vocals reel you into this tune. Bianca Mikahn weaves her story in poetic clips and fragments that suggest a certain story without really telling a story in the classic sense. But there’s a story there, for sure. She leads the listener to hear, see, and feel what she’s driving at unequivocally without saying who, when, where, or why. Lyrically, vocally, and stylistically, “Left Fist Evolution” is powerfully evocative. I’ve heard the word “fortified” used to describe Bianca Mikahn, and that is how the listening process and outcome of “Left Fist Evolution” feels. We all need fortification, and music is the next best supplement to vitamins. So take yours by taking this one in.

11. “No Worries” – Trigga ManThe Reminders – Hit Man (2012)

Sampling another old favorite, The Specials’ “Ghost Town” is featured in the background here, and their reggae and ska influence comes through beyond the sample in this song. Where it’s got a pinch of dance hall in the female vocal chorus, there’s a dash of hip-hop with male vocal delivery in verse. Where musical components blend samplings and reminisce on interrelated genres, the content delivery blends too, packed full of literary, cultural, and political references. “Get it twisted like Oliver, yo.” you hear. This is a composite piece of precocious stature that makes it easy to miss if you’re too busy getting down to it the first go around. But also, in 2017, tell yourself as often as possible: “Me no worry with what them say and me not goin’ to be afraid.” Hold strong with Trigga Man and The Reminders’ beats.

12. “Music Is a Gift” - Grim & Darling - Beauty Through Pain (2015)

Music is good for you: mind, body, and spirit. And Grim & Darling part with their musical gifts for your benefit as gentle organs and strings grace your entrance: “Create a song as a gift just to give it a way, royalty free, no fee, just in hopes to teach about loyalty, honesty, forgiveness, giving second chances lovingly. Nobody’s above the beat, in fact we need it to breathe. That’s the mentality. Give away your masterpiece as if we never had to eat, leave your ego as a casualty. I’m glad to be passing this to all of you, it’s all truth, try to use it, I will too. I hope we can all focus on the consequences of what we do.” Grim & Darling’s mindful tune serves as an homage to what you musicians do for us. This isn’t empty flattery. Being a musician isn’t easy work, but humans thrive in music, so thank you. Scaling up and down graduated xylophone bars with patience, the delicate clear sounds ring a victorious and encourage your feeling the same about your own power. Get after the new year.

13. “Ready to Live - Pt. 1” - Thug Entrancer - Death After Life (2014)

We start and end on a meditative note, only here we go pure electronic instrumentation. This one’s a sonic journey from sound artist Ryan McRyhew. Thump off to the pace of an electronic pulsating heartbeat as horn-reminiscent tones enter. Sounds begin to grind in and on top, creating an ever complex liftaway into layered reflections on itself. McRyhew does his personal sound poetry one to two new sounds at a time, letting you slowly take in the cerebral, but ready flow of this musical peregrination. Get work done or space out in daydreams to this one. It’ll get you where you’re going if you let it take you there. I hope 2017 finds you more ready to live than ever, and this playlist serves as a continued asset in your endeavor.

Make sure to follow us on Spotify to take a listen to this playlist and more Colorado music playlists at BolderBeat.

-Joliene

All songs per the artists featured. This feature was edited for brevity and clarity by BolderBeat.

The Weekend Six: Six Shows to See Memorial Day Weekend

By: Hannah Oreskovich

If you’re not at the ‘Squatch, you should probably be at these spots:

Today (Friday 05/27):

Natural Motives and Intergalactic Peace Jelly at Boulder House in Boulder 9PM-Close

Boulder House has recently been booking live music, and for a venue that was formerly known for only booking DJs (Absinthe House), this place has the possibility to bring a refreshing jolt to the local scene. Tonight’s lineup at the House will really get you movin’! Local jam/funk band Natural Motives is joining forces with Boulder’s Intergalactic Peace Jelly, an improv rock band, for a night of experimental and groovin’ sounds. Catch their sets; show starts at 9PM.

Check out Natural Motives’ latest release “Stress Less”:

Jus Sayin at Conor O’Neill’s Irish Pub in Boulder 10PM-Close

Jus Sayin.

Jus Sayin.

Funk neo-soul outfit Jus Sayin are holding down the stage at Conor’s tonight for the holiday weekend! Fronted by Boulder’s own Dechen Hawk, the five-piece boasts a solid lineup of accomplished musicians who are prepared to help you get down on the dance floor this evening. Roll over to Pearl and check these guys out!

Listen to Jus Sayin’s live version of their tune “Questions”:

Tomorrow (Saturday 05/28):

Denver Day of Rock at the 16th Street Mall in Denver 230PM-Close

King Cardinal.

King Cardinal.

Amp the Cause is throwing a free one-day music festival on the 16th Street Mall tomorrow! There will be food trucks, a beer garden, and 25 bands sprinkling performances across five outdoor stages. Dearling, Gipsy Moon, HONEYHONEY, King Cardinal, and The Burroughs are on the list of our acts to see at the fest, and you can view the whole lineup here. Stop by and dance around! (PS: Peep our exclusive chat with King Cardinal and our recent review of The Burroughs’ new singles.)

Read more about Denver Day of Rock and how Amp the Cause gives back.

Slow Caves Desert Minded EP Release Show at Downtown Artery in Fort Collins 8PM-Close

Slow Caves.

Slow Caves.

Just this week, we dropped a review on Slow Caves’ new Desert Minded EP. We dig the band’s surfer rock vibes, and we have a feeling you will too. Tomorrow night, the group will be shreddin’ for you live in their hometown at Downtown Artery. They’ll have physical copies of their new release ready for you, and they’ll be playing the tunes live. Get ready to stage dive! This is gonna be a fun one.

Read our review of Slow Caves’ Desert Minded EP.

Card Catalog featuring Georges Octobous at The No Name Bar in Boulder 10PM-Close

Card Catalog.

Card Catalog.

There’s a new bluesy folk act on the scene and tonight is their debut performance at The No Name Bar. Card Catalog is a recently formed four-piece comprised of Jenn Tatro (vocals/guitar), Dalton Clayton (lead guitar/bass), Rob Spears (bass/guitar/synth/drums/backup vocals), and Ricky Brewer (drums/bass/guitar/backup vocals). Each musician packs their own punch, which is why this new project is totally worth checking out live! Plus they’ve got a special guest on the lineup, George Octobous. Get yourself a seat behind the big brown door tomorrow night! We’ll see you there.

All Weekend

Boulder Creekfest at the Boulder Creek in Boulder - Various Times and Stages

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Eats, music, and brews! That’s how we want to spend our Memorial Day Weekend. And lucky for us, it’s time for Boulder’s annual Creekfest! There is a slew of local talent on the lineup, including: The Alcapones, Analog Sun with Special Guests, Augustus,The Delta Sonics, Farmer Sisters, Gasoline Lollipops, Let the Beat Speak, Monocle Band, Riley Ann, Whiskey Autumn, and more! Grab your raincoat and head out peeps. See you from the Ferris wheel!

Get Creekfest’s full schedule for the weekend here.

Cheers to the holiday weekend!

-Hannah

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All photos, videos, and embedded tracks per the artists featured.

King Cardinal's Latest Will Have You Feeling Right at Home

By: Dawn Raymond

King Cardinal is a band that's been coined "alt-folk" by some, but Brennan Mackey, founder of the Denver based band, tossed out the word "Americana", and rightly so: It feels like home.

Once A Giant, King Cardinal's most recent release, was recorded mostly live in a living room and was then sent out to be professionally mixed and mastered. This approach lends the project it's earthy, yet polished finish. The addition of the steel guitar to songs like "Into the Wind" and "Gasoline" tops off their sound beautifully, like maple syrup on a short stack. The EP is also lyrically satisfying, with poetic musings and bits of melancholy that give it a soulful feel.

Watch King Cardinal’s music video for “Gasoline”:

King Cardinal is: Brennan Mackey (Vocals, Guitar, Banjo), Scott Roush (Drums), Andrew Porter (Bass),  Ben Waligoske (Pedal Steel) and Texanna Dennie (Vocals).

See the guys live this Saturday 04/16 at the Lost Lake Lounge in Denver and later this month at FOCOMX. Check out their other tour dates here.

-Dawn

All photos, videos, and embedded tracks per the artists featured and those credited.