Yugs Makes Music to Soothe Your Mind & Unwind From the 9-5 Grind

By: Chris Garcia

“Music to close your eyes and smile to” and “dreamy grounded psychedelic lo-fi beats” are a few ways Denver-based producer, Yugs, describes his music. His latest album, People and Places, is a set of tracks that are reminiscent of a sunrise. The latest single from the album, titled, “Closed Eyes Smiling,” is a refreshing two and a half minute track where Yugs encourages listeners to be still for a moment, not with lyrics but with sound. 

Mixed with nature sounds, acoustics and electronic textures, “Closed Eyes Smiling” is a refreshing track. Upon first listen, the chirping crickets create a tone meant for reflection, as if you are quietly watching the stars up above. The acoustic guitar strums, ever so lightly, not to disturb your thoughts but to slow them down for you to be mindful. After about a minute, right when you begin settling into the acoustics, a light drum comes in from afar adding a beat that keeps the track flowing along. An electronic texture follows suit with a simple melody that sounds almost hidden. Listeners really have to be present in the music to hear the electronic texture or it can go unnoticed. It reinforces the purpose of the track: to be mindful. The song then ends how we began the journey, with crickets chirping and a simple guitar strum.

Yugs.

Yugs.

In a world that is moving faster than lightning, it can be hard to gain peace of mind from the hustle and bustle of this thing called life; always something to do, money to make, people to see. It can feel never ending. Yugs has the music to soothe your mind and unwind from the 9-5 grind. Yugs sends us back off into the world, hoping we stopped to smell the roses, or in this case, stopped to listen to his latest single. 

Keep up with Yugs here. 

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Music is Good For the Soul, But Our Musicians Are Struggling

The first week of October each year is Mental Illness Awareness Week. It is a time dedicated to advocating for better mental health care, spreading awareness about the widespread prevalence of mental illness, and fighting the stigma that is often associated with mental health. Despite how far-reaching mental illness is, people who suffer are often met with misunderstanding and a lack of adequate mental health care.

Musicians are no exception to suffering from mental illness. It is no secret that living the life of an artist can be challenging, but if music is supposed to be good for the soul, why do so many musicians struggle with mental illness? After all, music has the ability to calm the mind and allow people to relate to circumstances that they are going through. Many people also promote the healing effects of music therapy for behavioral health. If music is really that good for health, musicians should be some of the healthiest individuals on the planet. However, this misconception couldn’t be more wrong. 

The 73 Percent Report

The Record Union conducted a survey of 1,500 independent musicians asking them about their mental health. Unfortunately, the results were staggering. The study found that 73% of independent musicians claimed to have experienced difficulties with their mental health - including stress, anxiety, and depression. In addition, 33% claimed to have experienced panic attacks and 69% suffer from depression. 

Although the numbers of musicians who struggle with mental illness are devastating, only 39% sought treatment for their symptoms. Similarly, only 33% of struggling musicians aged 18-25 sought mental health care. On the other hand, 50% claimed that they self-medicate with drugs and alcohol.

These numbers are substantially higher among musicians than they are among the general population. The National Alliance of Mental Illness reports that 1 in 5 U.S. adults experienced mental illness in 2018. In conclusion, musicians are far more likely to suffer from mental illness than the general population. This poses the question: If music is commonly used as a form of holistic therapy, and is so good for the soul, why are so many musicians suffering?

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Musicians and Mental Illness

Many well-known artists have also spoken up about how mental illness has affected them. One of them, who is constantly in the media, is Demi Lovato. She was diagnosed with bipolar disorder in 2011 and has struggled with substance abuse as well. Unfortunately, co-occurring mental illness and addiction are not uncommon. After all, people who suffer from mental illness are twice as likely to suffer from substance abuse, and nearly 50% of people with a substance use disorder have a co-occurring mental illness. In fact, we hear about co-occurring disorders among musicians all the time, from Kurt Cobain, Amy Winehouse, and Mac Miller, just to name a few. 

While many artists struggle with it, sometimes to death, others use it as a method of empowerment. Take Kanye West, for example. He claims that his mental health condition is more like a superpower- it fuels his creativity. In addition, Kendrick Lamar, Kid Cudi, and J. Cole have also openly spoken up about having depression. Instead of fighting it or letting their mental health silence them, they speak out to encourage others to share their experiences with one another. Regardless of how musicians deal with their mental illness, the list of artists who struggle with their mental health is endless. 

Culture Shock

If you’ve ever moved to a new country, or from a big city to a small town, you are familiar with the term culture shock. It refers to a feeling of disorientation someone experiences when he or she is suddenly exposed to an unfamiliar way of life, culture, or attitudes. Culture shock can occur as a musician takes a leap into the spotlight. Between the stress of trying to get a big break in the industry, the constant criticism from producers, crowds, and media alike, the anxiety of performing, and the overwhelming fans that refuse to back off, it is no wonder that problems with mental health can take a serious toll on the well being of artists. 

The music industry is brutal, and many will spend years making the effort to achieve their dreams just to be told they aren’t good enough. Negative emotions can trigger self-doubt, depression, and even poor decision making. 

On the other hand, there are the ones who finally break through the industry into the spotlight. First, there are the media, following, dissecting, and often criticizing every decision made by artists. While there is plenty of good publicity, it is way more common to see bad publicity arise when a star is less than perfect. The media and the fans sometimes idolize the stars, dehumanizing them and expecting them to behave impeccably. These ideas put a lot of pressure on celebrities.

On top of the media and overwhelming fans, there also comes the pressure of performing. When performing, the stress response is heightened, provoking a fight or flight response that leads to increased awareness and adrenaline levels. Sometimes, this makes for better performances. For others, however, prolonged stress can lead to panic attacks and long-term anxiety. 

The combination of stress, lack of privacy, and pressure that comes from being a famous artist can lead many to self-medicate or neglect seeking appropriate treatment to care for their mental health. It is clear that the climate of the music industry can be toxic for some, so what can be done to improve it?

Something Needs to Change

Any great change takes time. The media isn’t going to stop condemning mental breakdowns of artists any time soon. Fans aren’t going to stop idolizing stars just because we tell them to, and artists are always going to face pressure before putting on a performance. The good news is that some artists are speaking up about mental health. More and more people are beginning to show compassion for mental health rather than judgment. 

Johan Svanberg, CEO of Record Union, stated after publishing the 73 percent study, “It’s time to put the state of our artists’ mental health on the agenda, before streams and commercial success.” After all, the music industry is well aware of the toll that fame, fortune, and rejection alike takes on the mental health of artists. 

Instead of treating artists as a money-making product, they should be recognized as human beings who have feelings and needs. Record producers and managers should implement regular mental health checkups and take action to prioritize the mental health and well-being of their musicians. 

Similarly, fans and the general population should start speaking up about mental health, too. It is crucial to learn more about mental illness and how symptoms may appear in order to gain an understanding of what others may be going through. Most importantly, allow yourself to see the person, rather than the illness. Share your own story about your struggles with mental illness and how you have found healthy ways of coping. The more it is spoken about with compassion and understanding, the more awareness can be spread. Fighting the stigma of mental illness is essential to encouraging people who are suffering to get the help they need. 

If you or someone you know is struggling with their mental health, reach out. You can call 1-800-622-HELP to speak with someone immediately. Learn more about this hotline here.

Additionally, if you’re one of our Colorado readers, consider joining the Mental Wellness Meetup and check out this Colorado Crisis Services website too.

Venture Into Spectra Art Space's Psychedelic Portal of Purgatory with Synesthesia This October

By: Chris Garcia

If its name Spookadelia doesn’t have you intrigued, then its exhibitions will. Described as a “psychedelic immersive art and theatrical experience,” the spectacle opens this Saturday, October 5th from 7PM-11PM and is presented by Spectra Art Space and Synesthesia. 

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Spectra Art Space is known for their contemporary art exhibitions and detailed immersive experiences which cultivate and inspire creativity, and Spookadelia will be no different. Guests who dare to enter will embark on a narrative-driven journey through otherworldly realms and planes of existence. There will be a variety of installations created by local artists including Lexi Lund & The PussayHaus collective (who built Natura Obscura), DAS who will be working with Denver’s Meow Wolf, and the Spectra Team, who have created installations for the Underground Music Showcase Odyssey.

Venture in and be guided through this psychedelic portal of purgatory into the world of the Spectra Specter. It’s unquestionable that the experience will captivate you as each room and section is an immersive, interactive and mind-bending voyage. Expect to be challenged on social and environmental issues, and explore the layers of the human psyche, all while participating in a fresh take on the haunted experience. The installations and experiences are sure to frighten, but will also be family-friendly. In addition, the spooktacular exhibition will feature performance artists curated by Kayla Smith, whose involvement in local theater includes working with Adams Mystery Playhouse and Fearless Theatre

Starting this Saturday, October 5th and running through November 3rd, dive deep into the unknown world of Spookadelia! Experience the art. Immerse yourself in a new haunted experience. Open your mind. Tickets will be available for a timed entry which will give you access to the installation for an hour on the date specified; purchase them here!

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

BANKS Took Us Out of the Greyzone and Brought Us Into the Light at Recent Denver Show

By: Taylor Naiman

Last Thursday night, avant-pop singer Banks, a.k.a Jillian Rose Banks, brought her lighting ensemble and edgy synths to the Fillmore Auditorium for her III Tour. Named after her most recent album, III, she chose this particular moniker “to symbolize a lifecycle.” After a small hiatus since her last album, with this release it’s clear that Banks has honed in on her vision and what she values as an artist in this industry. 

BANKS. Photo Credit:   Luis Castro

BANKS. Photo Credit: Luis Castro

During her set, she took some time to share a beautiful poem she wrote called “Ode to the Greyzone,” and a quiet fell across the room. She added that this title was a potential contender for the album title before III was chosen. Banks does not define her chapters by a single word or title, but rather she wants to characterize it by the stage in life she is in. She has found an outlet through poetry and uses it to influence her songwriting. 

BANKS. Photo Credit:   Luis Castro

BANKS. Photo Credit: Luis Castro

Onstage, Banks was youthful and fun, with many people in the audience cheering, “I love her!” and “She is so cute!” Her Denver fans clearly appreciated this unique opportunity to gain a deeper insight into her spirit, personality, and the happiness she shared with the crowd while performing.

One captivating aspect of her performance was her light show; it appeared as though she was controlling it. Her light rig was other-worldly and vibrant, reminiscent of being in a hip, new nightclub where the lights constantly changed to match both the mood and tempo of every track. From the lights to the dancing, her set was purposeful. An emphasis of glow was placed on every color of the light spectrum, while Banks looked as if she was manipulating the placement of the light as she moved. Her movements guided these lights and she continued to influence their motion. Every component worked well in unison, and cohesively. Supported by her two matching backup dancers, there was a strong interpretive dance presence and a well-executed choreography.

BANKS. Photo Credit:   Luis Castro

BANKS. Photo Credit: Luis Castro

Banks’ set was sultry and undoubtedly classy. All of her dancers were dressed in black, and with a combination of lace and leather, Banks donned shiny thigh-high boots and a slicked-back bun. These fashion choices were definitely meant to look chic to match the edgy tones within her voice. 

BANKS. Photo Credit:   Luis Castro

BANKS. Photo Credit: Luis Castro

The audience was able to hear a vast and expansive setlist from a few of her singles, and her albums The Altar, Goddess and a majority from III. Her music gave us all the R&B and alt-pop feels, but it was nice to see both variety and a sense of evolution over the course of her releases. Some of the best tracks from her show included “Till Now,” “Gimme,” “Underdog,” “Waiting Game,” “Propaganda,” “Gemini Feed,” and “F*** With Myself.” And if you weren’t dancing along, did you even feel the groove? To balance the mood, she sprinkled in some slower tunes too, including “Better,” “Contaminated” and “Drowning,” among others. Her encore ended with “Beggin for Thread,” and even though she seemed slightly worn out by this time, the audience was still full, and appeared pleased with a great performance. With a powerful voice that exudes a combination of soul and harmony all by itself, Banks has a voice that has to be heard live to fully appreciate it. 

Head over to Spotify and follow Banks for some more seductive slow jams, and to hear some of our favorites. Her tour continues here.

-Taylor

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Kiltro's 'Creatures of Habit' Is Enchanting, Mysterious & Masterful

By: Julia Talen

If you haven’t heard Chilean-American musician Chris Castillo’s music project, Kiltro, now is the time. This past July 6th marked the release of the latin-indie group’s latest LP, Creatures of Habit, on which listeners can catch the single, “The Hustle,” named best new song by NPR.

Each track on Creatures of Habit tells a story that travels through intimate corners of Chile. The way Castillo builds each song and connects the tracks makes this album feel like a rich, musical novel of sorts, haunted with a variety of interconnected characters and scenes.

The first track off the album titled, “If I Lead,” immerses listeners into the ambient quality of Castillo’s music. The way Castillo layers and loops his instruments gently coerces listeners into an imaginative scene in South America where the narrator hauntingly asks another, “If I lead, would you follow?,” almost asking the listener the same thing. The transitions between almost every song on the album collapse the notions of beginning and end, folding each track into the other and highlighting the album’s cohesion. The second track, “Curicó,” which follows an unreliable narrator having seen a ghost, before flowing into a favorite of mine, “Mi Capitán.”

“Mi Capitán” opens with an upbeat guitar that Castillo loops to create dimension as his dynamic voice sings about a character’s reckoning with proving their own worth. His quick-paced, upbeat voice softens, slows, and wails as the song perpetuates, straining to keep up with the instrumentals. His vocals then drift into a ghostly, alluring moaning and crooning, cushioned in a high pitched, soft ringing.

Kiltro.

Kiltro.

The song spills into a slower, sparse tune, “Corner Beat (Hair of the Dog),” before heading into “Lovers,” an echo-y, dreamy track that reiterates the first song on the record with lyrics, “wherever you lead I’ll follow.” The guitar and percussion build and become almost volatile, engulfing the song before pittering out delicately and returning to its original melody and tempo. 

The only breath of silence on the album hits before the next song, “Julia,” begins, again, echoing a character we meet in “Curicó,” earlier in the album. “The Hustle,” a song about navigating difficult relationships and the self-assurance that breaking from it requires, follows “Lovers” and “Julia,” returning to a more upbeat, rhythmic tone.

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The album ends with odes to “Ursula,” who reminds me of an enchanted figure, as well as “The Drunk,” about an inebriated individual pondering assumptions about himself. These final tracks circle back on this motif of the album that questions what is real and what is an apparition, and how does memory and time construe these concepts and create stories in our minds, and, furthermore, how can the way music builds mirror these ideas.

This LP is honestly masterful. Kiltro forms songs that are each their own gems and has joined them into a beautiful first LP. It’s no surprise this band’s been getting a lot of buzz lately- it’s well deserved and Creatures of Habit proves that. Listen to this album now and keep up with Kiltro here.

-Julia

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Denver's Underground Music Showcase Proves It's Once Again Unlike Anything Else in Denver

By: Adrienne Thomas 

Denver’s Underground Music Showcase truly is the highlight of the year for many local music lovers, and this year was no exception. As far as multi-venue festivals go, UMS is a well executed one, and was a smooth experience for concertgoers. The “official” UMS venues spanned about 7 blocks down South Broadway, and included 3 separate outdoor stage areas. Most venues had their own vibe, like the punk and modular synth daytime-dark shows at the Hi-Dive, late-night crooner showcases at Skylark Lounge, house and techno dance parties at the 303 Magazine “Green Rom” below 3 Kings Tavern, and the intimate singer/songwriter serenades at South Broadway Christian Church. Simply put, there was always a place to go for everyone, with plenty of food trucks and friends to run into along the way. The heat, once accepted, couldn't hinder the excitement of seeing dozens of local gems and national touring favorites. 

Some of our UMS 2019 local highlights included Anthony Ruptak, Maya Bennett, and Kiltro, who drew devoted fans out in large crowds. Claire Heywood sang to us in church, Pout House jammed out at the Hi-Dive, and Ramakhandra and Emma Mayes & The Hip gave all their energy to a packed 3 Kings Tavern crowd. Favorite touring acts included Earthgang, who included the new J. Cole collab “Dreamville” in their set and even brought crowd members on stage for a very real dance-off. The latin rhythms and energy of Y La Bamba and Chicano Batman also made for a great time, and LA-based soul duo Annabelle Maginnis smiled in a furry two-piece through a killer R&B, upbeat soul set. Still, while the national touring acts may help sell tickets, we all know it’s the local artists who make the UMS something special. There’s no Colorado festival quite like the UMS, so here’s ‘til next year!

See more photos from UMS 2019 here.

-Adrienne

All photos per the author. This feature was edited for brevity and clarity by BolderBeat.

Our Top Picks to See at Denver's Underground Music Showcase 2019

By: Adrienne Thomas 

During the last weekend in July, the Underground Music Showcase brings out Denver’s local music scene, along with a handful of national headliners. Affectionately known around town as UMS, the festival came to life in the early 2000s when The Denver Post decided to ask local music experts to name the region’s “Top 10 Underground Bands” in an effort to rouse more interest and support for the local scene, as well as to cultivate a city that successful bands want to stay in. The festival’s evolution continued last year, when Two Parts took ownership of the festival under the direction of Tobias Krause, exciting supporters at the potential for new spins by the local event and marketing agency.

Headlining names this year definitely worth checking out include Chicano Batman, Black Mountain, Still Woozy, Y La Bamba, and Earthgang. Also worth checking out are two hip-hop wild cards from Chicago: Rich Jones and RapperChicks. Let’s dig into these acts, shall we?

Y La Bamba.

Y La Bamba.

Chicano Batman is a Latin psychedelic soul and funk four-piece, so bring dancing shoes to this wildly percussive show. Stoner rockers Black Mountain will show up for the lovers, heady beach followers, and spirited grunge rock fans inside all of us. Still Woozy joins soul/pop melodies and raps together with smooth electronic bounces for a uniquely lovable style. Y La Bamba is an incredibly diverse indie folk/pop outfit from Portland featuring eclectic, female-fronted jams. Earthgang, the fresh and unrivaled hip hop heroes from Atlanta known for collabs with J. Cole, 6LACK and J.I.D., will definitely be a UMS highlight to close out Sunday night.

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The lineup of local bands is beautifully long, and sometimes overwhelming, but mostly a glorious scroll through the talented musicians who walk our Broadways and Colfaxes every day. The heart of UMS is really just a big party where all the best local shows you’re invited to all year happen again- this time all at once- throughout the course of one weekend. Don’t sleep this time. Organize an interactive schedule of your own for the weekend here. But if that’s too much, here’s a list of favorites: 

FRIDAY 07/26

6:00 Corsicana @ Skylark Lounge - Ambient shoegaze that will make for a smooth start to the festival

6:20 Sophie Meiers @ Showcase Stage at Goodwill - Dreamy electro-pop from Durango

7:00 Extra Gold @Hi-Dive - Kickass country y’all

7:20 Still Woozy @ Showcase Stage at Goodwill - Playful and melodic chill-hop with a devoted following

7:20 RapperChicks @ Odyssey Stage at Import Mechanics - Self-described as “3 badass women who rap, sing, play & melt faces all by ourselves” from Chicago

8:00 Claire Heywood @ South Broadway Christian Church - Raspy bird songwriter known for poetic lyrics and soulful vocals and melodies

8:30pm Black Mountain @ Showcase Stage at Goodwill - Stoner rockers, go for a worthy rock show

9:00 f-ether @ Blue Ice - Electronic compositions, house music, dance party and big mountain energy

10:00 Motion Trap @ Denver Drumz & Music - Dreamy synth dance grooves 

11:00 The Velveteers @ 3 Kings Tavern - Heavy grunge-rock trio, double drummers, powerful female lead

11:00 The Hollow @ The Hornet - Alt rock with horse blinding attitude 

11:00 LITELVL @ Denver Drumz & Music - Triptastic soundscapes 

12:00 Oko Tygra @ The Irish Rover Pub - Dark and dreamy 80’s pop

1:00 @ Skylark Lounge - Shred rock with indie, Latin & ska feels

SATURDAY 07/27

12:40 Kiltro @ The Irish Rover Pub - Experimental folk mixes with Chilean guitar, makes dance party

2:00 Oxeye Daisy @ Showcase Stage at Goodwill - A nod to the 90’s, youthful synth/guitar rock band

2:40 Slowcaves @ The Irish Rover Pub - Indie rock with beach vibes 

3:00 Whole Milk @ Skylark Lounge - Surf jazz

4:00 Erin Stereo @ Blue Ice - House/Club DJ extraordinaire

5:00 Chicano Batman @ Showcase Stage at Goodwill - Latin psychedelic soul/funk 4-piece

6:00 Sur Ellz @ Blue Ice - Future space funk R&B

7:00 OptycNerd @ Blue Ice - Electro indie pop 

7:30 Rich Jones @ Odyssey Stage at Import Mechanics - Prolific Chicago hip hop artist and evolving pop/soul creator, legendary presence

8:00 Decollage @ Denver Drumz & Music - Kaleidoscope avante-garde pop

9:00 Whiskey Autumn @ The Irish Rover Pub - “Prom jams from the future” meets indie psych synth surf rock

10:00 Anthony Ruptak @ Denver Drumz & Music - One of Denver’s singer/songwriters that we just can’t get enough of

10:00 Definitely, Maybe @ Moe’s Original BBQ - Lush percussive and vocal layering makes this psych rock duo very important to experience live

11:00 Random Temple @ Denver Distilling Co. - Electronic and acoustic instrumentalist known for diverse harmonies and eclectic, high-energy sets

12:00 The Cosmic Ball @ 3 Kings Tavern - A mix of Denver bands partnered with psychedelic production company Synesthesia which is likely to promise awesome visuals and glitter vibes

1:00 Retrofette @ 3 Kings Tavern - Part of the Cosmic Ball lineup, this synth group is not one to miss

SUNDAY 07/28

12:00 Laura Goldhammer @ Ross-Broadway Branch Library - Classic Americana merges with quirky styling to create socially-conscious folk music often accompanied by her stop-motion videos

1:00 Katie of The Spirettes @ Ross-Broadway Branch Library - Ethereal guitar-driven rock

2:20 YaSi @ Odyssey Stage at Import Mechanics - Much like her Iranian-American upbringing, her music is a melting pot, with a mix of R&B, hip-hop, and pop 

3:20 Kyle Emerson @ Goodwill - Buzzy indie rock

4:00 Bellhoss @ Denver Drumz & Music - Female-led folk meets DIY punk

4:30 Flaural @ Showcase Stage at Goodwill - Spacey psych-rock band best known for drifting and dancing

5:00 Levi Double U @ The Irish Rover Pub - NuDisco beats 

6:00 Moon Hammer @ 3 King Tavern - A ragtag supergroup of unpredictable and wavy tunes

6:20 Y La Bamba @ Knockout State at Punch Bowl Social - Diverse indie folk/pop outfit from Portland featuring eclectic, female-fronted jams

7:00 Big Dopes @ The Hornet - A modern 90s alt-feel with steady grooves 

7:55 Earthgang @ Odyssey Stage at Import Mechanics - Hip hop duo from Atlanta known for collabs with J. Cole, 6LACK and J.I.D

8:00 Bun Bun @ Baere Brewing Company - Future Shock Bee Wave G-House

9:00 Cheap Perfume @ Denver Drumz & Music - Long-standing feminist punk-rock band from Colorado Springs

9:00 Emma Mayes & The Hip @ 3 Kings Tavern - “Highly Important People” making highly important music, a soul/funk/jazz band joining complex horn arrangements with lush harmonies

10:00 Los Mocochetes @ 3 Kings Tavern - Latin gypsy-funk band

11:00 Ramakhandra @ 3 Kings Tavern - Hip hop/soul fusion, with a pedal harp!

12:00 The Guestlist @ 3 Kings Tavern - Modern blues & soul

1:00 Ned Garthe Explosion @ Hi-Dive - Kinda bad, kinda rad but definitely a party to end the weekend

Whether you create a guide this year for your own UMS, follow ours, or just wander, discover, and repeat, give my Underground Music Showcase playlist a listen on Spotify. And if you haven’t yet, get your UMS tickets here!

-Adrienne 

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Travers Brothership Return to Colorado After European Tour; Set to Play a Host of Local Shows

By: Mirna Tufekcic

Haling all the way from North Carolina, Travers Brothership will be gracing us with their unconventional, improv-driven live performance, playing gigs across Colorado this week. I had the privilege to chat with Kyle Travers, the guitar and one-third of the vocals of the band. Read on: 

Travers Brothership just finished their first European tour, and Kyle was pleased with the band’s shows abroad: “We were received really well, way better than I expected,” he says, “I think the Europeans are craving that homegrown American sound and because we have that jazz and rock’n’roll vibe, I think they really liked us. And some even knew who we were!” 

Travers Brothership.

Travers Brothership.

Kyle continues about the band’s current state saying, “It’s a somewhat unfathomable feeling to be where we are as a band at this point. Since we became more successful and were signed by Madison House, touring has become a serious part of our lives. I think all four of us love traveling, so being on the road is not a big deal. It’s a blast for me- I love adventure and meeting new people. But what’s really great about it is that we don’t have to do any side jobs anymore when we come home. It feels great not having to put up dry-wall or pick up a hammer or go work in a restaurant on our days off the road. Now, Eric and I will go play golf instead!”

Eric and Kyle Travers are twins. They were born into a musical family; their father Hurricane Bob Travers was a traveling, touring rock’n’roll musician.

“When we were about four years old, our dad gave us toy musical instruments. By the time we were seven, the toys were replaced with real instruments, and that’s really how it all began. Fast forward a few years; by the time we were 12 years old, we were playing biker bars and private events. I consider us really lucky to have had supportive parents who would drive us to these gigs when we were too young to go anywhere.” Kyle laughs. 

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Travers Brothership became a cohesive band when a group of friends, who happened to be neighbors, started jamming together in the Travers house basement. Kyle explains, “Eric and I didn’t want to be the focus of the group and we wanted to expand beyond just the two of us.  That’s why we’re called Travers Brothership and not something like ‘The Travers Brothers Band.’ We really see the band as a community and we all play a major role in the creative process.”   

From Jimmy Hendrix to Donnie Hathaway, Travers Brothership’s influences mesh succinctly, moving from rock’n’roll into soul both smoothly and precisely. The band’s latest album has moved from a harder rock’n’roll vibe into the soul realm more than ever before. 

“I think we owe it to my brother Eric and our bassist Josh Clark, more than anything else, for changing directions a bit. Eric was really getting into Wilson Picket and other 70s soulful artists, while Josh was into Donnie Hathaway and Marvin Gaye. Naturally, from listening to these artists, a lot of our sound started to morph. Aggressive, coming for you mentality will always be at the core of who we are as a band, but it’s important for a band to grow and evolve. Naturally, what you listen to will show in what music you write. And at the end of the day, we always like to challenge ourselves as musicians.” Kyle muses. 

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Eric and Kyle Travers, and the band’s bassist Josh Clark contribute to the vocals of the band and it’s their three-part harmonies, which have caught the eyes and ears of spectators over the years. Their unique three-part harmonies are their signature talent and what they’re most known for. Says Kyle, “Some people who have heard us play, even fans in Europe, compared us to Queen because of our three-part harmonies. It’s pretty crazy!” 

And when it comes to showing off their talent onstage, Kyle says, “We’re a high-energy band onstage. Our motto is to ‘break a sweat and play to the best of our ability, give everything we got from the heart.’ We’re kind of a jam band, so during our live shows, we improvise a lot. Improvisation is one of the most creative ways to be… if you listen to Sun Ra or Thelonious Monk, they’re breaking every rule in the book and they are held in high regard!” 

The band has already toured the nation with established bands like Charles Bradley, Taj Mahal, Moe, Kyle Hollingsworth Band, Blues Traveler, Robert Randolph, Leftover Salmon, Trombone Shorty, The Marcus King Band, Dr. John, and many more. Their most recent album Let the World Decide dropped last December, and now they are embarking on a massive national tour in support of it. Among the Colorado gigs they have lined up, some of them are Denver’s Cervantes Other Side on July 12th, The Lazy Dog in Boulder (which is a free show!) on July 13th, and Hodi’s Half Note in Fort Collins on July 17th. 

Keep up with Travers Brothership here.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Westword Music Showcase's 25th Anniversary Brought Together Artists, Friends & Powerful Frontwomen

By: Taylor Naiman

On Saturday, the Westword Music Showcase overtook the streets of Denver’s Golden Triangle. Though it was a 97-degree day with the sun overhead at all times, everyone had a beer in hand and seemed to be unbothered by the heat. People were happy and excited just to hear some brand new music from local and national artists alike. From the bars to the clubs, there were plenty of venues along Broadway and Lincoln Street to escape the heat while enjoying some good tunes. Rather than occupying a bunch of stages outside, Westword Music Showcase nurtures local businesses, with a majority of the sets taking place at various bars and clubs including Bar Standard, Stoney’s, 100% De Agave, Mirus Gallery, #VYBE, Club Vinyl and The Church. This amalgamation of local businesses and bands allowed people to discover new venues, new music, and new people along the way.

Bishop Briggs. Photo Credit: Adrienne Thomas

Bishop Briggs. Photo Credit: Adrienne Thomas

Celebrating its 25th anniversary this year, this one-day music festival is a staple of the Denver community. It has been a successful launch-pad for many local artists over the years, including the likes of DeVotchKa and 3OH!3. This year, we caught some big-name acts such as Jai Wolf, Bishop Briggs, Yasi and CHVRCHES, among others on the main stages. Bishop Briggs was a fan-favorite, with her powerhouse voice and contagious smile. The last time she was in Denver was for her set at the now defunct Grandoozy. At Westword, Briggs was loving every minute of her Mile High set, running from one end of the stage to the next, unphased by the altitude or the heat. The audience was treated to some of her new music, while also hearing  the entirety of her Church of Scars album. 

CHRVCHES. Photo Credit: Adrienne Thomas

CHRVCHES. Photo Credit: Adrienne Thomas

Denver Westword’s Music Showcase presents an essential platform for artists to share their craft and tell their story. Music delivers a message and over the day, we heard a lot of stories Denver’s local rock’n’roll band Los Mocochetes used their music to address today’s political issues, such as immigration. At the end of their set, they told us, “Dance is a form of prayer.” We definitely love our music out here in Colorado, and it was a blast to see the differing forms of expression coming from the artists and concert-goers.

Photo Credit: Adrienne Thomas

Photo Credit: Adrienne Thomas

Westword Music Showcase is all about supporting the local scene, and thrives on the concept of concert-goers discovering the unknown or what may be an undiscovered talent. The Showcase this year was jam-packed with a culmination of genres curated for diverse tastes. Throughout the day, it was nice walking the grounds, running into friends having a drink together. This fest is a “squad up and see that new band you have not heard of” type of event. It thrives on the idea to not listen to one type of genre, but rather to branch out and hear a new voice. The beauty of this Showcase is that you will, without a doubt, discover a new musician or band to follow on Spotify

The Velveteers. Photo Credit: Adrienne Thomas

The Velveteers. Photo Credit: Adrienne Thomas

Whether rocking out to Cheap Perfume or The Velveteers, it was a breath of fresh air seeing Colorado frontwomen take charge and own the stage. The festival also featured a number of strong national female acts, including Lauren Eve Mayberry, the lead singer of CHVRCHES, and aforementioned Bishop Briggs.

If you didn’t get the chance to go to Westword Music Showcase this year, listen to their festival playlist here! We’re already looking forward to Westword’s 2020 announcement. 

See more photos from this festival here.

-Taylor 

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Dizzy Wright Ended His Recent Tour in Denver with a Nipsey Hussle Tribute & More

By: Moriel O'Connor

If you were like me, you spent your high school days hotboxing in your friend’s Pontiac while banging rap music on back roads. It seemed more badass back then, when you had to steer clear of the cops and put in eyedrops before going back to physics class. Now, cannabis is easy to get ahold of, and you don’t have to worry about the CD scratching and skipping over your favorite lines. Still, there is nothing like lighting up and getting down.

Dizzy Wright.

Dizzy Wright.

For real, name a more iconic duo than weed and hip hop. I’ll wait. Dizzy Wright gets this, and he’s even got his own strain. He rolls his own blunts and keeps it real. Cruising to Colorado from his hometown of Las Vegas, he finished off his recent tour at Cervantes’ last weekend.

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During his set, Dizzy praised to be “a mile high,” saying Denver was his favorite city to visit. He also paid respect to Nipsey Hussle. Dizzy’s music stands out from most modern day rap with authenticity and truth. He is an independent artist whose lyrics and spirit show passion and integrity, encouraging others to take back their power. Dizzy’s been rapping since he was a child and recently released his album, Nobody Cares, Work Harder, collabing with Mozzy, Tech N9ne, Berner, Curren$y, Jarren Benton and Demrick.

So if you weren’t at Cervantes’ this last weekend, or even if you were, roll up, view my shots from the show, and listen to Dizzy’s latest album here. Much love. 

-Moriel

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: Watch Pink Fuzz's Murderous New Video for "Turn"

Denver rock’n’roll favorites Pink Fuzz have been hard at work since the release of their 2018 record ‘Speed Demon’. The trio, comprised of sibling duo John Demitro (The Velveteers) and Lulu Demitro with drummer Forrest Raup, just dropped their music video for their single “Turn.” We’re excited to premiere the video here at BolderBeat, which is a follow-up to their last video “Enough” and features some familiar characters including Fast Finger Frank (David Landry of Boot Gun). Prior to the video’s release, we caught up with Pink Fuzz to learn more about their latest cinematic endeavor and their upcoming Midwest tour. Check it out:

Where was “Turn” recorded and who is featured on the track? Did you have a producer involved?

“Turn” was recorded, produced, and mixed by Pink Fuzz and Todd Divel at Silo Sound Studios in Denver. Jim Wilson mastered it.

What inspired the video concept and who all stars in this follow-up video?

 The video for our single “Enough,” which we released in 2017, was part one of the storyline of this tale. “Turn” is the follow-up to that video. In “Enough,” we see a psychopathic serial killer trucker named Fast Finger Frank chasing after a drugged runaway driving a 1975 Firebird down a desolate desert road. Fast Finger Frank collects fingers as trophies, and is on a drug-fueled mission to get every single female digit that he comes across. Inspired by style of Faster, Pussycat! Kill! Kill! and Grindhouse, in the video for “Turn,” we dive into the life and killings of Fast Finger Frank. The band has always been  fascinated by serial killers and what will drive a human being to stoop so low. This is the recurring theme behind our album Speed Demon and our music videos for the record. “Turn” stars Pink Fuzz, David Landry of Boot Gun, The Velveteers, and Noah Shomberg.  

Pink Fuzz.

Pink Fuzz.

Did anything interesting happen during the filming of the video?

Well there are quite a few gory scenes that we shot outside in public places. We had a lot of people walking by or driving by as we were “killing” our victims. That’s always hilarious when you have people genuinely concerned in the background of a shot. Another funny thing was going to the store and buying severed fingers, a turkey baster, fake blood, and then checking out. The cashier’s face was priceless!

Pink Fuzz. Photo Credit:   Vossling

Pink Fuzz. Photo Credit: Vossling

Why did you decide to film a video for this track from ‘Speed Demon’?

This track has a good, fast-driving beat behind it, as well as lyrics that match up to the video content like, “This is the end of the line my friend. Can’t go back now. Seeing life pass on day to day just counting on you. Fading, you’re fading away.” We wrote “Turn” in the perspective of the serial killer. It seemed like the best follow up to “Enough.”

Spooky! What else is Pink Fuzz planning for 2019?

We’ve been working really hard on new a 5-song EP. We wish were able to release it before our upcoming Midwest tour, but audiences will get to hear some of the new tracks live! In our opinion, it is some of our strongest songwriting and best sounds we’ve captured in the studio! We will be releasing it before summer is over. We’ve also got more videos and tour dates to announce sometime soon. For now catch us on the road starting this week at:

6|13 recordBar | KANSAS CITY, KS

6|14 Replay Lounge | LAWERENCE, KS

6|15 AUNTIE MAES | MANHATTAN, KS

6|18 TOTAL DRAG Records | SIOUX FALLS, SD

6|19 The Zoo Bar | LINCOLN, NE

6|20 TBA | COLUMBIA, MO

6|21 TBA | ST. LOUIS, MO

6|22 Liar's Club (ANNIVERSARY PARTY) | CHICAGO, IL

Can’t wait Pink Fuzz! Make sure to check out the band’s video above and keep up with them this summer here.

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Lettuce's New Record 'Elevate' Will Help You Do Just That + See the Band Live This Saturday, June 15th at Red Rocks

By: Mirna Tufekcic

What happens when a group of award-winning musicians conspire and take three years to incubate a new album? Pure awesomeness, that’s what! I had the privilege to preview Lettuce’s upcoming album Elevate, which drops this Friday June 14th, and boy oh boy, am I excited to share the news! Elevate is a sweet nectar of melodies and sounds emitting only the good vibes you can groove to, hoop to, clean to, and live to! Finally, a spankin’ new, sparklin’ fresh album of 11 songs that make you want to hear more than the record can hold. It’s not often that a band can pull that off these days, so when it does happen the feelings felt are undeniable. Yep, that’s how good it is. Elevate is f*cking awesome.

Lettuce. Photo Credit: Casey Flanigan

Lettuce. Photo Credit: Casey Flanigan

Oh I’m sorry, was it too presumptuous of me to assume you already knew who Lettuce are and jump right into raving about their upcoming album? Forgive me. I’ll start you off on your discovery right here: If you love funky music, then get yourself acquainted with these dudes. They’re super. Lettuce has released something like seven or eight (if you count a live recording session) albums since 2002, and each record has its own wonders and musings, but Elevate really pops, snaps, and crackles with funk and hip-hop, a distinguished horn section, and all-around playfulness in primo artistry.

Based out of Denver, Colorado, Lettuce is a six-member collective of Grammy-nominated drummer and percussionist Adam Deitch, guitarist Adam “Shmeeans” Smirnoff, bassist Erick "Jesus" Coomes, Grammy Award-winning keyboardist and vocalist Nigel Hall, Grammy Award-winning saxophonist Ryan Zoidis and Grammy Award-winning trumpet player Eric “Benny” Bloom.  The band exudes an eclectic, free-wheeling style while embracing a progressive and futuristic vibe, thanks to their love of improvisational music. What I said earlier about it being hard to come across a band today that produces a superb album from start to finish still holds, and Lettuce is a testament to the fact that when you follow in the footsteps of musical giants like Pink Floyd, The Grateful Dead, Miles Davis, and modern-day ensembles like Snarky Puppy, you are bound for greatness. If you want to get to know the members of Lettuce a little more, then are you in luck! A six-part series called The Krewe – A Lettuce Documentary Series is up on the band’s YouTube page and even features an in-depth interview with bassist Erick “Jesus” Coomes, plus behind-the-scenes vignettes filmed during the recording process of Elevate.

Elevate cover art.jpg

Now, back to the album review of Elevate. Sophista-funkated with oozing swagger, Elevate opens with “Trapezoid” and sets the mood reminiscent of a universe only possible because of Lettuce. “Royal Highness,” the second track on the record, continues deeper into lounge-funk. “Krewe,” the single off the album, keeps the groove in more of a swaying, beachy vibe and you notice yourself grooving a little faster. “Love is Too Strong” is a bluesy funk tune with all the feelings, provided by those undeniably rock-blues guitar riffs. Right smack in the middle of the album is “Gang Ten,” a 13-minute tune you don’t even realize goes on for that long because, yep, you’re still grooving in a sort of perpetually-compelling state of motion. But if you know Lettuce, you know they are not shy about lengthy tracks. There are plenty of those throughout the album.

Elevate also features a couple of tasteful cover tracks, namely “Ready To Live” and “Everybody Wants to Rule the World.” I most love “Purple Cabbage;” in my opinion it’s thee signature Lettuce track on the album. The record ends with “Trapezoid Dub,” and yes it’s got the same name as the first track, but it’s different because it’s, well, like the title implies, tastefully dubby. You see, it’s not just the distinct Lettuce funk that puts you in a trance when you listen to Elevate; there are expanded trip-hop sounds and space-age audio-samples creating a unique atmosphere as the instruments come in together and explode out into the listener’s mind. Boom!

If you’re not compelled by my enthusiastic review of the album, I’m not offended. I would just encourage you to have a listen yourself. Trust me, your ears and soul will thank you. I know mine did. Lettuce is also on a massive tour in lieu of their new album release, so you can see them across the nation. If you want to stay local, they’re playing Red Rocks Amphitheatre this Saturday, June 15th. Check out their website for more deets and dates.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

COIN Making Debut Red Rocks Amphitheater Set Wednesday, June 12th

By: Elena Marti

 While they may be supporting Young the Giant and Fitz and The Tantrums on their 2019 North American Tour, COIN are no strangers to the spotlight, having made appearances at Lollapalooza and Austin City Limits in recent years. They’re familiar with the Colorado altitude as well, having just headlined the Gothic Theatre in Englewood in March 2018.

COIN.

COIN.

While it may appear easy to write COIN off as another cookie cutter pop group at first, the trio are incredibly good at writing songs that allow you to relate and feel understood. COIN’s third studio album is said to be released later this year, but the three-piece have already released four singles from the album including: “Growing Pains,” “Simple Romance,” “Cemetery” and “I Want it All.”

“Growing Pains” deals with the uncomfortable part of falling in love we all wish we could ignore, or at least fast-track through: when you have to put up this front, trying to be the coolest version of yourself, and overall, just desperately trying not to screw everything up. “Cemetery” confronts the dangers of spending your life focusing on money above all else with lines like, “never had time for a family/but he is the richest man in the cemetery.” The dark undertone of the lyrics is counterbalanced by the exuberant beat on this tune. For COIN fans, singles like these have listeners excited for the band’s new record.

Fortunately for you, COIN are headed back our way! On Friday, June 12th, head out early to catch COIN’s debut Red Rocks set, which will surely draw you in and keep you hooked. It’ll only take one listen for you to be singing this band in your head for the rest of the night! Get tickets while they last here and keep up with COIN at this link

-Elena

 All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The River Arkansas Releasing New Record & Embarking on Colorado Tour

By: Mirna Tufekcic

Just when you think there is no room for more blues, folk, country & Americana music in this world, another band pops up and proves its undeniable lure and creative spin on what’s already been done. The River Arkansas is one of those bands that fit that genre, but play with crossing and blurring boundaries as to where they fall exactly. Their sound is just another testament to today’s melting pot of genres that go beyond the box of just blues, just folk, or just country.

The River Arkansas. Photo Credit:   Art Heffron

The River Arkansas. Photo Credit: Art Heffron

The band started in 2014 as a solo project by Mike Clark of The Haunted Windchimes from Pueblo, Colorado. Shortly after laying down some tracks, Clark brought in his friend and bassist Macon Terry. After spending some time playing together, they realized there was something bigger there than just one project. Since then, the band has expanded to include a fiddle player Rachel Sliker, Benjamin Gallagher on the piano, and Robin Chestnut on drums. Each of these musicians is a very talented addition to the band. Together, they give off a heartfelt and wholesome sound which resonates with the Colorado lifestyle of mountain life meets pavement.

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The River Arkansas has played with other Colorado local gems like Grant Farm and the Gasoline Lollipops. The band has released two albums since 2014, and on May 30th they’re releasing their newest album Any Kind of Weather at Syntax Physic Opera in Denver before embarking on tour to several other local mountain venues including the Jamestown Mercantile, Brues Alehouse in Pueblo, Elevation Brewing in Salida, and Deerprint Wine in La Veta.

Any Kind of Weather is a continuation of the band’s effort to blend folk, country, blues and Americana into a smooth concoction. I had the privilege of previewing the album for BolderBeat in lieu of the album release party this week and here are my two cents: The album is certainly country-forward, if not for Clark’s distinct, heartfelt, growling, and raspy country vocals than most certainly for the fiddle, harmonica and banjo sounds that predominate songs on the album, like “Bury Me,” “Big Bald Buddy,” and “Lady Luck.”

Photo Credit:   Art Heffron

Photo Credit: Art Heffron

Many of the songs are easy listening, either moving the listener to a gentle sway, or a light stomp of the feet. Tasteful peppering of the piano throughout the album gives the songs depth that a lot of country music doesn’t experiment with. The drums and guitar of the more upbeat songs like “Balloon Girl,” “Gone in the Morning” and “Mona” add a bit of a rock’n’roll vibe to the mix, allowing some of the songs on the album to break away from a heavy country/folk feel and move into the Americana realm. The slower songs like “Cuernavaca,” “SF Bay” and “Slow Down” take on more of that folky-country-blues tune, giving the album a hardy dose of all the goods. Reminiscent of The Band, Sturgill Simpson, and The Sam Chase, fans of country and Americana are surely going to enjoy The River Arkansas’ junior album Any Kind of Weather.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

ZEMBU's Latest Track "Human" Reveals How Transformative Art Can Be

By: Julia Talen

Colorado based musician and producer ZEMBU recently released an inspiring and deeply poetic music video for her latest single, “Human”. ZEMBU shared that the song, “Human,” is about the day she learned that her mother had died by suicide. The verse of this indie-pop tune contains lyrics that examine various realms of human nature, and the video itself enhances the single in a variety of ways.

ZEMBU.

ZEMBU.

It opens up with celestial “ooo’s” and flashes of ZEMBU’s body, backgrounded by overexposed landscape shots. The video immediately sets a sort of seeking and inquisitive tone for this art project, as ZEMBU’s “Human” takes us on a journey.

Series of elegant shots of ZEMBU dancing against the sun near the water and the forest roll as she begins to sing. ZEMBU’s vocals have a rich hollowness to them, like there is space for listeners to move deeply into the facets and dimensions of her voice. Her lyrics in this song, such as, “She won’t say goodnight no more/simplicity comes in a haunting form,” invites a similar dive into the subject of suicide and its connection to our humanity.

The use of light in the video also reflects the shadows, undertones, blurriness, and fluidity of the song’s themes. In some shots ZEMBU is over exposed, the light blurring out pieces of her body and creating new shadows, while in other shots we cannot make out the features of her face in the dimmed lighting, as she blends further into the natural background.

Additionally, ZEMBU’s use of dance and the way she organically moves her body in the shadowy and overexposed images and shots of herself in nature also evoke the embodiment of humanness that the song navigates. Her words continue to match the visual vision of this project with lines like “I was so ready to take the blame,” “What if, what if, what if, what if, what if,” and “We are human after all.”

This project uses music, poetry, dance, and film to express and explore, to capture a piece of what it means to be human, and how open and raw that can be for all of us in different ways. ZEMBU’s latest release reveals how transformative, trascendental, and truly powerful all avenues of art can be.

-Julia

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Dynohunter Ending Their Spring Tour at Cervantes' with New Music

By: Mirna Tufekcic

Live tech-house music is not a frequent occurrence, even if you find yourself attending a lot of music festivals. However, if you are one of the festival goers who really enjoys electronic music, then live tech is what you ought to seek out if you haven’t already! What I’m getting at here festheads is Dynohunter, a live tech-house act you might have seen perform at music festivals across the country including Electric Forest, Summercamp, Joshua Tree, Sonic Bloom, Arise and others. They've opened for some of the biggest names in livetronica including Papadosio, Eoto, Opiuo, Sunsquabi, Ott, and The New Deal, and supported world renowned DJs Shpongle, Bonobo, Infected Mushroom, Klingande, and The M Machine. The trio has been on a six-week nationwide tour as of late, and they’re closing it out on May 22nd by headlining Denver’s homegrown music event Re:Search Wednesdays at Cervantes’ Other Side.To add to the shenanigans, the event will also feature Casual Commander (Sunsquabi), Aaron Bordas (Late Set), Mikey Thunder and Jordan Polovina. Needless to say, if you’re a tech-house fan, this will be one for the books!

Dynohunter.

Dynohunter.

It’s an added bonus if you like to dance fellow festi lover, because a live Dynohunter show is a sure way to be moved. With a sound embraced by fans of house and techno, and a live performance fueled by the organic energy of live instrumentation, their music is undeniable on the dance floor. Trust me, I’ve seen a few myself. The group’s sound is dark and tribal, peppered with worldly rhythms and deep hypnotic grooves tastefully mixed in with hard-hitting dance tracks, uplifting melodies, and soulful improvisations. This trio is truly a breath of fresh air to the world of electronic dance music. The band’s creative ways of blending deep electronic influences with live saxophone (Clark Smith), bass (Fred Reisen), and drums (Nic Thornsberry) forges a new path in the vast expanse of electronic music.

Dynohunter has released 12 EPs and three full-length records in the past four years with no sign of slowing down. Their newest releases “Third Rock from the Sun,” “Lyra” with Eli Spiral, and “Ectoplasm” have been running hot during their current tour. They’re also keeping it fresh with a single, “Night Tripper”, due for release on May 31st which you may just get to hear early if you stop by their Cervantes’ set. Come and get your electro fix on Wednesday, May 22nd and experience Dynohunter for yourself! It’s bound to be a non-stop tech-house dance party. See you on the dance floor!

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Will Buck Returns to Colorado with New Solo Tunes & Old Bandmates

If you were involved in the Colorado music scene four years ago, it was nearly impossible to miss rock’n’roll outfit West Water Outlaws. What started as a Boulder house party act in 2010 soon found themselves selling out The Fox Theatre and touring nationally with acts like The Meter Men, Royal Southern Brotherhood, Jerry Joseph, and Rival Sons. But just as things really started to take off for the Colorado band, they split when frontman Blake Rooker moved to Nashville to pursue a solo career. The members all went their own way and the band dissolved.

Notably, drummer Andrew Oakley joined several successful Colorado rock acts until he formed A Shadow of Jaguar with Brian Hubbert. But guitarist Will Buck had a harder time trying to find his future in music until recently, when he decided to release his debut solo single “Fuse”. Next Thursday, May 23rd, Buck will return to Colorado for a show with A Shadow of Jaguar and Denver’s Boot Gun at Larimer Lounge. We recently chatted with Will about his new music, his plans for 2019, and why he’s excited to be returning to Denver next week:

You’ve had quite the journey since West Water Outlaws’ breakup. Talk to us about how your current solo project came to be.

In the wake of the West Water Outlaws (WWO) split, I went on my first-ever solo road trip of California in February of 2015. I was lost, shattered and completely open to anything and everything that took me out of reality and into ‘the flow’ as I call it. Aside from writing and the inevitable destructive coping mechanisms that I developed, I found that traveling and really winging it or ‘drifting’ was really the only way [to live]. I would go on to live an entire year of my life ‘drifting’ but that’s a completely different conversation.

Anyway, on that first fateful trip I stopped at an old friends place in Orange County and recorded a demo of this song in one day. I’d had that guitar riff in my head since the end of WWO and I needed to get it out. After that, the song sat dormant for 3 years.

Will Buck. Photo Credit:  Summer Taylor Mosher

Will Buck. Photo Credit: Summer Taylor Mosher

What happened next?

After I finally learned to sing, which by the way was one of the most humiliatingly frustrating, yet absolutely, amazingly freeing experiences of my life, I returned to this song. I wrote lyrics and self produced the rest of the song in 2018. However, I still kept the original recordings of the guitar tracks. Something about them just had the angst of a desperate man about to explode that I couldn’t recreate. Even the original guitar solo, which was done in one take, made the song. I couldn’t have come at that solo with as much heartbreak, anguish and sheer destruction as that day, even if I tried. It was like a song in captivity that finally broke free.

Did anyone else work on “Fuse”?

I cut the vocals at Speakeasy Recordings in North Hollywood with a groovy guy by the name of Ross Newbauer. Ross got a great performance out of me and pushed me in a good direction, so I've since started tracking most of my vocals for the upcoming EP with him. Justin Peacock, who I know from my Colorado days, mixed the track and seriously brought it to life, those original, grungy basement guitars and all! He mixed a lot of the West Water stuff so I knew he would kick ass on this one. Brian Gardner mastered, who is a total legend and I'm lucky to even have that connection. I think some pretty notable hip-hop guys gave him the nickname Big Bass Brian in the early 2000s for his work and I must say he doesn't disappoint! With the exception of my great friend Wyatt Strassner’s rhythm guitar part, the rest is me on the loose.

You also recently released a video for “Fuse”. Tell us about that.

Marshall Miller shot and directed the music video at The Public Works in Denver. He has the creative eye of a hawk and the patience of a stalking lion. I came up with this crazy idea for the video and he was down! He made all of my creative visions come true and then some. It was also quite fun planning and shooting the whole thing together over the span of 4 days, which was amazing. Normally video shoots are a one day, 14-hour ordeal in my experience, so I felt very fortunate to take our time with this one.

“Fuse” is about a relationship that has gone toxic. It's neither persons fault, but the sad truth is that even though you crave being around each other, the whole thing just blows up every time you do. Each person holds the power to ignite the other and sometimes you can't resist being lit up by them even though you know it's going to end badly. I think a lot of people have experienced this conflicted mindset in one way or another, so I wanted to portray that in the video.

What inspired the story of the video?

I've had the necklace in the video for years- it was actually a piece I found at the Boulder Art Mart on Pearl [Stree] and I wore it so much people started calling it my "signature piece." Overtime it started to mean more and more to me, almost like my soul if it were portrayed in an image. So like the song alludes to, I'm sort of at the mercy of my soul’s captor after I hand over the necklace to the two masked women in the video. I call them "the experimenters" as they then start to run trials on me once they've retrieved the key to my subconscious. The shots of me sort of floating in an abyss with a light on my face are supposed to represent just that- my subconscious. Marshall sent me some prototype shots of him in this world we described as "the box" early on and that's what sparked the whole idea for the video. Then we came up the other worlds as we referred to them as "the observatory" which is the room where the masked women are viewing me on surveillance footage inside the "container" where I've been stowed away. Only the one female wearing my necklace possesses the power to transfer between the worlds. That female’s name by the way is Bailey Turner and her partner/leader in crime is MJ Szymanski; they did a terrific job and were total pros in front of the camera.

Photo Credit:  Summer Taylor Mosher

Photo Credit: Summer Taylor Mosher

What else will you be releasing this year?

I have a ton of plans for the rest of the year- I don't want to give away too much but I am definitely releasing a four-track EP this summer that I recorded in New York City at Figure 8 Studios with Andrew Oakley on drums and Wyatt Strassner on guitar and backing vocals. And I will be touring surrounding this release! I can't wait to see where it all takes me now that the song is out on all platforms!

Sweet. How do you feel about returning to your old musical stomping ground this week?

I am extremely excited to return to Colorado. I lived in Boulder for 8 years and miss it all the time. It is one of the best places in the world and holds so many special people in it! I am most excited that Andrew Oakley (drums) and Vince Ellwood (bass) from West Water Outlaws’ original lineup are going to join me onstage for my set. That is a dream come true for me- to stand on stage in Colorado with two of my best friends again and rock out for a room of radical people.

We can’t wait to join in the rockfest. Tickets for Will’s show with A Shadow of Jaguar and Boot Gun are here. Keep up with Will Buck and his adventures here.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: LiteLvl's New Music Video Is an Ambisonic Audio & 360-Degree Visual Experience

LiteLvL released their debut single “Boost Your Immunity While You Sleep/Inspire Photosynthesis In Plants” last week. The duo, comprised of Katey Sleeveless (Eros & the Eschaton) and Jay Marz (King Eddie), are self-described as “installation soundscore.” Today, we’re proud to premiere their debut music video for the track:

“Boost Your Immunity While You Sleep/Inspire Photosynthesis In Plants” was mixed with ambisonic audio, which means just like the video itself, the sound is also three-dimensional. Filmed at Moon Magnet Studios, the video features LiteLvl members Katey Sleeveless and Jay Marz, Andy Ai & Kevin Netz on visuals/projections, and dancers Kailani Dobso & Holly Seidcheck. Videographer Ben Tyson of DenVR is behind the entrancing, psychedelic video experience.

LiteLvl. Photo Credit:   Julianna Photography

LiteLvl. Photo Credit: Julianna Photography

“As you move, you'll hear different things. When you look at one guitar amp, you'll hear more of it. When you turn around, it'll feel like that amp is now behind you, and you hear the second amp in front of you louder.” frontman Jay Marz said of the trippy, mylar-fueled experience.

The band play FoCoMX - Fort Collins Music eXperiment this Saturday, April 27th at 4PM at Art Lab Fort Collins.

Keep up with LiteLvL here.

Modern Suspects Release New Music Video for "Desufnoc"

By: Julia Talen

On April 1st, Denver band Modern Suspects released a music video for their latest single “Desufnoc.” Filmed entirely on an iPhone X, guitarist Bart William’s visualized the inspiration behind the film, while frontman Garret Myers wrote the song, galvanized out of a devastating tragedy in which a close friend of his died in a plane crash.

If you haven’t figured it out yet, “Desufnoc,” is confused spelled backwards, and the single and video grip viewers as the group explores the absurdities and the inexplicable aspects of life through visual and audio media.

The video opens with an old Volvo pulling out of a garage on a dry, sunny day. There is music in the background and the viewer thinks that the song is beginning, but the camera hones in the the Volvo’s driver- a woman in a leopard coat with blue hair- listening to what’s on the radio. Anticipation builds as she pulls into a parking garage and we wonder where she is going, but before we can find out, she walks past a series of framed pictures hung on a wall and the camera zooms in to one of the frames, taking the viewer into another realm of the film as the song begins.

As the music flows, the camera continues to hone in on other picture frames, glasses, or mirrors and we melt into new scenes. This movement between different corners of life through pictures and frames elevates lyrics such as, “I’m confused/I’m confused/I feel so confused/Don’t know which way to go.” Viewers become disoriented much like the aftermath of a tragic and sudden loss. The symbolism of moving through frames also makes the audience consider memory and time, and how these play out in the stories that make up our lives and the lives of others.

Modern Suspects.

Modern Suspects.

As the film progresses, the viewer progresses through scenes that are perhaps touchstones of Myers’ personal experience: there is a scene in a body of water, a cemetary, a church. The film ends with a man running toward a house, jumping through a window into a scene evocative of the beginning of the video. The leopard-coated lady listening to Modern Suspects through headphones then walks past another series of frames hung on a wall as the story closes.

Overall, the video sets out to “confuse” viewers, reflecting on events, scenes, stories, and tragedies that take place each day of our own lives and can easily feel disconnected and absurd.

It’s no doubt that Modern Suspects’ visual and musical talent shine in this dreamy pop tune, beautifully accompanied by a thought-provoking video project which brings viewer closer to the lyrics of the track.

Keep up with Modern Suspects here.

-Julia

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

More Than 20 Years Later, The Acid Mothers Temple Continues to Carry On Their Free-Spirited Way of Life

By: Adam Cabrera

Though perhaps far past their prime, The Acid Mothers Temple & The Melting Paraiso U.F.O. continues to carry on their free-spirited way of life pertinent to the beatnik soul collective that the group helped found over two decades ago.

The Japanese psychedelic/noise band, who have played a significant role in the psych revival of the past two decades, performed at the Larimer Lounge on Monday night. Though I had the feeling that the band may have lost some of its muster since their heyday in the ‘90s, their bohemian personality and genuine passion for live performance made for a unique show experience.

Yamantaka // Sonic Titan opened for the headlining act, a five-piece psych/metal band whose diabolic guitar meddling, dark organ sounds, and powerful vocals effortlessly captured the attention of the crowd and got them moving. Faces painted and wearing decorative costumes which resembled traditional Japanese attire, their performance had a theatrical and often menacing tone as if the music was tapping into some ancient oriental mysticism. But the strange and experimental attitude of the band was only the tip of the iceberg compared to the following act.

AcidMothersTemple.1.jpg

The Acid Mothers group is just a small part of the larger collective led by founding band member Kawabata Makoto. “A group of social dropouts of every description – musicians, dancers, artists, farmers, channellers, ex-yakuza, mermaid researchers and professional vagrants” as the band describes it. So, as the group began to gather themselves onstage to set up their equipment, it was clear each member jived with the nonconformist mantra of the collective.

Kawabata, with a head of long unkempt hair and casually touting a pair of paisley bell bottoms, oddly unpacked his gear out of a grocery basket showing perhaps how he never felt the need to buy cases for his equipment. Likewise, the band’s vocalist, Mitsuko Tabata adorned themselves with a purple cape and orange wig while Higashi Hiroshi played synthesizer; not touching a single key throughout his performance. It seemed he much preferred the alien-like whirring of the machines pitch generator.

Drummer Satoshima Nani humorously came dressed in runners shorts and a loose workout shirt. During the show he pounded relentlessly behind the kit; so much so that he broke his sticks halfway through the set and by the end of the night, he was drenched head to toe in sweat, which explained the runner’s getup.

Together the band was a curious group of misfits who in every action displayed just what the AMT collectives motto states, “Do Whatever You Want, Don’t Do Whatever You Don’t Want!” In their largely improvised set they similarly denied any of the usual trappings of traditional rock performances. And in winding psychedelic jams, they would regularly devolve into ear-splitting noise freakouts or relax comfortably into tranquil sonic meditations.

However, despite the youthful energy of the music at certain points during the evening, the oldest members of the group did show their age. Kawabata often would lean against the wall providing relief from standing for so long. And on one occasion, amid Higashi’s long white hair, you could see him wince as he rubbed his sore back. They may have been long past their prime, but their performance surely was one of the most energizing I’ve seen in recent months.

Before the show, I spotted Kawabata hard at work on his computer, most likely plugging away at the multiple AMT projects he is apart of, and as soon as the show ended the band ran to the front of the club to run their merch table. It’s plain to see that nearly 24 years after their start in 1995, they remain true to their carefree and untroubled beginnings with the AMT soul collective as the band continues to tour the U.S. independently. Over the next few months, be sure to catch them live as they make their way across the country as part of their 2019 North American tour.

Keep up with The Acid Mothers Temple here.

-Adam

All photos per the author. All videos and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.