SoDown Lifted and Lit Up the Fox Theatre Last Saturday

By: Will Baumgartner

A Saturday night at one of the top-rated music venues in the country, which happens to be within walking distance of my house, surrounded by joyful energy and kept moving by irresistible dance grooves- not a bad way to spend an evening, right? Add the pleasure of getting to review a headlining set plus a consistently mesmerizing light show with a packed crowd of young friendly faces, and the end result was a music lover whose walk home felt elevated.

I also felt enlightened, because to be honest, electronic music isn’t my field of expertise. That being said, I learned long ago not to ignore it because I love to dance. And what SoDown does-Bass music- is specifically designed for dance lovers. One of the things I’ve learned from talking with those immersed in the culture is “Don’t call it Dubstep!” Also sometimes called “UK Bass,” this music is clearly influenced by dubstep, but also draws on so many different types of sounds that it’s asserted itself to the point where it has its own identity and commands special attention.

SoDown.

SoDown.

So how does SoDown, a relative newcomer in an already exploding field, distinguish itself within the burgeoning Bass pantheon? And who exactly is SoDown? The answers to these questions are interconnected. As is often the case in the electronic music galaxy, we’re talking about one person here: his name is Ehren River Wright. He stands out because he’s an accomplished saxophonist in addition to his clear mastery as a producer, and a fascinating young star whose rise is an exhilarating thing to experience. In the interest of trying to share a bit of that experience, let’s go back to Saturday’s show for a minute.

The crisp autumnal spark outside the theater became a surge of crackling energy inside. Supporting act Megan Hamilton pumped the swelling crowd with her own brand of uplift, blending some live vocals and bits of drumming on a set of pads mounted next to her rig. Everyone was engaged and the smiles exploded toward the entry of SoDown, whereupon the bliss meter hit the high end of the spectrum. From the first notes and flashes of stylized imagery, through the entire barrage of thumping rhythm, soaring melody and spectacular light show, SoDown ascended to some new and dizzying heights.

When young Mister Wright raised his tenor sax to surf the swells and crests on this sea of sound, it was like we were all riding these waves together, light breaking through storm clouds, all surge and spray with a good dose of sway. I’m not sure where all the voices came from, but the familiar backing bits (including, of all people, some Britney Spears) brought a somewhat grounding effect to the ensemble; a reminder that music is a continuum which leads us into an ever-expanding future while holding the power of its own past. Wright came onstage already dancing to the music in his head, and the dance kept growing throughout the night, and throughout the crowd. Even when the “show” experience was “over,” the dance continued on.

SoDown.

SoDown.

Being considerably less well-versed than others in the Bass world, I needed to make allowances for a few things at SoDown’s set. For one, in my research leading up to this night, I’d expected something a bit different. The recorded music that SoDown has released led me to expect something a little more low-key, a tad more downtempo. So it took me a few minutes to adjust my consciousness to the heavier side of his music, until I remembered that if you’re going to create a party or keep one going, it’s necessary to bring some of your heaviest gear with you. As someone who’s attended countless shows by live bands using no electronics whatsoever, I knew this: virtually everyone plays louder, faster, and harder live. That’s the nature of the beast. Once I’d navigated this shift, a handful of the aspects that make up the whole of who and what SoDown is reasserted themselves: the soulful, sometimes even moody smokiness that belie Wright’s love of jazz, soul, and funk were still there. They simply made their presence a little more of an unassuming and pleasant thing, like the quieter guests at a party- they might be bopping a bit more unobtrusively on the periphery or in the midst of all that more frenzied activity, but they aren’t about to leave.

So, ultimately, this is one of the greatest things about the fully alive and ever-evolving world of music we’re so lucky to be part of: there’s room for everyone and everything, all types of people and emotions, all levels of experience and knowledge. That openness was in great evidence at this gathering. There’s no one watching the door at a dance party thrown by SoDown, and if it takes you a minute or three to fold yourself into the crowd, they’re more than happy to make room for you to get in there and be your unique and indispensable self. This element, like the music itself, resists being pigeonholed because there are so many parts needed to make it whole and keep on lifting.

-Will

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

joemurray. Releases Debut Indie Single From Upcoming Record 'Free'

By: Norman Hittle

From his upcoming record Finally, Joe Murray (stylized as joemurray.) has recently released his first single “Free” - a jazz influenced indie rock track about relational freedom.

Listen to “Free”:

With fluttering, fluted synths leading the charge, the song combines the elements of electric guitar, drum machines, and a sax lead with some heavily affected and lo-fi vocals. The sonic combination gives a sort of ominous alt/pop vibe.

joemurray.

joemurray.

Based in Denver, CO, joemurray. is a multi-instrumentalist who has been creating music in his bedroom for years. With the upcoming release of his new music, he is making his first exciting steps into the Colorado music scene.

joemurray. told BolderBeat, “My debut EP Finally is an exploration of self-centeredness. There’s been many songs and topics I’ve written about over the years, and I wanted this album to be a reflection of that. These are things I’ve been feeling for a long time, and have finally found a sound I’m happy with. Finally, while focusing on that self-centeredness, will touch on love, addiction, power, and nostalgia. I’ve been working really hard to create something that I’m proud of, and I hope that comes through in the music.”

The full release of Finally is slotted for November 3rd, so keep an eye out for it on Spotify and Facebook.

-Norman

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

GoGo Penguin Bring Their Jazz Electronica To Boulder Theater

By: Mirna Tufekcic

It’s always such a rush to find new music and get excited about the prospect of hearing it live. Are you into jazz? If so, you’re in luck! The UK’s GoGo Penguin trio are playing the Boulder Theatre this Wednesday, September 6th.

GoGo Penguin.

GoGo Penguin.

To music lovers and musicians alike: these guys are about to blow your musical brains out. Trippy, jazzy, trip-hop, and classical melodies meshed with modern beats and deep bass jives, concocted into a potion that gently pushes the envelope and makes your ears perk up- that’s GoGo Penguin. Just listening to them on Spotify made the hair on the back of my neck stand tall.  

Check out GoGo Penguin:

If GGP are anywhere as playful live as they are on record, Wednesday’s show is bound to be a sonically bountiful evening for your ears to feast on. Get tickets while you can, folks! Who knows when this talented crew will cross the pond again.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: Treehouse Sanctum's Music Video For "Shebiy," A Jazzy, Instrumental Duet

Earlier this year, we premiered Treehouse Sanctum’s music video for “Chacala,” a single from their 2017 release Vivere. Today, we bring you another video by the band for “Shebiy.” The track is also from Vivere but unlike “Chacala,” it’s purely instrumental. “Shebiy” is jazzy and vacillates between TS members Andrew Horwath on keys and Dewayne Rymer on trumpet.

Horwath, who wrote the song, was inspired to create this track when he was studying the Babylonian Exile of the Jewish people, found in the Book of Daniel, from the Old Testament of the Bible.

Said the band, “The frustrating lack of resolution that is achieved in the 7/8 timing, prevalent in the song, adheres to this premise of a captive being seeking escape.”

Watch "Shebiy": 

Frontman Sam Rymer also shared with us, “I’ve been playing music with Andrew for five years now- our humble drummer never played piano in front of me, other than doodling on it in passing. One winter day last year, just before we were scheduled to start recording Vivere at The Keep Recording Studio in Denver, Andrew sat down while we were taking a break during rehearsal. And then he took off. Dewayne Rymer, our trumpet player, improvised around the chording and we all felt like we were listening to an old conflicted jazz recording for a moment. I asked them both to try that again when we hit the studio and the result is what you hear on the album’s final track, ‘Shebiy.’”  

Treehouse Sanctum. 

Treehouse Sanctum. 

The video for “Shebiy” was filmed at Regis University with Ben Fout of thebande.co. It’s Treehouse Sanctum’s third video release of the year, following “Chacala” and “Play It Cool.”

This Sunday, September 10th, Treehouse Sanctum will take the stage at Denver’s newest outdoor venue, Levitt Pavilion. They’ll share the stage with Nashville’s Humming House and the show is FREE to the public! Make sure to catch them to hear “Shebiy” live, and give their video for the track a view for yourself above.

Keep up with Treehouse Sanctum here.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Review: Redline Alchemy's '194 EP' Is As Fluid In Sound As These Multi-Instrumentalists Are Onstage

By: Norman Hittle

The guys in Redline Alchemy don't accept the traditional approach to having a band. To them, playing music is so much of a fluid art, that they themselves fulfill that fluidity by being multi-instrumentalists and loosely structuring themselves in a myriad of genres.

Listen to Redline Alchemy’s new 194 EP:

Comprised of the Ausmus brothers (Joe, Dan, and Nick), Corey Golon, and Nate Wilson, this quintet explores musical wizardry in their 194 EP through rock, jazz, funk, reggae, and jam band feels. With nods to notable bands such as Primus, Sublime, and Silverchair throughout their five songs, I also couldn't help hearing some Mighty Mighty Bosstones and Led Zeppelin influences.

194 EP opens with their single “Soul Searching” in a fun free flow that kicks into a 90’s era alt rock reggae feel that combines the stylistics of Cake and Gorillaz in a garage band format; song two “Pluto” follows suit musically and brings up the comical controversy of the dwarf planet’s categorization as a planet:

“Pluto is a planet, don’t you understand.
Your head’s stuck in Uranus if you can’t handle that.
Unless it is the Death Star then I think it's safe to say.
Pluto got the shaft in every way.”

Song three, “Rhythm of the Dance,” languishes with a sort of Counting Crows jam vibe while song four, “Burning Slow,” unleashes the EP’s best guitar lead lines and some fantastic saxophone soloing. The final track, “Making Moves,” starts out with some accapella, then hits with hip-hop and reggae jam feels to close out the EP.

Overall 194 EP is a solid writing effort from the guys in Redline Alchemy. It’ll be interesting to see where they take their music from here. Catch them at Moe’s BBQ Saturday, June 10th and keep up with the crew on their Facebook.

-Norman

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The Alcapones Are Gangsters of Love On Their New Record 'Mountropolis'

By: Mirna Tufekcic

One time at Boulder’s staple, and sadly now defunct, Conor O’Neill’s Irish Pub, I spent an evening dancing the night away with friends to a band that was really keeping the heat going despite the winter weather outside. And that band was The Alcapones.

The Alcapones. 

The Alcapones. 

The Alcapones are gangsters of love, and they’re expressing and sharing that love through some good vibes of reggae and ska with a mountain flare. They call their music folkadelic, an infusion of folk, psychedelics, and jazz/jam sprinkles. In essence, they’re a group of happy, high-vibin’ musicians out to make you dance and have a good time.

The Alcapones recently released their new album, Mountropolis, as an ode to mountain living and moving your body to stay warm. The record features both songs and instrumentals for your listening and dancing pleasure.

Listen to Mountropolis:

So if you’d like to get yourself moving until the music stops, then go ahead and check out this crew at The Fox Theatre this Thursday, May 11th with Amoramora and The Jive Tribe. Tickets here, and more Colorado tour dates on their Facebook.   

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: Bo DePeña's Toe-Tappin' Track & Video "If I Let You Go Again"

By: Jura Daubenspeck

Last time we checked in with Americana singer/songwriter Bo DePeña, he had just released the single and music video for his intoxicating love ballad “The Weed and The Wine.” Since then, Bo has cast the finishing touches on his upcoming EP Long Road to Denver and been on the road for an astounding five-month 40+ show tour throughout Colorado, New Mexico, Texas, Montana, South Dakota, and Wyoming.

Bo DePeña. Photo Credit: Chris Bohlin

Bo DePeña. Photo Credit: Chris Bohlin

Even while on tour, the work never stops, and the hits just keep on coming. While traveling from Boerne, TX to Austin, TX, Bo stopped in to Austin Signal recording studio to film the live recording of yet another new track, “If I Let You Go Again.” The song, which was written two weeks before the final wrap-up of Long Road to Denver, was recorded with the help of Grammy Award winning recording/mixing engineer Charlie Kramsky and featured Sean Giddings (piano), Pat Harris (standup bass), and Josh Rodgers (drums).

Listening to “If I Let You Go Again,” influences of western swing, country, and jazz can all be heard. At first listen, the song has a simple, bare bones feel, like a piano bar in backroads country. However, the simplicity really comes from how smoothly each instrument- the guitar, piano, standup bass, and drums- all intertwine.

The song pulls from artists like Willie Nelson (circa 1960’s), Bob Wills and His Texas Playboys, and Lefty Frizzell. It touches on heartbreak and the “what if's?” strung between the moments of clarity. True to many of Bo’s musical numbers, “If I Let You Go Again” carries a sweet somberness within its toe-tapping rhythms, a combination that makes his music ever so easy to listen to.

Watch “If I Let You Go Again:”

“If I Let You Go Again” is the perfect release to precede Bo's upcoming EP, which will be released on May 26th. Listeners who just can’t get enough can also pre-order the EP at Bo’s upcoming show this Saturday, May 13th at The Walnut Room. Event details can be found here, and tickets can be purchased at this link- get ‘em while they’re hot!

Connect with Bo on FacebookInstagramSoundcloud, and Twitter,.

-Jura

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

I Went To A Weed Party & Watched Marco Benevento Rock Out Because Denver

By: Mirna Tufekcic

Some might say that weed and music go together like wind and fire: one sets the other ablaze. Partaking in smoking the herb while enjoying music is by no means something novel; it’s something many music lovers and showgoers know to be a staple of the scene since days of past. And Denver, being the hip, progressive city that it is, has companies and entrepreneurs taking this idea a step further by bringing some class and sophistication to the concept.  

Marco Benevento at Cultivated Synergy.

Marco Benevento at Cultivated Synergy.

Recently, I was invited to a private event at Cultivated Synergy, a co-working space for entrepreneurs in the RiNo district of Denver. Marco Benevento, the psych-jazz guru who BolderBeat just wrote about here, played the party. I met Marco via a Lyft ride in Boulder the weekend he played The Fox Theatre. We got to chatting, and after learning that I write for BolderBeat, he invited me to the event in Denver the following Monday. I agreed I’d come check it out, but I had no idea what I was about to witness.

Binske's Samplings.

Binske's Samplings.

When Monday night rolled around, I showed up at Cultivated Synergy around 8PM. Walking through the door, the first thing that hit me was the sweet aroma of a very familiar scent. The people congregating held joints between their fingers, puffing and passing them along, filling the venue with a smoky, hazy vibe.

The full spread.

The full spread.

As I walked around trying to get oriented as to what it was I just walked into, I came upon a table spread of honey, olive oils, chocolates, and joints. The person behind the table greeted me with a very friendly attitude and proceeded to explain that these foods in front of me were a Binske product, a Colorado-based edibles company with a conscientious ethos and a very artsy character. The friendly gentleman offered a taste of any and all of the products on display, making sure to point out they were not medicated, except for the joints obviously. Smart move on their part keeping the food untreated, or else everyone would have been on the floor drooling before the music even started.

The evening was essentially a Binske tasting party, and since they sponsored Marco Benevento’s tour, he eventually took the stage. Once the music started, people got to dancing and having a great time. Marco Benevento’s band is a trio of bad-asses. As Marco put it, “We use our time for fun!” and that fun radiated from the stage. Marco’s piano skills are sophisticated and playful, Andy Borger on the drums nailed the beat, and Karina Rykman’s bass shredding skills whilst holding a perma-smile on her face kept us grooving.

Another thing that goes with joints? Cake. Duh.

Another thing that goes with joints? Cake. Duh.

After some socializing, I came to learn that the marijuana industry in Denver extends far beyond the dispensary and weed growing business-end you hear about. A space like Cultivated Synergy hosts weed parties, events, and even yoga classes frequently, and is known for doing just that. According to one of the attendees at the party who is himself on a quest to capitalize on the weed industry but wanted to remain anonymous, these kinds of events used to be raided and shut down. But, from the looks of it, after Initiative 300, these days that doesn’t seem to be a problem. So the potential, like the ganj, is growing. If you want to be hip like the cool kids in Denver and you’re 4/20 friendly or curious, then I highly recommend checking out Cultivated Synergy for yourself.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Reinventing the String Band: Darol Anger Forges A New Tradition

By: Riley Ann

String players in the Front Range had a real treat this past weekend. Living legend Darol Anger and the Republic of Strings, which features violinist Enion Pelta-Tiller of TAARKAand Joy Adams of Half Pelican on cello, hosted a workshop at Naropa before performing a concert in the evening on Sunday, April 23rd as the conclusion of their most recent Front Range tour. The full ensemble, which included Emy Phelps on guitar and vocals, Mike Robinson on guitar, and Eric Thorin on bass, played an evening concert the same day.

Darol Anger. 

Darol Anger. 

Darol Anger has made an indelible impact on the evolution of the fiddle. From his early days with David Grisman to the Turtle Island String Quartet, and his 2012 release of Chops & Grooves with Rushad Eggleston and Casey Driessen, Anger is no stranger to stretching possibilities and breaking rules through innovative techniques. His Fiddle-ology workshops are aimed at sharing these techniques that Anger helped developed in contemporary styles, techniques which transcend any particular genre. “I’m a failed classical player,” Anger laughed, “but that’s why I teach: to be the teacher that I wish I had.”

Nearly 50 string players attended the workshop, including fiddlers, cellists, mandolin players, and a harpist. Ages and experiences ranged as well, from kids under 12 who have played most of their lives, to touring professionals who make their living performing music, and adults who have recently picked up their instrument for the first time in decades, or recently picked it up for the very first time. Each participant shared their journey with music. “I played violin as a girl and put it down for a few years, but I just picked it up again after retirement,” said one fiddler, smiling. Another shared, “I’ve played professionally in symphonies for years, but you don’t get much exposure to music like this in Miami.” Despite their differing paths, all of the participants were looking to expand their musical vocabulary, whether it was getting out of habitual solos, diversifying their backup techniques, or even learning to break away from classical training to freely improvise.

Phelps, Thorin, & Robinson.

Phelps, Thorin, & Robinson.

The Republic of Strings are the perfect performers to share these techniques. Philosophically, the ensemble disregards limitations and borders. As articulated in their bio, “Our shared Republic Of Strings’ imaginary borders extend through all geographical or other imaginary borders, and we accept no unsightly cultural boundaries. We revel in variety and seek to deeply understand.” Such is true musically as they blend the folk music spanning the world, including Scandinavia, Africa, South America, urban America, Appalachia, and more with neo-classical, blues, jazz, hip-hop, bluegrass, and postmodern influences, ultimately weaving together a new tapestry of music that defies compartmentalization in any genre or style.

Pelta-Tiller & Anger.

Pelta-Tiller & Anger.

The partnership between Pelta-Tiller and Anger is also unique and longstanding. “Darol and I have been friends for a very long time,” said Pelta-Tiller. “I grew up listening to him in the Bay area and would go see him with my parents when I was really little. After college I was staying at my parents, and I took some lessons with him,” she said. Since then, they have taught at some of the same fiddle camps and see each other at festivals. “We’ve been friends for a long time, and I’m really excited to be able to bring him out here,” she said.

Joy Adams.

Joy Adams.

Although this was the first workshop of its kind at Naropa, Anger and Pelta-Tiller are considering the possibility of doing more area workshops in the future and even expanding what those workshops offer. The full calendar of events can be found on Naropa’s website, including this summer’s Creative Music Workshop, which focuses on improvisation. Pelta-Tiller and Adams are also both teaching at the Rustic Roots campfire jamming camp in Moffat, Colorado this August.

-Riley

Find out more about me on my blog.

All photos per the author. This feature was edited for brevity and clarity by BolderBeat.

Breaking Up With Bluegrass: The Railsplitters’ Upcoming Album Pushes New Boundaries

By: Riley Ann

The Railsplitters return to the Fox Theatre for a homecoming show in Boulder this Wednesday, and it’s an opportunity you don’t want to miss. This homegrown Colorado band continues to explore the depths of bluegrass and isn’t afraid to cross the boundaries of people’s expectations. They’re sharing the bill with Front Country and Caribou Mountain Collective.

The Railsplitters. 

The Railsplitters. 

The Railsplitters gained national and international attention with their first two albums, which launched them on cross-country and international tours, including two tours through the UK and Germany. While their last album had pre-production support from Gabe Witcher, (fiddler of Punch Brothers) the current album is being produced by Kai Welch, a renowned Nashville producer who has worked with Abigail Washburn, the Molly Tuttle Band, and Front Country. Working with Welch was the next logical step for the band in their music careers. The attention they’re getting for their songwriting and performances warrants professionally produced albums, and they’re ready for the next big leap upward.

While their new album continues to cross-pollinate genres to their ever-evolving sound, the band keeps stretching its legs in performance environments, especially since touring with Yonder Mountain String Band. Lauren Stovall, guitarist and lead vocalist for The Railsplitters, described that experience saying, “Watching a band like that every night for two weeks straight was a huge influence. Seeing how they connected with their audience, we started experimenting with some of their approaches, like giving more time for breaks and jamming them out more. It really moved us out of our arrangements and into something more loose, giving us more time to riff off melodies and giving our listeners something to connect to better in a live setting.”

Watch The Railsplitters' live video for their song "Lessons I've Learned":

Aside from a new dimension of their live shows, the band has fresh tunes from their forthcoming record to share on Wednesday. Their third album still maintains their catchy pop-centric melodies and intricate instrumental lines. However, there’s an even greater interplay of soul, jazz, and pop music within their bluegrass roots on their upcoming release. Furthermore, the songs are steeped in social commentary about contemporary issues.

“It was sort of a subconscious thing, but we recorded the album, and when we listened back, we realized that several of the songs have political and feminist themes,” said Stovall. “Every album we’ve come out with has been different from the last, and this one has evolved even further. When we went into the studio this time, we came home at the end of the week saying, ‘What just happened- did we just break up with bluegrass?”’

The band is no stranger to breaking the rules of traditional bluegrass. While many people have specific expectations of bluegrass, newgrass, progressive bluegrass, and jamgrass also create expectations for listeners that don’t quite convey the sound of The Railsplitters, especially in their new album.

“Anybody that knows us and our music knows that we’ve been heading in this direction for a while. We still think of our band as a bluegrass band at heart, but we’ve always struggled with that title and know that other people struggle with that title for us as well.” said Lauren.

The band currently identifies as “unconventional bluegrass,” which they claim represents their hybridization of Coloradograss with their influences by bands from Boston and New York like the Punch Brothers, Lake Street Dive, and Joy Kills Sorrow.

Come out to The Fox on Wednesday and get a taste of their new tunes and their new vibe. You can find more information about The Railsplitters’ new album and upcoming tour dates on their website, and you can get tickets for Wednesday’s show here.

-Riley

Find out more about me on my blog.

All slideshow photos per the author. All other photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Review: Jeremy Mohney's New EP 'Solving the World's Problems' Will Make You Swing

By: Austin Michon

Historically, the idea of swing conjures up outdated images of dark, smoky rooms with smooth music emanating from within. However, Colorado's own Jeremy Mohney has taken it upon himself to ensure that swing will not be forgotten any time soon, and his latest release will have you loving a genre that some associate with times of the past.

His newest EP, Solving the World’s Problems, seems to do precisely that. With the help of Alex Heffron and Kyle Ussery on guitar, Chris Carland on drums, and Will Kuepper on bass, Jeremy Mohney’s alto sax and smooth vocals transport the listener to a simple, relaxed time of the 1930s while still remaining current.

For a moment, the album takes you away, clears the mind, and lets you just stop and truly enjoy the music. Every track sounds like an authentic Glenn Miller recording, capturing every nuance and essence that makes swing what it is. Kuepper’s upright bass and Carland’s drums form a light, jazzy bounce, while the guitarists and sax layer overtop intertwining with each other.

Jeremy Mohney. 

Jeremy Mohney. 

Keeping a classic swing formula, the instrumentals never bore with the interesting, dynamic solos for which jazz is renowned. Providing a fantastic experience and new way for many listeners to access the genres of swing and jazz, I’m sure that Jeremy Mohney and his band could fuel the sound of any modern day speakeasy. Be sure to catch them at their upcoming show Wednesday, April 12th at Colorado Plus, and keep up with Mohney’s music here.

-Austin

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Marco Benevento Returns To Colorado With Another Jumpin' Set

By: Hannah Oreskovich

The king of pianist-meets-experimental-rock graced The Fox stage last weekend, and if you’re not familiar, let me catch you up on Marco Benevento.

Marco Benevento. 

Marco Benevento. 

Starting in the experimental jazz scene around 1999, Benevento is known in multiple genre circles for his piano playing. In fact, his first studio album as a pianist, Invisibile Baby (2008), was nominated for an Independent Music Award. In his second solo record, Me Not Me (2009), Benevento dipped more heavily into the jazz collides with experimental rock realm and has been soaring through it ever since.

Benevento has a special history with Boulder. He’s been playing the local scene since his involvement with Joe Russo in what they dubbed the Benevento Russo Duo. Russo called Boulder home for a period of time, and as such, Benevento developed a following here and let me just stay- it’s still strong. Benevento’s Fox crowd exploded in applause when he entered the stage in his trademark sunglasses and a top hat after a super-groovy set by opener Envy Alo, and fans only boogied more from there.

Check out Benevento's Woodstock Sessions:

Benevento started the first half of his set with Side A of his 2016 release, The Story of Fred Short. The band then mixed in a few covers (including fan favorite “Heartbeats” by the Knife, which was a cover released on Benevento’s Me Not Me record). They also played a number of originals from Benevento’s catalogue throughout the second half of the set, including a few from the recently released Woodstock Sessions; “they” referring to badass female bassist Karina Rykman and energetic drummer Andy Boger. Though mostly positioned behind the keys (which were stacked with various pickups, toys, and electronic gadgets to facilitate Benevento’s circuit-bending styles), Marco jumped off of his piano a number of times to the delight of the crowd, and overall brought a ton of energy to his performance.

Benevento put on an electrically-charged show last weekend, and the trio’s current tour continues. Get the rest of his tour dates here and make sure keep up with Benevento’s newest music moves on his website.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos per the author. All videos and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Review: Legato's New Single "Tasty" Lives Up to Its Name

By: Jura Daubenspeck

Colorado’s funk aficionados Legato have released their new single “Tasty,” and it sure does live up to its name. But before we get into that, you might be wondering, who is Legato? Well, you may know them by their previous band name, Technicolor Tone Factory.

Legato. Photo Credit:   Miles Photography  .

Legato. Photo Credit: Miles Photography.

Since 2011, the four-piece group, comprised of Bryan LeFever (drums), Greg Kallfa (keys/ vocals), Cameron Canepa (guitar/vocals), and Karl Summers (bass/vocals) have swept the Denver-Boulder jam music scene. In their time, they’ve shared the stage with big acts such as: moe., Dopapod, Twiddle, and Tauk, just to name a few. Together, Legato brings a unique, colorful vibe to their music, tipping their hats to sounds ranging from jazz, to rock, to hip-hop and soul.

After a few lineup changes, TTF decided it was high time for a rebrand and thus changed their name to Legato, an Italian term meaning tied-together. Band member Karl Summers shared his thoughts on this new stylistic shift in sound:

“Our aim is to maintain the energetic musical prowess we've held onto over the years as well as enter a new chapter and direction in our careers.”

Legato’s newest single, “Tasty,” holds true to their new vibrant sound. The 8-minute-long tune is playful, high-energy, and danceable as all get-out. With an almost disco-like sound at times and Daft Punk-type robotic vocals repeating the mantra “this shit is reaaaal tasty,” the urge to move and groove is an unavoidable feeling for any listeners. “Tasty” is the first of two more yet-to-be-released, but highly anticipated singles from this crew.

To celebrate their new image, Legato will be supporting the electro-funk fusion group Kung Fu at the Boulder Theater on Saturday, April 15th. Peep the event page here for more details and tickets!

In the meantime, be sure to link up with Legato on Facebook, Instagram and Soundcloud for more insight into their releases and general whereabouts.

-Jura

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Colorado Music Festivals 2017: Your Official Guide To All The Goodness

By: Hannah Oreskovich

Festival season is arguably the best time of year in music. So here at BolderBeat, we’ll be updating this feature with every Colorado festival announcement that comes our way. Stay as on the pulse as we are.


FoCoMX- April 28th-29th

Fort Collins' premiere music festival has announced its lineup, which features hundreds of Colorado artists. Some of our favorites include Antonio Lopez, The Alcapones, BANDITS, Bethel Steele, Danielle Ate The Sandwich, Edison, Foxfeather, Gasoline Lollipops, and The Velveteers. Full lineup here


Spread The Word Music Festival- May 5th-8th

Taking place at several Denver and Boulder venues, Spread The Word features a mix of local and national artists with styles including rock, jam, funk, reggae, hip-hop, folk/grass, electronic and fusion. Headliners of this year's fest include Kyle Hollingsworth Band, Euforquestra, A-Mac and the Hight, & Analog Sun. Full lineup on our announcement link.


Denver’s Project Pabst- May 20th

“Project Pabst was a wild success,” contributor Zach Dahmen wrote in retrospect of the 2016 festival that took over Denver’s Larimer Street last year. This year, the PBR-fueled lineup includes Ice Cube, Phantogram, Danny Brown, Kurt Vile, STRFKR, No Name, & more. We’re pumped for this. Details here


Greeley Blues Jam- June 9th-10th

The Greeley Blues Jam seeks to keep the blues alive, and this year, they’re doing just that with a lineup including Walter Trout, Samantha Fish, Honey Island Swamp Band, and Colorado favorite The Burroughs. This is one weekend you’ll enjoy being blue. Full lineup on their website.


Taste of Fort Collins- June 9th-11th

The 21st annual Taste of Fort Collins includes headliners St. Lucia, Gin Blossoms, Plain White T's, & Waterloo Revival this year. Tickets are only $5-$10 and the fest is hosted at Civic Center Park in Old Towne. Get out and get down! More info on their website.


Country Jam- June 15th-18th

Grand Junction will host Country Jam’s 26th annual four-day fest this year. Kenny Chesney, Jason Aldean, and Thomas Rhett top the headliners list of the 30+ artists that will play to your boot kickin’ desire. Surrounded by the red rocks of GJ, this festival annually hosts some of the biggest names in country music, and clearly this year is no different. More info at this link.


Sonic Bloom Festival- June 15th-18th

If you like electronic music, there’s no better place to be than Colorado’s Sonic Bloom Festival. Happening at Hummingbird Ranch in Spanish Peaks Country, the weekend will feature performances from Gigantic Cheese Biscuits, The Polish Ambassador, The Floozies, and a huge array of electronic beatmasters. The festival will also feature yogis and movement leaders, as well as interpretive artists. And did we mention the visuals? Full lineup here.


Telluride Bluegrass Festival- June 15th-18th

Telluride Bluegrass Festival celebrates its 44th year this summer. Jason Mraz, Norah Jones, Dierks Bentley with The Travelin' McCourys, and Brandi Carlile top the fest’s 2017 list. We can tell you from experience that last year was magical and we even met some our favorite musicians at (where else?) the Port-a-Potties. More info and tickets here.


Van’s Warped Tour- June 25th

Believe it or not, we attended this event back in 2015 after not having been since high school. Yes. Though much has changed since what was arguably Warped Tour’s heyday (moshing is now frowned upon), this is a fest that still has a cult following and still makes its way around the US. Attila, Bowling for Soup, CKY, & Futuristic top this year's bill- grab the full listing here.


Westword Music Showcase- June 25th

Denver’s alt weekly newspaper will host more than 100 live acts at their annual summer celebration this year. With Shakey Graves, The Revivalists, Cut Copy, Bob Moses, COIN, Arizona, and a long list of local acts, this will be one to clink a summer beer to and enjoy. Don’t miss out on Westword’s fantastic Friday night. Local artists should be announced soon; voting is open. More info on their website.


Central Rockies Old-Time Music Association (CROMA) Festival-

July 5th-9th

CROMA's 2017 festival at Parrish Ranch features a great old-time music lineup, workshops, nightly dances, open jams, classes for kids, open stage times, and couples dance workshops. Artists at this year's fest will include Eddie Bond and the New Ballards Branch Bogtrotters, The Ozark Highballers, Jesse Milnes and Emily Miller, and The Musky Dimes and Lansford and McAlister. Get full details and tickets here


The Ride Festival- July 8th-9th

Beck will headline The Ride Festival this year, another Telluride fest that is sure to get you groovin’. Ben Harper, Kaleo, The John Butler Trio, and Colorado favorite Rose Hill Drive will all keep your summer-chill vibes in check at this one. Full lineup here.


The Underground Music Showcase- July 27th-30th

One of our absolute favorite weekends of the summer is Denver’s The UMS due to its focus on local artists, and all the fun that comes along with wandering around the South Broadway venues hosting the three-day event. Benjamin Booker, Red Fang, & Esme Patterson are headlining this year, but we're more stoked on this massive list of local artists (a crazy amount of which we've covered in the last year). Get tickets here. More deets on our announcement link.


Rockygrass Festival- July 28th-30th

Bluegrass, bluegrass, and more bluegrass. That’s what Rockygrass in Lyons is all about! Sam Bush Bluegrass Band, The Del McCoury Band, and The Infamous Stringdusters are already confirmed for this year’s pickin’ celebration, so get your tickets now. More artists at this link.


ARISE Music Festival- August 4th-6th

Colorado’s ARISE is back for its fifth year at Loveland’s Sunrise Ranch, and features seven stages of live music, yoga, workshops, theme camps, art galleries & installations, a children’s village, speakers, and films! Some of the top billed artists for 2017 include Atmosphere, Tipper, and Ani Difranco. Get more details at our announcement link.


Bohemian Nights at NewWestFest- August 11th-13th

Bohemian Nights at NewWestFest is a FREE, recurring, three-day music festival held every August in the historic downtown of Fort Collins. CAKE has been announced as one of the headliners with more TBA- keep up with the full lineup here.


Velorama Colorado- August 11th-13th

Following the Colorado Classic bicycle race, Colorado’s newest festival Velorama will take place in Denver’s RiNo Neighborhood this summer. Wilco, Death Cab For Cutie, The New Pornographers, Saint Motel, and La Santa Cecilia are the bands announced so far, and you don’t have to bike in the race to partake in the party! Tickets for this new fest here.


Rocky Mountain Folks Festival- August 18th-20th

Last year, Rocky Mountain Folks Festival proved to be much more than a music festival. Bringing together local artists for songwriting workshops and more, the Lyons, CO fest created an awesome artistic community that still managed to showcase great national acts too. Gregory Alan Isakov, Lake Street Dive, and Rhiannon Giddens have already been announced for this year’s fest; full schedule and list of acts here.


Jazz Aspen Snowmass- September 1st-3rd

We don’t know how Maroon 5 is jazz, but they are headlining the JAS Labor Day Weekend festival this year. Colorado favorite Nathaniel Rateliff & The Nightsweats, Lake Street Dive, and Keith Urban will also have performances at the Snowmass event. JAS has a smaller June event too, which will feature John Batiste & Stay Human, Michael McDonald, and Earth Wind & Fire. Details on both events here.


Telluride Blues & Brews Festival 

aerial_0077_0.jpg

Telluride Blues & Brews Fest has Bonnie Raitt, Steve Winwood, TajMo at the top of their bill this year. You can get your grand brew tasting on for three days with these artists and more, plus there is a lot of availability in ticket options, so you can schedule your own fest experience. Get more info here


Festivals of The Past

We'll miss you Vertex.

We'll miss you Vertex.

Wondering what happened to some of your other favorite Colorado festivals? Bass Center moved to New Jersey this year, Divide Music Festival has been postponed until 2018, Groove Festival’s web presence has been replaced by this Japanese site making us question everything, Mad Decent Block Party went to India (yes really), Riot Fest Denver will not return due to Sean McKeough's death, and Vertex (which we freakin’ loved) was sadly cancelled, but we’re praying it comes back to life with full zombie mayhem next year. Fingers crossed fellow festheads.


Make sure to keep up with our festival coverage all season on BolderBeat’s dedicated fest page!

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The Night The Funk Took Over Boulder's Club 156

By: Trevor Ryan

There were many things that stood out to me as I walked through the University of Colorado’s Memorial Building and into the “Connection,” a social spot for students that leads into an almost secret entrance to the quaint, yet nostalgically grungy venue known as Club 156. The building itself, for one, is a beautiful dedication to Colorado's servicemen and an almost overwhelming structure that is home to several campus-affiliated organizations. I saw students come and go, chatting amongst their peers about their daily lives, and I could feel the energy as I found my way through the crowd and into the dimly lit club. To my left was a small stage with lights from top to bottom covered in equipment. And on my right, there was a small open control room for lights and sound. I got the vibe that this place puts on shows that are both intimate and really cool, and I was relieved they’re not just for students.

13055891_1076133792409842_5652281232087441407_o.jpg

Barking at Dogs, a funk/soul group out of Denver, were up first and I walked in mid-mic check. Crew members scrambled to get everything in order, and the show started with a deep bass line from the five-piece outfit. This group is confident, to say the least, in their sound. With funky bass lines accompanied by sweet lead riffs and a saxophone, frontwoman Lauren Duff uses a wide vocal range, and an almost raspy tone to really bring the band’s sound together. Playing all originals with a variety of funk, soul, and a touch of swing, Barking at Dogs create groovy beats that promise to keep you moving. The crowd responded well to their set, with one listener commenting on the saxophone being an interesting choice of instrument for the group while another talked about how easy their music is to dance to. And by looking at the rest of the audience, it was safe to say she was right.

Sun Time Hannah.

Sun Time Hannah.

Sun Time Hannah was next, with their own unique blend of funk and soul. Using their extreme motivation and high energy to intoxicate the crowd, frontman Josh Ewers eventually parted ways with his t-shirt in an excited frenzy around three and a half songs into the band’s set. Sun Time Hannah played a lot of their own music, and even throw in a Red Hot Chili Peppers cover. These guys are definitely an up-and-coming force to be reckoned with in the funk community.

Public Safety. 

Public Safety. 

Finally, Public Safety took the stage. The funk rock headliners of the bill are also based out of Denver, and when I asked how fans would describe their sound, one listener whispered, “Funk rock with a little soul.” Yes. Drummer Tim Kane described the project similarly, but “with a few more elements that can't really be described.” The group had an extremely well-performed set list of originals and threw a little Kid Cudi cover into the mix toward the end. Overall, PS gave us a variety of smooth, almost jazz-like interludes with the familiar funk and soul rock they’re known for.

At the end of the night, the outcome was one happy crowd. What had started out with bit of swaying and the occasional chant had turned into something more: a bond between listeners shouting and singing with each other while feeding off of the immense energy coming from such a tight show. This bill proved that it doesn't take a million people to bring the house down, nor does it take a big venue with bands you've heard a million times. It just a few loud and ambitious talented acts in a great space with great vibes. And that’s Club 156.

Be sure to keep up with Barking at Dogs, Sun Time Hannah, and Public Safety on their Facebook pages for news and future shows.

Get tickets to a Club 156 show here

-Trevor

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Breaking Up The Boys' Club: The Seratones’ A.J. Haynes Is A Female Rock Powerhouse

By: Riley Ann

The Seratones are blowing up the rock scene as we know it. My advice? Go see this band the next time they’re in town, when you still might be able to catch them play a basement show.

Seratones played two consecutive nights at the Larimer Lounge last weekend, and the shows were sponsored by Colorado Public Radio’s OpenAir. The band actually played for OpenAir in a session last fall, and they returned to Denver packing both nights at the Larimer. The first night, The Kinky Fingers and The Guestlist opened the show; the second night Wes Watkins’ Septet and Quantum Creep shared the stage.

Wes Watkins' Septet.

Wes Watkins' Septet.

At heart, Seratones is a garage rock band with funk, soul, and jazz influences combined with a touch of Southern flavor. Fronted by the powerhouse vocals of A.J. Haynes, the band compels you to dance with heavy, driving guitar chords, bluesy rock riffs, and syncopated rhythms. Haynes’ vocals are equally powerful as they are playful, as is her stage presence, making for a captivating show both sonically and visually. Haynes isn’t shy about her feminine energy either, whether in her vocals or her dancing, and she also isn’t afraid to headbang on stage while hammering out guitar chords, dive on top of the crowd while belting out a chorus, or stomp through a horde of people dancing and singing along with her.

The Seratones.

The Seratones.

Having already appeared on NPR’s Tiny Desk and Audiotree, this band continues to gain national and international recognition, and are making waves with their album Get Gone. Immediately following their Denver shows, the band flew to Paris to begin their European tour this week. Inevitably, their future holds sold-out theatre shows, so see this band as soon as you can, because nothing beats the intimate show of a band like this in a dive bar, a basement, or a garage.

More about the Seratones’ music and tour dates can be found on their website.

-Riley

Find out more about Riley on her blog.

All photos per the author. This feature was edited for brevity and clarity by BolderBeat.

You 'Gotta Get Back' to Denver's Walnut Room Tonight with Seth Walker

By: Mirna Tufekcic

Seth Walker is playing at The Walnut Room in Denver tonight, Friday, January 20th. He’s a singer/songwriter who has been writing songs and creating albums since childhood. His Spotify profile goes back to 2007, but he’s been steeped in the culture of music since birth. In fact, he may just have genetically inherited his talents from the generations of musicians he comes from: his grandfather was a professional band and choir director, and both of his parents, who collaborated with him on his latest album Gotta Get Back, are professional musicians who have helped shape Walker’s musical inclinations, aspirations, and talent. But genetics aside, it’s clear that Walker’s been putting time and work into his artistry for years.

You’ll be quick to realize the talent and professionalism that envelops each song in Walker’s new album once you have a listen. But if you dig a little deeper, you’ll find that it takes a village to create a whole, cohesive sound. Beside his parents, Walker brought his sister into the mix, making it truly a family affair. And to further the family theme, Jano Rix of The Wood Brothers produced the album, and member Oliver Wood collaborated on some of the songs too. The “keeping it in the family” is a sizzling thing with musicians these days and Walker’s got his finger all over it.  

Check out Walker's Gotta Get Back:

As for genre, which can be a difficult thing to pin down sometimes, Seth Walker makes it even harder to confine. Gotta Get Back is certainly an eclectic mix of jazz, country, soul, funk, blues, and classic gospel. All of these flavors come through on the album and they’re a direct reflection of Walker’s experiences from living in places like North Carolina (where he was raised in a commune) to Austin, Texas, to New Orleans, and finally to his current place of residence in Nashville, Tennessee.  

So, if you want to feast your ears on a spread of good tunes, and you know they’ll be played to a T considering Walker’s history and experience with music, come out tonight! Besides, if we’re lucky, maybe we’ll get  to experience the community vibes that Walker used to create his latest record and even see some of the other musicians who collaborated on Gotta Get Back right next to Walker onstage.

See you there! Peep the Facebook event; tickets here.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Denver's Jam Band The Wondering Woods Release New Music

By: Hannah Oreskovich

Denver’s jam band The Wandering Woods consider themselves “a musical art collective.” Formed in 2016, TWW consists of Ross Sandlin (bass), Jake Setters (drums), Jeremy Evans (hand percussion), and Mike Drummer (guitar). Together, the four piece dropped five tracks last year which incorporated funk, jazz, world, rock, and fusion sounds. Inspired by 70s jazz fusion artists Mahavishnu Orchestra, Return to Forever, Weather Report, and Miles Davis, TWW’s more modern musical friends include Tauk and The String Cheese Incident.

The Wandering Woods.

The Wandering Woods.

Recently, The Wandering Woods released a self-titled compilation of singles, which you can check out on Apple Music before you hear them live at Cervantes’ Otherside on February 13th. Said bassist Ross Sandlin, “No one else is trying to do what we are right now, and that is what makes our music so compelling.”

After finding ourselves boogying down to the band’s 16-minute “Europa>Scimitar,” we’re stoked to hear TWW’s newest sounds on their latest release. Take a listen to The Wandering Woods for yourself below and keep up with the band here.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

BADBADNOTGOOD Talk To Us About Who They Want To Work With Next

By: Hannah Oreskovich

Toronto’s BADBADNOTGOOD are best known for their interpretations and collaborations in the realm of modern hip-hop. The four piece post-hop and jazz improv group first came together in 2010 at Humber College’s jazz program over their love of MF Doom and Odd Future. Founding members Matthew A. Tavares (keys), Chester Hansen (bass), and Alexander Sowinksi (drums) actually released their “Odd Future Sessions Part 1” on YouTube after their jazz instructors were unimpressed with the project. Ironically, it grabbed the attention of Tyler, The Creator himself and went viral. Since then, Leland Whitney (saxophone) has joined the mix, and together the quartet have worked with Tyler, Earl Sweatshirt, Danny Brown, Ghostface Killah, Future Islands’ Sam Herring, Mick Jenkins, Kaytranada, and more. The band are currently touring on their fifth studio album, aptly titled 'IV,' which BBC Radio 6 Music called the #1 album of 2016. This weekend, BADBADNOTGOOD play Denver’s Gothic Friday (01/13), and will take Boulder’s Fox Theatre stage with Sur Ellz Saturday (01/14). Grab tickets while you can here, and in the meantime, check out our chat with this crazy talented crew:

You guys had quite the international tour recently. Any spots along the way you’re really hoping to get back to in 2017?

We went to a lot of new countries we’d never seen before last year- Japan, Israel, Taiwan, Brazil, Mexico- they would all be amazing to visit again but we have a great time everywhere!

BBC Radio 6 Music picked 'IV' as their album of the year for 2016. What was your initial reaction to hearing that?

Very, very surprised to be honest. There were so many incredible albums we loved on that list and we didn’t feel like ours was a serious contender! We’re extremely happy about the recognition IV has gained. We’re also eternally grateful to our friends in the UK like Gilles Peterson, and all the other DJs at the BBC and otherwise for all the support they’ve shown us over the years!

What were some of your favorite albums dropped in 2016?

Solange’s A Seat at the Table, Kaytranada’s 99.9%, Anderson.Paak’s Malibu, Frank Ocean’s Blonde, A Tribe Called Quest’s We got it from Here… Thank You 4 Your Service, and Andy Shauf’s The Party, among many others!

BADBADNOTGOOD.

BADBADNOTGOOD.

Festival lineup announcements have begun. Anything you can hint at about your summer plans?

Sure! We’re going to be playing some incredible festivals across the world- Bonnaroo and Primavera to name a couple that have been announced. We’ll be around Europe, North America, and a few other trips are in the works. We’re also going to have a lot of time at home this year to record and get into some different projects! Peace and love for 2017.

Over the past couple of years, your collaborations with various hip-hop artists have been incredibly impressive. Who is next on your short list of peeps you’re hoping to work with?

We’d love to get a concise project together with Kaytranada. We’ve got so much work in the vault that has yet to come out, and he’s a great friend who’s a pleasure to work with. That’s probably top of the list right now. There are a bunch of other friends in Toronto who we’re stoked to record with too!

Give IV a listen:

>

When are you headed back in the studio?

Pretty soon probably! No idea what we’re going to work on, or what it’s going to sound like though.

If you had to tell us in one word what it was like working with Ghostface Killah on an entire album ('Sour Soul'), what would it be?

Wow one word... Challenging but also rewarding and amazing!

Make sure to catch BBNG at their Colorado shows this weekend; keep up with BADBADNOTGOOD here.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Your Guide To Colorado Shows For New Year's Eve

By: Hannah Oreskovich

It’s time to pop bottles Colorado! Here are our picks for New Year’s Eve shows this weekend:

Berthoud

Jeremy Mohney at City Star Brewing in Berthoud 9PM-Close

Jeremy Mohney.

Jeremy Mohney.

Boulder’s Jeremy Mohney released multiple EPs this year, both of which definitely caught our ear. The jazz/swing artist is throwing down at City Star Brewery to welcome in 2017, and we definitely recommend getting your swing moves on at this one. Mohney will have your feet tappin’ in no time, and after a few celebration libations, you won’t want to sit still. Details here.

Boulder

Andrew Sturtz & Friends at The No Name in Boulder 10PM-Close

Andrew Sturtz.

Andrew Sturtz.

Soulful singer/songwriter Andrew Sturtz will be holding things down behind the big brown door tomorrow night for NYE. Known locally for his solo work and his performances with The Constellation Collective and other groups, Strutz will croon you into the new year in style. Plus, there’s no cover. What’s not to dig? Deets here.

Lady and The Gentleman at The Lazy Dog in Boulder 10PM-Close

Boulder’s Lady and The Gentleman have made some changes to their lineup this year, but they’re still bringing mad grooves to the Colorado scene. Tomorrow they’ll grace the stage at The Lazy Dog, and no cover means no excuses. Get to it! More info right here.

The Alcapones at Conor O’Neill’s Irish Pub in Boulder 10PM-Close

The Alcapones.

The Alcapones.

If you want to be shaken up Boulder, here’s your chance! The minstrel show of The Alcapones will be taking over Conor’s to dance you into the wee hours of 2017. Come hang and get rowdy! There will be lots of funky horn playing for your listening pleasure. More info here.

Yonder Mountain String Band with The Railsplitters at The Boulder Theater in Boulder 8PM-Close

Yonder Mountain String Band.

Yonder Mountain String Band.

Nederland’s Yonder Mountain String Band are holding down the BT for NYE. The five-piece bluegrass band well-known around these parts will share the stage with Boulder’s The Railsplitters. Get over to get down! Tickets here.

Denver

Flobots with Nahko and Medicine For The People at The Ogden Theatre in Denver 8PM-Close

Flobots

Flobots

Denver’s Flobots members have been locally active in several awesome events this year, including Denver’s “Our Neighbors, Ourslves” refugee benefit and the Rock Against The TPP event. Tonight, the crew will swing you into the new year with Portland’s Nahko and Medicine For The People at The Ogden. Tickets here.

Fox Street & Friends with Tiger Party at The Bluebird Theatre in Denver 9PM-Close

Dever’s Fox Street & Friends will be rolling in the new year tomorrow at The Bluebird with a 12-piece band and double sets, which will include music from the movies Boogie Nights and Blow, and tracks by Rick James, David Bowie, and Prince. The band’s frontman Jonathan Huvard is relocating to NYC in 2017, so this show is your chance to catch this crew together in what may be their last local performance for awhile. Tiger Party will open the night with songs by LCD Soundsystem. Tickets for this dance party here!

Itchy-O with Total Unicorn at Summit Music Hall in Denver 8PM-Close

We actually spent our NYE with Denver’s Itchy-O last year, so we’re here to tell you this show is going to be a magical time! The mysteriously masked band will have you boogieing all over Summit Music Hall; Total Unicorn is opening. Enter the dark. Tickets here.

Slim Cessna’s Auto Club with Kid Congo Powers at 3 Kings Tavern in Denver 10PM-Close

Slim Cessna’s Auto Club will be laying out their ‘Commandments’ for you tomorrow evening at 3 Kings Tavern, and we’ve actually got a whole interview with Slim himself for you here. This show will be one crazy ride into 2017, so take it! Tickets here.

The Yawpers with The Other Black at The Oriental Theater in Denver 7PM-Close

The Yawpers. Photo Credit:   Hannah Oreskovich

The Yawpers. Photo Credit: Hannah Oreskovich

We love The Yawpers. And we love The Other Black. And both of them are sharing the stage tomorrow night at The Oriental for NYE! The Moved and Evan Holm & The Restless Ones are opening the show, making for a full lineup of Denver badassery. Get to this gig- seriously. Tickets here.

Winehouse Masquerade Ball with Judge Roughneck at Mercury Cafe in Denver 930PM-Close

Winehouse.

Winehouse.

Denver’s Amy Winehouse tribute band Winehouse are ringing in the new year at Mercury Cafe with plenty of sultry, soulful vibes. Presales are only $20 and Judge Roughneck is opening the night, so grab tickets while you can! This will be an awesome show. Deets here.

Durango

Nappy Roots with Jerney at Animas City Theatre in Durango 9PM-Close

Jerney.

Jerney.

Nappy Roots are closing out the year in Durango tomorrow, and Denver’s Jerney is opening the gig. Jerney has been dropping new music like crazy this year, and this is one of his last Colorado shows, so make sure to get to it! Tickets here.

Greeley

The Burroughs with Bryce Merritt at The Moxi Theatre in Greeley 8PM-Close

The Burroughs.

The Burroughs.

Greeley’s The Burroughs dropped some sweet new music this past year, and they’ll be playing that for you tonight + more tunes at The Moxi. The nine-piece soul pop outfit will be joined by Bryce Merritt for good measure. Wicked. Tickets here!

Fort Collins

Rose Hill Drive with The Velveteers at Hodi’s Half Note in Denver 9PM-Close

The Velveteers. Photo Credit:   Sierra Voss

The Velveteers. Photo Credit: Sierra Voss

Denver’s The Velveteers are arguably one of the most successful acts coming out of Colorado right now. Fronted by Demi Demitro, the heavy rock two-piece will make you headbang all the way up until Boulder’s Rose Hill Drive takes the stage at Hodi’s. Go get yourself hypnotized. Tickets here.

Rollinsville

Jaden Carlson Band at The Stage Stop in Rollinsville 10PM-Close

Jaden Carlson.

Jaden Carlson.

Teenage musical prodigy Jaden Carlson has had quite the year in the Colorado music scene. From impressive opening slots for bands like The Revivalists to her own headlining performances at The Fox, Carlson has proved she knows how to break. things. down. Head out to her last performance of the year tomorrow at The Stage Stop! We guarantee it will be an impressively good time. More info here.

That’s it for us for NYE Colorado! See you in 2017!

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. Header photo per Sierra Voss. This feature was edited for brevity and clarity by BolderBeat