Will Buck Returns to Colorado with New Solo Tunes & Old Bandmates

If you were involved in the Colorado music scene four years ago, it was nearly impossible to miss rock’n’roll outfit West Water Outlaws. What started as a Boulder house party act in 2010 soon found themselves selling out The Fox Theatre and touring nationally with acts like The Meter Men, Royal Southern Brotherhood, Jerry Joseph, and Rival Sons. But just as things really started to take off for the Colorado band, they split when frontman Blake Rooker moved to Nashville to pursue a solo career. The members all went their own way and the band dissolved.

Notably, drummer Andrew Oakley joined several successful Colorado rock acts until he formed A Shadow of Jaguar with Brian Hubbert. But guitarist Will Buck had a harder time trying to find his future in music until recently, when he decided to release his debut solo single “Fuse”. Next Thursday, May 23rd, Buck will return to Colorado for a show with A Shadow of Jaguar and Denver’s Boot Gun at Larimer Lounge. We recently chatted with Will about his new music, his plans for 2019, and why he’s excited to be returning to Denver next week:

You’ve had quite the journey since West Water Outlaws’ breakup. Talk to us about how your current solo project came to be.

In the wake of the West Water Outlaws (WWO) split, I went on my first-ever solo road trip of California in February of 2015. I was lost, shattered and completely open to anything and everything that took me out of reality and into ‘the flow’ as I call it. Aside from writing and the inevitable destructive coping mechanisms that I developed, I found that traveling and really winging it or ‘drifting’ was really the only way [to live]. I would go on to live an entire year of my life ‘drifting’ but that’s a completely different conversation.

Anyway, on that first fateful trip I stopped at an old friends place in Orange County and recorded a demo of this song in one day. I’d had that guitar riff in my head since the end of WWO and I needed to get it out. After that, the song sat dormant for 3 years.

Will Buck. Photo Credit:  Summer Taylor Mosher

Will Buck. Photo Credit: Summer Taylor Mosher

What happened next?

After I finally learned to sing, which by the way was one of the most humiliatingly frustrating, yet absolutely, amazingly freeing experiences of my life, I returned to this song. I wrote lyrics and self produced the rest of the song in 2018. However, I still kept the original recordings of the guitar tracks. Something about them just had the angst of a desperate man about to explode that I couldn’t recreate. Even the original guitar solo, which was done in one take, made the song. I couldn’t have come at that solo with as much heartbreak, anguish and sheer destruction as that day, even if I tried. It was like a song in captivity that finally broke free.

Did anyone else work on “Fuse”?

I cut the vocals at Speakeasy Recordings in North Hollywood with a groovy guy by the name of Ross Newbauer. Ross got a great performance out of me and pushed me in a good direction, so I've since started tracking most of my vocals for the upcoming EP with him. Justin Peacock, who I know from my Colorado days, mixed the track and seriously brought it to life, those original, grungy basement guitars and all! He mixed a lot of the West Water stuff so I knew he would kick ass on this one. Brian Gardner mastered, who is a total legend and I'm lucky to even have that connection. I think some pretty notable hip-hop guys gave him the nickname Big Bass Brian in the early 2000s for his work and I must say he doesn't disappoint! With the exception of my great friend Wyatt Strassner’s rhythm guitar part, the rest is me on the loose.

You also recently released a video for “Fuse”. Tell us about that.

Marshall Miller shot and directed the music video at The Public Works in Denver. He has the creative eye of a hawk and the patience of a stalking lion. I came up with this crazy idea for the video and he was down! He made all of my creative visions come true and then some. It was also quite fun planning and shooting the whole thing together over the span of 4 days, which was amazing. Normally video shoots are a one day, 14-hour ordeal in my experience, so I felt very fortunate to take our time with this one.

“Fuse” is about a relationship that has gone toxic. It's neither persons fault, but the sad truth is that even though you crave being around each other, the whole thing just blows up every time you do. Each person holds the power to ignite the other and sometimes you can't resist being lit up by them even though you know it's going to end badly. I think a lot of people have experienced this conflicted mindset in one way or another, so I wanted to portray that in the video.

What inspired the story of the video?

I've had the necklace in the video for years- it was actually a piece I found at the Boulder Art Mart on Pearl [Stree] and I wore it so much people started calling it my "signature piece." Overtime it started to mean more and more to me, almost like my soul if it were portrayed in an image. So like the song alludes to, I'm sort of at the mercy of my soul’s captor after I hand over the necklace to the two masked women in the video. I call them "the experimenters" as they then start to run trials on me once they've retrieved the key to my subconscious. The shots of me sort of floating in an abyss with a light on my face are supposed to represent just that- my subconscious. Marshall sent me some prototype shots of him in this world we described as "the box" early on and that's what sparked the whole idea for the video. Then we came up the other worlds as we referred to them as "the observatory" which is the room where the masked women are viewing me on surveillance footage inside the "container" where I've been stowed away. Only the one female wearing my necklace possesses the power to transfer between the worlds. That female’s name by the way is Bailey Turner and her partner/leader in crime is MJ Szymanski; they did a terrific job and were total pros in front of the camera.

Photo Credit:  Summer Taylor Mosher

Photo Credit: Summer Taylor Mosher

What else will you be releasing this year?

I have a ton of plans for the rest of the year- I don't want to give away too much but I am definitely releasing a four-track EP this summer that I recorded in New York City at Figure 8 Studios with Andrew Oakley on drums and Wyatt Strassner on guitar and backing vocals. And I will be touring surrounding this release! I can't wait to see where it all takes me now that the song is out on all platforms!

Sweet. How do you feel about returning to your old musical stomping ground this week?

I am extremely excited to return to Colorado. I lived in Boulder for 8 years and miss it all the time. It is one of the best places in the world and holds so many special people in it! I am most excited that Andrew Oakley (drums) and Vince Ellwood (bass) from West Water Outlaws’ original lineup are going to join me onstage for my set. That is a dream come true for me- to stand on stage in Colorado with two of my best friends again and rock out for a room of radical people.

We can’t wait to join in the rockfest. Tickets for Will’s show with A Shadow of Jaguar and Boot Gun are here. Keep up with Will Buck and his adventures here.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Jesse Rutherford Holds His Own on Recent Solo Tour Without The Neighbourhood

By: Taylor Naiman

Monday night, avid Neighbourhood fans were given a real treat to see Jesse Rutherford on his first solo tour at the Bluebird Theatre. Earlier this year when Rutherford announced his solo tour, many fans assumed this would mean the demise of the band entirely. As a band who has experienced huge success over the years, this seemed a little worrisome. Fortunately for fans like me, the band is headed on the road again for their own tour and jamming at various music festivals this summer. Until then though, Rutherford’s solo tour is a special treat. Fans on Monday got to hear the grooves from his solo albums “&” and “Garageb&”. Rutherford has accumulated a substantial and loyal fan-base over the years and since it has been a little over a year since The Neighbourhood played a show in Denver, everyone at the Bluebird this week was hyped to see him take that stage. We even got a sprinkle of The Neighbourhood when he performed “#icanteven”.

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Genre-blending is characteristic of The Neighbourhood’s music, and also of Rutherford’s own solo sound as well. He combines hip-hop, edgy pop undertones mixed with atmospheric beats, and a sultry voice. Monday’s show was comprised of both slow tunes and funky beats we could dance to. This show was different than the others I’ve seen involving Rutherford; a dichotomy which offered a new way to see him in his element. Same man, same voice, yet he offered a different mood. The beauty of the Bluebird too is the absence of any barricade separating the artist(s) from the audience, creating a true concert intimacy. This offered the opportunity for an energetic interaction, whether it was Rutherford shaking hands with concert-goers or some of the crowd feeling personally serenaded. The set embodied both a dance party and chill vibes all in one.

A strong stage presence and audience participation encouragement is essential from any lead singer and for Rutherford, this mean singing “Rock & Roll DJ” together. Rutherford always manages to show how much fun he is having and graces the stage with a necessary character and captivating charisma. He never takes a stationary approach to any of his performances; he moves around constantly with a rhythm concert-goers can not deny. Looking around the room, everyone knew the lyrics, snapped their fingers, and continued to dance. Between songs, girls were in the crowd shouting “Daddy!” and “I love you!”. You could say Rutherford is popular with the Denver ladies.

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Having attended past Neighbourhood shows in Denver, Monday’s show not only felt more intimate; it also felt minimalistic compared to the rest. It had a raw quality, both in regard to Rutherford’s attire and the overall ambience. Over the years, the frontman is always changing his look, whether with his hair color, his choice in leather jackets versus fur jackets, or his affinity for skinny jeans. On Monday he sported a simple white t-shirt and blue Dickies pants; his set was made up of only him and his DJ and a short collaboration with his opener, Goody Grace.

A major highlight from this Denver show was Rutherford sitting down in front of the microphone without his DJ, just him and his acoustic guitar, singing to his fans. Some people would have considered this tour a risk, but with great risk, comes great reward. This solo tour gave Rutherford the opportunity to spread his wings in an avenue of individual sound. This was his show and we were all here for it. We cannot wait to see what the future holds for Jesse and The Neighbourhood.

-Taylor

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.


Denver's Underground Music Showcase Announced Their Entire Lineup Today

Denver’s favorite music event of the summer is back for 2019! Get all of the details:

Who: The Underground Music Showcase (UMS), Denver’s largest and most iconic music festival, just announced the full 2019 lineup and will once again bring an array of acclaimed national and local artists, creatively curated stages, and host endless surprises across the three-day showcase.

From Friday, July 26 through Sunday, July 28, the 19th annual Underground Music Showcase will return to the historic and hip Broadway corridor just south of downtown Denver.

What:  The just announced 2019 UMS lineup, with performances by more than 200 artists, includes national headliners Honne, Chicano Batman, Black Mountain, Tuxedo, Earthgang, and Still Woozy.

Supporting artists include Empress Of, Yves Tumor, DRAMA, Sophie Meiers, LEIKELI47, Y La Bamba, Gardens & Villa, William Elliott Whitmore, Miya Folick, Tessa Violet, Haviah Mighty, Liza Anne, Spooky Mansion, Greyhounds, Dressy Bessy, DBUK, SWSH, Kainalu, Jackie Mendoza, Clavvs, Rapperchicks, Rich Jones, Divino Niño, Parallelephants, Deezie Brown, Garrett T Capps and more and more than 200 acts from across Colorado. View the full lineup here.

When: Friday, July 26 – Sunday, July 28

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“UMS is a strong representation of all types of music. This year’s lineup of national and local bands was strategically designed to showcase the volume of musically talented individuals Denver has grown while also inviting some national acts to crash the party. Denver’s music scene is growing and shaping into something special, something worth putting Denver on the map as a nationally recognized ‘music city.’ We have put our heart and soul into ensuring UMS helps grow that positive image for all Denver artists while keeping the soul of this underground music community alive.”

— TOBIAS KRAUSE, EVENT DIRECTOR OF UNDERGROUND MUSIC SHOWCASE

Photo Credit:   Nikki Rae Photography

Photo Credit: Nikki Rae Photography

Where: The Underground Music Showcase takes place in a multitude of venues along Broadway, in Denver, Colorado. More details on specific stages and locations will be announced closer to the festival.

Three-day weekend tickets are now available for $50. The three-day weekend tickets include general admission access to all musical performances and all stages, all weekend long. To purchase tickets, please visit: https://www.undergroundmusicshowcase.com/tickets.

Why: Denver is on its way to becoming a globally recognized music city with locally organized festivals like UMS leading the shift towards more immersive, live music events. UMS is the perfect representation of the vastness of incredibly talented artists from in and around the Denver metro area, showcasing the city’s growing music scene.

Two Parts purchased UMS from The Denver Post Community Foundation in January 2018. Since taking over the festival, Two Parts has worked to expand the number of outdoor stages and experiences and to continue building on the success of the past 18 years.

Grab your presales here!

Taking Back Sunday Celebrate 20 Years with 2 Sold-Out Denver Shows

By: Nathan Sheppard

Taking Back Sunday are currently celebrating their 20th year as a band with a year-long world tour which stopped in Denver for two sold-out shows at Summit last week. TBS has been one of the most influential artists in their genre from the early 2000s, with albums like Tell All Your Friends, Where You Want To Be, and Louder Now, which are all certified gold albums.

Night one and two both started with a play through of Tell All Your Friends which features their smash hit “Cute Without the E (Cut From the Team),” a track that is always a fan-favorite live. TBS played through the rest of the album and then took an onstage break to flip their customized coin to pick between Where You Want To Be and Louder Now. The coin landed on  Where You Want To Be, and the band proceeded to play their second album of the night. The building reached peak craziness during “This Photograph is Proof” and “A Decade Under the Influence.” That energy continued through the encore, where TBS even threw in a few songs from Louder Now ending with “MakeDamnSure,” ending the night with a literal bang as confetti cannons shot glitter through the air.

Taking Back Sunday.

Taking Back Sunday.

The first leg of the band’s North American tour only has a few shows remaining in Utah and Vegas. The second leg will start in September. View all upcoming stope and get your tickets here.

-Nathan

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Sabroso Music Festival Had Eats, Lucha Libre, The Offspring, & the Best Gringo Bandito Hot Sauce in All the Land

By: Taylor Naiman

After its inaugural year in 2018, the one-day Sabroso Craft Taco, Beer, and Music Festival made a return to Fiddler’s Green Amphitheater last Sunday. Whether the crowd saw Nerf from 93.3 KTCL dressed as a taco or witnessed a record-holding competitive eater Takeru Kobayashi scarf down a bunch of tacos in one-minute, there was no shortage of enjoyment. Music, tacos, and craft beer: what is better than this trifecta? Well it did get even better than that. How? One word: luchadores. But more on that later.

Sabroso’s festival was a spicy taco lover’s delight. There were rows of taco trucks with plenty of food to salivate over and a wide range of flavors to choose from. Sponsored by Gringo Bandito, the brainchild of Dexter Holland, lead singer of The Offspring, there was hot sauce on every table in sight whether mild or extra hot. Holland has established a name for himself outside of the music industry and continues to expand his horizons. The Gringo Bandito Super Hot sauce was the perfect addition to my tacos and chips throughout the festival- it gave everything that nice kick I was looking for. As a devout hot sauce lover, it’s something I would put on my chicken, fries, eggs, and definitely on wings. Over the course of the day, some of my other favorite foodie noms included the shrimp taco from the Denver Taco Truck; the green chile chicken tacos, which the menu described as chicken braised in hatched green chile, smoked jalapeno crema, onions, cheese, and cilantro (call my tastebuds now); and the “Pig Sty” tater tots from the Colorado Pig Rig which were smothered in green chile, cheese, onions, cilantro, and jalapeno.

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As a part of the ticket price, festival-goers were able to go from booth to booth and partake in beer tasting from noon to 4PM too. Besides the definite local favorites (i.e. Ratio and Odell), brews that stood out included Rhapsody from Meridian Hive and the Pome Mel from the Colorado Cider Company. Being in the 70-degree weather, both of these hit the spot as refreshing and sweet. The Rhapsody was enriched with blackberry and honey notes and the Pome Mel boasted notes of “Colorado wildflower honey and granny smith apples, with hints of rosemary & lavender”. Though not your typical brews, these evened out the spiciness of the tacos with a perfect little sweetness.

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With food and drink out of the way, let’s get to the action! Los luchadores! Originating in Mexico and characterized by colorful, ornate masks, Lucha libre professional wrestling has its own particular vibe and flavor. It was a major highlight of the festival and there were people of all ages enjoying the comedy and the animation happening inside of that ring. Each of the luchadors had a character to play, and the audience had a favorite that they cheered on.

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At one point, an onlooker decided to step into the ring (hold my beer!), and the luchador slapped the wanderer’s glasses off of his face, thinking he was a part of the show. (Rather hilariously, he was not.) For the fourth and final match, we were treated to a very special guest, the famous luchador, Cesar Gonzalez, a.k.a. Ramses. For those of you who do not know who he is, watch Nacho Libre! This villainous star gained notoriety from Jack Black’s 2006 comedy and women in the audience were definitely shouting “Sexy Pants!” at him. A lucky few were even given the opportunity for a photo with Ramses in the ring. Following the matches, people were allowed to buy their own professional masks, with prices ranging from $20 to $60 each. Each mask was modeled after Lucha libre’s best wrestlers and yes, there was even a Nacho Libre mask. If all of this ruckus sounds like your kind of get down, make sure to catch a Lucha libre match at the Livestock Arena in Jefferson County (Ramses unfortunately not included).

Black Flag.

Black Flag.

Of course, Sabroso had to sprinkle in some good music somewhere too. With a stacked lineup including The Dendrites, Dwarves, Strung Out, Black Flag, The Vandals, Bad Religion, and The Offspring, there was no shortage of entertainment at the festival. Even though the beautiful weather was replaced with a downpour of rain and 40-degree weather by the end of the night, it was all worth it. During The Offspring’s set, many concert-goers had to mosh or jump around to keep warm. The cold was chilling to the bone but the ones who had stayed and braved it got to hear some of The Offspring’s best songs including “Self-Esteem,” “Gone Away,” You’re Gonna Go Far, Kid,” and “Pretty Fly (For A White Guy).” Here’s to hoping there will be many Sabroso Festivals to come!

-Taylor

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.









Premiere: LiteLvl's New Music Video Is an Ambisonic Audio & 360-Degree Visual Experience

LiteLvL released their debut single “Boost Your Immunity While You Sleep/Inspire Photosynthesis In Plants” last week. The duo, comprised of Katey Sleeveless (Eros & the Eschaton) and Jay Marz (King Eddie), are self-described as “installation soundscore.” Today, we’re proud to premiere their debut music video for the track:

“Boost Your Immunity While You Sleep/Inspire Photosynthesis In Plants” was mixed with ambisonic audio, which means just like the video itself, the sound is also three-dimensional. Filmed at Moon Magnet Studios, the video features LiteLvl members Katey Sleeveless and Jay Marz, Andy Ai & Kevin Netz on visuals/projections, and dancers Kailani Dobso & Holly Seidcheck. Videographer Ben Tyson of DenVR is behind the entrancing, psychedelic video experience.

LiteLvl. Photo Credit:   Julianna Photography

LiteLvl. Photo Credit: Julianna Photography

“As you move, you'll hear different things. When you look at one guitar amp, you'll hear more of it. When you turn around, it'll feel like that amp is now behind you, and you hear the second amp in front of you louder.” frontman Jay Marz said of the trippy, mylar-fueled experience.

The band play FoCoMX - Fort Collins Music eXperiment this Saturday, April 27th at 4PM at Art Lab Fort Collins.

Keep up with LiteLvL here.

Modern Suspects Release New Music Video for "Desufnoc"

By: Julia Talen

On April 1st, Denver band Modern Suspects released a music video for their latest single “Desufnoc.” Filmed entirely on an iPhone X, guitarist Bart William’s visualized the inspiration behind the film, while frontman Garret Myers wrote the song, galvanized out of a devastating tragedy in which a close friend of his died in a plane crash.

If you haven’t figured it out yet, “Desufnoc,” is confused spelled backwards, and the single and video grip viewers as the group explores the absurdities and the inexplicable aspects of life through visual and audio media.

The video opens with an old Volvo pulling out of a garage on a dry, sunny day. There is music in the background and the viewer thinks that the song is beginning, but the camera hones in the the Volvo’s driver- a woman in a leopard coat with blue hair- listening to what’s on the radio. Anticipation builds as she pulls into a parking garage and we wonder where she is going, but before we can find out, she walks past a series of framed pictures hung on a wall and the camera zooms in to one of the frames, taking the viewer into another realm of the film as the song begins.

As the music flows, the camera continues to hone in on other picture frames, glasses, or mirrors and we melt into new scenes. This movement between different corners of life through pictures and frames elevates lyrics such as, “I’m confused/I’m confused/I feel so confused/Don’t know which way to go.” Viewers become disoriented much like the aftermath of a tragic and sudden loss. The symbolism of moving through frames also makes the audience consider memory and time, and how these play out in the stories that make up our lives and the lives of others.

Modern Suspects.

Modern Suspects.

As the film progresses, the viewer progresses through scenes that are perhaps touchstones of Myers’ personal experience: there is a scene in a body of water, a cemetary, a church. The film ends with a man running toward a house, jumping through a window into a scene evocative of the beginning of the video. The leopard-coated lady listening to Modern Suspects through headphones then walks past another series of frames hung on a wall as the story closes.

Overall, the video sets out to “confuse” viewers, reflecting on events, scenes, stories, and tragedies that take place each day of our own lives and can easily feel disconnected and absurd.

It’s no doubt that Modern Suspects’ visual and musical talent shine in this dreamy pop tune, beautifully accompanied by a thought-provoking video project which brings viewer closer to the lyrics of the track.

Keep up with Modern Suspects here.

-Julia

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

More Than 20 Years Later, The Acid Mothers Temple Continues to Carry On Their Free-Spirited Way of Life

By: Adam Cabrera

Though perhaps far past their prime, The Acid Mothers Temple & The Melting Paraiso U.F.O. continues to carry on their free-spirited way of life pertinent to the beatnik soul collective that the group helped found over two decades ago.

The Japanese psychedelic/noise band, who have played a significant role in the psych revival of the past two decades, performed at the Larimer Lounge on Monday night. Though I had the feeling that the band may have lost some of its muster since their heyday in the ‘90s, their bohemian personality and genuine passion for live performance made for a unique show experience.

Yamantaka // Sonic Titan opened for the headlining act, a five-piece psych/metal band whose diabolic guitar meddling, dark organ sounds, and powerful vocals effortlessly captured the attention of the crowd and got them moving. Faces painted and wearing decorative costumes which resembled traditional Japanese attire, their performance had a theatrical and often menacing tone as if the music was tapping into some ancient oriental mysticism. But the strange and experimental attitude of the band was only the tip of the iceberg compared to the following act.

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The Acid Mothers group is just a small part of the larger collective led by founding band member Kawabata Makoto. “A group of social dropouts of every description – musicians, dancers, artists, farmers, channellers, ex-yakuza, mermaid researchers and professional vagrants” as the band describes it. So, as the group began to gather themselves onstage to set up their equipment, it was clear each member jived with the nonconformist mantra of the collective.

Kawabata, with a head of long unkempt hair and casually touting a pair of paisley bell bottoms, oddly unpacked his gear out of a grocery basket showing perhaps how he never felt the need to buy cases for his equipment. Likewise, the band’s vocalist, Mitsuko Tabata adorned themselves with a purple cape and orange wig while Higashi Hiroshi played synthesizer; not touching a single key throughout his performance. It seemed he much preferred the alien-like whirring of the machines pitch generator.

Drummer Satoshima Nani humorously came dressed in runners shorts and a loose workout shirt. During the show he pounded relentlessly behind the kit; so much so that he broke his sticks halfway through the set and by the end of the night, he was drenched head to toe in sweat, which explained the runner’s getup.

Together the band was a curious group of misfits who in every action displayed just what the AMT collectives motto states, “Do Whatever You Want, Don’t Do Whatever You Don’t Want!” In their largely improvised set they similarly denied any of the usual trappings of traditional rock performances. And in winding psychedelic jams, they would regularly devolve into ear-splitting noise freakouts or relax comfortably into tranquil sonic meditations.

However, despite the youthful energy of the music at certain points during the evening, the oldest members of the group did show their age. Kawabata often would lean against the wall providing relief from standing for so long. And on one occasion, amid Higashi’s long white hair, you could see him wince as he rubbed his sore back. They may have been long past their prime, but their performance surely was one of the most energizing I’ve seen in recent months.

Before the show, I spotted Kawabata hard at work on his computer, most likely plugging away at the multiple AMT projects he is apart of, and as soon as the show ended the band ran to the front of the club to run their merch table. It’s plain to see that nearly 24 years after their start in 1995, they remain true to their carefree and untroubled beginnings with the AMT soul collective as the band continues to tour the U.S. independently. Over the next few months, be sure to catch them live as they make their way across the country as part of their 2019 North American tour.

Keep up with The Acid Mothers Temple here.

-Adam

All photos per the author. All videos and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

FreeMusicForFreePeople Is Throwing an Immersive Event at Denver's Mercury Cafe This Weekend

This Saturday April 13th at Denver’s Mercury Cafe is the FreeMusicForFreePeople (FM4FP) Showcase “Live from the Multi-Verse,” an interactive multi-art experience to celebrate community. FM4FP is a community and media organization that has been serving the Denver area since 2013 who formerly held a residency at Gypsy House Cafe. This year’s event is thrilled to have a home at Mercury.

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With an emphasis on synesthesia, the FM4FP Showcase will focus on an immersive theatrical storyline to engage and entertain the audience with music, circus art, dance, visual art and poetry.   The event is in partnership with Youth on Record’s FEMpowered program and participants have been offered an event internship opportunity at the showcase so they can develop their performance and event planning skills.

Starting at 7PM, the night will feature performances by Lady Gang, Reed Fox, Definitely Maybe, Twin Flame Medicine, Random Temple, Smiley Gatmouth, Sunflower duBois, Circus Performers (Dani Rose and Katie Nadal), Abby Moon & Crescent Dance Project, Nimbus, Bun Bun and FEMpowered Interns. MO SPKX, “2017 Westword MasterMind” and “2018 Westword Best Solo Rapper” will emcee the evening.

Find more information on FM4FP and their mission click here; learn more about Saturday’s event at this link.  

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

LA's Balto Making Two Stops in Colorado This Week

By: Mirna Tufekcic

Balto is a brave Americana-rock band hailing from the City of Angels who will grace us with their presence right here in our own Denver, Colorado this week. They are playing in Loveland at 5030 Local this Friday, April 12th, and then coming to Denver on Saturday, April 13th to play at the Black Buzzard. Oskar Blues’ Denver bar is the perfect setting for this band, and for you to go enjoy local brews while lubricating your ears with the boozy, swaggering style of American music rooted at the intersection of Motown, Big Star, Plastic Ono Band-era Lennon, and Jackson Browne. When you’re listening to Balto’s music, it paints an open-road landscape of nostalgia. Basically, they make you feel like a character from one of Jack Kerouac's novels.  

Balto.

Balto.

And these guys are going places. They’re already on their way, actually. Balto’s newly released single “Black Snake, Mojave Blues was featured in Rolling Stone’s 10 New Americana and Country Songs. They have over 3 million listeners on Spotify, and have supported nationally touring bands including The Revivalists, Blind Pilot, David Nail, and Current Swell.

Balto is also on the “Top 20 Sessions”of 2018’s Jam in the Van. You can check out their video above, or watch their new live video from BalconyTV. Make sure to catch their Colorado shows this week and keep up with Balto here.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

First Listen: Whiskey Autumn's 'Modern Doubt' Is a Synth Pop Hollywood Dream

Today, we’re proud to premiere Whiskey Autumn’s new record ‘Modern Doubt.’ The Denver four-piece are releasing the record this Friday, April 12th at Lost Lake Lounge with fellow Denver bands The Milk Blossoms, OptycNerd, and a DJ set from Motion Trap. Synesthesia, who hosted The Pink Party earlier this year, is presenting the show. Take a listen:

 ‘Modern Doubt’ is the follow-up to Whiskey Autumn’s 2017 EP Ice Cream In The Sun. The first single from the album “Birds That Flew,” premiered with 303 Magazine, followed by the premiere of “Let’s Go Sailing Instead” on CPR’s OpenAir. The studio recording of “Monochrome Actress” premiered with our friends at Ultra5280 recently, and the band’s live music video for that song just debuted with Westword last week. Whiskey Autumn will also be on CPR’s OpenAir this Friday for a live session in support of their release and Lost Lake show. Clearly, this is a Denver band with a trajectory worth watching.

Whiskey Autumn. Photo Credit:   Vossling

Whiskey Autumn. Photo Credit: Vossling

Overall, ‘Modern Doubt’ is a psychedelic pop rock album with an overarching theme rooted in modern anxieties such as technology, political doubts, and navigating an always connected world. The album features dancey synth lines, jangly beach guitars, a Hollywood film noir sample, natural sound interludes, and produced hip-hop drum breaks. The record was written by frontman Greg Laut, produced by band members Laut and Jason Paton, mixed by Chris Scott (OptycNerd, Young The Giant) and mastered by Jim Wilson (David Byrne, Neko Case, The Yawpers). Recently, Laut answered a few questions for us about the band’s new record, Friday’s show, and Whiskey Autumn’s 2019 plans:

Tell us more about ‘Modern Doubt’.

Modern Doubt was written and recorded throughout 2017 and 2018 and reflects my experience of the tumultuous landscape of our current times. My bandmate Jason Paton and I threw out any preconceived notions of what our sound is supposed to be and challenged ourselves to create a record that transports the listener to the world that each song exists in, whether it be a dreamy beach, an old Hollywood film, or a crowded airport. For us, that meant looking at the songs through a cinematic lens and setting the scene with natural sound samples and production choices that catered to the storyline.

That’s really cool. It seems like you’ve already had a lot of attention surrounding this record. What else can you tell us about the release show this Friday?

This will be a Whiskey Autumn show like you've never seen before! We have a new rhythm section and a batch of new songs that will be played live for the first time. Synesthesia is presenting the show and they're bringing along Andy Ai and Kat Phenna who will be providing dystopian, film noir visuals that tie into the themes of Modern Doubt. It's going to be a wild night!

What else can we expect from Whiskey Autumn in 2019?

You can expect a vinyl release of Modern Doubt later this year, summer tour dates to be announced soon, and more surprises coming your way in the next few months!

Catch Whiskey Autumn live this Friday, April 12th at Lost Lake Lounge for the release of ‘Modern Doubt’. Tickets are $10 right now if you Venmo @whiskeyautumn; $15 day of show. Find more information on Friday’s gig at this link and keep up with Whiskey Autumn here.

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Review: Lief Sjostrom's 'Impossible Parade' Focuses on Post-Rock Vibes in a Neo-Classical Fashion

By: Norman Hittle

The cello-wielding force of reckoning Lief Sjostrom has released a new EP Impossible Parade.

As with the growing body of work that is Lief Sjostrom, this EP sufficiently augments the sonic progress of his career. Almost like the next release of a trilogy or series, it makes you want to go back and hear the last pieces to fulfill the story and relive the experience again. However, Impossible Parade focuses more on the post-rock vibe in Sjostrom’s neo-classical fashion, with tracks that are laced with a bit more momentum and tension.

Impossible Parade is both canon and progressive to the tale Lief is weaving for us. It fits nicely in the sense of feeling like the composition of a somber and grieving movie or game. I have and continue to imagine the darker moments of Lord of the Rings, Vikings, Skyrim, and the Witcher series in comparison. In simpler terms, his songs have a stygian Celtic folk feel that resonates with an almost enchanted medieval era.

Lief Sjostrom.

Lief Sjostrom.

If you haven’t ventured into the ambient, yet visceral soundscapes of Lief’s previous releases, I’d encourage you to take a moment to do so. I’ve detailed his other works for BolderBeat, Counting Breaths and The Longest Night. I promise, if you enjoy Impossible Parade, you’ll enjoy all of Sjostrom’s records.

Lief will be performing Saturday, April 13th at Ophelia’s Electric Soapbox. Make it a point to enjoy this evening by grabbing details at this link!

Keep up with Lief Sjostrom here.

-Norman

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Boulder-Based Nobide Are Making Waves One Big Stage at a Time

By: Natalie Pulvino

Boulder-based live electronic band Nobide is fresh off a show at the Boulder Theater, soon to headline the Larimer Lounge, and has a lot in store for this summer’s festival season. We sat down with Nick Vann, founder of Nobide, to ask him about the band’s authentic sound, local influences, and upcoming endeavors.   

What differentiates Nobide from other live-electronic acts?

Probably our versatility- we want to make all types of music, not get caught in one sound or genre. We’ve been working on combining the production elements with the live instruments, figuring out how to allow the produced pieces to function like a band member. Our live setup is pretty crazy- I can now manipulate and change the sound of the guys as they’re playing [and] do DJ production effects live which is pretty crazy.

You’ve described Nobide to BolderBeat previously as “organic-electronica,” emphasizing the live aspect to your music. What is your process for infusing the produced pieces with the organic element to create the perfect blend?

Our process is evolving as we figure out our sound. We’re still fresh as a unit, so we’re not sticking to any one process for writing or playing- it’s all very open right now. As far as putting songs together it’s really important to me that the songs don’t come out sounding like just another band. There’s so much possibility with production and sound… I’m always looking to hear something new, both musically and in regards to how a piece actually sounds.

Are there any local live-electronic acts that you draw inspiration from?

Mxxnwatchers is making some really forward thinking stuff, as is Evanoff. Break Science are the OGs. I think we all feed off each other, but we’re all sorta doing our own thing and pushing it as far it can go. To me that’s the ideal- there doesn’t seem to be much of a point in making stuff that sounds too much like someone else.

How do you cultivate that influence while maintaining a strong sense of authenticity in your music?

I think seeing how other people approach their music is the best kind of inspiration. We try not to take what other people are actually doing musically or sonically into account and just focus on doing what sounds best to us. In that sense we have no choice but to be authentic.

Nobide recently opened for The Floozies at the Boulder Theater- what was that like for the band?

It was a huge moment for all of us. I grew up in Boulder, so it was especially exciting for me. It was so killin’ to play for the hometown crew and have them show up like that. Nobide is Boulder-bred, and I think it was cool for the Boulderites to see the evolution of the project. A lot of people got introduced to the music that night too which was exciting. We’ve got mad love for Boulder.

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Are there any shows you guys have played that have been super memorable?

The Boulder Theater show was one for sure, as well as The Fiillmore when we opened for Sunsquabi in January. It’s always exciting to play big rooms with big sound systems. We played with Michal Menert in January and that was a full-circle moment. I’ve been listening to his music for years.

Nobide is on the bill for Summer Camp Music Festival, Sonic Bloom, and a few others that will be announced soon. What is the band looking forward to most about being on the lineup for these festivals?

I think mostly meeting new people- artists and fans alike. It’ll be cool to see how our music stands up and translates in new environments. It’s a big opportunity, but it’s also just gonna be fun as heck.

Do you foresee any challenges that may arise from playing festivals as opposed to singular shows?

It’s definitely going to be a compromise on some fronts [since] we have a pretty complex setup for performing, but it’s nothing we can’t handle. It’ll be a good challenge to be pros, to know it’s not all about us but more about the vibe of the whole event.

There’s been talk that the band may be hitting the road soon. If you guys go on tour, where would you want to play and who would you love to play with?

Eventually all over the world! But for now we’re trying to get down South and out to the West Coast and Midwest, start slowly expanding our radius through the U.S. We’d love to play with all sorts of people that like to get down. Lettuce, Pretty Lights, Zhu, Rufus Du Sol, Bonobo, Odesza… We want to bring this music all over!

Keep up with Nobide here and don’t miss their headlining show at the Larimer Lounge this Saturday, April 6th. Tickets & information here.  

-Natalie

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: Denver's Boot Gun Debuts with a Bang with Two Singles & a New Music Video

Denver’s Boot Gun have entered the Colorado music scene with a serious bang. Today, the three-piece are releasing their debut single and video for “Virginia,” a high-energy rock’n’roll track with a Southern twang, and a rebellious video featuring a slew of Denver haunts to match. And folks, one thing’s for sure, the trio comprised of Keith Lawrence (guitar/vocals), Davie Landry (bass/vocals), and Cody Hart (drums), have brought the party.

“Virginia” was recorded and mixed by Todd Divel (The Yawpers, In The Whale, The Velveteers) of Silo Sound and mastered by Hans Liburd of Burdhouse Mastering. The video was directed and filmed by Colin Anders of Slice Cinematics (Nathaniel Rateliff & The Nightsweats, A Shadow of a Jaguar, Dragondeer). Boot Gun also featured several friends on the track’s instrumentals including Bullfrog Baugh on harmonica, who makes an appearance in the video about 40 seconds in, Sam Janik on guitar, and Bill McKay on organ and piano.

Says frontman Keith Lawrence about the track, "Virginia came to me in multiple dreams last summer. I showed the boys the main riff and they said ‘Sounds great. Where's the rest of the song?' I told 'em I had to go back to sleep to hear [and] see the rest of it. A few months and a couple of disco naps later, we had us a rock’n’roll ripper."

A ripper it is indeed. “Virginia” is a boot-stompin’ tune rife with slashing rips, harmonica twang, and a jangly toe-tappin’ keys solo that will force you on your feet. Some of that energy didn’t enter the track until the boys rounded things out in the studio though.

Says Keith, “As a band, we all believe that a song isn't finished being written until we record it. Todd at Silo pushed for certain creative ideas that we were able to let shine on these tracks. Having Bill McKay sit in on keys helped round out the sound and bring our musical intention into fruition."

Boot Gun. Photo Credit:  Mountain Trout Photography

Boot Gun. Photo Credit: Mountain Trout Photography

Along with “Virginia” and their debut music video, Boot Gun also released their B side “Feels Like A Storm” today. While “Virginia” takes you on a wild ride, quite literally in the video, “Feels Like A Storm” is the moodier, heavy-hitting track from the trio.

Says Davie, “‘Storm’ is a song that we wrote collectively. It started with Keith singing but never felt completely right. So we argued and laughed, and laughed and argued, and I was forced to sing it… In the end, it became the beast that you're listening to today."

You can listen to “Virginia” and “Feels Like A Storm” on all major streaming platforms and catch Boot Gun live at Cervantes with Dave Watts & Friends on Friday, April 12th.

Says Davie on Boot Gun’s debut, “It’s a young band's take on all the rock’n'roll we love and grew up on. We go from A to Z, then back to A just make sure you're still with us."

Join that trip and keep up with Boot Gun here.

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: Elektric Animals' "Vulnerable Thing" Digs Deep

By: Sam Piscitelli

There’s always been some sort of heaviness that accompanies the Rock genre; a pressure to make as much noise as possible. The tricky part is keeping the music grounded in the roots of its composition and lyrics. A lot of the time, the story of the song can become muddled in the making of it and what the band itself is trying to convey. Luckily, for Elektric Animals their song “Vulnerable Thing” not only deserves recognition, but shines a light on the future of what alternative rock can be, if only fought for with a little persistence and love for the craft. The Denver trio, comprised of Nick Sanders (vocals), Oscar Jara (guitar), and Jerrid Van Scoy (bass) recently formed and today, we’re proud to premiere their newest single:

“Vulnerable Thing” digs deep into the message that in life, you have a tendency to carry the past into the present. It can be both a force of positivity, or of negativity. Whether it’s the scars you’ve endured or the happiness you wish to see fulfilled, life can either make you or break the person you are destined to become. Elektric Animals decided to pour their souls about this aspect of life into this track. This band is fearless, yet honest, which reminds us that music is a treasure, not just a glimmer you can shove on a shelf somewhere.

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The music industry at times seems to settle for uninspired music; music that only garners in split seconds of attention. Elektric Animals seem to be the opposite, creating music that involves fleeting moments and engraving them more permanently inside our heads. Not many bands or artists can take fleeting moments and engrave them like this, but this is a band who does so knowing that the only attention they crave is from the real stories they lead.

Keep up with Elektric Animals here.

-Sam

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Attila & All That Remains Brought Heavy Hits & a Wall of Death to Recent Denver Show

By: Nathan Sheppard

All That Remains and Attila hit the stage at the Oriental Theatre this past week for a night that every metalhead could appreciate. Sleep Signals and Escape the Fate opened things up for the co-headliners.

Attila, who released their newest album Villian in February, took the show to the next level with their party animal antics. Those antics led to a love-hate relationship with most people, but for those who love them, Attila puts on one of the best live performances of any band in their sphere. From start to finish, frontman Chris Fronzak had the crowd moshing and and even threw in a “wall of death” just for kicks. The set was filled with mostly favorites like “Moshpit” and “Pizza” with some new songs from their latest album as well.

All That Remains was the second headliner of the night and continued the mosh party right where it left off. ATR released their ninth studio album Victim of the New Disease this past November which has been a welcome return to their roots as a heavy metalcore band. The first quarter of their set was heavy, with newer songs from New Disease, followed with a medley of older hits. Vocalist Phil Labonte was able to show off a wide vocal range from high screams to low growls, and even showcased his clean vocals in “What if I Was Nothing?”. They topped off the night with their smash hit single “Two Weeks”, leaving everyone exhausted from moshing and jumping throughout the set.

Attila and All That Remains are about halfway through their American co-headlining tour, so make sure you make it out to one of these insane shows! Remaining dates can be found here.

-Nathan

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Spectra Art Gallery Hosting "Colorado Vibes" Opening Party This Weekend with Food, Fashion, & Fun

This Saturday, March 23rd, Denver’s Spectra Art Space is hosting another awesome event, this time focused on Colorado art, fashion, performance, food, and music. Called “Colorado Vibes: A Locally Grown Art Experience Vol.3”, Spectra’s latest cultural experiences opens Saturday from 6PM-2AM.

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Said Spectra, “Come experience a survey of Colorado's incredible emerging fine artists, performers, fashion designers, food makers, and musicians under one roof for a night of creative sensory bliss. Our walls will be filled to the brim with amazing art from over 21 artists, a fashion show featuring some incredible Colorado Natives, live musical performances on the inside stage, and more, The showcase will be up through April but you do NOT want to miss this opening night!”

The opening night this Saturday will feature 20+ Colorado artists who focus on mediums including glass, sculpture, painting, and more. For more information and for the full lineup of artists and musicians click here.

Learn more about Spectra Art Space on their website .

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Review: Prep Rally's 'Head Rush' Is Full of Synthy Experiments & Light, Luscious Vocals

By: Julia Talen

Electronic indie pop duo Prep Rally will release their inspired sophomore EP Head Rush this April, full of vulnerable themes paired with instrumentalist Drew Norris’s catchy beats and vocalist Tatum Russo’s delicate voice.

The first track “Phoenix” kicks-off the EP slowly, with a soft, easy melody. It’s joined by Russo’s enthralling vocal harmonies, crooning lyrics indicative of the transformative and inquisitive questions sewn into this record like “will be born again” and “transcending from who I once was”. As the track progresses, Norris’ instrumentals build in complexity and the tempo ascends and shifts, lifting listeners into the tenacious and seemingly effortless layers of this record.

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“Roll With The Punches,” the second track, begins with an addicting piano beat evoking a throwback vibe. Similar to many of Prep Rally’s tunes, this song builds and expands. There is a nice bridge in this track with a round of voices singing lyrics like “roll with the punches” and “everyday is a rematch,” followed by what Norris calls a “sparkly arpeggio outro” which is mesmerizing. The band’s single, “Break In,” released at the beginning of the year, succeeds this tune and remains to be one of my favorite tracks on the record.

Another noteworthy tune off this EP has to be “Mean Girl,” a noble, feminist exploration into societal pressures on women and how impactful they can be. In considering this track, Russo states, “There is a mean girl in all of us,”  provoked by a society. Lyrics like “whoever gave a damn about what’s inside/and were put up to fight by the shape of our bodies,” parallel this sentiment as does Russo’s echoing vocals on this track which reflect the insidious and obsessive mean girl in our minds. The pop-like nature of the track allows listeners to digest some of the heavier concepts on this record, including dark, societal pressures. The next track, “Cloud Nine,” also explores anxiety and mental health, but through this pop duo’s delicious bops. Prep Rally’s EP overall destigmatizes such subjects.

Prep Rally.

Prep Rally.

The EP comes full circle with “Coffins in the Attic”, a song that explores facets of change and transformation, much like “Phoenix.” The tune is slower, like the first track. I like the risk the duo takes in the middle of the song in which everything breaks for a beat, followed by a breath and the ding of a triangle. Then listeners melt back into the folds of Prep Rally’s piano diddles, synthy experiments, and light, luscious vocals.

“Head Rush” explores heavy, important themes balanced by captivating patches of instrumentals quilted together to create a really nice, cohesive and interesting record. Prep Rally’s EP drops April 2nd. The dynamic duo will host a release party at downtown Denver’s Walnut Room on April 6th.

Keep up with Prep Rally here.

-Julia

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

F I N K E L's Spring Tour Features New Sounds & Will Be in Denver Next Week

By: Mirna Tufekcic

F I N K E L, a duo formerly known as Less Is More, is coming to Denver’s Three Kings Tavern on March 19th and FoCO’s Surfside7 on March 20th to spook you with eerie synth noises not unlike the Stranger Things intro. The husband and wife duo of Brian and Jane Spencer will mesmerize you with soothing harmonies and complete the experience by bathing you in ethereal synthetic textures. This bizarrely intriguing band has a few singles already released since the change in name and direction, which can be listened to and viewed along with stylistic and artsy videos, like their single “n e e d.,” “l e x i c o n,” and the most recent “w/o.”

F I N K E L. Photo credit: Erin Soorenko

F I N K E L. Photo credit: Erin Soorenko

This band will definitely not give you what you expect- it’s not defined by any genre per se nor is it your run-of-the-mill obscure indie band. So if you’re interested in seeing their live performance, come with an open mind and open ears! As F I N K E L’s “About” page on Facebook states, “Their lyrics explore themes of love and desire; understanding oneself and one another beyond surface qualities; and questioning the status quo. With every track, they’re suggesting we take another, closer look, because what we think we see and hear just might deserve inspection…  She triggering a MIDI mixing board, he on guitar, their vocals intertwine with a shadowy fluidity that invokes notions of another time; perhaps the middle of next week…” Errr, exactly that, but Mountain Standard Time.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The Simple Parade's "Broken Beauties" Music Video Is Elegant In Its Simplicity

By: Sam Piscitelli

Since their birth, music videos have primarily been used as visual tools to either tell a story or to garner some sort of response, whether it be for views or for artistic consumption. It’s a way to let the artist’s fans get a glimpse into their head and see a particular song from the perspective they drew their creativity from. Most importantly, a music video can either make or break the song you want it to represent. In their recent video release, Denver’s The Simple Parade don’t allow the nonsense of pressure to dictate their art; rather they let their art dictate the video.

The Simple Parade’s “Broken Beauties” music video aims for potent storytelling rather than reliance on visual escapades. The acoustic approach to the song met with the winding-down city as the day seeps into the night really gives the listener a chance to embrace the ambiance of it all. It makes “Broken Beauties” flourish actually. In the kind of atmosphere that is being portrayed, the lyrics are more accessible and seemingly slip easier into the ear of whoever is listening. This gives the songwriting a front and center spotlight usually unheard of in music videos, which is brilliant when you think about it.

The “Broken Beauties” video depicts frontman Justin Hooper with just a guitar in hand singing while walking through downtown Denver. While it’s not a high-budget video nor one that tries to be, it’s definitely charming in its simplicity, much like the track. Some say elegance can be born from simplicity, and simplicity can lead to excellence. In this case, that’s exactly what is seen (and heard) with The Simple Parade.

Keep up with The Simple Parade here.

-Sam

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.