Rumours Follow Set to Release New Wave Single "Mr. Miserable" This Week

By: Norman Hittle

Denver based new wave act Rumours Follow have been steadily gaining momentum in the Colorado scene since winning Denver alternative radio channel 93.3’s Big Gig in 2014. Nearly four years later- not to mention four years stronger- the band are set to release their new single “Mr. Miserable" later this month with a show at Lost Lake Lounge. 

Rumours Follow.

Rumours Follow.

To say the least, the track is an exciting blast from the past, fortified with the tech of modern electronic music. It’s easy to call it new wave and synth pop on the surface, but there’s a lot more going on than can be gleaned on a first listen, such as the band’s nods to 80s greats like Prince and Duran Duran.

Rumours Follow successfully fuse elements of jazz, funk, synthpop, and alt-rock together, while maintaining a high-fidelity production value that definitely couldn’t be heard in the 80s when their brand of music inspiration was in its heyday. Yet regardless of era, this band is making 2018 a staple in their career. Just earlier this year, the band released their single “Spitting Rain."

In accordance with continuing to be noticed, Rumours Follow will be officially releasing their single for “Mr. Miserable” with a debut release show at Lost Lake Lounge Saturday, May 19th. Event details and tickets here.

Keep up with Rumours Follow on Facebook.

-Norman

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Beyond Bridges Release Debut Reggae Rock Record 'On My Mind'

By: Hannah Oreskovich

Colorado’s Beyond Bridges have released their debut EP On My Mind. The reggae rock four-piece, who are based in Pueblo, have made quite a name for themselves in the Colorado reggae scene over the past year. They’ve shared stages with bands like Trevor Hall, The Wailers, HIRIE, and Tomorrow’s Bad Seeds, and at their live shows, have developed a loyal following who are referred to as their “coconuts.” Comprised of Tony Garcia (guitar/vocals/bass), Kai Furuto (guitar/vocals/bass), Adrian Hernandez (guitar/vocals/bass), and Kyle Spinuzzi (drums), Beyond Bridges are an act who hold true to spreading positive vibes with their music, and this is evident on their debut EP.

On My Mind starts off with the record’s title track, which captures you with soft reggae sounds before enveloping your ears into harder rock elements. This is the song the band released as their debut single a few weeks back, and it has an uplifting, beachy quality to it with strummy strings and marked, offbeat percussion. It totally belongs on your 2018 summer playlist. “Bad Medicine” follows suit, and has the almost opposite construction- it starts with heavy rock riffs and a thick bass line before opening into more mellow sounds. It also has metal-esque guitars sprinkled throughout that will make you wanna headbang.

Beyond Bridges. 

Beyond Bridges. 

“The Great Beyond” holds down the middle slot on the five-track EP, and is a short, all-instrumental soundscape song. It’s a tune that feels like it might be played first in a live set, used to plant the night’s vibes before pulling in the audience with a real burner. “NSQS” is next, and its chorus is made to sing along with: “when you go/the world moves so slow/and when you go/I feel so alone.” It’s catchy and tells the most straightforward story lyrically on the record.

Furuto, Garcia, Spinuzzi, & Hernandez.

Furuto, Garcia, Spinuzzi, & Hernandez.

On My Mind closes with “Black Widow,” a super groovin’ track which incorporates classic reggae guitar sounds while maintaining a gritty rock edge. You’ll find yourself boppin’ your head along along for the first 1:18, which is purely instrumental. From there, this one jets into a heavy rock song, fit with stretchy string solos and echoing vocals. Beyond Bridges recorded, mixed, mastered, and produced the entire record live with Matt Herrera of Last Leaf Audio & Design.

Said member Adrian Hernandez about the band’s debut release, “We are excited about this release because we are finally getting some music out for our followers to share and enjoy with the ones they love. On My Mind is a raw interpretation of Beyond Bridges since each song is made entirely of live takes. That means whether or not you are listening to us in your car or at a show, we will truly sound like us. We love that transparency because as we move from one album to the next, our followers will hear genuine growth. We hope they can really feel the time and love we promised to put into all of this.”

I feel the love- do you coconuts? Give Beyond Bridges’ On My Mind a listen above and catch the band live at Brues Ale House this Wednesday, March 21st for their release show.

Keep up with Beyond Bridges here.

-Hannah

Follow Hannah on Instagram.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: Whitacre Release Catchy New Folk Rock Tune "Fantasy"

Denver’s Whitacre, the five-piece rock project led by Paul Whitacre, have plans to drop new music this year and today, we’re premiering the band’s newest single, “Fantasy.”

Whitacre, which is comprised of Paul Whitacre (rhythm guitar/lead vocals), Chase Perry (banjo/keys/vocal harmonies), Mark Cunningham (drums), Kyle Miner (lead guitar/vocal harmonies), and Brent Perkins (bass), recorded the track at Colorado Christian University’s studio. “Fantasy” was produced by Nicholas Webber, who is also featured on vocal harmonies on the songs, with engineering by Toshi Jamang.

Whitacre.

Whitacre.

“Fantasy,” which starts out with some stompy percussion, is a feel-good folk rock tune primed for summer. Its thick strings and catchy chorus make it feel like a Lumineers-inspired ditty. Whitacre himself sings the instantly appealing and memorable chorus, “We could be/What people thought was fantasy/Only portrayed in the Hollywood movie screens/All the love you read about in all those fairytales/I will be your fantasy.”

Said Paul about the track, “When we released our first single, 'Set Me Free,' we had a very small fan base and had no idea what to expect in our musical future. Now, after 50,000 streams, a show with Pandas & People and Wildermiss at the Bluebird Theater, and talks of a national tour this summer, we really feel a sense of fans longing for new music. Releasing our second single, 'Fantasy' is still really only the beginning. We've signed a recording contract with Joe Richmond for a five-song EP and are confident this song is going to continue laying the foundation that will make that a successful release later in 2018!”

“Fantasy” will drop across all streaming platforms this Friday, March 16th. To hear it live, catch Whitacre next at Larimer Lounge on Thursday, March 22nd where they’ll share a stage with The Ghost of Paul Revere and Matt Rouch & The Noise Upstairs.

Keep up with Whitcare here.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: Andy Sydow Releases New Single "Hearts Go On" From Upcoming Record

Colorado’s Andy Sydow has released his newest single today, “Hearts Go On.” The track, which feels Tom Petty-inspired with Americana and rock influences, will be on Sydow’s upcoming record Reasons For Departure.

Sydow actually began his music career at the University of Colorado in Boulder where he studied jazz piano performance. From there, he worked a short stint at Howl At The Moon as a dueling piano performer until he realized he wanted to pursue a life as a solo artist.

After releasing his works Trailhead (2015) and A Little Messed Up (2016), Sydow took to the road with the Andy Sydow band across the U.S. and Canada. Reasons For Departure, which will be released in May of this year, is Sydow’s most current project. He has worked on the album with Grammy-nominated and Colorado Music Hall of Fame inductee Chris Daniels.

21191873_10155521042610761_402471171533091269_n.jpg

Said Sydow about the debut single from the record, “The song teases the innocence of young love, while the character in the story is so wrapped up in it, he can't see beyond the pain of the situation. I hope the listener can relate to and see the other side of a situation that pretty much everyone has experienced.”

Make sure to give “Hearts Go On” a listen and keep up with Andy here.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Everett Bird Release Debut Single "Bucket Of Dark Meat"

By: Norman Hittle

Everett Bird is a Montreal based trio focusing on their brand of eclectic alternative rock with washed out psychedelic overtones. The band just released their first single, “Bucket of Dark Meat”:

The single is the first from the band’s debut upcoming record People Person, to be released February 23rd. The LP was recorded with Jace Lasek (Wolf Parade, Besnard Lakes).

Regarding the track, the band had this to say:

“‘Bucket of Dark Meat’ was the first song we wrote for the album. The song is about the feeling of anxiety a person gets when it seems like everyone is being more productive than you. On the other end, the song is about suppressing that feeling with things that make you happy.”

Everett Bird.

Everett Bird.

Keep up with Everett Bird here and keep an ear to the ground for their debut record which drops this Thursday, February 22nd.

-Norman

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The Ivories Want To Be Your Valentine This Year

By: Hannah Oreskovich

Los Angeles trio The Ivories identify their sounds as “indie surf psychedelic punk.” The band, who are signed to Vogue House Sounds, came together after meeting in college. The diversity of their backgrounds may explain why their style encapsulates several genres, so we sat down to talk with the three-piece about the music they grew up on, the atmosphere they try to create in their live shows, and why it’s appropriate that their debut EP will drop on Valentine’s Day this year.

Let’s start with a bit about your background. Where are you all from and how has that environment shaped your music?

Erin: I’m from Zaragoza, Spain. I remember starting to have some kind of interest for music when my aunt made a Spotify playlist for me when I was around 12 years old. It had songs from David Bowie, The Cure, The Doors… I thought it was sick! And then my family gave me my first guitar and I started playing music. One of the first albums that I discovered was The Rise And Fall of Ziggy Stardust and the Spiders from Mars by David Bowie and it blew my mind. Later on I started digging a little bit more into Jack White, Queens of the Stone Age, and also Spanish rock thanks to my group of friends back home. Rock’n’roll baby!

Bryan: I’m from Santa Fe, New Mexico. My mother’s from South Korea and my father is from Texas, so I got a lot of different cultures growing up. Before I knew how to use the internet, it was mostly my family’s CDs (Michael Jackson, Korean music, and my dad’s classic rock and blues stuff), MTV, and the music in the Gamecube games that I listened to. The first CD I ever bought was Rage Against the Machine’s self-titled record. Everyone around me in Santa Fe was self-loathing and depraved for the most part. I did a lot of crazy things- I traumatized myself by choice and had like 20 ego deaths from ‘shrooms by the time I was 17. I developed anxiety from all of that and then I started writing music that actually had some substance.

Xavier: I was born and raised in Denver, Colorado to a large family whose taste in music spans far and wide. I grew up surrounded by many amazing musicians who have inspired me to pursue my dreams. My earliest memories as a child were being in my father’s studio watching him record his EP. I was intrigued by the work he was doing and wanted to do the same thing. My parents had a nasty divorce that affected me for quite awhile as a child; as a result I was exposed to many things a kid were not supposed to see nor comprehend, so I became frustrated with the world around me. A few months after the dust settled I was gifted my first drum kit at the age of nine and found my escape from reality. I was able to take all of my angst and frustration and release them through rhythm.  

How did the three of you meet and start making music together?

Xavier: We met in one of our classes while attending college in Los Angeles and proceeded to form a band based on our mutual interest in music.

Listen to “Red”:

Talk to us about your newest single and your upcoming EP.

Xavier: We’re planning to release our EP on Valentine’s Day. We just put out our first song from the record, “Red.” I think we’re making a video for it soon- we’re working with the incredible Italian filmmaker Caterina Piccardo. We have SO many songs written that we want to record!! Making music takes so long though. We’re playing a bunch of shows in the next few months as well.

Beyond the artists you mentioned listening to growing up, who do you draw inspiration from for The Ivories sound?

Bryan: If Kurt Cobain and Paul McCartney had a baby and they were raised by Talking Heads’ grooves- that’s us. We cover a few artists like P.H.F (a New Zealand band we love), Blondie, Blur, and Violent Femmes. I also kinda wanna be Morrisey. The Cure is a big one. When people hear us play live, they usually compare us to The Smiths, The Cure, The Beatles, and The Pixies, which is one of the reasons our band name is what it is. I loved the Tony Hawk [video] games and skating when I was a kid too, so definitely those soundtracks influenced me.

Xavier: As a kid, my parents as well as my uncle inspired me to play the drums. Seeing them play music made me want to do the same thing. When I first started playing drums and bass I received a copy of Death From Above’s “You’re A Woman I’m A Machine,” and was immediately hooked- from that point on I knew I wanted to be a musician. I loved the high energy rock’n’roll and was determined to re-create that emotion in my music. I draw a lot of inspiration from disco/punk influenced bands such as LCD Soundsystem, Death From Above, and Moving Units.

Erin: When I was in Spain there were not a lot of women playing music in the young music scene of my town. And since I moved to LA, I’ve been finding so many bands fronted by women, which made me feel super inspired and empowered to keep writing music. Bands like Yeah Yeah Yeahs, Savages, The Kills, or The Runaways have been pretty important in my life lately. And also the LA scene is amazing- I love to go to shows of small LA bands and get to know what their sound is and how can I add it into my music.

The Ivories.

The Ivories.

When you perform live, what type of environment are you trying to cultivate?

Xavier:  When we perform live, we want to pull people away from their thoughts, concerns, and troubles. We seek to make people feel euphoric as they witness one of the most raw forms of human expression known to man and woman.    

Bryan: I’m trying to make everyone in the audience feel like I’m their Valentine. All the songs are about a girl, and I’m singing them all in first person like I’m talking to that girl... disassociated and detached… a whisper in your ear when in reality, I’m screaming into a microphone. It’s weird. I feel like coming to our live show is like being my counselor and just listening to me talk about all my problems. All the lyrics I write are kinda self-loathing and sad, but people dance and that makes me feel good and I guess that’s what matters!

What about your music most makes you feel most empowered?

Bryan: Being able to tell people things that I would never otherwise express. Whenever I get nostalgic and reminisce back to something, a big part of how I remember it is what music was playing at the time of the memory. I even associate people with certain songs and albums. I’d love for someone to feel that was about my music. I often overthink when something doesn’t go my way, so writing songs is a good way to channel that anxiety into a tangible form so that I can release it all and get it out of my mind. I take stressful or traumatic experiences and analyze them in a third-person kind of way to take myself out of the equation and try and look at it from a different perspective. I notice little details and little gestures or expressions that made something go the way it did, you know? Writing is a good way to process things- healthier than drowning it or bottling it up.

Erin: The fact that there’s music that can make you go back to one time of your life when you were having a similar sentiment- it’s amazing to me. And being able to make people feel that blows my mind. Also, just being on a stage makes me feel so powerful. It’s the moment that we have to show the best part of ourselves.  

27907740_150079042356621_745457302133211170_o.jpg

Outside of the glory and fame of celebrity, where do you see your music going?

Bryan: I want our music to be in the Tony Hawk’s Pro Skater 4 soundtrack.

What are your plans for 2018?

Xavier: As we play more shows and just get to know each other better, we start meshing our ideas together more. Our music past this first EP is going to be much more collaborative and live-sounding; more how we initially imagined our sound being.We want to play some festivals this summer but we’ve been so caught up finishing our EP, making this music video, and playing shows that we haven’t been looking beyond that very much!

Bryan: I wanna put out at least two more EP’s, a few music videos, and I wanna have some kind of event that will put together fashion, visual art, and music. I also want to become truly happy independently this year.

Solid goals. When are your next few booked shows/tours?

Bryan: Our next show is at Harvard & Stone in Thai Town in LA on the 21st of February.

Keep up with The Ivories on Facebook.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Review: Chewy&Bach's Debut Single "Potion" Is Hypnotizing Electro-Americana

By: Elizabeth Lee

In a world of music and a sea of artists, it is always refreshing to find a track that showcases a fresh take on multiple genres and creates a sound of its own. 

Chewy&Bach.

Chewy&Bach.

Electro-Americana production duo Chewy&Bach do just that with the release of their new single “Potion.” Justin Long (guitar/vocals) and Elliot Olbright (production/sound design) started collaborating as a business venture in 2016, both coming from very different artistic backgrounds. The two found a kind of harmony in music, complementing each other’s strengths and weaknesses. Their style is described as “a love of the roots perfected through electronic music.”

Listen to "Potion":

“Potion” is a superb example of their admirable talent, drawing you in with smooth melodies and hypnotizing the listener with its ambience. The track features the soulful R&B vocals of Tucker Riley, whose voice is layered with psychedelic guitar and keyboard harmonies drenched in dreamy reverb. This unique track is a perfect debut for the duo, as it showcases their ability to combine modern electronic production techniques with their passion for blues, funk, and soul.

Keep up with the latest on Chewy&Bach here.

-Elizabeth

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Review: After Remixing A Track For Bon Iver, Nightshifts Has A Debut Single Of His Own

By: Julia Talen

After catching his first break remixing a Bon Iver song and being retweeted by Justin Vernon (who then released the track on JagJaguwar), Toronto musician and producer Nightshifts has released his debut single, "All Along," and its dreamy, lo-fi, vintage-y vibe does not disappoint.

Listen to “All Along”:

Nightshifts shared, "I wrote and recorded the track in my unfurnished apartment when I first moved downtown; just sitting on the floor with my guitar, mics, and synths. I crafted it to sound like it was created at the bottom of the sea."

Nightshifts crafts a wistful, psychedelic track with an underwater vibe that emerges as the tune swims through verse and refrain, fluctuating by way of Nightshift's wailing “oh’s,” echoing guitar, and synths. Nightshifts lyrics like "scratchin' at the surface/like an endless skipping stone/I want to dive into your waters/want to be with you alone" allude to the deep waters of pensive thought one floats in and out of when longing to tell someone that you love them.

Nightshifts.

Nightshifts.

“All Along” vacillates between misty and murky reverberations to a refrain with rooted beats and soulful impressions, like the transition to a night shift; the haze of a bright, neon sign made more visible in the night's obscurity. The catchy bits interspersed throughout blurry, echoing resonances get stuck in your head, making you want to dance a little, as Nightshifts continues to experiment with sound and mixing in this debut single. Nightshifts will be releasing a new song each month over the next year, so keep up with what he drops next here.

-Julia

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.
 

Premiere: This Broken Beat's "Out In The Deep End" Showcases Emotional, Musing Side Of Their Upcoming Record

This Broken Beat.

This Broken Beat.

Last May, we premiered indie pop duo This Broken Beat’s music video for their track “Sleep.” It was an eerie piece with a video filmed in Boulder’s misty forests to match its moody tones. Today, we’re excited to bring you the Denver band’s latest single release. Their tune “Out In The Deep End” drops on all music platforms today and you can preview it below:

“Out In The Deep End” is an emotional pop track that features Julio Perez’s smooth and soft-spoken vocals with Annie Richardson’s beats. Perez also authored guitar, keys, and production on the track, which was recorded at Streetlight Audio.

Fresh off of their UMS performance, the band told us:

"‘Out In The Deep End’" is a very exciting song for us because it's one of the last singles we are releasing before the full-album comes out later this fall. It's one of the very few on the album that carries a low-key, contemplative tone to it. The genre & feel to the song are something we don't often express in our music, but it helps bring the full spectrum of emotion to the album. We can't wait for you to hear it.”

Give “Out In The Deep End” a listen for yourself, and keep up with This Broken Beat here.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Review: Montreal's Viral YouTube Cover Duo Chris Kelly & Nicole Gibson Release First Original Single

By: Trevor Ryan

YouTube is known for many, many things. Comedy channels, news broadcasting, and of course, rather controversially, music. One of the more popular types of artists with a large viewership on the ‘tube is the cover artist. This has been a longstanding trend for the YouTube community, and among these cover artists are Montreal’s Chris Kelly & Nicole Gibson.

Nicole Gibson & Chris Kelly. 

Nicole Gibson & Chris Kelly. 

After both being in separate alternative rock bands, Chris Kelly & Nicole Gibson joined up about a year ago to create ambient, alternative sounds. Starting out with a video cover of Linkin Park’s “Battle Symphony,” the pair gained an audience quickly when the video reached 28k views. With covers ranging from Sum 41 to The Chainsmokers, the duo have recently landed on their new original single “Ghost of You.”

This track has a really great blend of rock and ambition. Adapting many of the newer elements that popular rock uses today, like spikes in synth use and overall electronic influences, can sometimes, as we all know, get tricky. But “Ghost of You” showcases some of these sounds well. The track starts out very mellow, and builds with smooth vocals and synth. Reminiscent of Taylor Swift's ballad “Style,” Ghost of You has hard hitting bass lines, and that steady kick/synth combination that really fuels the chorus. The duo scene is coming back, and these two are doing a pretty great job of making their way to the front lines of Montreal’s pop rock scene with this release. They're currently working on their second single, "Battleborn," which will drop later this month.

Keep up with Chris Kelly & Nicole Gibson on Facebook, and catch up with their latest music on their YouTube and SoundCloud.

-Trevor

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: Dear Me,'s Debut Single "The News" Is Catchy Comedic Pop

By: Hannah Oreskovich

Denver’s indie rock trio Dear Me, are self-described “socially relevant, humorous songwriting.” Members Andrew Rogers (guitar/vocals), Sam Columna (guitar/vocals), and Jamie Beekman (keys/vocals) have been playing shows together since 2014, though they didn’t start gigging consistently until close to a year later when Sam told us, “It wasn’t until f*cking July 2015 when we agreed to play a gig at The Gothic with Chemistry Club that I honestly did not think we were ready for. But we somehow managed to survive and after that, shit was real.” It’s comments like these that kept me smirking during my recent chat with Sam about Dear Me,’s new single, which we’re stoked to premiere exclusively on BolderBeat from the band’s upcoming record Present Perfect.

Listen to Dear Me,’s new single “The News”:

“The News” is an undeniably timely tune in subject matter, and expresses a sentiment I think most of us can relate to: as informed as we want to be, the current media whirlwind of world news can be overwhelming at times and force us into one story before we’ve processed the others that came before it.

Dear Me,.

Dear Me,.

Said Columna about the track, “Part of me maybe wants to evolve past the magic of hearing something that you’re feeling expressed in a song- like it’s sort of cliche and basic and that makes it a character flaw. But every single time a song nails my inner monologue- dead to rights, word for word, kills me softly- it’s like a transformative experience. I’m reminded how lucky I am to be able to make art. If anything I make has that impact on anyone, then probably I am doing a good thing."

Sam continued, "[With “The News”] I was just hoping to capture some of the Groundhog Day-esque overwhelmed horror that I found myself feeling all the f*cking time. I actually wrote the hook, ‘I need something stuck inside my head besides the news,’ in like 2014 when I was a sunglasses salesman and I couldn’t afford to be in touch with my feelings at work or else my numbers would suffer. And that year planes disappeared out of the sky, Ebola happened, the Israel-Palestine conflict flared up, Michael Brown was murdered, there was that hostage crisis in Sydney… and yes I’m looking at a list of 2014 events right now... Robin Williams also died... and all of this happened to coincide with me falling in love with NPR, so I was hyper-aware of everything. And all of it was immediately politicized. There was no acknowledgement or time taken for human suffering- everything immediately felt like currency, or else like a weapon. I couldn’t f*cking deal with it. The hook [from “The News”] was super, ultra, mega-literal for me.”

Sam Columna.

Sam Columna.

Though the subject may seem a bit dark, Dear Me, manage to express Columna’s inner monologue of that time with a catchy hook and poppy vocal melodies, driving keys, and a strong percussive build interspersed with quick guitar breakdowns, while also weaving their stylistic humor within “The News.” This ability has had the trio previously described as “Louis C.K. meets The Beatles.” Though Columna admits there is definitely a comedic element to their work, it’s clear there is an important balance to Dear Me,’s songwriting.

Regarding this balance Sam, told me, “Oh man. Well when this comes up I always like to make it clear that we’re not Flight of the Concords or Axis of Awesome. We’re not a comedy band. We just sing songs with lyrics that are often blunt about social circumstances, and are sometimes funny, in a caustic, dark, Louis C.K. kind of a way. I actually didn’t really think of my songs as being particularly humorous until I started hearing people laughing during open mics. But I’ve always been a person who has found a lot of life to be depressing, or awkward, or uncomfortable, or shocking, or whatever, and I’ve always responded to those parts of life by laughing at them. I think Andrew is that way too. And since art is an outward expression of inward shit, it was inevitable that some of that would make it into the songs.”

“The News” is the first single from Present Perfect, Dear Me’s debut album. The record is a followup to the band’s three-song 2015 EP Name On a Page. The nine-song record was, in some ways, five years in the making.

Said Columna, “Present Perfect has lots of fingerprints on it. It was tracked either at Streetlight Audio or at Beyond the Infinite Multimedia, run by Dae Dupont, George Till, Quinn Blue and Leo Cashin. It was mixed and mastered entirely at Streetlight Audio, which is run by Tyler Paul Glasgow, Jack Roberts, and Jeff Hummel. Tyler Paul Glasgow produced and added some tasty slide guitar and synth layers on a few of the tracks. Elliott Cook played drums on any track with drums on it, and bass responsibilities were split between myself and Casey Cormier. That just leaves the core members of Dear Me,: Andrew and I both played guitar, Jamie played keys. Andrew and I split lead vocals on the album, and the songs were written by either me or Andrew, and arranged collectively by me, Andrew, Jamie, and whoever happened to be in the rhythm section at the time. Jamie mostly arranges all of our vocal harmonies, and we credit her with keeping us from sounding like a bag full of cats in a burning dumpster.”

Jamie, Andrew, & Sam.

Jamie, Andrew, & Sam.

When asked about whether Present Perfect is comprised more of old tunes the band has played over time, or new songs written just this year, Sam told me, “In some ways it’s like a greatest hits collection of a band no one knew about that had been skulking around in living rooms and cigar bars for five years and finally managed to stumble into a studio.”

More seriously, he added, “The vast majority of the songs are relatively recent, like written inside the last couple years. But something we really wanted to capture with the album was sort of the breadth of all the junk that we’ve kicked around over the last however many years. We wanted the album to capture everything we’ve been over the last five years, [and] I think it does that. Some of the tracks were multi-tracked in studio, some were tracked as full band performances with overdubs, and some were live acoustic trio tracks. That’s all the stuff we’ve been. And I think we managed to massage it into a mostly cohesive product. So I feel pretty dope about that.”

It’s this play between laughs and seriousness (and those same interplays throughout the band’s new record) that had me wondering who some of Sam’s influences are in the comedy and music realms.

“Beyond Louis C.K., I’m a fan of Mike Birbiglia and Dave Chappelle. I like storytellers. Obviously there’s innumerable musicians that I love, but my three desert island albums would probably be Abbey Road by the Beatles, Curse Your Branches by David Bazan, and Stadium Arcadium by Red Hot Chili Peppers.” he told me.

And local artists?

Danielle Ate the Sandwich is one of the best songwriters I’ve ever heard. Andy Sydow and I have peed in many backyards together. He’s my closest non-Jamie friend from CU Denver, and he got me a job teaching music. I really admire his musicianship, and his tenacity. He puts on a pretty sassy live show too. Corsicana went on tour with us last October, and together we discovered the healing properties of cayenne pepper. Ben has the voice of an angel and is irritatingly young. Andrew actually taught him to swim a billion years ago.”

After the release of Present Perfect, Dear Me, have a CD Release Show booked at Syntax on June 10th and are planning to tour around Colorado and the region. They also want to jump back in the studio.

Said Sam, “I feel a little bit like releasing this album was the top of a roller coaster, and the five years before that were the long slow ticking part while we climbed up. And hopefully from here it’s screaming and raising our hands in the air for awhile.”

We’re definitely raising our hands for Dear Me,’s newest release, so give their single “The News” a listen for yourself above, and make sure to grab tickets to their Syntax show by contacting the band here. Keep up with Dear Me, on their Facebook.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Colorado's The Velveteers Release Debut Single + Music Video for Track "Death Hex"

By: Hannah Oreskovich

Colorado rock duo The Velveteers released their first music video and single today for their original track, “Death Hex”. Recorded at Silo Sound Studios, the track features commanding vocals by frontwoman Demi Demitro over heavy guitar and a slammin’ rock’n’roll drumbeat courtesy of John Demitro.

John & Demi Demitro.

John & Demi Demitro.

Demi’s presence in the accompanying music video for “Death Hex” is as equally hypnotic as the single itself. In it, we enter a black and white world lit only by candles, and are hexed with prismatic visions of Demi playing in front of dual drummers in gothic makeup. Visions of Demi’s smile, eyes, and headbanging hair flash before us as if part of a spell.

Watch The Velveteer’s new music video for their debut single, “Death Hex”:

Said Demi of the video, “‘Death Hex’ is about awakening from the dead and saying goodbye to the past. It was really inspired by a sense of magic I felt happening. It’s a story of coming back from a bad situation and coming out on the other side better than you ever imagined.”

Though The Velveteers have been around for a year and a half, “Death Hex” is the first music that they have actually recorded. They’ll be supporting the single, and showcasing a number of other original tunes, on their upcoming UK tour with California’s Deap Valley, and they’ve got more studio plans in the works as well.

On top of being a talented player, Demi’s got the attitude of a real rock goddess in creative control of all she does with this project, and that’s one reason that checking out The Velveteers is a must. Make sure to listen to “Death Hex” for yourself, and peep The Velveteers' UK tour dates here.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

A Shadow of Jaguar's Debut Single: "Mama Needs the Bottle"

By: Hannah Oreskovich

A Shadow of Jaguar's new single is tasty.

ASOJ.

ASOJ.

As you might recall, we covered an A Shadow of Jaguar show back in June at the Pub. Comprised of Cold River City’s Brian Hubbert and former West Water Outlaws’ drummer Andrew Oakley, desker David Landry described the boys as a “super-powered project” with “a thumping kick drum and a whip-cracking snare.” Following that performance, the duo played The UMS and various gigs around Colorado. The pair then hit the studio, The Crucible Recording Studio to be exact, and worked with producer Robbie Stiefel and bassist John Demitro of Branded Bandits to lay down a few licks. After tossing things around in mixing with John Peacock and having their jams mastered by Brian Gardner, A Shadow of Jaguar have released their debut single, “Mama Needs the Bottle.”

Cheers to new music! Check it out here and leave your thoughts in the comments:

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.