Premiere: Denver's Boot Gun Debuts with a Bang with Two Singles & a New Music Video

Denver’s Boot Gun have entered the Colorado music scene with a serious bang. Today, the three-piece are releasing their debut single and video for “Virginia,” a high-energy rock’n’roll track with a Southern twang, and a rebellious video featuring a slew of Denver haunts to match. And folks, one thing’s for sure, the trio comprised of Keith Lawrence (guitar/vocals), Davie Landry (bass/vocals), and Cody Hart (drums), have brought the party.

“Virginia” was recorded and mixed by Todd Divel (The Yawpers, In The Whale, The Velveteers) of Silo Sound and mastered by Hans Liburd of Burdhouse Mastering. The video was directed and filmed by Colin Anders of Slice Cinematics (Nathaniel Rateliff & The Nightsweats, A Shadow of a Jaguar, Dragondeer). Boot Gun also featured several friends on the track’s instrumentals including Bullfrog Baugh on harmonica, who makes an appearance in the video about 40 seconds in, Sam Janik on guitar, and Bill McKay on organ and piano.

Says frontman Keith Lawrence about the track, "Virginia came to me in multiple dreams last summer. I showed the boys the main riff and they said ‘Sounds great. Where's the rest of the song?' I told 'em I had to go back to sleep to hear [and] see the rest of it. A few months and a couple of disco naps later, we had us a rock’n’roll ripper."

A ripper it is indeed. “Virginia” is a boot-stompin’ tune rife with slashing rips, harmonica twang, and a jangly toe-tappin’ keys solo that will force you on your feet. Some of that energy didn’t enter the track until the boys rounded things out in the studio though.

Says Keith, “As a band, we all believe that a song isn't finished being written until we record it. Todd at Silo pushed for certain creative ideas that we were able to let shine on these tracks. Having Bill McKay sit in on keys helped round out the sound and bring our musical intention into fruition."

Boot Gun. Photo Credit:  Mountain Trout Photography

Boot Gun. Photo Credit: Mountain Trout Photography

Along with “Virginia” and their debut music video, Boot Gun also released their B side “Feels Like A Storm” today. While “Virginia” takes you on a wild ride, quite literally in the video, “Feels Like A Storm” is the moodier, heavy-hitting track from the trio.

Says Davie, “‘Storm’ is a song that we wrote collectively. It started with Keith singing but never felt completely right. So we argued and laughed, and laughed and argued, and I was forced to sing it… In the end, it became the beast that you're listening to today."

You can listen to “Virginia” and “Feels Like A Storm” on all major streaming platforms and catch Boot Gun live at Cervantes with Dave Watts & Friends on Friday, April 12th.

Says Davie on Boot Gun’s debut, “It’s a young band's take on all the rock’n'roll we love and grew up on. We go from A to Z, then back to A just make sure you're still with us."

Join that trip and keep up with Boot Gun here.

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Colorado's The Velveteers Release Debut Single + Music Video for Track "Death Hex"

By: Hannah Oreskovich

Colorado rock duo The Velveteers released their first music video and single today for their original track, “Death Hex”. Recorded at Silo Sound Studios, the track features commanding vocals by frontwoman Demi Demitro over heavy guitar and a slammin’ rock’n’roll drumbeat courtesy of John Demitro.

John & Demi Demitro.

John & Demi Demitro.

Demi’s presence in the accompanying music video for “Death Hex” is as equally hypnotic as the single itself. In it, we enter a black and white world lit only by candles, and are hexed with prismatic visions of Demi playing in front of dual drummers in gothic makeup. Visions of Demi’s smile, eyes, and headbanging hair flash before us as if part of a spell.

Watch The Velveteer’s new music video for their debut single, “Death Hex”:

Said Demi of the video, “‘Death Hex’ is about awakening from the dead and saying goodbye to the past. It was really inspired by a sense of magic I felt happening. It’s a story of coming back from a bad situation and coming out on the other side better than you ever imagined.”

Though The Velveteers have been around for a year and a half, “Death Hex” is the first music that they have actually recorded. They’ll be supporting the single, and showcasing a number of other original tunes, on their upcoming UK tour with California’s Deap Valley, and they’ve got more studio plans in the works as well.

On top of being a talented player, Demi’s got the attitude of a real rock goddess in creative control of all she does with this project, and that’s one reason that checking out The Velveteers is a must. Make sure to listen to “Death Hex” for yourself, and peep The Velveteers' UK tour dates here.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

David at the Desk: Billy Shaddox's Transformation from "Working Class Hero" to Americana Artist

By: David Landry

Billy Shaddox has had quite the journey to get to where he is now, which is in Colorado making great Americana music.

The first time I heard Billy Shaddox was live at Birdhouse Concert Series, a once a month DIY concert series with local music, food, and beer. I’d been wandering around the event finding people to talk to, and after bumping into Billy, I learned he was one of the night’s performers. Billy’s songs were strong and short, leaving everyone in the audience wanting more. I was pumped to hear his new music, and he killed his performance. I was curious to learn more about this Colorado transplant by way of California, so we met up at Mountain Sun for a brew.

Ol' Billy Boy.

Ol' Billy Boy.

Shaddox has this attitude that makes you want to get to know him. And the more you talk to him, the more you realize he embodies a “working class hero”. Years before moving to Colorado, he was an everyday man, working as a civil engineer in San Diego to support his family. His job required moving around often, and spending time away from his wife and two kids. So one day, after discussing his fears about playing music for a living, his wife was actually the one to tell him to make the jump.  And so began Billy Shaddox’s musical career.

Billy Shaddox.

Billy Shaddox.

Shaddox recorded at Great North Sound Society in Maine with Sam Kassirer (Elephant Revival, Langhorne Slim, Josh Ritter). This is where Shaddox’s record, I Melt, I Howl was born, an Americana album filled with love and relief about life. The theme of change can be heard throughout the 11-song record. His songwriting has this timelessness to it that makes you remember past feelings and gets you excited for what's to come.  

There is also a visual element to Shaddox’s work. His songs remind me of being in the mountains and seeing every shade of green that exists. Billy’s music has this great country-Americana vibe to it that is perfect for a beautiful summer in Colorado. I can honestly say that I will be listening to it all summer, and hoping for more to come.

Though Billy has been touring for almost two years, he hasn’t played Colorado much. I get the sense that part of that is because that when he gets home from traveling, there’s probably an element of not wanting to do anything but be in the mountains with his family and write new songs. But, for the next few months, Shaddox has a number of shows around the state, including performances in Boulder, Longmont, Lyons. Make sure to catch one and check out Billy’s music.

Listen to I Melt, I Howl, and I have a feeling you’ll be happy Billy made the jump too:

-David at the desk

All photos, videos, and embedded tracks per the artists featured and those credited.

On the Record with Zach & David: The Red Petals

By: David Landry and Zach Dahmen

Colorado's newest blues band sat down with us for records and a chat.

On the Record: Where David & Zach sit down with musicians, listen to records, and bring you their conversation.

The Red Petals choices for this session were: 

  1. Crosby, Stills, Nash & Young - Deju Vu
  2. The Beach Boys - Pet Sounds
  3. My Morning Jacket - It Still Moves
  4. The Everly Brothers - The Very Best of
  5. The Band - The Band

House Choice:

  1. Ryan Adams - Rock n Roll

Newly formed blues band The Red Petals walked through the door and went straight for the records; that’s JC McKim, Matt Lowber, and Austin Pacharz. Their story goes likes this: JC and Matt both grew up in Alaska and played in rival high school bands before they both ended up in Boulder. The two played together in a local project, Slanted Jack, but that eventually came to an end.

The Red Petals.

The Red Petals.

In late 2015, JC wanted to start a new project and Matt was itching to play more after a stint of shows playing percussion for Na’an Stop. And that is where Austin (Cold River City) comes in. Na’an Stop happened to need a temporary bass player for a couple of shows and Austin got the gig.

One night, while loading gear, Matt was talking music with the guys and that’s when it happened, the “Hey Austin, want to start a trio with JC and I?” And Austin, “Yeah!” So the three met up in Lyons, the mountain town that Matt calls home, and started to jam old blues and soul standards. It was fluid from the start, and not a lot of questions were asked.

From the beginning, Austin and Matt locked in playing together, and that’s a good thing because it allows JC to dance. JC plays a red, semi-hollowbody guitar, which drives the sound of the band. JC describes the guitar as “flashy blues”, and it’s made him want to play just that.

The three-piece are influenced by 50s and 80s blues, but still allow pop elements to fold in. Each member has their own influences too:

“Funk, jazz, reggae, and hiphop [are] a huge part of my drumming, and my musical approach to drumming.” said Matt.

Austin, on the other hand, is more into the great Pino Palladino (JMT, D’Angelo) and Chris Wood (Wood Brothers). Said Austin, “They know when to hold back and when to push the music further out into space into something cohesive.”

With all of these influences, The Red Petals form a blues power trio, like the greats Stevie Ray Vaughn, The Jimi Hendrix Experience, and even the John Mayer Trio. Being a three-piece lets every instrument have its own space, but blend well together, giving the guys a rich, full tone.

Watch a video about The Red Petals formation:

After their experiences in other projects, the guys decided to go into this one with a different approach: have a solid foundation and act like it’s a business. Which is why they went straight to the studio to record singles before playing shows.

“Knowing we want to approach this professionally means that we have more than just the music to worry about,” said Matt.

And so the guys went to Andrew Oakley’s (WWO, A Shadow of Jaguar, Cold River City, BANDITS) practice space, a spot well seasoned and setup for recording. After tracking their first single, “Ruby Sky”, and an old Robert Johnson tune, “Come On In My Kitchen”, The Red Petals headed to Coupe Studios, where Greg McRae helped engineer and mix their sessions. The trio already has plans for more recordings too, and music videos to help push their vision forward.

Currently, The Red Petals are gearing up to play their first live show in Boulder at the Bohemian Biergarten this Thursday, March 31st, with a hometown show for Matt the following day in Lyons at Pizza Bar 66. In the meantime, keep up with the band here and get a taste of The Red Petals' music on their website

-David and Zach on the record

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

We Talked to The Fighter and The Kid About Their Upcoming Denver Stand-Up Shows, CO Music, & More

By: Hannah Oreskovich + An Interview By David Landry

This is a duo you don't want to miss. 

You may know actor/writer/comedian Bryan Callen and former professional football player, UFC fighter, and Colorado native/CU alum Brendan Schaub best from their podcast “The Fighter and The Kid”, which garners over 3 million downloads a month. I first heard the comedic duo on The Joe Rogan Experience, which prompted me to dive into their hilarious and wildly successful show. Recently, the two announced that they’re hitting the road together for a nationwide stand-up tour, starting at the Irvine Improv in California this Wednesday, March 16th. We were hoping for a Colorado date, and lucky for us, WE GOT FOUR, the most shows of anywhere that these riotous dudes are scheduled to perform.

Our contributor David recently chatted with the duo about their upcoming stand-up tour, Schaub’s time at CU, Colorado music, and more. So get ready to roar this Friday and Saturday at Comedy Works Denver South, because if our conversation with these two is any indication, it’s going to be one hell of a weekend at the CW. Keep reading, and for the full audio interview, scroll to the bottom and listen up:

D: How yah doing gentleman?

C: Just a couple of men on a Friday morning.

Schaub & Callen. 

Schaub & Callen. 

D: Haha great. So you have a really fantastic podcast. It’s really funny and it seems really natural, like you guys just have fun talking and laughing with each other. How did y’all meet and build that chemistry and create something like this?

S: We’ve always kind of had that chemistry, from day one. I met Brian on the set of The Ultimate Fighter in Vegas and I’ve always been interested in the entertainment business. Bryan is one of the pioneers for that out here [in LA] so when I moved out here, he took me under his wing. He asked me to come on his podcast and we had this weird chemistry, so it was Brian’s idea to start this thing and, man, I was never expecting it to become what it has.

C: Yeah- you never know if something is going to become successful. But we are two guys who are hanging out and talking the way we would anyway- and that’s the big thing. We’re not planning anything. We just go and talk. And when we have someone on as a guest, we’re not trying to interview them…. They’re part of a conversation. There’s no filter.

S: Yeah we have no agenda. We can talk [with our guests] about whatever we all want to talk about. We’re just hanging out. I think a lot of people tune in because [it’s like] they’re one of the guys. A lot of people in this business want the love from everybody, but that’s not the way to go. And that’s how I know a show is good- if we get a bunch of bad comments or good comments, as long as they’re comments, it’s good because then we know they care about what we’re saying.

C: It’s true. In comedy, if 20% of the audience is a little disturbed or maybe doesn’t even like you that much, then you’re doing your job. If everybody likes you, then you’re just one of those comics up there smashing watermelons or something, with all due respect.

S: Yeah I’m thinking about smashing fruit at our next live show Brian. I’m running out of material…

C: I’m already all over it.

D: I think as long as you wear a cabbie hat and a mustache for that, you’ll be fine. So talk to us about this radical tour ya’ll are about to start on March 16th.

S: We start in Irvine and then we head to my hometown of Denver.

D: So Brendan you’re from Colorado? You grew up here and are from the Denver area?

S: Correct- I grew up in Aurora, Colorado and I went to Overland High School, and then I went to University of Colorado where I played football for four years.

D: That’s fantastic. I didn’t know you grew up in Colorado as well. Is that a reason you are doing four shows at Comedy Works Denver on March 18th and 19th?

S: Yeah that’s usually not our game plan. Usually what we do is one city, one night, one show- a big show- in like 800-900 [person] theatres. But in Denver at Comedy Works… I mean I’m from there so I’d like everybody who wants to see it to be able to see it, and it’s Denver. I know they’re going to come out and support, so that’s kind of the plan here.

C: A lot of times we’ll do a show and sell out really quickly but the bummer is we have to turn a bunch of people away and we’re like look, we’re in Denver, let’s just do four shows and see what happens.

D: That’s awesome.

S: Oh and it’s my birthday March 18th!

D: So the 18th show is going to be like a nude show? Everyone’s going to be in their birthday suits?

S: Yeah the only way you’re going to get in is with a birthday suit and a positive attitude. 

Callen preparing to get into his birthday suit. 

Callen preparing to get into his birthday suit. 

D: I’m glad we’re on the same page. So BolderBeat is a music news and entertainment website. Brendan- growing up in Colorado, who were some of the local bands and artists that you were listening to? And what were some of the places you’d go hang out in with your football buddies?

S: I remember one of the [local] bands who was really huge in highschool and college was The Fray. They were awesome. As far as other Colorado bands, I worked security at The Fillmore, The Gothic, and Red Rocks in college so I was around a lot of the music industry… And as far as where we hung out, I was in the typical Boulder spots: The Sink, Pearl Street.

C: Yeah some really big bands have come out of [Colorado] right? Like Big Head Todd [& the Monsters]?

D: Yeah and The Samples. So when you guys go out and do a performance of “The Fighter and The Kid” live, are you going out and doing the podcast?

S: See that’s where people make a mistake. A lot of the bigger podcasts in the podcast world go out and do these live shows, but “The Fighter and The Kid” live show is not a live podcast... it’s a live experience, it’s an entertainment show. It’s not like the podcast. But if you like the podcast, you’ll love this. We get pretty wild and have some fun.

C: Yeah we kind of surprise each other too. We like to throw things in there and get crazy.

D: Nice. So your podcast is weekly- are you still doing the podcast while you are on the road since y’all are on tour until May?

S: Yeah we always find time to get it done. The podcast is our mothership and home base and we know that not everyone can make it to these live shows. We realize that. So people can still bank on two podcasts a week, that’s for sure.

C: Always. Without fail.

D: Cool. Can you tell us one of the weirdest things that has happened to y’all while you were traveling on tour?

C: One time this woman got up and accused Brendan of proposing to her and there was this weird moment in the audience. She was like, “You asked me to marry you.” And she was um… she was the worst. She looked like Brendan with a wig. And Brendan was like-

S: -yeah we do open forum fan questions at the end where it’s a live mic, so you can’t really censor those. So we’ve had some pretty interesting questions. It makes it fun though. That’s how we end every show.

C: Then it’s like $10 to touch us and $15 to have sex with us.

50 Cent   allegedly paid $20 in Vitamin Water to touch Callen and Schaub. 

50 Cent allegedly paid $20 in Vitamin Water to touch Callen and Schaub. 

D: Well gentleman, I don’t really have any more questions. We know you’re playing Comedy Works South in Denver this weekend. Anything else you’d like to add?

C: We’re excited.

S: Last time I was in Denver, I was fighting in an octagon for the UFC, so this performance, I think, is going to be a little more fun.

D: Well hopefully there will still be a knockout.

C: Brenden and I are going to do some light sparring on stage, some light sparring.

D: Can’t wait.

Get your tickets to the show while you still can! Buy them here.

Listen to our full audio interview with The Fighter and The Kid:

We’ll see you at Denver Comedy Works South this weekend peeps.

-Hannah & David

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

A Review of Greg Corcione's Debut EP "Believer"

By: David Landry

Greg Corcione sure has us believin' something. 

Greg Corcione’s debut EP Believer is something I have been waiting for with a lot of anticipation. I met Greg years ago as the drummer of Fleedami, which was the experimental jazz group that played every Wednesday at The No Name, and parts of them still do. Corcione spent some time traveling, and when he got back, he told me he wanted to work on a solo project.

When my band Whiskey Autumn started working with producer Robbie Stiefel, we found out Robbie was working with Greg on his new project too. I soon learned that Greg actually came to the studio with only rough demos of all of his songs. Greg and Robbie arranged and recorded all of the instrumentation to the songs together with help from Bill Douglass on the board. With each song on Believer, Corcione shows his love for all styles of music; overall there is a major blues undertone.

Robbie Stiefel (left) and Greg Corcione (right).

Robbie Stiefel (left) and Greg Corcione (right).

Corcione comes in battling a demon with “Holy Water”. The heavy distorted guitar welcomes you to this haunting voice that is reaching out. The thunderous drums and crashing cymbals fill the empty space and bring you this dark sermon of blues, with a Morrison-like preacher confiding in a higher power for help.

When I first listened to the record, “Mother’s Poem” grabbed me before finding out the deeper meaning to this song. Greg paints this image of a rainy evening in the summer with the quiet fingerpicking guitar. The piano and the warm bass sound like the steam off the streets. And then there’s a little girl in her room alone, missing her father, wishing that he would walk up the stairs just like the night before. “Mother’s Poem” was written by Greg’s mother about her father passing away when she was only ten.

“Blame it on Love” enters with this R&B blues backbeat and guitar; a swelling organ brings in the obsessive vocal groove. The lyrics go along with the music, and it makes you want to be “standing there naked”. Corcione sings about big decisions he made while being in lust and love.

Corcione in action. 

Corcione in action. 

“Tango Women” stays with the sexiness of “Blame it on Love”, but with this great Spanish flare. The women in the song must be the only ones in color in this black and white affair. The whispering guitar fills; the rhythm is like tap shoes to the hardwood.

The EP’s closer and title track, “Believer”, brings you to the sea of the spirit, with his arms open wide singing to the heavens. Filled with claps and stomps from the congregation, and Greg’s slightly distorted voice, this one feels like it’s his last call.

Overall, Corcione’s Believer is a great debut, and I can’t wait to hear more from him.

Listen to Believer below: 

-David

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Catching Up with Whiskey Autumn: Fireworks, #MusicMasquerade, & R&B Jams

By: Hannah Oreskovich

Boulder's Whiskey Autumn are bringing new tunes to this Saturday's Music Masquerade.

We’re just two days away from our #MusicMasquerade with Whiskey Autumn, Villain Baritone featuring Andrew Sturtz and Hunter Stone, and Noctogon at Studio 700! Want the event details? Then peep the FB event here. This week, we’ve already brought you features on both the boys of Villain Baritone and the prog/alt rock trio that is Boulder’s Noctogon. Give those a read if you haven’t yet kids.

Today, we’re talkin’ Whiskey Autumn, the headliner of Saturday’s bill. This indie, doo-wop rock trio comprised of Greg Laut (vocals/guitar/keys), David Landry (bass/vocals), and Matty Schelling (drums, vocals) have been up to some pretty sweet thangs as of late:

They dropped this badass video for their single 07.04.07:

And they released 07.04.07 for free download and your listening pleasure:

You might notice that 07.04.07 has more R&B and pop undertones than some of Whiskey Autumn’s previous work, and that’s the sort of sound the band has been experimenting with most recently. Said frontman Greg Laut:

I had grown a bit tired of the Americana vibe of our previous two EP’s so writing from a R&B/pop perspective felt very refreshing. The recording process for 07.04.07 was interesting because we chopped up and sampled the beat in a similar manner to what a hip hop producer might do and incorporated some electronic elements. We’re constantly pushing to further develop our sound and explore new ideas. The song is certainly a sign of things to come in the near future.

The three-piece have written several other songs in this new vein, one of which they just filmed a live video performance for with Ian Glass Media (who also filmed 07.04.07). They plan to drop that video sometime in February, along with a live performance video of a popular R&B cover that you’ve probably seen them play at one of their recent shows.

A scene from 07.04.07.

A scene from 07.04.07.

Whiskey Autumn is also heading back into the studio over the next couple of months with plans for a new EP release in the late summer or early fall of 2016 Want to check out their previous EPs? Head here.

When we asked the WA boys what they’re most excited about for Saturday’s #MusicMasquerade, they told us this:

We’re really looking forward to playing a rocking, DIY venue like Studio 700. Plus everyone will be wearing masquerade masks so it will feel like we are in Eyes Wide Shut. Fingers crossed that Tom Cruise will dig our sound.

So there you have it Boulder! Come see Whiskey Autumn close out the night at Studio 700 this Saturday! Join the FB event righhhht here. And don’t forget your mask...

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

On The Record with Zach & David: The Un- "Branding" of BANDITS

By: David Landry and Zach Dahmen

BANDITS rebrand and talk to us about their history and their horizon.

BANDITS.

BANDITS.

One night over whiskey and records, we came up with a cool idea: we wanted to sit down with musicians, listen to music, and just talk about how they got to where they are. For our first interview, we jumped on Boulder’s own BANDITS. John and Lulu Demitro walked into the Gingerbread house and the first thing they both said to us was: “Nice- Rubber Soul is on.” That’s when we knew it was going to be a good evening, with The White Stripes and The Greenhornes to follow.

So let’s just start with the fact that the BANDITS are opening for fucking HEART tonight- yes Barracuda at the Budweiser Events Center. But how did they get here?

The BANDITS are a Boulder band through and through. Though they don’t play here often due to Boulder’s lack of hard rock venues, their family started here, with their grandfather being one of the first Colorado University students to attend school for bass guitar. He even owned a music shop, located where The Riverside is today. So the Demitros grew up here and still love it. John embarked on his first band (Baseline) when he was 17 and started out on bass guitar. Baseline began as a four piece, fresh out of high school; a rock band playing 21+ shows for pennies and no tab because they ‘couldn’t’ drink. John has always been influenced by the heavy hitters of rock and roll, like Zeppelin and Sabbath. Trying to fill out the sound of the band, he looked to his sister Lulu to play keys. Lulu started playing piano as a toddler and taught herself how to read music by playing Beatles songs over and over. But with John being the older brother, it took some convincing for her to even come to a practice. Eventually, she joined the band.

Rock and Roll.

Rock and Roll.

Baseline played some gigs to empty basements but nothing too serious. Together, the group’s first gig under the moniker Branded Bandits was opening a show at The Fox Theatre for West Water Outlaws, and with guns blazing the Branded Bandits kept playing. When the guitar player left the band, John told Lulu, “You will have to learn bass and I am going to learn the guitar parts.” And so they did. Non-stop practicing made their shows go smoothly from there, but what really came from the change was that they liked their new three piece outfit. Compressing the band changed the sound, and all they wanted was a badass rock band.

“The thing about rock and roll [is] there are no rules, you can do anything you want.” -John

Andrew Oakley.

Andrew Oakley.

Finding new influences like Queens of the Stone Age, The Kills, and Black Rebel Motorcycle Club showed Bandits that they really didn’t need a lot to sound heavy. Working on finding their own sound made drummers come and go, but finding current drummer Andrew Oakley (formerly of West Water Outlaws) was a sign that they were moving in the direction they wanted. They felt more at home with Andrew on the kit. They were trimming off the extra and creating BANDITS.

“[Andrew] is a pocket drummer and we needed that; he’s all about the song and the collective.” said John.

Added Lulu, “With Andrew we were falling into our sound.”

The unbranded BANDITS quickly started working on new songs and hopped on the road. A touring rock and roll band in their early 20’s brings debauchery, and they have stories to tell. They stayed on the road as much as possible and then jumped into the studio to record. For the first time ever, they got to record like their idols. They taped and pressed a 7-inch.

“It was the first time we got to see how recording a tape worked.” they told us.

BANDITS Bring It.

BANDITS Bring It.

Which brings us to now, with BANDITS opening up the Heart show tonight. BANDITS were contacted a few months back about the show, but didn’t hear much until two weeks ago when they got a call that said, “You’re in.”

“They are the female Led Zeppelin, such a unique, powerful, and original sound,” Lulu smiled, “Two leading ladies: one plays guitar and they write their own tunes. [When it comes to our set] we are going to do what we are going to do and have a good time doing it.”

Spoken like a true rock and roll band. If you are seeing Heart tonight, make sure you get to the show early to see this fantastic three piece. Or you can catch them around Colorado- they play the Snake River Saloon this Saturday. Keep up with their performances here.

Listen to a Bandits track here:

-David and Zach on the record

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

David's Desk: Blood Was Spilt on Friday the 13th

By: David Landry and Zach Dahmen

What's a rock'n'roll show without a little blood?

Friday the 13th is known as a superstitious evening. Most of us give it the middle finger and get tattoos for 20 bucks and hang out at Crystal Lake. The virgin dies, so get to it. But we spent last Friday the 13th at the Hi-Dive. And though no one was slashed and all three bands on the lineup KILLED it, the vocal mics that evening were unfortunately cursed.

The night was a sonic smorgasbord: blaring guitars, chest rattling bass, and passionate artists who left their guts onstage. We were transported from surf rock to outright wailing rock’n’roll that you could feel in your teeth. The sound didn’t give the performers vocal justice, a guy in the audience blacked out and face-planted on the floor, blood was spilt, beers were guzzled, bodies moved, and the ringing in our ears wasn’t the only thing we took home with us. 

Slow Caves. Photo Credit:   Zach Dahmen

Slow Caves. Photo Credit: Zach Dahmen

Fort Collins’ Slow Caves started the night pulling no punches. Their style had surf heavy guitars and electric energy, but their tenacious vocals were often lost in the mix. Bodies were grooving hard to this four piece. They set the tone of the evening for a memorable night.

Drop to Your Knees and Choose the Outfit. Photo Credit:   David Landry

Drop to Your Knees and Choose the Outfit. Photo Credit: David Landry

The Outfit took the stage next and had the best sound of the night, but only because an overly enthusiastic fan jumped onstage and no one could hear Eric Johnston telling her to get fucking going. So Johnston grabbed the bass player’s mic, and with his soapbox voice coming through, the sound changed dramatically and the crowd definitely responded. Nasty lead bass lines, distorted harmonic guitars, and a booming kick drum made the show move with the thrashing heads in the crowd. We can tell you that BolderBeat will be going to The Outfit shows more often.

Groupies. John Demitro of Bandits. Photo Credit:   David Landry

Groupies. John Demitro of Bandits. Photo Credit: David Landry

Finally, Bandits hit the stage blaring. The high energy from the cursed evening coursed through all of our veins. Halfway through a crowd turning performance, their vocals began to fade to nothing due to the hexed mics. But in true Bandit fashion, the trio played a blistering set to a fever pitch of crash amps and a very damaged drum set. Each member had their sonically shining moments. John Demitro on guitar played with a real fearlessness and took advantage of every inch of that stage. Lulu Demitro on bass and keys was a highlight with all of the melodic parts. She shined on the band’s dark interpretation of the Beatles' Happiness is a Warm Gun. And Mr. Andrew Oakley on drums crashed through the stage with ferocious rhythm. His set-ending drum solo was a catalyst for a defiant stage destruction. Bandits are back with a new, grittier sound and we can’t wait to see what happens next.

All three bands made Friday the 13th a hit. We’re hoping for a sequel very, very soon.

Get a taste by watching vids from each of the bands here:

-David and Zach at the desk

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

A Thank You From BolderBeat

By: Hannah Oreskovich

Thanks to you, The Fall Showcase was a major success. 

Ben Hanna and The Knighthawks at The Fall Showcase.

Ben Hanna and The Knighthawks at The Fall Showcase.

Hey Boulder! Thank you so much for your support of The Fall Showcase last Friday! We had 100 people check out the event - and almost all promotion for the show was done just through our site and social media. So you rock! Special thanks to The Riverside for working with us. We also had a great time with Rocky and Skylar from Green Light Radio- and we’ve had a number of you reach out to let us know you tuned in to one of the CRN networks. Thank you!

BLVD at The Fall Showcase

BLVD at The Fall Showcase

Six months ago, I had a hunger to promote the local music scene and all of you great people making art within it. I started this site and approached my friends to work on features with me and they said yes! A huge thank you to David Landry, Zach Dahman, Pete Laffin, Alex Cutter, and Greg Laut. Their strong teamwork made TFS possible and they keep our website alive and kickin’ with all of their great contributions!

We’re excited to bring your more events and are already working on the next one :)

Whiskey Autumn at The Fall Showcase.

Whiskey Autumn at The Fall Showcase.

If you’re an artist interested in having us promote or host a show with you, please reach out to us at bolderbeat@gmail.com. We’d love to hear your ideas.

Check out more event photos from The Fall Showcase here.

And if you dig what we’re doing, tell a friend.

Like Us On Facebook Here

Follow Us On Instagram Here  

Follow Us On Twitter Here

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Band of Brothers: A Sit-Down with Whiskey Autumn

By: Pete Laffin

Whiskey Autumn are all about their art.

WA. Photo Credit:   Hannah Oreskovich

WA. Photo Credit: Hannah Oreskovich

I had the great pleasure of sitting down last week with Whiskey Autumn, a band I enjoy and admire, for an in-depth chat. They're headlining The Fall Showcase tomorrow night. I hope you enjoy this as much as I did:

I’ve been a fan of Whiskey Autumn for awhile. What I’ve always been impressed by since the first time I saw you guys is that the aesthetic you present isn’t based on a current “in” trend. Often, newly-formed bands put their finger in the air to see which way the wind is blowing: “I know, let’s start a new-grass band with a Fleet Foxes twist!” Rather, you guys settled into an aesthetic that’s very much not “in,” namely first-wave British Invasion. That’s what it looks like, what it sounds like; from your originals, to your covers, to the way David and Greg knock their heads around in your music video like a couple of Beatles bobble-head dolls. It’s very bold to go against the grain, but it’s even bolder to pick something so far from the norm. How did the three of you individually contribute toward defining this aesthetic?

Greg: That’s an interesting question. I guess it wasn’t a conscious decision to go toward or against a trend. We were all big Beatles fans. We all had the vinyl. It was the way we first bonded.

David: Greg already had Whiskey Autumn going before we met. Then we found Matty, and it was just one of those things: What do we all listen to? What do you we like? Because that’s going to be the fun stuff to cover. Being a band in Boulder, we have to play three-hour sets.

Matty: We’re not a jam band.

Thank god.

Greg: One of the first covers we honed in on was “Wouldn’t it Be Nice” by The Beach Boys.

Matty: Which is not an easy song. If you have the balls to play any Beach Boys song to begin with, that one isn’t high on the list. You need multiple strong vocalists.

Greg: And from a songwriting perspective, it’s incredible how quick the movements come in that song. It’s almost a classical piece in that way. We were really drawn to that. And especially on our first EP, we wanted to play some doo-wop.

Laffin with the Whiskey Autumn boys. Photo Credit:   Hannah Oreskovich

Laffin with the Whiskey Autumn boys. Photo Credit: Hannah Oreskovich

That’s the other direction you guys go: Motown. And while the subgenres aren’t the same, they happened within the same few years.

Matty: The one thing we all could definitely agree on was the music we would listen to when we were hanging out, which was Hard Day’s Night or Pet Sounds or Rubber Soul. For all of us, that era shines above everything else.

That’s really strange. That’s a very specific subset of music for three players to run with in this day and age. It must be daunting to think you are attempting to repave a way that has already passed. Your originals reflect this era, too. In light of this, what does success look like to you guys? A week from today? A month? A year? What are the expectations for pushing something no one knows they are looking for?

Greg: The success is making the art.

Matty: Great songs speak for themselves, regardless of the genre.

Couldn’t agree more with that.

Matty: Whether you’re reaching for one aesthetic or another, if the melody is strong and the lyrics are strong, it’s timeless. You can still listen to “Be My Baby” and it sounds just as fresh and magical as it did the first time you heard it when The Ronnettes put it out. In the studio, we just want our songs to be the best they can be.

So is that success to you guys? Making the best song you can make? Does moving up in the industry have anything to do with it?

Greg: I find the joy in the creating. That’s when I feel like we’re doing the real shit. It’s also a beautiful thing not having to answer to anybody, which we don’t right now, outside of budget constraints. The art is what lives on. Live shows are super important, but creating the records is where it’s really at. That’s what will live on.

Matty: The band has grown from a bedroom-folk thing to more of a rock band, and I come from a hip-hop background playing with DJs. We are always trying to build on what we know. It’s like advancing in math, always trying to solve more complicated riddles.

Behind the scenes of Whiskey Autumn's newest music video. Photo Credit:   Hannah Oreskovich

Behind the scenes of Whiskey Autumn's newest music video. Photo Credit: Hannah Oreskovich

Having played here for a few years, what do you make of the Boulder scene?

David: The Boulder scene is different than the one I grew up in.

Where did you grow up?

David: Dallas. Downtown there were fifteen venues with three or four band bills and everyone supported and watched each other. If you played the nine o’clock slot, you would go over to another bar to support another band that had the midnight slot. Here it’s like, damn, we have to play three hours and be on every fucking song the whole night. Where I came from you got forty-five minute slots where you played the best songs you could in that time. Being here is like being a glorified bar band where you are in the background a lot and noise cancelling.

Do you think that’s because of a shortage of acts here?

Matty: It’s a shortage of venues.

David: That’s why we are working with other artists and BolderBeat trying to create a mid-level venue over at The Riverside.

Greg: You have The Fox or The Boulder Theater, but you have to build up a lot before you can get there.

Right, you have to be invited into the kingdom. Moving on: nostalgia and sentiment. Two very unhip things you also make hip.

Greg: Why thank you.

Everything you play, especially the songs you write, seem to be reaching back in time. Not just the aesthetic, but the lyrics, the mood of the sound.

Greg: I’m always trying to draw on things that happen to me, to think of them in scenes and tell a story. I’m trying to make a song out of the picture in my head that I see of the past. After you have had some time to think about things, you can understand them better. You put them through a different filter. You write a song about it and really understand what happened.

Band of Brothers. Photo Credit:   Hannah Oreskovich

Band of Brothers. Photo Credit: Hannah Oreskovich

In order to live together and be in a band together, you guys must get along pretty well.

Matty: There are times we want to punch each other in the face.

David: It’s gotten to brotherhood.

Matty: We have this family dynamic. We aren’t competing. We are a family and we want to do what is good for the family name.

David: Exactly. These guys are my brothers. I want them to be honest with me. Letting them down is worse than hurting yourself.

Matty: This has definitely been something different for me. It’s been very exciting. I was asked if I could fill in at first, which makes you more present. Count to four, count to six; whichever time signature we’re playing in. Stay in the pocket, keep it simple. I went into this thinking I was just filling in, which I love, even if it’s in a scene I’m not really into. It’s going to bring something new out of me. You just make a choice that it will be fun. And here we are nearly three years later, a repertoire of ninety songs we can play together, always having new musical ideas to bounce off one another. I could not have envisioned this is what it would become.

Check out the Whiskey Autumn trio this Friday at The Riverside where they are headlining The Fall Showcase. More details here.

Join the FB event here.

-Pete

All photos per Hannah OreskovichThis interview was edited for brevity and clarity by BolderBeat. 

A Shadow of Jaguar's Debut Single: "Mama Needs the Bottle"

By: Hannah Oreskovich

A Shadow of Jaguar's new single is tasty.

ASOJ.

ASOJ.

As you might recall, we covered an A Shadow of Jaguar show back in June at the Pub. Comprised of Cold River City’s Brian Hubbert and former West Water Outlaws’ drummer Andrew Oakley, desker David Landry described the boys as a “super-powered project” with “a thumping kick drum and a whip-cracking snare.” Following that performance, the duo played The UMS and various gigs around Colorado. The pair then hit the studio, The Crucible Recording Studio to be exact, and worked with producer Robbie Stiefel and bassist John Demitro of Branded Bandits to lay down a few licks. After tossing things around in mixing with John Peacock and having their jams mastered by Brian Gardner, A Shadow of Jaguar have released their debut single, “Mama Needs the Bottle.”

Cheers to new music! Check it out here and leave your thoughts in the comments:

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

David's Guest at the Desk: Alex Cutter on Langhorne Slim & The Law

By: David Landry and Alex Cutter

Langhorne Slim can break any law he wants.

While I was sitting in the tattoo chair slacking off with an old friend from Oklahoma last week, my best friend Alex Cutter was doing my job. She had a blast at the Bluebird Theatre without me, so she’s sitting in at the desk this week. And she wanted everyone to know that tattoos don’t make the rockstar, the music does! So here’s Alex:

The boys.

The boys.

You missed out if you weren't at the Bluebird Theatre last week to boogie to Langhorne Slim & The Law. Not a one was left disappointed. The band's new record, The Spirit Moves, expresses newly-sober frontman Sean Scolnick's personal intent to refine, but never suppress the wild within. The show was an obvious totem to the crazy in us all.

Scolnick in the crowd.

Scolnick in the crowd.

Scolnick was a dancing machine, writhing and sweating both on stage and amidst the audience. And The Law, a mismatch of old and new members, held down the raucous beat with some infectious bass and drums. Not to mention those flawless three-part harmonies! It was a high-energy mix of folk and funk, keeping the crowd grooving and the temperature high. Scolnick's voice and brutally honest lyrics are not to be missed by any music fan. This tour presents a definite show for the books!

-David Landry and Alex Cutter at the desk

David’s Guest Alex Cutter: I’m a Colorado native who loves to create art and drink too much beer. When I’m not working or playing outside, I’m going to shows and listening to music, so I hope to check out more of you through BolderBeat!

Watch a recent, short Langhorne Slim & The Law performance for yourself here:

David's Desk: TV On The Radio Burned the Boulder Theater Down

By: David Landry

TVOR burned the Boulder Theater down.

I’ve been listening to TV On The Radio for years now, but I never used to bump them on a regular basis. Until last Christmas. I remember the moment when my roommate picked me up from the airport and Seeds was blasting out of my shitty KIA stereo in the parking lot. It reeled me in and I was hooked; I felt like I was a teenager discovering a new, awesome album for the first time. It’s a ‘from top to bottom’ record for me.

Yes.

Yes.

Last weekend at The Boulder Theater brought me right back to those highschool rock and roll show days. It was all ages, so the big black Xs on the kid’s hands around me didn’t help with the nostalgia. TVOTR came out with a welcoming intro from their first EP Young Liars. Then they kicked us in the front teeth with their straight rockin’ “Lazerray” (watch the video if you haven’t seen it).

Aqua Rock.

Aqua Rock.

Everyone in the crowd was headbanging, and if I was in my early twenties, I might have been pushing some people to make a mosh pit. The crowd lost their minds when “Wolf Like Me” came on, and it was badass. Throughout their whole set, TVOTR kept the energy flowing and moved all over their discography.

Fists up. Hell yeah.

Fists up. Hell yeah.

I know TVOTR had a big show at Red Rocks the day after I saw them. But if you were at the Boulder Theater, you know we got the better show. After 15 years as a band, it’s insane that TV On The Radio can keep putting on shows like this. I can’t wait to be the old guy in another 15 years rocking, and maybe starting a mosh pit with the whipper-snappers.

-David at the desk

All photos per Kristy Gray. This feature was edited for brevity and clarity by BolderBeat.

David's Desk: Party with the Pack: A Shadow of Jaguar

By: David Landry

A Shadow of Jaguar are high-energy blues rock.

ASOJ in their natural habitat.

ASOJ in their natural habitat.

Pearl Street Pub and Cellar has music most Mondays and Wednesdays, and they keep it pretty calm on Mondays. But recently, things were a little different. Here’s the scene:

You walk up to the Pub and you’re instantly hit with a thumping kick drum and a whip-cracking snare. That’s when you first realize, this isn’t going to be your normal Monday at the Pub. You expected acoustic, sad-bastard music to be playing so you could sit in the corner and drink your whiskey alone.

Instead, just inside the door, you are greeted with a bluesy slide guitar. And a two piece rocking band. At the helm is Brian Hubbert (of Cold River City) and on the skins is Andrew Oakley (formerly of West Water Outlaws). It’s a super-powered project. It’s A Shadow of Jaguar.

Let these boys take you for a ride.

Let these boys take you for a ride.

ASOJ plays you a bunch of originals, and some fun covers like Death's “Keep on Knockin’”. To make it even more of a party, at one point Will Buck (formerly of West Water Outlaws) hops in with some tasty licks screaming over Brian's slide guitar parts, and John Demitro (of Branded Bandits) jumps off his normal guitar playing to keep the rhythm section tight on bass. The four play together like they’ve been doing this for years; they never skip a beat. Neither you nor the Pub were ready for this high-energy set, but you and everyone there want more. And that’s your Monday night.

A Shadow of Jaguar just finished recording with Robbie Stiefel over at The Crucible and the boys are playing UMS in Denver at the end of the month. See them when you can, because jaguars don't travel in packs very often.

-David at the desk

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

David's Desk: Surfer Blood, Sweat, & Cheers

By: David Landry

Surfer Blood is missing a core member, but they still rocked out at The Lost Lake.

Surfer Shreddin'. Photo Credit:   Liz Whitman     

Surfer Shreddin'. Photo Credit: Liz Whitman
 

Surfer Blood came in like a tidal wave last week at Denver’s Lost Lake Lounge, playing songs spanning their whole catalog. JPP (lead vocals/guitar) took the helm, diving right in and singing his heart out. He even walked directly into the crowd during his favorite song “Take It Easy”.  The crowd danced with pure joy, fueled by the energy of beach pop riffs and a shared love for the band in this quaint rock venue. We packed ourselves in there nice and tight for the boys, and their melodic harmonies echoed throughout the club. It was awesome.

Packin' it in. Photo Credit:   Liz Whitman

Packin' it in. Photo Credit: Liz Whitman

Surfer Blood started back in 2009 and have been going full throttle ever since. Unfortunately, original lead guitarist Thomas Fekete had to step away from their tour this year right after the band finished recording their latest album 1000 Palms.  Fekete is battling a rare form of cancer, and despite his absence from the stage, his presence was still felt in Surfer Blood’s performance.

He explains everything with a wonderful open letter to everyone, here.

If you want to help please do. See their shows and support them in every way. They are one of my favorites. I couldn’t have been happier with the show.

Thomas Fekete’s GoFundMe page can be found here.

-David at the desk

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat. Thumbnail also per Liz Whitman.

David's Desk: Augustus Take The Fox Theatre Stage

By: David Landry

Augustus' first Fox show was a success.

I want to start this off with saying Paul Kimbiris did one hell of a job last Saturday night. I have only seen him at The No Name Bar playing solo before this, but with a full band behind him, it was awesome and makes me want to see him again. But I am not writing this article on Paul. I’m writing this on my dear friends Augustus.

Augustus top right, baby. Photo Credit:   Augustus


Augustus top right, baby. Photo Credit: Augustus

I have a special place in my heart for Augustus. They have been friends of mine ever since we met and I couldn’t be more pumped that they nabbed a gig at the Fox. They were the first band to play last Saturday’s show, and they made it hard to follow them. Colin’s voice echoed beautifully around the theatre and Jim’s kick drum felt like a thumping heartbeat. It was good to see the boys in a venue where all of the members were heard well; I always wanted more Jim and Jessie.

Sidenote: Jessie plays the cello like no one I have ever seen. He gives it so much energy ripping along (and always looks dapper).

See what I mean? Dapper. Photo Credit:   In the Shed Media

See what I mean? Dapper. Photo Credit: In the Shed Media

Augustus held nothing back last weekend. They blasted through a forty minute set and left nothing behind. They played a few songs off of their EP Common Collapse, and some great new tunes I know will be on the EP that they’re currently finishing up in-studio.

Augustus thank you for killing it at the Fox- you made a fellow musician and friend envious in all the right ways.

-David at the desk

Follow David on Instagram.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat. Cover photo per Joe Friend Photography.

David’s Guest at the Desk: Robbie Stiefel on Leon Russell

By: David Landry and Robbie Stiefel

Leon Russell ain't stoppin' anytime soon.

Robbie came over one evening and heard a song spinning on the record player that he claimed to know, but by a man he could not name. I told him: this is the legendary Leon Russell. And it just so happened that Leon was headed to the Oriental, so we bought tickets. I had planned to craft a write-up for Leon’s show, but in the morning I woke up to a “David’s Desk by Robbie Stiefel” email. And so it follows:

He wobbles out from the wings of the stage with a cane looking very old and crooked. He sets his cane on the stage floor and seats himself at a white baby grand piano striped with red, blue, and green. He immediately launches into Ray Charles' 1954 hit, "I Got a Woman". He looks mean and defiant as if to say, "F*ck gravity and time.” You quickly realize that his “wobble” was a “saunter” and he ain’t stiff or crooked, he’s spry! His playing belies the old man's hands.

Photo Credit:   David Landry

Photo Credit: David Landry

This IS and WAS what rock and roll has always been: the organic protest of everything that slows us down. At 73, Leon proves himself a patriarch; an old school musician who plays because he knows nothing else. A phrase like “Keep on Keepin’ On” was born from the need to describe men like Leon. Keep on, Leon.

-David Landry and Robbie Stiefel at the desk

David’s Guest Robbie Stiefel: Robbie Stiefel is a producer and musician. He lives in Boulder, Colorado. Click here to read more about Robbie.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

David's Desk: Bacon and Gregs Heat Up Boulder's The No Name Bar

By: David Landry

Who wouldn't like a little bacon with their Gregs?

Photo Credit:  Greg Laut

Photo Credit: Greg Laut

You walk through the No Name door and are greeted with bedroom talk from the booths and the bar. Greg Corcione (jazz drummer here on Wednesdays and beat-keeper of Moonwavve) croons to you with a rhythm section of only piano and drums. Greg Laut (of Whiskey Autumn) lets his fingers dance across fake ivory keys and Matty Schelling (also of Whiskey Autumn) keeps the percussion clean and tight. You wouldn’t think that they haven’t performed live together. The Bacon and Gregs project hums through a full, tasty set. They even trot back on for three more original tunes written by Corcione. These boys will kiss you goodbye in the morning. 

Greg right; Bacon left. Polaroid:  Becky Guidera

Greg right; Bacon left. Polaroid: Becky Guidera

Your eyes are heavy from a good bourbon and the night starts to wind into some impromptu jazz once Greg Laut exits and Jeff Vescuso jumps in. Matty Schelling leads the team; Vescuso slaps sweet and sour bass lines. Corcione has fun shaking the cabasa. They twist you past the midnight hour. And you exit the door, off to dream. Happy weekend. 

Video by David Landry

-David at the desk

Follow David on Instagram.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

David's Desk: King Tuff Are MY Kind of Rock'n'Roll

By: David Landry

King Tuff is badass rock'n'roll.

Magic, Captain, & a King. Photo Credit:   Hannah Oreskovich

Magic, Captain, & a King. Photo Credit: Hannah Oreskovich

The scene: April 9th at the Ogden Theatre. Father John Misty and King Tuff sold out show.

The opener: King Tuff starting the night off just the way you want- with a swift kick in the balls and a kiss on the cheek. King Tuff jumping around in a hat that reads: “Ice Cream”. He’s hitting a fog machine that is blasting off thick smoke for every guitar solo. Magic Jake is on the bass, smiling his goofy smile the entire set like every moment is the best he’s ever had. And President Gary is holding things tight with his Bonham-esque drumming. Energy. Punk Rock. The perfect way to get you jazzed for the man of the hour. Which is...

The Headliner: Father John Misty. He enters the scene with dapper flair, silhouetted by red stage lights. Father John Misty. Breaking your heart and sewing it back with the string that he holds. Lights. Sex. Rock ’n’ Roll. Party On!

-David at the desk

Follow David on Instagram.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.