Forward Funk: The Runnikine Release Debut Single + Hit Cervantes' with Joey Porter’s Shady Business

By: Will Baumgartner

Denver pop/funk/hip-hop fusion trio The Runnikine are something of a local “supergroup.” Keyboardist/vocalist Eric Luba plays with local funk/soul stars Analog Son, drummer Will Trask is in Great American Taxi, and bassist Jon McCartan is with rising Americana rock stars The Drunken Hearts. All of these bands are making a name for themselves nationally, and if there’s any justice in the music world, The Runnikine will soon follow in their footsteps.

The Runnikine. 

The Runnikine. 

For now though, the group is focusing on building a strong local following- and they’re doing that quite nicely, thank you. It doesn’t hurt that the members are gregarious fellows who, beyond their main gigs, play with anyone and everyone they can on the side: most music fans in the Denver/Boulder area know of these guys having seen them play at some of the area’s biggest all-star jam nights. The word is spreading among the musical and fan community that The Runnikine are a group to watch, and for good reason: Their music is powerful, innovative, and driven by solid grooves.

Laying the foundation for a move beyond local popularity requires coming out with a great recording, and The Runnikine are doing just that. “They Walk Among Us,” the first single from their upcoming debut EP (which is slated for a May release) is a gem. The song starts with block chords on the keyboard and kicks in with a solid hip-hop feeling backbeat; then Luba’s laid-back, pensive vocals reel out a picture of fearful mistrust and jingoism that, while it’s not overtly political, certainly speaks to the current political climate in Trump’s America. When I spoke with Luba about the song, he said it was actually written before the election and the anti-Muslim travel ban, making it an eerily prescient bit of songwriting.  

The verse moves through a couple of key modulations and more potent imagery before hitting the stark, simple chorus of the song’s title. I place a lot of stock in well-written lyrics, and have to say that the words to this song are very impressive with lines like, “They can’t see where they’re going/When their eyes are closed,” “It’s too late to run/They’re already here,” and “You tell me where we’re going/Just don’t say the war.” These words are carefully-chosen, chilling, and affecting. Musically, the song also bears the hallmarks of craftsmanship and thoughtful use of harmonics, dynamics, and melody. And the production, which was done by Josh Fairman of the local treasure of a recording studio known as Scanhope Sound in Littleton, is superb.

A song as well-crafted as this has me eagerly anticipating the release of the band’s full three-song EP, and fortunately I won’t have to wait long: May is just around the corner! In the meantime, we all have the opportunity to see The Runnikine live when they open for Joey Porter’s Shady Business this Friday, April 7 at Cervantes’ Masterpiece Ballroom in Denver. And speaking of supergroups, Shady Business features Porter, Garrett Sayers, Lyle Divinsky and Drew Sayers of The Motet, Kris Myers of Umphrey’s McGee, Jennifer Hartswick of Trey Anastasio Band, and Adam Smirnoff of Lettuce.

Aside from their hook-driven songs, The Runnikine are also highly adept at exciting live improvisation. That, after all, is how the band started- as a no-pressure side project for Luba and Trask when they were both in the Jaden Carlson Band. That was just a couple of years ago, and look how far they’ve come in such a short time. How far will they go? Hop on board with me, and let’s find out. Tickets to their Cervantes’ show are right here.

-Will

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Review: Legato's New Single "Tasty" Lives Up to Its Name

By: Jura Daubenspeck

Colorado’s funk aficionados Legato have released their new single “Tasty,” and it sure does live up to its name. But before we get into that, you might be wondering, who is Legato? Well, you may know them by their previous band name, Technicolor Tone Factory.

Legato. Photo Credit:   Miles Photography  .

Legato. Photo Credit: Miles Photography.

Since 2011, the four-piece group, comprised of Bryan LeFever (drums), Greg Kallfa (keys/ vocals), Cameron Canepa (guitar/vocals), and Karl Summers (bass/vocals) have swept the Denver-Boulder jam music scene. In their time, they’ve shared the stage with big acts such as: moe., Dopapod, Twiddle, and Tauk, just to name a few. Together, Legato brings a unique, colorful vibe to their music, tipping their hats to sounds ranging from jazz, to rock, to hip-hop and soul.

After a few lineup changes, TTF decided it was high time for a rebrand and thus changed their name to Legato, an Italian term meaning tied-together. Band member Karl Summers shared his thoughts on this new stylistic shift in sound:

“Our aim is to maintain the energetic musical prowess we've held onto over the years as well as enter a new chapter and direction in our careers.”

Legato’s newest single, “Tasty,” holds true to their new vibrant sound. The 8-minute-long tune is playful, high-energy, and danceable as all get-out. With an almost disco-like sound at times and Daft Punk-type robotic vocals repeating the mantra “this shit is reaaaal tasty,” the urge to move and groove is an unavoidable feeling for any listeners. “Tasty” is the first of two more yet-to-be-released, but highly anticipated singles from this crew.

To celebrate their new image, Legato will be supporting the electro-funk fusion group Kung Fu at the Boulder Theater on Saturday, April 15th. Peep the event page here for more details and tickets!

In the meantime, be sure to link up with Legato on Facebook, Instagram and Soundcloud for more insight into their releases and general whereabouts.

-Jura

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Spread The Word Music Festival Announces 2017 Lineup

By: Hannah Oreskovich

Spread the Word Music Festival dropped their official 2017 lineup this morning. The Colorado festival, which takes place May 5th-8th at various Boulder and Denver venues, Incorporates bands with styles including rock, jam, funk, reggae, hip-hop, folk/grass, electronic and fusion.

Headliners of this year's fest include Kyle Hollingsworth Band, Euforquestra, & A-Mac DZ.

Check out the full lineup below, and make sure to join Spread The Word's official FB event and get tickets here!

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-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Denver's Jam Band The Wondering Woods Release New Music

By: Hannah Oreskovich

Denver’s jam band The Wandering Woods consider themselves “a musical art collective.” Formed in 2016, TWW consists of Ross Sandlin (bass), Jake Setters (drums), Jeremy Evans (hand percussion), and Mike Drummer (guitar). Together, the four piece dropped five tracks last year which incorporated funk, jazz, world, rock, and fusion sounds. Inspired by 70s jazz fusion artists Mahavishnu Orchestra, Return to Forever, Weather Report, and Miles Davis, TWW’s more modern musical friends include Tauk and The String Cheese Incident.

The Wandering Woods.

The Wandering Woods.

Recently, The Wandering Woods released a self-titled compilation of singles, which you can check out on Apple Music before you hear them live at Cervantes’ Otherside on February 13th. Said bassist Ross Sandlin, “No one else is trying to do what we are right now, and that is what makes our music so compelling.”

After finding ourselves boogying down to the band’s 16-minute “Europa>Scimitar,” we’re stoked to hear TWW’s newest sounds on their latest release. Take a listen to The Wandering Woods for yourself below and keep up with the band here.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The Weekend Six: Six Shows to See This Labor Day Weekend

By: Hannah Oreskovich

It’s a three-day weekend, so spend it at some shows Colorado:

Today (Friday 09/02):

A Shadow of Jaguar with The Red Petals at The Lazy Dog in Boulder 10PM-Close

A Shadow of Jaguar.

A Shadow of Jaguar.

Colorado’s A Shadow of Jaguar officially announced this week that tonight’s show at The LD will be their last in CO for a while, as the delta rock’n’roll duo are moving to New York. We’ve enjoyed a number of live shows from ASOJ over the years, and they’ve promised they’ll still be playing Colorado on tour as regularly as their busy show schedule allows. But it will be a minute until they make their way back to our mountains, so make sure to stop in at their show tonight and say your goodbyes! They’ll be joined onstage by The Red Petals, a Colorado trio of the blues rock variety who we first covered here. We’ll be here tonight, and so should you.

Watch ASOJ’s music video for their track “Mama Needs The Bottle”:

R Michael Rhodes’ EP Release Party at Meadows Golf Club in Littleton 6PM-10PM

R Michael Rhodes.

R Michael Rhodes.

Just last week, we brought you the lowdown on R Michael Rhodes’ upcoming EP Release Party. Rhodes will be playing his new tunes tonight from After All These Years, as well as some of his older hits. Amy Kress will be making an appearance at the show as well, bringing her pop songs to the mix. So dress to the nines and head over to Meadows Golf Club to celebrate with these Colorado artists! Ticket packages here.

Check out R Michael Rhodes’ latest music video for his tune, “The Only Song”:

Tomorrow (Saturday 09/03):

Booster Pre-Phish Show at Vine Street Pub in Denver 1PM-4PM

Booster.

Booster.

Colorado’s funk fusion four-piece Booster recently switched up their lineup and added some new tunes to their repertoire. We sat down with them recently to learn all about it, so catch those details before you roll to their set tomorrow afternoon. The band blasts off before Phish’s show, so roll to Vine Street Pub for this funky pre-party. You can peep Booster’s new tunes, and get ready to groove to Phish. Now that’s a good combo.

Read our recent interview with Booster.

Jeremy Mohney’s EP Release Party at The No Name Bar in Boulder 4PM-7PM

Jeremy Mohney.

Jeremy Mohney.

Yesterday we brought you a whole feature on Jeremy Mohney’s new EP release, On The Mellowside. It’s a crooning, jazzy set of songs that really showcase all of the talented local musicians on it. And tomorrow, those artists will be performing the EP live at The No Name Bar. Head over for this special afternoon dance party and groove out. It’s gonna be sweet! The EP will also be available for purchase tomorrow here.

Read our review of Jeremy Mohney’s new EP On The Mellowside.

The Next Day (Sunday 09/04):

Gregory Alan Isakov with Ani DiFranco and Shook Twins at Red Rocks Amphitheatre in Morrison 7PM-Close

Gregory Alan Isakov.

Gregory Alan Isakov.

Boulder-based singer/songwriter Gregory Alan Isakov is making his return to Red Rocks this weekend, this time as a headliner. Sunday’s show is Isakov’s last in the US for quite some time, as he’s jetting overseas in September for the remainder of his tour. Ani DiFranco shares this bill, and Shook Twins will open the evening. Plus, you don’t work Monday, so you’ve got no excuse not to be at the best venue in the world Sunday night. Get your tickets now.

Watch Isakov’s new video of “Stable Song” with the Colorado Symphony:

All Weekend (09/02-09/04):

Riot Fest & Rodeo in Denver- Various Sets and Times

13668766_10153874611833737_8360979623211890426_o.jpg

Denver’s Riot Fest & Rodeo is happening this weekend, and we’ll be on the scene bringing you awesome coverage courtesy of our contributor Sierra Voss. With a lineup that includes Jane’s Addiction, Death Cab for Cutie, Deftones, Ween, Sleater-Kinney, Julian Marley, The Original Misfits, this is going to be one fest for the books. Some tickets are still available, so get yours here!

Check out the full lineup for the weekend on Riot Fest’s website.

Head out for the holiday weekend Colorado!

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Refueled and Ready For Liftoff: Booster’s Front Range Funk/Fusion Sound Rises to a New Level

By: Will Baumgartner

Boulder-based “funk/fusion/rocket fuel” quartet Booster have been one of my favorite local groups for awhile. I first caught them at The Lazy Dog in early 2015, drawn by curiosity and loyalty to old friends who had also been my musical cohorts (bassist Alex Vouri and drummer Mike Lehman had both played in The Pamlico Sound with me). What I heard at that first show was satisfying and exciting beyond anything I could have expected: the duo, with their first keyboardist Aaron Pettine (now of Envy Alo, who we last covered for BolderBeat here), were simply on fire with funky/jazzy compositions, infectious energy, and top-level musicianship. When trumpeter Les Miller joined a couple of months later, it was like their rocket ship had burst through a whole new level of space, breaking some unknown sound barrier, and I went from ardent supporter to rabid fan of the band. I wanted more; all I could get of Booster’s sounds. Then, toward the end of 2015, Pettine announced that he would be leaving the group to focus on Envy Alo, and I was (as I’m sure other fans were too) greatly disheartened. Alex Vouri told me they were going to get someone new in on keys, but I wondered how anyone could fill Aaron’s shoes. Still, I told myself to just wait and see.

As it turned out, all I needed was a little patience and faith: Booster are about to do their first show with new keyboardist Evan Morris, and as Alex said to me in a conversation a little while back, “this guy is straight fire”. There’s nothing like taking an already great band and bringing in some new blood and creativity. And so, on the eve of a new dawn for the exploratory vehicle known as Booster, I was more than excited to have a conversation with Alex Vouri and Les Miller about what the group’s been up to and what to expect from the band next:

I’ve been a Booster fan since the beginning, which wasn’t all that long ago, and have seen you grow and change a lot in a short time. What were the circumstances of the group’s formation, and how have things changed since then?

Alex: Well, it started as most groups do- I wanted to form a group to perform instrumental music that would be equally fun to listen or dance to; good for the brain and the booty, ya know? So I called up our drummer Mike Lehman, we jammed a few times just the two of us, and then we started bringing in players we knew and already had chemistry with. Mike brought Aaron in on keys and after a few shows, we felt we could really use some solid top end melodic focus, so we brought Les Miller in on trumpet.

Alex Vouri of Booster. 

Alex Vouri of Booster. 

For your first year or so, your keyboardist was Aaron Pettine, and I know y’all loved working with him. Now that your lineup has changed, you seem super excited about new keys player Evan Morris. How has bringing him into the band affected your overall scenario?

Alex: Evan is a monster player, and a perfect fit for Booster. His phrasing and voicings really open up the tonal pallet when we improvise, which allows us to be more harmonically complex, and at the same time, a little looser in feel since there are so many paths to choose from. He really dropped right in chemistry-wise, and it feels as if he’s always been here! He’s a good guy too, which is always nice.

One of the most interesting and impressive things about this band is the way each instrument- bass, drums, trumpet, and keys- feels like a lead instrument, yet fits into an organic sound. Do you all take active roles in composing?

Alex: Being a quartet without vocals or a familiar focal point is deliberate; we’re very much a traditional jazz quartet lineup of horn, keys, bass, and drums. We want to spread the focus evenly across the band, allowing each player to feel fulfilled and invested. In a band of such great players, it’s pretty easy to do! In terms of working up material, it’s definitely a group effort. Sometimes someone will have a pretty specific arrangement for a tune and sometimes not, but everyone is typically in charge of their part or contribution: we don’t micro-manage each other’s playing.

Les Miller of Booster.

Les Miller of Booster.

I hear echoes of a lot of familiar sounds and styles within the Booster sound: Herbie Hancock and Miles Davis come to mind, but I’m sure there must be many influences at work here. Who have some of your main influences been, both compositionally and in your individual styles as players?

Alex: Herbie and Miles are right on for sure, I also really love Jaco Pastorius, Grant Green, Christian McBride; all the greats. Weather Report is a big influence for me in terms of instrumental quartets, and Critters Buggin too. They’re one of my all-time faves in terms of chops and pure originality.

Les: My main influences improvisationally are Lee Morgan, Maceo Parker, Jerry Garcia, & as you mentioned, Miles Davis. I really enjoy the 1968-69 output of Miles, and I think albums such as Miles in the Sky, Filles de Kilimanjaro, and of course Bitches Brew have influenced Booster’s sonic direction. It’s interesting to note that the keyboard player on those albums is the other player mentioned in your question, Herbie Hancock.

Mike Lehman of Booster. 

Mike Lehman of Booster. 

Your music is richly rewarding on both an intellectual level and a visceral one: musicians get plenty to appreciate in terms of skill and complexity, while your average concertgoer gets a solid dose of dance music. Has this been a conscious thing? How do you approach creating music like this?

Alex: Yeah, that’s always a goal for me personally. It’s good for everyone at a show. It’s important as a player to be interested and invested in what you’re doing, while at the same time not becoming totally self-gratifying, and alienating your listeners, which can happen in a chops-heavy improvisational band.

Les: I’ve wanted a band like this for a long time, one that combines in-the-pocket groove playing of funk music (making it eminently danceable), the harmonic complexity of jazz & Western romantic traditions, and the rich, constantly expanding sonic palette available to musicians today.

You’re an entirely instrumental band, but since you’re also clearly a band that keeps expanding its concepts moving restlessly forward, I’m curious: Have you considered adding vocals at any point in the future?

Les: No plans for a permanent vocalist, but we have some guest vocalist ideas brewing.  And I’ve been known to drop a mean 16 on very rare occasions.

You began as a trio, with drums bass and keys, then added trumpet. Any chance of the group expanding beyond its current quartet form? And if so, what other instruments might you bring in?

Alex: I think we’ve struck an ideal balance for ourselves instrumentally. We all have just enough room, but we do love having folks sit in with us, that’s always a good time.

Les: I’m very happy with our current lineup. That being said, I have a long history of playing in horn sections with a sax player, so if Skerik wanted to join the band, I think we’d become a quintet pretty quickly.

Ha! Who wouldn’t say yes to Skerik (legendary saxophonist of Garage a Trois etc.) joining their funk fusion group? So… If Skerik came asking what y’all were like, what would you say? What’s your vision? Can you give our readers a capsule version of the “Booster Manifesto”?

Alex: We’re a band in which each player is free to do whatever they want. No limits, no preconceptions, no particular concrete goal or genre is in mind. We’re not trying to corner a market, we all just really love to make music we’re proud of, and want to grow as players and artists together, while putting on a good show of course! But in terms of a description? Funky, high energy, jazzy, adventurous… it’s always changing.

I’m very excited for your performances this week, starting tonight at Boulder’s Southern Sun followed by this Saturday’s Vine Street show in Denver. Can we expect any special treats at these gigs?

Alex: Yeah! The unveiling of Booster 2.0! Our sound has really changed, and we’re excited to share that with people. We’re very invigorated right now. We’ll have a lot of new tunes, and probably some special guests!

What’s on the horizon for Booster? Anything our readers should know about in advance, or would you rather milk the mystery?

Les: After this week, we have a show lined up at The Fox this fall, and are planning dates in Denver, Fort Collins, and all around the Front Range. We are excited to share the new tunes being forged in our rehearsal space, “The Launchpad”, and we can guarantee song breakouts at every show over the next few months! We play mostly original music, but will continue the tradition of surprising the crowd with a cover medley occasionally. In fact, I’m arranging two new ones right now. I won’t reveal both, but I will say that it is a nearly impossible task to choose just two or three favorite Steely Dan tunes, and we will probably invite our fans to choose an artist they’d like to hear us perform in the near future.

Make sure to check out the re-formed and re-charged Booster tonight at Southern Sun, and this Saturday at Vine Street Pub in Denver. Get the details on both events on Booster’s Facebook; keep up with the band on their website here.

-Will

All photos, videos, and embedded tracks per the artists featured, No Coast, and those credited. This feature was edited for brevity and clarity by BolderBeat.

Envy Alo: A Danceable Fusion

By: Will Baumgartner

"It never ceases to amaze me what three people can do with a guitar, drums and a Hammond organ. I recently got the opportunity to master Envy Alo's new EP and I was excited to hear so many great rock, funk, and hip hop influences, all wrapped up into their own unique sound. I can't wait to see what these cats come up with next and really hope I can be a part of it!"

-Alan Evans, Soulive

There you have it from the mouth of Alan Evans, the drummer of Soulive, one of the most popular jazz/funk fusion bands on the planet: Envy Alo, a trio of young Front Range musicians, are already well on their way to a bright future after only eight months of existence as a group. While their instrumentation is the same as Soulive, and they obviously share a lot of the same influences and tastes, these boys definitely have their own distinctive thing going on: a stew of jazz, funk, rock that is not only technically impressive, but tremendously exciting and infectious, and definitely dance-friendly. I couldn’t stop moving the last time I saw them live!

In anticipation for Envy Alo’s upcoming performance in The Pamlico Sound’s latest Funkstravaganza (five funk bands in one night at Cervantes’ Other Side this Saturday, June 18th), I recently spoke with keyboardist Aaron Pettine and guitarist/vocalist Kevin Hinder to get some insights into their process, progress, and plans. Check it out:

You guys have been around for less than a year and are already making pretty big noise on the local scene. How did your group come together, and what do you think were the key elements in your rapid rise?

Aaron: Kevin and I knew each other from attending James Madison University in Virginia for our undergrad studies. After we both relocated to Boulder, we met Tyler Gwynn (drummer) through mutual friends. After a few jam sessions with him, we knew we had a unique sound and chemistry and decided to move forward as a band.

Tyler and I both had been playing in other Front Range bands for a while now (Booster and Tenth Mountain Division respectively), so that helped us attract some of the fans from those bands to see this new project. We had developed great relationships with many of the local venues too, who were gracious enough to offer Envy Alo opening slots and gigs within our first few months of being a band.

Kevin: Another key element was just the initial drive that we wanted to do something different. A lot of bands in the area have that typical “jam band” sound, and we really wanted to create something unique. We had the tools already in place individually to do something new, and so far it seems like people enjoy it!

Kevin Hinder.

Kevin Hinder.

With your unusual and rather sparse lineup- keyboards, guitar and, drums- you create a very full, rich sound. How do you accomplish this?

Aaron: It’s simple really: add a synth bass line, swirling organ chords, furiously fast, yet tasteful jazz-rock guitar licks, and a danceable funky drum groove, and boom, that’s our sound!

Speaking of sound, I hear echoes of a lot of familiar sounds and styles within Envy Alo. The obvious comparison would be to the great funk-jazz trio Soulive, but not all your influences seem to be so contemporary. Some of the “organ trio” groups of the 60’s come to mind, as well as the solid classic groove of Booker T. & the MG’s. Who have some of your main influences been, both compositionally and in your individual styles as players?

Aaron: As a keyboard player, it's legends like Jimmy Smith, Booker T., Herbie Hancock, and Stevie Wonder. I also got a lot of my influences from current players like Neal Evans (Soulive/Lettuce), and Beau Sasser (Kung Fu) as well. I’d say my biggest influence is John Medeski from Medeski Martin & Wood, who I was lucky enough to study under in 2015.

Kevin: When I was a kid, I went through a heavy Hendrix phase, and was into heavier rock and the blues. But as I got a little older I started listening to bands like Phish and Widespread Panic, Derek Trucks, and Umphrey's McGee. I would say Jimmy Herring is probably my favorite guitar player out there, but when I really started studying music, my focus shifted to jazz with players like Pat Metheny and John Scofield (probably #2 to Jimmy Herring for me).

Aaron Pettine. 

Aaron Pettine. 

Your music is rewarding on both an intellectual level and a visceral one. Musicians get plenty to appreciate in terms of skill and complexity, while your average concertgoer gets a solid dose of dance music. Has this been a conscious thing? How do you approach creating music like this?

Aaron: [It has] absolutely been a conscious thing. We want to challenge ourselves in the music we write, but we also want it to be accessible and fun for the listener and concertgoer. Finding that happy medium can sometimes be the toughest part but it's one of the great joys of writing our own music.

One of the things that keeps your music interesting and exciting is while your primary focus is clearly on the funk/jazz side of the spectrum, there are also occasional flavors of rock. Where does this varietal spice come from?

Kevin: I think listening to an extremely wide range of styles helps us to draw on those influences and place some of that into our own sounds. Whether it’s conscious or not, it definitely comes through in all of our playing and writing. A Tribe Called Quest is a big influence in that regard, since they mold hip-hop with jazz, funk, rock, and more all into their sound.

Tyler Gwynn.

Tyler Gwynn.

Yet another thing that sets Envy Alo apart is the fact that not all of your stuff is strictly instrumental; you have some actual songs with well-written and interesting lyrics. What songwriters have influenced you?

Kevin: I’ve been listening to Jim Croce a good bit lately, and his lyrics are so well developed, funny, and his flow is so good. The obvious ones come to mind [too]: Lennon/McCartney, Jagger/Richards. I also love Jerry Joseph. The imagery in his writing is so strong and deep, you can tell he has really been through some shit and has a lot of demons and skeletons in his closet, so pulling on his writing is big for me.

Do your compositions come completely realized from individual band members, or are they more often group efforts?

Aaron: It’s a little bit of everything. A lot of earlier tunes came to be through us just jamming, liking something, and putting some structure to it. Recently, Kevin and I have been doing a lot of writing on our own, either chord structures or lyrics or both, and then we get together and finish it up with Tyler.

Listen to Envy Alo's debut EP One Time

I’m very excited for your performance at The Pamlico Sound’s Funkstravaganza show this Saturday. Can the audience expect any special treats from y’all at that performance?

Aaron: Yes! We will have some special treats in store. We are very excited to play our first show as Envy Alo at Cervantes’- it’s one of our favorite Denver venues!

What the hell does “Envy Alo” mean, anyway?

Aaron: It’s a play off of the Spanish word “envialo” which means “ship it”. It’s a term we use when we need to spur one of us to really rock something.

Kevin: Basically, we just replace every verb related to doing anything with “ship it”.

Watch Envy Alo's live performance of "Manic Depression":

I never could have figure that one out on my own! So what’s on the horizon for Envy Alo? Where do you see yourselves a year from now? Anything our readers should know about in advance?

Kevin: We have a summer full of dates we’re ready to announce soon, and we will be playing some of the bigger local venues too, so we’re pretty jazzed about that. We were just booked to play at a music festival in Taos, NM in September, which will be our first festival. Sometime in the fall, we plan on recording a full length album. We’ve been talking to Al Evans from Soulive about recording in his studio out East, so we have some pretty lofty goals. We’re ready to dive in headfirst and become the best and most unique band we can be!

So make sure to “ship it” with Envy Alo and all of the great funk bands on the Funkstravaganza lineup this Saturday at Cervantes! Keep up with Envy Alo on Facebook.

-Will

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Nederland's Caribou Room Lines Up Locals for a Night of Tunes

By: Hannah Oreskovich

Things are going to get funky at Nederland's Caribou Room this weekend.

Nederland's Caribou Room. 

Nederland's Caribou Room. 

This Saturday, June 4th, Nederland’s Caribou Room will be hosting two local acts for your entertainment. It’s the first time this new(ish) venue has solely featured local talent for a night of music, so to mark the occasion, we’re bringing you info on both of the bands involved:

Technicolor Tone Factory.

Technicolor Tone Factory.

Opening up the night at Caribou is Boulder’s own Technicolor Tone Factory! The “effervescent funk and heavy progressive rock” five-piece have built a strong local following in recent years, and will be breaking out some funky sounds for their Caribou debut. Members Bryan LeFever (drums), Greg Kalifa (keys/organ/vocals), Cameron Canepa (guitar/vocals), Karl Summers (bass/vocals), and Evan Morris (keys/synth) are fresh off of some time in the booth at KMG, where they are recording their first studio album. TTF are pumped to play some of what they’ve been working on in the studio live, so head over and check out their new music! They’ve promised a high-energy set with lots of groovability.

Malai Llama.

Malai Llama.

Following TTF, Rollinsville’s Malai Llama will take the stage, a dance/fusion four-piece who like to combine “jazz, rock, and electronica in a psychedelic fusion”. The self-acclaimed jam band is comprised of Steven Govanlu, Chris Cornwall, John DeSousa, and Matt Flaherty. Together, the four like to “push musical boundaries by combining the energy of instrumentation with electronic exploration”, aka, they’ve got sweet synths and boomin’ turntables injected into their sound, along with their traditional instruments of guitar, bass, and drums. It’s rumored that it’s impossible to sit still at a Malai Llama show, so come ready to party!

Grab full details on this Caribou Room show here and head to Ned this weekend!

-Hannah

Follow Hannah on twitter and instagram.

All photos, videos, and embedded tracks per the artists featured.

Why You Should "Ship It" Tonight at The Lazy Dog With Boulder's Envy Alo

By: Hannah Oreskovich

Ship it. Ship it good. 

If you take a smack of Booster, a sprinkle of Tenth Mountain Division, and toss in an accomplished guitarist who’s new to the Boulder scene, what Boulder band do you have? Envy Alo. Formed just a few months ago, members Aaron Pettine (keys) and Kevin Hinder (guitar) have actually known each other for years. They met while attending James Madison University in Virginia and then both moved to Boulder in the years following to pursue music. The two had wanted to form a project together for quite some time, so after linking up with Tenth Mountain Division’s Tyler Gwynn (drums), Envy Alo was born. The group has quickly become known for their “old-school organ-trio jazz funk and newer, heavier rock and fusion stylings.” And tonight, they’ve got a sweet gig at The Lazy Dog! So before you catch their funkadelic show this evening, read our chat with EA’s Aaron Pettine for the deets on the band:

We know that your trio formed last October, and that this is a new project for all three of you, so tell us a bit about what you’ve been working on since your inception.

We are so new that pretty much everything we are doing right now is a ‘new project’. [For our live shows] we are continuously writing new material while also coming up with our own takes on our favorite covers. We are very excited to be heading over to KMG Studios Boulder at the end of the month to record a 4-5 song EP. Because a big part of what we do is improvised live and in the moment, taking away that element and compressing things into this neat studio version is going to be a challenge. But it’s one that we are very much looking forward to tackling.

Righteous. When are you planning to drop that?

We are hoping to release that sometime in March or early April. We’ve got a lot of plans and goals for 2016 and are looking to expand our music and fan base while also performing as much as possible. We are in the early stages of planning a summer tour on the East Coast as well; roughly ten dates in late summer from VA to VT.

Kevin, Tyler, Aaron.

Kevin, Tyler, Aaron.

On the road is always a good place to be. That’s great! And we’ll keep an ear out for the EP. So we’re curious- what’s up with your name?

The short story is that it’s basically a play off of the Spanish word Envialo, which means ‘Ship It’. This has been a saying among the three of us, whenever we need to rock something or get something done, we’ll say “Ship It!”

Nice. Lots of plans to “Ship It” tonight we’re guessing?

Yes- The Lazy Dog is one of our favorite local venues and really a staple here in Boulder for the type of music we play, so we are beyond excited to play our first show there tonight. We’re also excited that we’re supporting a very badass Denver band, Cycles.

Sweet! So head over to The Lazy Dog tonight and get weird with Boulder’s Envy Alo! Keep up with all things EA here.

Watch Envy Alo perform their track "Hottentot" live:

-Hannah

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All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.