The Velveteers Kickoff Their Third UK Tour with an Electric Farewell in Denver

By: Emily Shuey

Last Saturday night, Boulder natives, The Velveteers, kicked off their headlining show in Denver at The Bluebird Theater to inaugurate their third UK tour, which begins in less than a week. The three-piece band includes frontwoman/lead guitarist Demi Demitro, a 21-year-old with a unique sound conjured as a mix of Joan Jett and Bonnie Tyler, and a siren-esque raspiness defining her personal brand. Her long curly hair (think Claudio Sanchez), jewel-encrusted jacket, and leather pants, accompanied with the bands’ goth-like decor set the scene for a Tim Burton meets Zeppelin-era inspired ambiance.

Demi Demitro of The Velveteers.

Demi Demitro of The Velveteers.

Demi is always accompanied by two drummers, John Demitro (her brother) and Adrian Pottersmith, who have crafted their own unique dual-drum kit, bring a reverberant and flexible base to all of the band’s performances. 

Adrian Pottersmith & John Demitro.

Adrian Pottersmith & John Demitro.

Fans were prefaced by support including The Bitter Suns, The Kinky Fingers, and Boot Gun, but it was obvious The Velveteers have been pulling a loyal crowd following at their shows since the band’s birth in 2014. Fans were decked out in DIY band t-shirts, appropriate goth punk rock attire, and were ready to throw down for an intimate and interactive experience that The Bluebird is known for creating. 

A fan in the band’s merch.

A fan in the band’s merch.

As soon as Demi plugged her guitar into its amplifier, the crowd anxiously waiting, went wild. Moving into their first song, she embodied a confident and nonchalant presence that puts the crowd at ease, but also gives the go-ahead for madness. The crowd hosted fans of all ages, united over their mutual love for moshing, head banging, and theatrical rock. 

Pottersmith in the crowd.

Pottersmith in the crowd.

The band played favorites like the provoking “Death Hex,” and their catchy single “Eyes Tell Lies” sending the crowd into a full-blown, relentless circle mosh, which was a common scene for most of the show. (I might have a few bruises and worn quite a few PBR’s to prove it). The show was made even more intimate with the absence of a pit, allowing fans to cheer and be involved from just inches away. The drummers kept the energy high throughout the show, especially when Pottersmith removed one of their snares, placed it in the crowd, and performed an interactive, punk rock-style drum solo. 

Saturday’s UK tour kickoff show proved that The Velveteers are capable of holding their own as headliners, and seemed symbolic of good things yet to come. They are currently self-managed, self-taught, and sans record label. The European market is volatile for even some of America’s most successful outfits, but with perseverance, it can be career defining. The band will be kicking off their third international tour in Glasgow on September 10th. 

See more photos from this show here.

-Emily

All photos provided to BolderBeat by the author. This feature was edited for brevity and clarity by BolderBeat.

Kiltro's 'Creatures of Habit' Is Enchanting, Mysterious & Masterful

By: Julia Talen

If you haven’t heard Chilean-American musician Chris Castillo’s music project, Kiltro, now is the time. This past July 6th marked the release of the latin-indie group’s latest LP, Creatures of Habit, on which listeners can catch the single, “The Hustle,” named best new song by NPR.

Each track on Creatures of Habit tells a story that travels through intimate corners of Chile. The way Castillo builds each song and connects the tracks makes this album feel like a rich, musical novel of sorts, haunted with a variety of interconnected characters and scenes.

The first track off the album titled, “If I Lead,” immerses listeners into the ambient quality of Castillo’s music. The way Castillo layers and loops his instruments gently coerces listeners into an imaginative scene in South America where the narrator hauntingly asks another, “If I lead, would you follow?,” almost asking the listener the same thing. The transitions between almost every song on the album collapse the notions of beginning and end, folding each track into the other and highlighting the album’s cohesion. The second track, “Curicó,” which follows an unreliable narrator having seen a ghost, before flowing into a favorite of mine, “Mi Capitán.”

“Mi Capitán” opens with an upbeat guitar that Castillo loops to create dimension as his dynamic voice sings about a character’s reckoning with proving their own worth. His quick-paced, upbeat voice softens, slows, and wails as the song perpetuates, straining to keep up with the instrumentals. His vocals then drift into a ghostly, alluring moaning and crooning, cushioned in a high pitched, soft ringing.

Kiltro.

Kiltro.

The song spills into a slower, sparse tune, “Corner Beat (Hair of the Dog),” before heading into “Lovers,” an echo-y, dreamy track that reiterates the first song on the record with lyrics, “wherever you lead I’ll follow.” The guitar and percussion build and become almost volatile, engulfing the song before pittering out delicately and returning to its original melody and tempo. 

The only breath of silence on the album hits before the next song, “Julia,” begins, again, echoing a character we meet in “Curicó,” earlier in the album. “The Hustle,” a song about navigating difficult relationships and the self-assurance that breaking from it requires, follows “Lovers” and “Julia,” returning to a more upbeat, rhythmic tone.

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The album ends with odes to “Ursula,” who reminds me of an enchanted figure, as well as “The Drunk,” about an inebriated individual pondering assumptions about himself. These final tracks circle back on this motif of the album that questions what is real and what is an apparition, and how does memory and time construe these concepts and create stories in our minds, and, furthermore, how can the way music builds mirror these ideas.

This LP is honestly masterful. Kiltro forms songs that are each their own gems and has joined them into a beautiful first LP. It’s no surprise this band’s been getting a lot of buzz lately- it’s well deserved and Creatures of Habit proves that. Listen to this album now and keep up with Kiltro here.

-Julia

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Denver's Underground Music Showcase Proves It's Once Again Unlike Anything Else in Denver

By: Adrienne Thomas 

Denver’s Underground Music Showcase truly is the highlight of the year for many local music lovers, and this year was no exception. As far as multi-venue festivals go, UMS is a well executed one, and was a smooth experience for concertgoers. The “official” UMS venues spanned about 7 blocks down South Broadway, and included 3 separate outdoor stage areas. Most venues had their own vibe, like the punk and modular synth daytime-dark shows at the Hi-Dive, late-night crooner showcases at Skylark Lounge, house and techno dance parties at the 303 Magazine “Green Rom” below 3 Kings Tavern, and the intimate singer/songwriter serenades at South Broadway Christian Church. Simply put, there was always a place to go for everyone, with plenty of food trucks and friends to run into along the way. The heat, once accepted, couldn't hinder the excitement of seeing dozens of local gems and national touring favorites. 

Some of our UMS 2019 local highlights included Anthony Ruptak, Maya Bennett, and Kiltro, who drew devoted fans out in large crowds. Claire Heywood sang to us in church, Pout House jammed out at the Hi-Dive, and Ramakhandra and Emma Mayes & The Hip gave all their energy to a packed 3 Kings Tavern crowd. Favorite touring acts included Earthgang, who included the new J. Cole collab “Dreamville” in their set and even brought crowd members on stage for a very real dance-off. The latin rhythms and energy of Y La Bamba and Chicano Batman also made for a great time, and LA-based soul duo Annabelle Maginnis smiled in a furry two-piece through a killer R&B, upbeat soul set. Still, while the national touring acts may help sell tickets, we all know it’s the local artists who make the UMS something special. There’s no Colorado festival quite like the UMS, so here’s ‘til next year!

See more photos from UMS 2019 here.

-Adrienne

All photos per the author. This feature was edited for brevity and clarity by BolderBeat.

Our Top Picks to See at Denver's Underground Music Showcase 2019

By: Adrienne Thomas 

During the last weekend in July, the Underground Music Showcase brings out Denver’s local music scene, along with a handful of national headliners. Affectionately known around town as UMS, the festival came to life in the early 2000s when The Denver Post decided to ask local music experts to name the region’s “Top 10 Underground Bands” in an effort to rouse more interest and support for the local scene, as well as to cultivate a city that successful bands want to stay in. The festival’s evolution continued last year, when Two Parts took ownership of the festival under the direction of Tobias Krause, exciting supporters at the potential for new spins by the local event and marketing agency.

Headlining names this year definitely worth checking out include Chicano Batman, Black Mountain, Still Woozy, Y La Bamba, and Earthgang. Also worth checking out are two hip-hop wild cards from Chicago: Rich Jones and RapperChicks. Let’s dig into these acts, shall we?

Y La Bamba.

Y La Bamba.

Chicano Batman is a Latin psychedelic soul and funk four-piece, so bring dancing shoes to this wildly percussive show. Stoner rockers Black Mountain will show up for the lovers, heady beach followers, and spirited grunge rock fans inside all of us. Still Woozy joins soul/pop melodies and raps together with smooth electronic bounces for a uniquely lovable style. Y La Bamba is an incredibly diverse indie folk/pop outfit from Portland featuring eclectic, female-fronted jams. Earthgang, the fresh and unrivaled hip hop heroes from Atlanta known for collabs with J. Cole, 6LACK and J.I.D., will definitely be a UMS highlight to close out Sunday night.

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The lineup of local bands is beautifully long, and sometimes overwhelming, but mostly a glorious scroll through the talented musicians who walk our Broadways and Colfaxes every day. The heart of UMS is really just a big party where all the best local shows you’re invited to all year happen again- this time all at once- throughout the course of one weekend. Don’t sleep this time. Organize an interactive schedule of your own for the weekend here. But if that’s too much, here’s a list of favorites: 

FRIDAY 07/26

6:00 Corsicana @ Skylark Lounge - Ambient shoegaze that will make for a smooth start to the festival

6:20 Sophie Meiers @ Showcase Stage at Goodwill - Dreamy electro-pop from Durango

7:00 Extra Gold @Hi-Dive - Kickass country y’all

7:20 Still Woozy @ Showcase Stage at Goodwill - Playful and melodic chill-hop with a devoted following

7:20 RapperChicks @ Odyssey Stage at Import Mechanics - Self-described as “3 badass women who rap, sing, play & melt faces all by ourselves” from Chicago

8:00 Claire Heywood @ South Broadway Christian Church - Raspy bird songwriter known for poetic lyrics and soulful vocals and melodies

8:30pm Black Mountain @ Showcase Stage at Goodwill - Stoner rockers, go for a worthy rock show

9:00 f-ether @ Blue Ice - Electronic compositions, house music, dance party and big mountain energy

10:00 Motion Trap @ Denver Drumz & Music - Dreamy synth dance grooves 

11:00 The Velveteers @ 3 Kings Tavern - Heavy grunge-rock trio, double drummers, powerful female lead

11:00 The Hollow @ The Hornet - Alt rock with horse blinding attitude 

11:00 LITELVL @ Denver Drumz & Music - Triptastic soundscapes 

12:00 Oko Tygra @ The Irish Rover Pub - Dark and dreamy 80’s pop

1:00 @ Skylark Lounge - Shred rock with indie, Latin & ska feels

SATURDAY 07/27

12:40 Kiltro @ The Irish Rover Pub - Experimental folk mixes with Chilean guitar, makes dance party

2:00 Oxeye Daisy @ Showcase Stage at Goodwill - A nod to the 90’s, youthful synth/guitar rock band

2:40 Slowcaves @ The Irish Rover Pub - Indie rock with beach vibes 

3:00 Whole Milk @ Skylark Lounge - Surf jazz

4:00 Erin Stereo @ Blue Ice - House/Club DJ extraordinaire

5:00 Chicano Batman @ Showcase Stage at Goodwill - Latin psychedelic soul/funk 4-piece

6:00 Sur Ellz @ Blue Ice - Future space funk R&B

7:00 OptycNerd @ Blue Ice - Electro indie pop 

7:30 Rich Jones @ Odyssey Stage at Import Mechanics - Prolific Chicago hip hop artist and evolving pop/soul creator, legendary presence

8:00 Decollage @ Denver Drumz & Music - Kaleidoscope avante-garde pop

9:00 Whiskey Autumn @ The Irish Rover Pub - “Prom jams from the future” meets indie psych synth surf rock

10:00 Anthony Ruptak @ Denver Drumz & Music - One of Denver’s singer/songwriters that we just can’t get enough of

10:00 Definitely, Maybe @ Moe’s Original BBQ - Lush percussive and vocal layering makes this psych rock duo very important to experience live

11:00 Random Temple @ Denver Distilling Co. - Electronic and acoustic instrumentalist known for diverse harmonies and eclectic, high-energy sets

12:00 The Cosmic Ball @ 3 Kings Tavern - A mix of Denver bands partnered with psychedelic production company Synesthesia which is likely to promise awesome visuals and glitter vibes

1:00 Retrofette @ 3 Kings Tavern - Part of the Cosmic Ball lineup, this synth group is not one to miss

SUNDAY 07/28

12:00 Laura Goldhammer @ Ross-Broadway Branch Library - Classic Americana merges with quirky styling to create socially-conscious folk music often accompanied by her stop-motion videos

1:00 Katie of The Spirettes @ Ross-Broadway Branch Library - Ethereal guitar-driven rock

2:20 YaSi @ Odyssey Stage at Import Mechanics - Much like her Iranian-American upbringing, her music is a melting pot, with a mix of R&B, hip-hop, and pop 

3:20 Kyle Emerson @ Goodwill - Buzzy indie rock

4:00 Bellhoss @ Denver Drumz & Music - Female-led folk meets DIY punk

4:30 Flaural @ Showcase Stage at Goodwill - Spacey psych-rock band best known for drifting and dancing

5:00 Levi Double U @ The Irish Rover Pub - NuDisco beats 

6:00 Moon Hammer @ 3 King Tavern - A ragtag supergroup of unpredictable and wavy tunes

6:20 Y La Bamba @ Knockout State at Punch Bowl Social - Diverse indie folk/pop outfit from Portland featuring eclectic, female-fronted jams

7:00 Big Dopes @ The Hornet - A modern 90s alt-feel with steady grooves 

7:55 Earthgang @ Odyssey Stage at Import Mechanics - Hip hop duo from Atlanta known for collabs with J. Cole, 6LACK and J.I.D

8:00 Bun Bun @ Baere Brewing Company - Future Shock Bee Wave G-House

9:00 Cheap Perfume @ Denver Drumz & Music - Long-standing feminist punk-rock band from Colorado Springs

9:00 Emma Mayes & The Hip @ 3 Kings Tavern - “Highly Important People” making highly important music, a soul/funk/jazz band joining complex horn arrangements with lush harmonies

10:00 Los Mocochetes @ 3 Kings Tavern - Latin gypsy-funk band

11:00 Ramakhandra @ 3 Kings Tavern - Hip hop/soul fusion, with a pedal harp!

12:00 The Guestlist @ 3 Kings Tavern - Modern blues & soul

1:00 Ned Garthe Explosion @ Hi-Dive - Kinda bad, kinda rad but definitely a party to end the weekend

Whether you create a guide this year for your own UMS, follow ours, or just wander, discover, and repeat, give my Underground Music Showcase playlist a listen on Spotify. And if you haven’t yet, get your UMS tickets here!

-Adrienne 

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Westword Music Showcase's 25th Anniversary Brought Together Artists, Friends & Powerful Frontwomen

By: Taylor Naiman

On Saturday, the Westword Music Showcase overtook the streets of Denver’s Golden Triangle. Though it was a 97-degree day with the sun overhead at all times, everyone had a beer in hand and seemed to be unbothered by the heat. People were happy and excited just to hear some brand new music from local and national artists alike. From the bars to the clubs, there were plenty of venues along Broadway and Lincoln Street to escape the heat while enjoying some good tunes. Rather than occupying a bunch of stages outside, Westword Music Showcase nurtures local businesses, with a majority of the sets taking place at various bars and clubs including Bar Standard, Stoney’s, 100% De Agave, Mirus Gallery, #VYBE, Club Vinyl and The Church. This amalgamation of local businesses and bands allowed people to discover new venues, new music, and new people along the way.

Bishop Briggs. Photo Credit: Adrienne Thomas

Bishop Briggs. Photo Credit: Adrienne Thomas

Celebrating its 25th anniversary this year, this one-day music festival is a staple of the Denver community. It has been a successful launch-pad for many local artists over the years, including the likes of DeVotchKa and 3OH!3. This year, we caught some big-name acts such as Jai Wolf, Bishop Briggs, Yasi and CHVRCHES, among others on the main stages. Bishop Briggs was a fan-favorite, with her powerhouse voice and contagious smile. The last time she was in Denver was for her set at the now defunct Grandoozy. At Westword, Briggs was loving every minute of her Mile High set, running from one end of the stage to the next, unphased by the altitude or the heat. The audience was treated to some of her new music, while also hearing  the entirety of her Church of Scars album. 

CHRVCHES. Photo Credit: Adrienne Thomas

CHRVCHES. Photo Credit: Adrienne Thomas

Denver Westword’s Music Showcase presents an essential platform for artists to share their craft and tell their story. Music delivers a message and over the day, we heard a lot of stories Denver’s local rock’n’roll band Los Mocochetes used their music to address today’s political issues, such as immigration. At the end of their set, they told us, “Dance is a form of prayer.” We definitely love our music out here in Colorado, and it was a blast to see the differing forms of expression coming from the artists and concert-goers.

Photo Credit: Adrienne Thomas

Photo Credit: Adrienne Thomas

Westword Music Showcase is all about supporting the local scene, and thrives on the concept of concert-goers discovering the unknown or what may be an undiscovered talent. The Showcase this year was jam-packed with a culmination of genres curated for diverse tastes. Throughout the day, it was nice walking the grounds, running into friends having a drink together. This fest is a “squad up and see that new band you have not heard of” type of event. It thrives on the idea to not listen to one type of genre, but rather to branch out and hear a new voice. The beauty of this Showcase is that you will, without a doubt, discover a new musician or band to follow on Spotify

The Velveteers. Photo Credit: Adrienne Thomas

The Velveteers. Photo Credit: Adrienne Thomas

Whether rocking out to Cheap Perfume or The Velveteers, it was a breath of fresh air seeing Colorado frontwomen take charge and own the stage. The festival also featured a number of strong national female acts, including Lauren Eve Mayberry, the lead singer of CHVRCHES, and aforementioned Bishop Briggs.

If you didn’t get the chance to go to Westword Music Showcase this year, listen to their festival playlist here! We’re already looking forward to Westword’s 2020 announcement. 

See more photos from this festival here.

-Taylor 

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: Watch Pink Fuzz's Murderous New Video for "Turn"

Denver rock’n’roll favorites Pink Fuzz have been hard at work since the release of their 2018 record ‘Speed Demon’. The trio, comprised of sibling duo John Demitro (The Velveteers) and Lulu Demitro with drummer Forrest Raup, just dropped their music video for their single “Turn.” We’re excited to premiere the video here at BolderBeat, which is a follow-up to their last video “Enough” and features some familiar characters including Fast Finger Frank (David Landry of Boot Gun). Prior to the video’s release, we caught up with Pink Fuzz to learn more about their latest cinematic endeavor and their upcoming Midwest tour. Check it out:

Where was “Turn” recorded and who is featured on the track? Did you have a producer involved?

“Turn” was recorded, produced, and mixed by Pink Fuzz and Todd Divel at Silo Sound Studios in Denver. Jim Wilson mastered it.

What inspired the video concept and who all stars in this follow-up video?

 The video for our single “Enough,” which we released in 2017, was part one of the storyline of this tale. “Turn” is the follow-up to that video. In “Enough,” we see a psychopathic serial killer trucker named Fast Finger Frank chasing after a drugged runaway driving a 1975 Firebird down a desolate desert road. Fast Finger Frank collects fingers as trophies, and is on a drug-fueled mission to get every single female digit that he comes across. Inspired by style of Faster, Pussycat! Kill! Kill! and Grindhouse, in the video for “Turn,” we dive into the life and killings of Fast Finger Frank. The band has always been  fascinated by serial killers and what will drive a human being to stoop so low. This is the recurring theme behind our album Speed Demon and our music videos for the record. “Turn” stars Pink Fuzz, David Landry of Boot Gun, The Velveteers, and Noah Shomberg.  

Pink Fuzz.

Pink Fuzz.

Did anything interesting happen during the filming of the video?

Well there are quite a few gory scenes that we shot outside in public places. We had a lot of people walking by or driving by as we were “killing” our victims. That’s always hilarious when you have people genuinely concerned in the background of a shot. Another funny thing was going to the store and buying severed fingers, a turkey baster, fake blood, and then checking out. The cashier’s face was priceless!

Pink Fuzz. Photo Credit:   Vossling

Pink Fuzz. Photo Credit: Vossling

Why did you decide to film a video for this track from ‘Speed Demon’?

This track has a good, fast-driving beat behind it, as well as lyrics that match up to the video content like, “This is the end of the line my friend. Can’t go back now. Seeing life pass on day to day just counting on you. Fading, you’re fading away.” We wrote “Turn” in the perspective of the serial killer. It seemed like the best follow up to “Enough.”

Spooky! What else is Pink Fuzz planning for 2019?

We’ve been working really hard on new a 5-song EP. We wish were able to release it before our upcoming Midwest tour, but audiences will get to hear some of the new tracks live! In our opinion, it is some of our strongest songwriting and best sounds we’ve captured in the studio! We will be releasing it before summer is over. We’ve also got more videos and tour dates to announce sometime soon. For now catch us on the road starting this week at:

6|13 recordBar | KANSAS CITY, KS

6|14 Replay Lounge | LAWERENCE, KS

6|15 AUNTIE MAES | MANHATTAN, KS

6|18 TOTAL DRAG Records | SIOUX FALLS, SD

6|19 The Zoo Bar | LINCOLN, NE

6|20 TBA | COLUMBIA, MO

6|21 TBA | ST. LOUIS, MO

6|22 Liar's Club (ANNIVERSARY PARTY) | CHICAGO, IL

Can’t wait Pink Fuzz! Make sure to check out the band’s video above and keep up with them this summer here.

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Lettuce's New Record 'Elevate' Will Help You Do Just That + See the Band Live This Saturday, June 15th at Red Rocks

By: Mirna Tufekcic

What happens when a group of award-winning musicians conspire and take three years to incubate a new album? Pure awesomeness, that’s what! I had the privilege to preview Lettuce’s upcoming album Elevate, which drops this Friday June 14th, and boy oh boy, am I excited to share the news! Elevate is a sweet nectar of melodies and sounds emitting only the good vibes you can groove to, hoop to, clean to, and live to! Finally, a spankin’ new, sparklin’ fresh album of 11 songs that make you want to hear more than the record can hold. It’s not often that a band can pull that off these days, so when it does happen the feelings felt are undeniable. Yep, that’s how good it is. Elevate is f*cking awesome.

Lettuce. Photo Credit: Casey Flanigan

Lettuce. Photo Credit: Casey Flanigan

Oh I’m sorry, was it too presumptuous of me to assume you already knew who Lettuce are and jump right into raving about their upcoming album? Forgive me. I’ll start you off on your discovery right here: If you love funky music, then get yourself acquainted with these dudes. They’re super. Lettuce has released something like seven or eight (if you count a live recording session) albums since 2002, and each record has its own wonders and musings, but Elevate really pops, snaps, and crackles with funk and hip-hop, a distinguished horn section, and all-around playfulness in primo artistry.

Based out of Denver, Colorado, Lettuce is a six-member collective of Grammy-nominated drummer and percussionist Adam Deitch, guitarist Adam “Shmeeans” Smirnoff, bassist Erick "Jesus" Coomes, Grammy Award-winning keyboardist and vocalist Nigel Hall, Grammy Award-winning saxophonist Ryan Zoidis and Grammy Award-winning trumpet player Eric “Benny” Bloom.  The band exudes an eclectic, free-wheeling style while embracing a progressive and futuristic vibe, thanks to their love of improvisational music. What I said earlier about it being hard to come across a band today that produces a superb album from start to finish still holds, and Lettuce is a testament to the fact that when you follow in the footsteps of musical giants like Pink Floyd, The Grateful Dead, Miles Davis, and modern-day ensembles like Snarky Puppy, you are bound for greatness. If you want to get to know the members of Lettuce a little more, then are you in luck! A six-part series called The Krewe – A Lettuce Documentary Series is up on the band’s YouTube page and even features an in-depth interview with bassist Erick “Jesus” Coomes, plus behind-the-scenes vignettes filmed during the recording process of Elevate.

Elevate cover art.jpg

Now, back to the album review of Elevate. Sophista-funkated with oozing swagger, Elevate opens with “Trapezoid” and sets the mood reminiscent of a universe only possible because of Lettuce. “Royal Highness,” the second track on the record, continues deeper into lounge-funk. “Krewe,” the single off the album, keeps the groove in more of a swaying, beachy vibe and you notice yourself grooving a little faster. “Love is Too Strong” is a bluesy funk tune with all the feelings, provided by those undeniably rock-blues guitar riffs. Right smack in the middle of the album is “Gang Ten,” a 13-minute tune you don’t even realize goes on for that long because, yep, you’re still grooving in a sort of perpetually-compelling state of motion. But if you know Lettuce, you know they are not shy about lengthy tracks. There are plenty of those throughout the album.

Elevate also features a couple of tasteful cover tracks, namely “Ready To Live” and “Everybody Wants to Rule the World.” I most love “Purple Cabbage;” in my opinion it’s thee signature Lettuce track on the album. The record ends with “Trapezoid Dub,” and yes it’s got the same name as the first track, but it’s different because it’s, well, like the title implies, tastefully dubby. You see, it’s not just the distinct Lettuce funk that puts you in a trance when you listen to Elevate; there are expanded trip-hop sounds and space-age audio-samples creating a unique atmosphere as the instruments come in together and explode out into the listener’s mind. Boom!

If you’re not compelled by my enthusiastic review of the album, I’m not offended. I would just encourage you to have a listen yourself. Trust me, your ears and soul will thank you. I know mine did. Lettuce is also on a massive tour in lieu of their new album release, so you can see them across the nation. If you want to stay local, they’re playing Red Rocks Amphitheatre this Saturday, June 15th. Check out their website for more deets and dates.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

COIN Making Debut Red Rocks Amphitheater Set Wednesday, June 12th

By: Elena Marti

 While they may be supporting Young the Giant and Fitz and The Tantrums on their 2019 North American Tour, COIN are no strangers to the spotlight, having made appearances at Lollapalooza and Austin City Limits in recent years. They’re familiar with the Colorado altitude as well, having just headlined the Gothic Theatre in Englewood in March 2018.

COIN.

COIN.

While it may appear easy to write COIN off as another cookie cutter pop group at first, the trio are incredibly good at writing songs that allow you to relate and feel understood. COIN’s third studio album is said to be released later this year, but the three-piece have already released four singles from the album including: “Growing Pains,” “Simple Romance,” “Cemetery” and “I Want it All.”

“Growing Pains” deals with the uncomfortable part of falling in love we all wish we could ignore, or at least fast-track through: when you have to put up this front, trying to be the coolest version of yourself, and overall, just desperately trying not to screw everything up. “Cemetery” confronts the dangers of spending your life focusing on money above all else with lines like, “never had time for a family/but he is the richest man in the cemetery.” The dark undertone of the lyrics is counterbalanced by the exuberant beat on this tune. For COIN fans, singles like these have listeners excited for the band’s new record.

Fortunately for you, COIN are headed back our way! On Friday, June 12th, head out early to catch COIN’s debut Red Rocks set, which will surely draw you in and keep you hooked. It’ll only take one listen for you to be singing this band in your head for the rest of the night! Get tickets while they last here and keep up with COIN at this link

-Elena

 All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The River Arkansas Releasing New Record & Embarking on Colorado Tour

By: Mirna Tufekcic

Just when you think there is no room for more blues, folk, country & Americana music in this world, another band pops up and proves its undeniable lure and creative spin on what’s already been done. The River Arkansas is one of those bands that fit that genre, but play with crossing and blurring boundaries as to where they fall exactly. Their sound is just another testament to today’s melting pot of genres that go beyond the box of just blues, just folk, or just country.

The River Arkansas. Photo Credit:   Art Heffron

The River Arkansas. Photo Credit: Art Heffron

The band started in 2014 as a solo project by Mike Clark of The Haunted Windchimes from Pueblo, Colorado. Shortly after laying down some tracks, Clark brought in his friend and bassist Macon Terry. After spending some time playing together, they realized there was something bigger there than just one project. Since then, the band has expanded to include a fiddle player Rachel Sliker, Benjamin Gallagher on the piano, and Robin Chestnut on drums. Each of these musicians is a very talented addition to the band. Together, they give off a heartfelt and wholesome sound which resonates with the Colorado lifestyle of mountain life meets pavement.

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The River Arkansas has played with other Colorado local gems like Grant Farm and the Gasoline Lollipops. The band has released two albums since 2014, and on May 30th they’re releasing their newest album Any Kind of Weather at Syntax Physic Opera in Denver before embarking on tour to several other local mountain venues including the Jamestown Mercantile, Brues Alehouse in Pueblo, Elevation Brewing in Salida, and Deerprint Wine in La Veta.

Any Kind of Weather is a continuation of the band’s effort to blend folk, country, blues and Americana into a smooth concoction. I had the privilege of previewing the album for BolderBeat in lieu of the album release party this week and here are my two cents: The album is certainly country-forward, if not for Clark’s distinct, heartfelt, growling, and raspy country vocals than most certainly for the fiddle, harmonica and banjo sounds that predominate songs on the album, like “Bury Me,” “Big Bald Buddy,” and “Lady Luck.”

Photo Credit:   Art Heffron

Photo Credit: Art Heffron

Many of the songs are easy listening, either moving the listener to a gentle sway, or a light stomp of the feet. Tasteful peppering of the piano throughout the album gives the songs depth that a lot of country music doesn’t experiment with. The drums and guitar of the more upbeat songs like “Balloon Girl,” “Gone in the Morning” and “Mona” add a bit of a rock’n’roll vibe to the mix, allowing some of the songs on the album to break away from a heavy country/folk feel and move into the Americana realm. The slower songs like “Cuernavaca,” “SF Bay” and “Slow Down” take on more of that folky-country-blues tune, giving the album a hardy dose of all the goods. Reminiscent of The Band, Sturgill Simpson, and The Sam Chase, fans of country and Americana are surely going to enjoy The River Arkansas’ junior album Any Kind of Weather.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

ZEMBU's Latest Track "Human" Reveals How Transformative Art Can Be

By: Julia Talen

Colorado based musician and producer ZEMBU recently released an inspiring and deeply poetic music video for her latest single, “Human”. ZEMBU shared that the song, “Human,” is about the day she learned that her mother had died by suicide. The verse of this indie-pop tune contains lyrics that examine various realms of human nature, and the video itself enhances the single in a variety of ways.

ZEMBU.

ZEMBU.

It opens up with celestial “ooo’s” and flashes of ZEMBU’s body, backgrounded by overexposed landscape shots. The video immediately sets a sort of seeking and inquisitive tone for this art project, as ZEMBU’s “Human” takes us on a journey.

Series of elegant shots of ZEMBU dancing against the sun near the water and the forest roll as she begins to sing. ZEMBU’s vocals have a rich hollowness to them, like there is space for listeners to move deeply into the facets and dimensions of her voice. Her lyrics in this song, such as, “She won’t say goodnight no more/simplicity comes in a haunting form,” invites a similar dive into the subject of suicide and its connection to our humanity.

The use of light in the video also reflects the shadows, undertones, blurriness, and fluidity of the song’s themes. In some shots ZEMBU is over exposed, the light blurring out pieces of her body and creating new shadows, while in other shots we cannot make out the features of her face in the dimmed lighting, as she blends further into the natural background.

Additionally, ZEMBU’s use of dance and the way she organically moves her body in the shadowy and overexposed images and shots of herself in nature also evoke the embodiment of humanness that the song navigates. Her words continue to match the visual vision of this project with lines like “I was so ready to take the blame,” “What if, what if, what if, what if, what if,” and “We are human after all.”

This project uses music, poetry, dance, and film to express and explore, to capture a piece of what it means to be human, and how open and raw that can be for all of us in different ways. ZEMBU’s latest release reveals how transformative, trascendental, and truly powerful all avenues of art can be.

-Julia

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Dynohunter Ending Their Spring Tour at Cervantes' with New Music

By: Mirna Tufekcic

Live tech-house music is not a frequent occurrence, even if you find yourself attending a lot of music festivals. However, if you are one of the festival goers who really enjoys electronic music, then live tech is what you ought to seek out if you haven’t already! What I’m getting at here festheads is Dynohunter, a live tech-house act you might have seen perform at music festivals across the country including Electric Forest, Summercamp, Joshua Tree, Sonic Bloom, Arise and others. They've opened for some of the biggest names in livetronica including Papadosio, Eoto, Opiuo, Sunsquabi, Ott, and The New Deal, and supported world renowned DJs Shpongle, Bonobo, Infected Mushroom, Klingande, and The M Machine. The trio has been on a six-week nationwide tour as of late, and they’re closing it out on May 22nd by headlining Denver’s homegrown music event Re:Search Wednesdays at Cervantes’ Other Side.To add to the shenanigans, the event will also feature Casual Commander (Sunsquabi), Aaron Bordas (Late Set), Mikey Thunder and Jordan Polovina. Needless to say, if you’re a tech-house fan, this will be one for the books!

Dynohunter.

Dynohunter.

It’s an added bonus if you like to dance fellow festi lover, because a live Dynohunter show is a sure way to be moved. With a sound embraced by fans of house and techno, and a live performance fueled by the organic energy of live instrumentation, their music is undeniable on the dance floor. Trust me, I’ve seen a few myself. The group’s sound is dark and tribal, peppered with worldly rhythms and deep hypnotic grooves tastefully mixed in with hard-hitting dance tracks, uplifting melodies, and soulful improvisations. This trio is truly a breath of fresh air to the world of electronic dance music. The band’s creative ways of blending deep electronic influences with live saxophone (Clark Smith), bass (Fred Reisen), and drums (Nic Thornsberry) forges a new path in the vast expanse of electronic music.

Dynohunter has released 12 EPs and three full-length records in the past four years with no sign of slowing down. Their newest releases “Third Rock from the Sun,” “Lyra” with Eli Spiral, and “Ectoplasm” have been running hot during their current tour. They’re also keeping it fresh with a single, “Night Tripper”, due for release on May 31st which you may just get to hear early if you stop by their Cervantes’ set. Come and get your electro fix on Wednesday, May 22nd and experience Dynohunter for yourself! It’s bound to be a non-stop tech-house dance party. See you on the dance floor!

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Will Buck Returns to Colorado with New Solo Tunes & Old Bandmates

If you were involved in the Colorado music scene four years ago, it was nearly impossible to miss rock’n’roll outfit West Water Outlaws. What started as a Boulder house party act in 2010 soon found themselves selling out The Fox Theatre and touring nationally with acts like The Meter Men, Royal Southern Brotherhood, Jerry Joseph, and Rival Sons. But just as things really started to take off for the Colorado band, they split when frontman Blake Rooker moved to Nashville to pursue a solo career. The members all went their own way and the band dissolved.

Notably, drummer Andrew Oakley joined several successful Colorado rock acts until he formed A Shadow of Jaguar with Brian Hubbert. But guitarist Will Buck had a harder time trying to find his future in music until recently, when he decided to release his debut solo single “Fuse”. Next Thursday, May 23rd, Buck will return to Colorado for a show with A Shadow of Jaguar and Denver’s Boot Gun at Larimer Lounge. We recently chatted with Will about his new music, his plans for 2019, and why he’s excited to be returning to Denver next week:

You’ve had quite the journey since West Water Outlaws’ breakup. Talk to us about how your current solo project came to be.

In the wake of the West Water Outlaws (WWO) split, I went on my first-ever solo road trip of California in February of 2015. I was lost, shattered and completely open to anything and everything that took me out of reality and into ‘the flow’ as I call it. Aside from writing and the inevitable destructive coping mechanisms that I developed, I found that traveling and really winging it or ‘drifting’ was really the only way [to live]. I would go on to live an entire year of my life ‘drifting’ but that’s a completely different conversation.

Anyway, on that first fateful trip I stopped at an old friends place in Orange County and recorded a demo of this song in one day. I’d had that guitar riff in my head since the end of WWO and I needed to get it out. After that, the song sat dormant for 3 years.

Will Buck. Photo Credit:  Summer Taylor Mosher

Will Buck. Photo Credit: Summer Taylor Mosher

What happened next?

After I finally learned to sing, which by the way was one of the most humiliatingly frustrating, yet absolutely, amazingly freeing experiences of my life, I returned to this song. I wrote lyrics and self produced the rest of the song in 2018. However, I still kept the original recordings of the guitar tracks. Something about them just had the angst of a desperate man about to explode that I couldn’t recreate. Even the original guitar solo, which was done in one take, made the song. I couldn’t have come at that solo with as much heartbreak, anguish and sheer destruction as that day, even if I tried. It was like a song in captivity that finally broke free.

Did anyone else work on “Fuse”?

I cut the vocals at Speakeasy Recordings in North Hollywood with a groovy guy by the name of Ross Newbauer. Ross got a great performance out of me and pushed me in a good direction, so I've since started tracking most of my vocals for the upcoming EP with him. Justin Peacock, who I know from my Colorado days, mixed the track and seriously brought it to life, those original, grungy basement guitars and all! He mixed a lot of the West Water stuff so I knew he would kick ass on this one. Brian Gardner mastered, who is a total legend and I'm lucky to even have that connection. I think some pretty notable hip-hop guys gave him the nickname Big Bass Brian in the early 2000s for his work and I must say he doesn't disappoint! With the exception of my great friend Wyatt Strassner’s rhythm guitar part, the rest is me on the loose.

You also recently released a video for “Fuse”. Tell us about that.

Marshall Miller shot and directed the music video at The Public Works in Denver. He has the creative eye of a hawk and the patience of a stalking lion. I came up with this crazy idea for the video and he was down! He made all of my creative visions come true and then some. It was also quite fun planning and shooting the whole thing together over the span of 4 days, which was amazing. Normally video shoots are a one day, 14-hour ordeal in my experience, so I felt very fortunate to take our time with this one.

“Fuse” is about a relationship that has gone toxic. It's neither persons fault, but the sad truth is that even though you crave being around each other, the whole thing just blows up every time you do. Each person holds the power to ignite the other and sometimes you can't resist being lit up by them even though you know it's going to end badly. I think a lot of people have experienced this conflicted mindset in one way or another, so I wanted to portray that in the video.

What inspired the story of the video?

I've had the necklace in the video for years- it was actually a piece I found at the Boulder Art Mart on Pearl [Stree] and I wore it so much people started calling it my "signature piece." Overtime it started to mean more and more to me, almost like my soul if it were portrayed in an image. So like the song alludes to, I'm sort of at the mercy of my soul’s captor after I hand over the necklace to the two masked women in the video. I call them "the experimenters" as they then start to run trials on me once they've retrieved the key to my subconscious. The shots of me sort of floating in an abyss with a light on my face are supposed to represent just that- my subconscious. Marshall sent me some prototype shots of him in this world we described as "the box" early on and that's what sparked the whole idea for the video. Then we came up the other worlds as we referred to them as "the observatory" which is the room where the masked women are viewing me on surveillance footage inside the "container" where I've been stowed away. Only the one female wearing my necklace possesses the power to transfer between the worlds. That female’s name by the way is Bailey Turner and her partner/leader in crime is MJ Szymanski; they did a terrific job and were total pros in front of the camera.

Photo Credit:  Summer Taylor Mosher

Photo Credit: Summer Taylor Mosher

What else will you be releasing this year?

I have a ton of plans for the rest of the year- I don't want to give away too much but I am definitely releasing a four-track EP this summer that I recorded in New York City at Figure 8 Studios with Andrew Oakley on drums and Wyatt Strassner on guitar and backing vocals. And I will be touring surrounding this release! I can't wait to see where it all takes me now that the song is out on all platforms!

Sweet. How do you feel about returning to your old musical stomping ground this week?

I am extremely excited to return to Colorado. I lived in Boulder for 8 years and miss it all the time. It is one of the best places in the world and holds so many special people in it! I am most excited that Andrew Oakley (drums) and Vince Ellwood (bass) from West Water Outlaws’ original lineup are going to join me onstage for my set. That is a dream come true for me- to stand on stage in Colorado with two of my best friends again and rock out for a room of radical people.

We can’t wait to join in the rockfest. Tickets for Will’s show with A Shadow of Jaguar and Boot Gun are here. Keep up with Will Buck and his adventures here.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: LiteLvl's New Music Video Is an Ambisonic Audio & 360-Degree Visual Experience

LiteLvL released their debut single “Boost Your Immunity While You Sleep/Inspire Photosynthesis In Plants” last week. The duo, comprised of Katey Sleeveless (Eros & the Eschaton) and Jay Marz (King Eddie), are self-described as “installation soundscore.” Today, we’re proud to premiere their debut music video for the track:

“Boost Your Immunity While You Sleep/Inspire Photosynthesis In Plants” was mixed with ambisonic audio, which means just like the video itself, the sound is also three-dimensional. Filmed at Moon Magnet Studios, the video features LiteLvl members Katey Sleeveless and Jay Marz, Andy Ai & Kevin Netz on visuals/projections, and dancers Kailani Dobso & Holly Seidcheck. Videographer Ben Tyson of DenVR is behind the entrancing, psychedelic video experience.

LiteLvl. Photo Credit:   Julianna Photography

LiteLvl. Photo Credit: Julianna Photography

“As you move, you'll hear different things. When you look at one guitar amp, you'll hear more of it. When you turn around, it'll feel like that amp is now behind you, and you hear the second amp in front of you louder.” frontman Jay Marz said of the trippy, mylar-fueled experience.

The band play FoCoMX - Fort Collins Music eXperiment this Saturday, April 27th at 4PM at Art Lab Fort Collins.

Keep up with LiteLvL here.

Modern Suspects Release New Music Video for "Desufnoc"

By: Julia Talen

On April 1st, Denver band Modern Suspects released a music video for their latest single “Desufnoc.” Filmed entirely on an iPhone X, guitarist Bart William’s visualized the inspiration behind the film, while frontman Garret Myers wrote the song, galvanized out of a devastating tragedy in which a close friend of his died in a plane crash.

If you haven’t figured it out yet, “Desufnoc,” is confused spelled backwards, and the single and video grip viewers as the group explores the absurdities and the inexplicable aspects of life through visual and audio media.

The video opens with an old Volvo pulling out of a garage on a dry, sunny day. There is music in the background and the viewer thinks that the song is beginning, but the camera hones in the the Volvo’s driver- a woman in a leopard coat with blue hair- listening to what’s on the radio. Anticipation builds as she pulls into a parking garage and we wonder where she is going, but before we can find out, she walks past a series of framed pictures hung on a wall and the camera zooms in to one of the frames, taking the viewer into another realm of the film as the song begins.

As the music flows, the camera continues to hone in on other picture frames, glasses, or mirrors and we melt into new scenes. This movement between different corners of life through pictures and frames elevates lyrics such as, “I’m confused/I’m confused/I feel so confused/Don’t know which way to go.” Viewers become disoriented much like the aftermath of a tragic and sudden loss. The symbolism of moving through frames also makes the audience consider memory and time, and how these play out in the stories that make up our lives and the lives of others.

Modern Suspects.

Modern Suspects.

As the film progresses, the viewer progresses through scenes that are perhaps touchstones of Myers’ personal experience: there is a scene in a body of water, a cemetary, a church. The film ends with a man running toward a house, jumping through a window into a scene evocative of the beginning of the video. The leopard-coated lady listening to Modern Suspects through headphones then walks past another series of frames hung on a wall as the story closes.

Overall, the video sets out to “confuse” viewers, reflecting on events, scenes, stories, and tragedies that take place each day of our own lives and can easily feel disconnected and absurd.

It’s no doubt that Modern Suspects’ visual and musical talent shine in this dreamy pop tune, beautifully accompanied by a thought-provoking video project which brings viewer closer to the lyrics of the track.

Keep up with Modern Suspects here.

-Julia

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

More Than 20 Years Later, The Acid Mothers Temple Continues to Carry On Their Free-Spirited Way of Life

By: Adam Cabrera

Though perhaps far past their prime, The Acid Mothers Temple & The Melting Paraiso U.F.O. continues to carry on their free-spirited way of life pertinent to the beatnik soul collective that the group helped found over two decades ago.

The Japanese psychedelic/noise band, who have played a significant role in the psych revival of the past two decades, performed at the Larimer Lounge on Monday night. Though I had the feeling that the band may have lost some of its muster since their heyday in the ‘90s, their bohemian personality and genuine passion for live performance made for a unique show experience.

Yamantaka // Sonic Titan opened for the headlining act, a five-piece psych/metal band whose diabolic guitar meddling, dark organ sounds, and powerful vocals effortlessly captured the attention of the crowd and got them moving. Faces painted and wearing decorative costumes which resembled traditional Japanese attire, their performance had a theatrical and often menacing tone as if the music was tapping into some ancient oriental mysticism. But the strange and experimental attitude of the band was only the tip of the iceberg compared to the following act.

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The Acid Mothers group is just a small part of the larger collective led by founding band member Kawabata Makoto. “A group of social dropouts of every description – musicians, dancers, artists, farmers, channellers, ex-yakuza, mermaid researchers and professional vagrants” as the band describes it. So, as the group began to gather themselves onstage to set up their equipment, it was clear each member jived with the nonconformist mantra of the collective.

Kawabata, with a head of long unkempt hair and casually touting a pair of paisley bell bottoms, oddly unpacked his gear out of a grocery basket showing perhaps how he never felt the need to buy cases for his equipment. Likewise, the band’s vocalist, Mitsuko Tabata adorned themselves with a purple cape and orange wig while Higashi Hiroshi played synthesizer; not touching a single key throughout his performance. It seemed he much preferred the alien-like whirring of the machines pitch generator.

Drummer Satoshima Nani humorously came dressed in runners shorts and a loose workout shirt. During the show he pounded relentlessly behind the kit; so much so that he broke his sticks halfway through the set and by the end of the night, he was drenched head to toe in sweat, which explained the runner’s getup.

Together the band was a curious group of misfits who in every action displayed just what the AMT collectives motto states, “Do Whatever You Want, Don’t Do Whatever You Don’t Want!” In their largely improvised set they similarly denied any of the usual trappings of traditional rock performances. And in winding psychedelic jams, they would regularly devolve into ear-splitting noise freakouts or relax comfortably into tranquil sonic meditations.

However, despite the youthful energy of the music at certain points during the evening, the oldest members of the group did show their age. Kawabata often would lean against the wall providing relief from standing for so long. And on one occasion, amid Higashi’s long white hair, you could see him wince as he rubbed his sore back. They may have been long past their prime, but their performance surely was one of the most energizing I’ve seen in recent months.

Before the show, I spotted Kawabata hard at work on his computer, most likely plugging away at the multiple AMT projects he is apart of, and as soon as the show ended the band ran to the front of the club to run their merch table. It’s plain to see that nearly 24 years after their start in 1995, they remain true to their carefree and untroubled beginnings with the AMT soul collective as the band continues to tour the U.S. independently. Over the next few months, be sure to catch them live as they make their way across the country as part of their 2019 North American tour.

Keep up with The Acid Mothers Temple here.

-Adam

All photos per the author. All videos and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

FreeMusicForFreePeople Is Throwing an Immersive Event at Denver's Mercury Cafe This Weekend

This Saturday April 13th at Denver’s Mercury Cafe is the FreeMusicForFreePeople (FM4FP) Showcase “Live from the Multi-Verse,” an interactive multi-art experience to celebrate community. FM4FP is a community and media organization that has been serving the Denver area since 2013 who formerly held a residency at Gypsy House Cafe. This year’s event is thrilled to have a home at Mercury.

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With an emphasis on synesthesia, the FM4FP Showcase will focus on an immersive theatrical storyline to engage and entertain the audience with music, circus art, dance, visual art and poetry.   The event is in partnership with Youth on Record’s FEMpowered program and participants have been offered an event internship opportunity at the showcase so they can develop their performance and event planning skills.

Starting at 7PM, the night will feature performances by Lady Gang, Reed Fox, Definitely Maybe, Twin Flame Medicine, Random Temple, Smiley Gatmouth, Sunflower duBois, Circus Performers (Dani Rose and Katie Nadal), Abby Moon & Crescent Dance Project, Nimbus, Bun Bun and FEMpowered Interns. MO SPKX, “2017 Westword MasterMind” and “2018 Westword Best Solo Rapper” will emcee the evening.

Find more information on FM4FP and their mission click here; learn more about Saturday’s event at this link.  

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

First Listen: Whiskey Autumn's 'Modern Doubt' Is a Synth Pop Hollywood Dream

Today, we’re proud to premiere Whiskey Autumn’s new record ‘Modern Doubt.’ The Denver four-piece are releasing the record this Friday, April 12th at Lost Lake Lounge with fellow Denver bands The Milk Blossoms, OptycNerd, and a DJ set from Motion Trap. Synesthesia, who hosted The Pink Party earlier this year, is presenting the show. Take a listen:

 ‘Modern Doubt’ is the follow-up to Whiskey Autumn’s 2017 EP Ice Cream In The Sun. The first single from the album “Birds That Flew,” premiered with 303 Magazine, followed by the premiere of “Let’s Go Sailing Instead” on CPR’s OpenAir. The studio recording of “Monochrome Actress” premiered with our friends at Ultra5280 recently, and the band’s live music video for that song just debuted with Westword last week. Whiskey Autumn will also be on CPR’s OpenAir this Friday for a live session in support of their release and Lost Lake show. Clearly, this is a Denver band with a trajectory worth watching.

Whiskey Autumn. Photo Credit:   Vossling

Whiskey Autumn. Photo Credit: Vossling

Overall, ‘Modern Doubt’ is a psychedelic pop rock album with an overarching theme rooted in modern anxieties such as technology, political doubts, and navigating an always connected world. The album features dancey synth lines, jangly beach guitars, a Hollywood film noir sample, natural sound interludes, and produced hip-hop drum breaks. The record was written by frontman Greg Laut, produced by band members Laut and Jason Paton, mixed by Chris Scott (OptycNerd, Young The Giant) and mastered by Jim Wilson (David Byrne, Neko Case, The Yawpers). Recently, Laut answered a few questions for us about the band’s new record, Friday’s show, and Whiskey Autumn’s 2019 plans:

Tell us more about ‘Modern Doubt’.

Modern Doubt was written and recorded throughout 2017 and 2018 and reflects my experience of the tumultuous landscape of our current times. My bandmate Jason Paton and I threw out any preconceived notions of what our sound is supposed to be and challenged ourselves to create a record that transports the listener to the world that each song exists in, whether it be a dreamy beach, an old Hollywood film, or a crowded airport. For us, that meant looking at the songs through a cinematic lens and setting the scene with natural sound samples and production choices that catered to the storyline.

That’s really cool. It seems like you’ve already had a lot of attention surrounding this record. What else can you tell us about the release show this Friday?

This will be a Whiskey Autumn show like you've never seen before! We have a new rhythm section and a batch of new songs that will be played live for the first time. Synesthesia is presenting the show and they're bringing along Andy Ai and Kat Phenna who will be providing dystopian, film noir visuals that tie into the themes of Modern Doubt. It's going to be a wild night!

What else can we expect from Whiskey Autumn in 2019?

You can expect a vinyl release of Modern Doubt later this year, summer tour dates to be announced soon, and more surprises coming your way in the next few months!

Catch Whiskey Autumn live this Friday, April 12th at Lost Lake Lounge for the release of ‘Modern Doubt’. Tickets are $10 right now if you Venmo @whiskeyautumn; $15 day of show. Find more information on Friday’s gig at this link and keep up with Whiskey Autumn here.

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Review: Lief Sjostrom's 'Impossible Parade' Focuses on Post-Rock Vibes in a Neo-Classical Fashion

By: Norman Hittle

The cello-wielding force of reckoning Lief Sjostrom has released a new EP Impossible Parade.

As with the growing body of work that is Lief Sjostrom, this EP sufficiently augments the sonic progress of his career. Almost like the next release of a trilogy or series, it makes you want to go back and hear the last pieces to fulfill the story and relive the experience again. However, Impossible Parade focuses more on the post-rock vibe in Sjostrom’s neo-classical fashion, with tracks that are laced with a bit more momentum and tension.

Impossible Parade is both canon and progressive to the tale Lief is weaving for us. It fits nicely in the sense of feeling like the composition of a somber and grieving movie or game. I have and continue to imagine the darker moments of Lord of the Rings, Vikings, Skyrim, and the Witcher series in comparison. In simpler terms, his songs have a stygian Celtic folk feel that resonates with an almost enchanted medieval era.

Lief Sjostrom.

Lief Sjostrom.

If you haven’t ventured into the ambient, yet visceral soundscapes of Lief’s previous releases, I’d encourage you to take a moment to do so. I’ve detailed his other works for BolderBeat, Counting Breaths and The Longest Night. I promise, if you enjoy Impossible Parade, you’ll enjoy all of Sjostrom’s records.

Lief will be performing Saturday, April 13th at Ophelia’s Electric Soapbox. Make it a point to enjoy this evening by grabbing details at this link!

Keep up with Lief Sjostrom here.

-Norman

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Boulder-Based Nobide Are Making Waves One Big Stage at a Time

By: Natalie Pulvino

Boulder-based live electronic band Nobide is fresh off a show at the Boulder Theater, soon to headline the Larimer Lounge, and has a lot in store for this summer’s festival season. We sat down with Nick Vann, founder of Nobide, to ask him about the band’s authentic sound, local influences, and upcoming endeavors.   

What differentiates Nobide from other live-electronic acts?

Probably our versatility- we want to make all types of music, not get caught in one sound or genre. We’ve been working on combining the production elements with the live instruments, figuring out how to allow the produced pieces to function like a band member. Our live setup is pretty crazy- I can now manipulate and change the sound of the guys as they’re playing [and] do DJ production effects live which is pretty crazy.

You’ve described Nobide to BolderBeat previously as “organic-electronica,” emphasizing the live aspect to your music. What is your process for infusing the produced pieces with the organic element to create the perfect blend?

Our process is evolving as we figure out our sound. We’re still fresh as a unit, so we’re not sticking to any one process for writing or playing- it’s all very open right now. As far as putting songs together it’s really important to me that the songs don’t come out sounding like just another band. There’s so much possibility with production and sound… I’m always looking to hear something new, both musically and in regards to how a piece actually sounds.

Are there any local live-electronic acts that you draw inspiration from?

Mxxnwatchers is making some really forward thinking stuff, as is Evanoff. Break Science are the OGs. I think we all feed off each other, but we’re all sorta doing our own thing and pushing it as far it can go. To me that’s the ideal- there doesn’t seem to be much of a point in making stuff that sounds too much like someone else.

How do you cultivate that influence while maintaining a strong sense of authenticity in your music?

I think seeing how other people approach their music is the best kind of inspiration. We try not to take what other people are actually doing musically or sonically into account and just focus on doing what sounds best to us. In that sense we have no choice but to be authentic.

Nobide recently opened for The Floozies at the Boulder Theater- what was that like for the band?

It was a huge moment for all of us. I grew up in Boulder, so it was especially exciting for me. It was so killin’ to play for the hometown crew and have them show up like that. Nobide is Boulder-bred, and I think it was cool for the Boulderites to see the evolution of the project. A lot of people got introduced to the music that night too which was exciting. We’ve got mad love for Boulder.

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Are there any shows you guys have played that have been super memorable?

The Boulder Theater show was one for sure, as well as The Fiillmore when we opened for Sunsquabi in January. It’s always exciting to play big rooms with big sound systems. We played with Michal Menert in January and that was a full-circle moment. I’ve been listening to his music for years.

Nobide is on the bill for Summer Camp Music Festival, Sonic Bloom, and a few others that will be announced soon. What is the band looking forward to most about being on the lineup for these festivals?

I think mostly meeting new people- artists and fans alike. It’ll be cool to see how our music stands up and translates in new environments. It’s a big opportunity, but it’s also just gonna be fun as heck.

Do you foresee any challenges that may arise from playing festivals as opposed to singular shows?

It’s definitely going to be a compromise on some fronts [since] we have a pretty complex setup for performing, but it’s nothing we can’t handle. It’ll be a good challenge to be pros, to know it’s not all about us but more about the vibe of the whole event.

There’s been talk that the band may be hitting the road soon. If you guys go on tour, where would you want to play and who would you love to play with?

Eventually all over the world! But for now we’re trying to get down South and out to the West Coast and Midwest, start slowly expanding our radius through the U.S. We’d love to play with all sorts of people that like to get down. Lettuce, Pretty Lights, Zhu, Rufus Du Sol, Bonobo, Odesza… We want to bring this music all over!

Keep up with Nobide here and don’t miss their headlining show at the Larimer Lounge this Saturday, April 6th. Tickets & information here.  

-Natalie

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: Denver's Boot Gun Debuts with a Bang with Two Singles & a New Music Video

Denver’s Boot Gun have entered the Colorado music scene with a serious bang. Today, the three-piece are releasing their debut single and video for “Virginia,” a high-energy rock’n’roll track with a Southern twang, and a rebellious video featuring a slew of Denver haunts to match. And folks, one thing’s for sure, the trio comprised of Keith Lawrence (guitar/vocals), Davie Landry (bass/vocals), and Cody Hart (drums), have brought the party.

“Virginia” was recorded and mixed by Todd Divel (The Yawpers, In The Whale, The Velveteers) of Silo Sound and mastered by Hans Liburd of Burdhouse Mastering. The video was directed and filmed by Colin Anders of Slice Cinematics (Nathaniel Rateliff & The Nightsweats, A Shadow of a Jaguar, Dragondeer). Boot Gun also featured several friends on the track’s instrumentals including Bullfrog Baugh on harmonica, who makes an appearance in the video about 40 seconds in, Sam Janik on guitar, and Bill McKay on organ and piano.

Says frontman Keith Lawrence about the track, "Virginia came to me in multiple dreams last summer. I showed the boys the main riff and they said ‘Sounds great. Where's the rest of the song?' I told 'em I had to go back to sleep to hear [and] see the rest of it. A few months and a couple of disco naps later, we had us a rock’n’roll ripper."

A ripper it is indeed. “Virginia” is a boot-stompin’ tune rife with slashing rips, harmonica twang, and a jangly toe-tappin’ keys solo that will force you on your feet. Some of that energy didn’t enter the track until the boys rounded things out in the studio though.

Says Keith, “As a band, we all believe that a song isn't finished being written until we record it. Todd at Silo pushed for certain creative ideas that we were able to let shine on these tracks. Having Bill McKay sit in on keys helped round out the sound and bring our musical intention into fruition."

Boot Gun. Photo Credit:  Mountain Trout Photography

Boot Gun. Photo Credit: Mountain Trout Photography

Along with “Virginia” and their debut music video, Boot Gun also released their B side “Feels Like A Storm” today. While “Virginia” takes you on a wild ride, quite literally in the video, “Feels Like A Storm” is the moodier, heavy-hitting track from the trio.

Says Davie, “‘Storm’ is a song that we wrote collectively. It started with Keith singing but never felt completely right. So we argued and laughed, and laughed and argued, and I was forced to sing it… In the end, it became the beast that you're listening to today."

You can listen to “Virginia” and “Feels Like A Storm” on all major streaming platforms and catch Boot Gun live at Cervantes with Dave Watts & Friends on Friday, April 12th.

Says Davie on Boot Gun’s debut, “It’s a young band's take on all the rock’n'roll we love and grew up on. We go from A to Z, then back to A just make sure you're still with us."

Join that trip and keep up with Boot Gun here.

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.