Bellhoss's Latest Video Features a Dancing Flamingo Party at Fort Greene & Everything Pink

By: Julia Talen

Produced by Lady Cactus Media, bellhoss’s latest music video “geraniums #2 primes listeners and viewers for the release of this local folk-indie-space punk band’s first EP geraniums. Frontwoman, Becky Hostetler moved out to Denver five and a half years ago to pursue a master’s degree in political science and has been infiltrating Colorado’s music scene ever since, most recently with a performance at MCA’s B-sides and with an upcoming show at Underground Music Showcase this July. Her poetic, self-proclaimed “sadcore” tunes bend genres and traverse existential themes.

The flamingo-themed video project for “geraniums #2”, shot inside Fort Greene, pilots relatable topics and motifs through many shades of pink. The video opens up with a catchy intro as two strangers, dressed as flamingos, walk into a flamingo-themed party. The camera lens meanders through the synthetic hot-pink crowd to hone in on Hostetler, sitting awkwardly on a couch next to a guy playing a song for her, or seemingly for anyone who will listen, on the ukulele. She begins to sing and removes her kitschy, plastic flamingo glasses. Her eyelids are the only ones at the party smothered in blush-colored eye shadow.

Hostetler's warm voice, akin to Swedish folk-duo First Aid Kit, mingles with the melody as she moves through the party towards the bathroom singing, “I imagine earthquakes early/ I dreams of geraniums/ I will kill my own thoughts thank you/ I don’t need your help.” In the pale pink bathroom, Hostetler puts on lipstick and then takes it off, as the band rolls through the refrain accompanied by mellow, gazy instrumentals, harmonizing the lyrics, “I’ll do what I want to/ I’ll do what I have to figure it out.”

Bellhoss.

Bellhoss.

Eventually Hostetler leaves the bathroom and bumps into a line of people, who appear angrily impatient with her, before she heads to another couch and sits down next to two television screens showing lengthy singular shots of palm trees and ocean waves. The video has this simulacrum feel to it with the vapid pink assembly of folks and the plastic costumes and birds. It’s as if our protagonist is moving through a world covered in seran wrap. Hostetler sings, “Reading all the bible backwards/ waves crash into the sea/ peeling off my own skin sickly/ crashing into the sea,” and listeners get this sense of alienation, not fitting in, feeling backwards like a wave moving the wrong way, as our protagonist navigates this giant sea of pink.

At one point Hostetler joins the party-goers for a group dance, the only time throughout the video that she actively blends into the crowd. The synchronized dance feels empty, and Hostetler eventually leaves it before ultimately leaving the party.

This brilliantly crafted video gives a taste of bellhoss’s musical poeticism and artistry in digging through the cringey, dark, and all too true themes of feeling different and feeling like you don’t see yourself in something. This project offers a peek into what’s in store as the group continues to make music in the Mile High City. Check out the video and don’t miss the band’s release party and show at Lost Lake Lounge, June 9th with Corsicana and Two Tone Wolf Pack.

-Julia

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Why Corsicana Are One of Denver's Finest Up & Coming Indie Acts

By: Sam Piscitelli

As I walked into Globe Hall around 10:30PM, I was immediately caught in a sea of people anxiously waiting for Corsicana to take the stage. As I found a spot where I could just barely see the band, I heard different comments about the group from the people around me: “Man this band is really good- thanks for coming with me to check it out!”, “I can’t wait to hear them!” and “This is going to be a great night.” It seemed Corsicana had already garnered a warm and welcomed reputation. As the band finished their soundcheck, the crowd erupted into cheers, whistles and screams. Lead singer, Ben Pisano let the audience know that since it was Perennial’s release party, they were going to play the whole album from start to finish.

As they dove into their latest artistic effort, everyone in the room either fell quiet or let loose. One way or another, they let the music soak over them. You could feel the electricity in the venue. Corsicana took that energy and engaged the audience in an intimate way, making it seem like they (and you) were the only ones standing in the room that night.

Corsicana at Globe Hall. Photo Credit: CODO Productions.

Corsicana at Globe Hall. Photo Credit: CODO Productions.

Corsicana’s songs spoke for themselves, showcasing the undeniable talent of the musicians, their songwriting, their knowledge of their instruments, and their vocals. Each song was carefully played as Corsicana kept their instruments taut, leading the crowd through 55 minutes of raw, unfiltered emotional honesty. Whether it was the switch from the “A side” of the album to the “B side,” there wasn’t a moment where the band didn’t pour their hearts onto the stage and leave them there for all to see. Up there exposed, Corsicana thrived in the openness of it all. They somehow even sounded better live than on the record. I would be surprised and disappointed if they didn’t take advantage of their performance excellence and put out an alternative release of Perennial as a live session EP.

As a rock band, Corsicana quiets themselves to be loud. They’ve figured out who they are even before their first record, and this time around they’re allowing themselves to glow without the worry of it all. It’s a special thing to see- the moment a band considers themselves worthy of their fans, when all along the fans felt that they were the ones who were thankful for them. Even when Corsicana ended their set, their fans erupted chanting, “Encore!” Corsicana walked back onto the stage and played a finale song, letting fans know that even when all is said and done, they are thankful for them and all their support.

People talk about seeing bands before they become big because they knew the moment they saw them they would be someone. Corsicana is one of those valuable Denver indie bands. I wouldn’t be shocked if they signed to a label in a year or two. Dare I say, they are one of Denver’s finest bands and their release show proved it.

Keep up with Coriscana here.

-Sam

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Review: Corsicana's "Reprieve" Recalls The Detriments Of Growing Up

By: Sam Piscitelli

Growing up as naive children we tend to imagine life as an exploration of majestic intent. We prefer to seek out our own wanderlust in order to see what the world has prepared for us. There’s an impression that the lives we lead will be difficult at times but we tend to see it as less realistic and more fantasy than anything else. In Corsicana’s new single “Reprieve” from their forthcoming record Perennial, that flawed logic falls short as we’re given an authentic perspective into the detriments of growing up.

Corsicana makes it clear within their first line that there’s essentially no give and take left in their adult lives except when they’re asleep. With taut precision and delicate placements Corsicana’s “Reprieve” introduces us to the loss of innocence, the unwarranted heaviness it leaves on your chest and the undying life of having life figured out only to end up questioning the answers you had before. The song is contradictory in the sense that it lulls you into a warm familiarity while also causing a recurring shock of wondering what’s ahead, but it’s the contradictories complexity that makes the song genuinely sincere. The ability to mourn while comprehending the ability to move forward is the basis of learning to live through life.

Corsicana.

Corsicana.

The attempts at painting a picture that is a universal struggle may seem like a challenge, but here, it’s done with ease. It just goes to show that an old idea can have a nuanced perspective when done right. It’s a welcomed approach to an idea that’s seemingly been all dried up. The idea of growing older is largely capitalized on, but is rarely executed right. While Twenty-One Pilots hint at growing up as unromantic and Taylor Swift muses she wants to turn back time, Corsicana’s take is about relying on life to balance itself out. “Reprieve” is a song that expertly unravels life’s little moments, whether that may be the beauty, the ugly, or the fine line that treads between them.

Keep up with Corsicana here.

-Sam

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Stacked All Local Lineup Slated for Fox Theatre This Weekend (07/06)

This Friday, July 6th, the Fox Theatre will host some of Colorado's finest. 

Ashley Koett sounds like Mac Demarco and Ella Fitzgerald made a band and Cuco produced the record. That said, the Boulder artist's combination of slack rock and jazz with "memorizing melodies" is exactly how you want to spend your Friday night this week. We promise.

Flanked by a four-piece band live, Koett is the singer and multi-instrumentalist behind most of her recorded work, which she creates in her Boulder bedroom. She's "not afraid to get personal in her songs" and often "even makes light of her dreary situations" in her music. With a roster opening for bands like Cuco and Frankie Cosmos, it's honestly hard to imagine Koett will remain local for long, which is just another reason this weekend's Fox show should be on your to-do list .

Ashley Koett.

Ashley Koett.

Tyto AlbaCorsicanaAmerican Grandma, and The Milk Blossoms will also grace the stage on Friday. Tyto Alba's female-fronted indie rock vibes mixed with Corsicana's shoegaze is already reason to show up early. But then you add in the shadowy post-rock sounds of American Grandma and the dark pop productions of The Milk Blossoms and well, you'd better just show up at doors. Honestly. (By the way, they're are at 830PM.)

KGNU Community RadioRadio 1190, and Twist & Shout Records are presenting this all-local lineup of stacked proportions and tickets are only $10 in advance. Get yours here and we'll see you at the show.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat. 

19-Year-Old Ben Pisano Proves You Can't Underestimate Young Artists With Current Project Corsicana

By: Will Baumgartner

When Denver band Corsicana took the stage at Boulder Theater as openers for local-gone-international heavyweights Devotchka, one couldn’t help wondering how much such a young, slender band could deliver live. I’d heard the album Haven online, and while the music had definitely drawn me in and left me impressed, I also noted that all the instruments and electronics had been played by Ben Pisano, the group’s 19-year-old frontman. Like Prince’s first recorded efforts, where he also played everything on the recording, my question was, “Great stuff, but what’s it gonna sound like live?”   

Corsicana. Photo Credit:  Montana Martin

Corsicana. Photo Credit:  Montana Martin

Corsicana onstage was indeed a small, young-looking band. Pisano in the middle with his guitar and sensitive look, two petite women flanking him on guitar and bass, and another member on drums. By the middle of the first song of their set though, most of my skepticism about the band had vanished, and I found myself reminded of two things: 1) Never underestimate the power and scope that can be drawn out of two guitars, a bass, a drum kit, and a little bit of electronics. And 2) Never assume that the young have little of depth or substance to deliver.

Steinway & Pisano. Photo Credit: Montana Martin

Steinway & Pisano. Photo Credit: Montana Martin

Being the first of two opening acts (Pandas & People, another rising local band from Fort Collins, were coming up next), Corsicana only had a half-hour to win me over, which they unequivocally did. In the first song, Haven’s “Revelry,” I heard why the term “dream pop” is used right after “indie rock” in the “About” section of their Facebook page; the swirling music and ethereal vocals of the verses definitely invoked a floating, dreamy feeling. Then, the wait to see how hard they could rock was over, as the song’s chorus kicked into passionate overdrive.  

In the second song, “Attrition” (also from the Haven album), I began to hear the more “pop” side of Corsicana, as I was reminded of a sort of Death Cab-meets-Radiohead combination of delicate verse with beautiful falsetto vocals leading into a hard-driving bridge. Guitarist Melanie Steinway (also of Denver band Tyto Alba), bassist Jordan Leone, and Amos Chase on drums and synthesizer all worked beautifully together with Pisano to create the feel of a real band, not just a solo artist with backing musicians.

The third song, “Empyrean,” showcased more of Corsicana’s well-crafted way with linking a wistful verse with sparse instrumentation to an explosive chorus. It also boasted a killer arrangement, showing that Pisano and company are more than familiar with the art of balancing and bouncing musical colors off of each other with a masterful use of dynamics.

Ben Pisano. Photo Credit: Montana Martin

Ben Pisano. Photo Credit: Montana Martin

One of the things that I find so impressive about Pisano’s songwriting is his lyrics. Though I couldn’t always make out what he was singing at the show, I later asked him to send me the lyrics, and was a bit blown away by how literary his writing style is. His songs read like short stories, with imagistic sentences creating little snapshot-like flash fictions where one can picture a whole scene or even a period of time in people’s lives. “Empyrean” also boasts the added feat of being a story told entirely in dialogue; the song is a conversation between two people, with each line separated from the next by quotation marks. And apropos to the rather epic scope of the music, all the songs have either direct references to history and myth, or an overall mythical/historical feel. Epic battles, exiled characters, big cities and small hallways, funeral pyres, and people locked in or out of a “prison of heart”. In these days of illiterate solipsism, it’s really something to read lyrics that evoke whole worlds and complex lives.

The next song, “Kokytos”, continued Pisano’s fascination with myth: Kokytos is one of the five magical rivers of the underworld in Greek mythology, and translates as “The River of Wailing.” This was, ironically, the most upbeat and insistent song of the set, at least musically. The lyrics imply more of the story of heartbreak and frustration that seems to be the central theme of this young man’s songs- at least for now- but the music is so insistent that I couldn’t resist grooving and bopping a bit to it. Again, Pisano showed exquisite vocal prowess, veering between his falsetto and a full-throated howl. And like a lot of the songs in this set, the ending featured the band’s ability to power-drive upward to an instrumental climax.  

The set’s closer “Patron,” another song from the Haven album, again reminded me a bit of the Death Cab/Radiohead combo I’d heard at first, while also invoking a sort of stripped-down version of the Icelandic experimental rock band Sigur Ros. (This was actually not the first time in their set that I heard echoes of that band.) This song had a bit more pop and drive to it, while still having an unhurried groove, and gave an appropriately powerful ending to their set as it rocked harder and harder through the instrumental section that closes the song.

corsicana_0276.jpg

When I asked Pisano where he got the band name, he told me it was the title of a song by The Antlers, one of his favorite bands. Listeners may hear all kinds of influences in Corsicana’s music, and considering Pisano’s powerful and expansive voice, it’s not hugely surprising that he was chosen to open for Devotchka, whose singer Nick Urata arguably possesses one of the most impressive voices in modern music. But Pisano’s ultimate achievement, so early in life, is that after hearing his music for a while, it sounds like no one else as much as Corsicana.

Corsicana will be taking some time off from performing to go back into the studio for the rest of 2017, and according to Pisano, these sessions will make use of not only of his live bandmates, but also of several guest artists contributing. Given what Corsicana has already done, I’m sure the new recordings will be an event well worth the wait and anticipation.  

Keep up with Corsicana on Facebook and their website.

-Will

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.  

The 2017 Underground Music Showcase Brought Together Artists & Fans For Four Days Of Awesome

By: Hannah Oreskovich

Denver’s annual four day music festival The Underground Music Showcase rocked South Broadway last weekend. We crawled the strip, ate nothing but pizza, and almost refused to sleep in the name of good music. Here are some of our favorite things about this year’s festival:

The Bands

Of course we went to as many shows as possible and of course most of them really rocked our socks off. But here we’re going to be shameless and first tell you about the killer acts who played our packed official day party.

Xavier Provencher & Sean Culliton of Retrofette.

Xavier Provencher & Sean Culliton of Retrofette.

BolderBeat & KGNU combined forces this year to bring you Brunch with a Beat at The UMS, which was five hours of sugar and synth by some of Colorado’s most promising electro acts.

Greg Laut of Whiskey Autumn.

Greg Laut of Whiskey Autumn.

Mirror Fears kicked things off with her industrial goth pop, Church Fire kept things movin’ with their Crystal Castles-esque electronic primal therapy, and DéCollage wrapped the front of The Irish Rover in Mylar and swept the stage with their avant-garde pop. Retrofette’s synth stylings followed, and created a massive dance party full of hip-shaking & flash tattoos. Whiskey Autumn’s indie synth pop closed the show; their unreleased track "Birds That Flew" had many whistling along to its chorus. And in between sets, DJ Erin Stereo crushed sweet beats. We gave away tickets to upcoming Future Islands and Thundercat shows, and we passed out donut lollipops, which many showgoers expressed they hoped were laced with weed (they were not kidz).

As for the rest of our UMS:

Anthony Ruptak.

Anthony Ruptak.

Our first official set at UMS 2017 was at Hi-Dive on Thursday with Anthony Ruptak, who started us off with amazing tunes from his new record Don’t Let It Kill You, and even streamed a Facebook live anti-Trump vid from the stage. Punk rock.

Ishka Phoenix of Ghost Tapes.

Ishka Phoenix of Ghost Tapes.

Ghost Tapes were a funky, neo-soul standout at Skylark; frontwoman Ishka Phoenix had the crowd melting as she delivered tasty R&B sounds from her ice cream microphone.

Ben Pisano of Corsicana.

Ben Pisano of Corsicana.

Corsicana gave us tasty indie tunes while we nommed hard on an Illegal Pete’s burrito, which was the only non-pizza item we allowed ourselves for sustenance. The four-piece are playing a couple of big Colorado shows with Hippo Campus this month, so make sure to roll to those.

Chris Scott & Chris Kimmel of OptycNerd.

Chris Scott & Chris Kimmel of OptycNerd.

OptycNerd describe themselves as “eclectro indie pop hop sexy time,” and well, we wish we’d written that ourselves. Their sexy time at Hi-Dive was enjoyed.

Zola Jesus.

Zola Jesus.

Zola Jesus brought her dark, operatic vocals to the main stage; Red Fang spouted the classic rock stoner jams they’re known for to a headbanging crowd.

What is cooler than wearing glow-in-the-dark face paint? Glow-in-the-dark guitar strings- DUH. Motion Trap had ‘em at their Rover set on Saturday, and they played their electro sonic disco tunes to a packed house that boogied with them from start to finish.

Mic Carroll of All Chiefs.

Mic Carroll of All Chiefs.

All Chiefs kept us out of the rain at Hi-Dive with their indie rock vibes, Evan Holm & The Restless Ones kicked up some folky soul at Gary Lee’s Motorcycle Club, and GALLERIES played a heartfelt tribute show celebrating the life of late Denver music prodigy Kyle McQueen.

The Outfit.

The Outfit.

Rock’n’roll’s The Outfit played their final set ever at 3 Kings Tavern on Friday to a mosh-ready, beer-heavy crowd who were clearly sad to see them go.

Rebecca Williams of The Savage Blush.

Rebecca Williams of The Savage Blush.

The Savage Blush had a killer psych rock-dripping set at the main stage, Slowcaves brought us chill wave surf rock sounds, and Dragondeer managed to blues rock us almost straight through a downpour, though they had to cut their set a bit short when the rain just about flash-flooded the festival parking lot in true Colorado fashion.

Esmé Patterson.

Esmé Patterson.

Brent Cowles revived a soaking crowd with “Cold Times” when the sun came back out, Esmé Patterson slayed her evening dream rock set with unreleased music and a touching tribute with Kitty Crimes to the late Tyler Despres, and Benjamin Booker crowd surfed his way right into Colorado’s heart, closing out the main stage of the festival Sunday evening.

The Booze

Dewar's Whiskey Emporium.

Dewar's Whiskey Emporium.

Breckenridge Brewing was a main sponsor for The UMS this year and we sipped many an Avalanche by the main stage throughout the fest. Dewar’s had what felt like a tiny house made for drinking with free smells and scotch eggs. It was delicious and why you would have wasted your tongue on any other mixed drink in the hot sun and the pouring rain is beyond us.

The Bunny

Yeah. This one.

Yeah. This one.

Mixed Up Gifts’ pop up shop on South Broadway had some sweet merch for sale from Sacred Bones Records and a creepy night light if you’re in the market to wake up afraid of the dark only to find Jason lurking in your bathroom. But best of all was their bunny, who tried to coerce festival-goers into the shop while eerily reading children’s books through the window.

The Budz

No, not that kind you typical Denverite. Overall, we had a rad time at The UMS this year, and we highly encourage you to check out all the bands we mentioned, all the acts we live-interviewed with Zach Dahmen, and any of the performers on the local lineup in general. Because if there’s one thing we came away with after four days of music-hopping insanity, it was with community- from the performers themselves, to the UMS staff and volunteers, to the eager ticket holders bouncing from show to show hoping to find their next favorite band- Denver came out to support its own. Whether we were playing beach volleyball in the artist tent during a downpour or running from the main stage with our best budz to get back to Broadway for a set (those smarter ones took the Meow Wolf bus), this weekend really showcased you- the local music supporter. And for that, we and apparently Governor Hickenlooper, thank you.

Check out our full photo gallery from The UMS here.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos per the author. All videos and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.
 

The 2017 Underground Music Showcase Announces Second Round of Artists

The Underground Music Showcase 2017 just announced their second round of artists for this year's festival! Additions include: Headliner Zola Jesus and artists like Bad Licks, Chocolate Diamond, Dear Rabbit, Decatur, Edison, HERESTOFIGHTIN, The Hollow, innerspace, The Kinky Fingers, Ned Garthe Explosion, Retrofette (we should mention here we're premiering something awesome from this band this Friday), Sleepy SunSIR, Sugar Skulls & Marigolds, Sur Ellz, Treehouse Sanctum, Turvy Organ, & more! Make sure to get your tickets for the July 27th-30th festival in the heart of Denver here. And see our previous story for initial lineup announcements at our original announcement link.

Reminiscing on last year's UMS? Peek back at our coverage of 2016:

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: Dear Me,'s Debut Single "The News" Is Catchy Comedic Pop

By: Hannah Oreskovich

Denver’s indie rock trio Dear Me, are self-described “socially relevant, humorous songwriting.” Members Andrew Rogers (guitar/vocals), Sam Columna (guitar/vocals), and Jamie Beekman (keys/vocals) have been playing shows together since 2014, though they didn’t start gigging consistently until close to a year later when Sam told us, “It wasn’t until f*cking July 2015 when we agreed to play a gig at The Gothic with Chemistry Club that I honestly did not think we were ready for. But we somehow managed to survive and after that, shit was real.” It’s comments like these that kept me smirking during my recent chat with Sam about Dear Me,’s new single, which we’re stoked to premiere exclusively on BolderBeat from the band’s upcoming record Present Perfect.

Listen to Dear Me,’s new single “The News”:

“The News” is an undeniably timely tune in subject matter, and expresses a sentiment I think most of us can relate to: as informed as we want to be, the current media whirlwind of world news can be overwhelming at times and force us into one story before we’ve processed the others that came before it.

Dear Me,.

Dear Me,.

Said Columna about the track, “Part of me maybe wants to evolve past the magic of hearing something that you’re feeling expressed in a song- like it’s sort of cliche and basic and that makes it a character flaw. But every single time a song nails my inner monologue- dead to rights, word for word, kills me softly- it’s like a transformative experience. I’m reminded how lucky I am to be able to make art. If anything I make has that impact on anyone, then probably I am doing a good thing."

Sam continued, "[With “The News”] I was just hoping to capture some of the Groundhog Day-esque overwhelmed horror that I found myself feeling all the f*cking time. I actually wrote the hook, ‘I need something stuck inside my head besides the news,’ in like 2014 when I was a sunglasses salesman and I couldn’t afford to be in touch with my feelings at work or else my numbers would suffer. And that year planes disappeared out of the sky, Ebola happened, the Israel-Palestine conflict flared up, Michael Brown was murdered, there was that hostage crisis in Sydney… and yes I’m looking at a list of 2014 events right now... Robin Williams also died... and all of this happened to coincide with me falling in love with NPR, so I was hyper-aware of everything. And all of it was immediately politicized. There was no acknowledgement or time taken for human suffering- everything immediately felt like currency, or else like a weapon. I couldn’t f*cking deal with it. The hook [from “The News”] was super, ultra, mega-literal for me.”

Sam Columna.

Sam Columna.

Though the subject may seem a bit dark, Dear Me, manage to express Columna’s inner monologue of that time with a catchy hook and poppy vocal melodies, driving keys, and a strong percussive build interspersed with quick guitar breakdowns, while also weaving their stylistic humor within “The News.” This ability has had the trio previously described as “Louis C.K. meets The Beatles.” Though Columna admits there is definitely a comedic element to their work, it’s clear there is an important balance to Dear Me,’s songwriting.

Regarding this balance Sam, told me, “Oh man. Well when this comes up I always like to make it clear that we’re not Flight of the Concords or Axis of Awesome. We’re not a comedy band. We just sing songs with lyrics that are often blunt about social circumstances, and are sometimes funny, in a caustic, dark, Louis C.K. kind of a way. I actually didn’t really think of my songs as being particularly humorous until I started hearing people laughing during open mics. But I’ve always been a person who has found a lot of life to be depressing, or awkward, or uncomfortable, or shocking, or whatever, and I’ve always responded to those parts of life by laughing at them. I think Andrew is that way too. And since art is an outward expression of inward shit, it was inevitable that some of that would make it into the songs.”

“The News” is the first single from Present Perfect, Dear Me’s debut album. The record is a followup to the band’s three-song 2015 EP Name On a Page. The nine-song record was, in some ways, five years in the making.

Said Columna, “Present Perfect has lots of fingerprints on it. It was tracked either at Streetlight Audio or at Beyond the Infinite Multimedia, run by Dae Dupont, George Till, Quinn Blue and Leo Cashin. It was mixed and mastered entirely at Streetlight Audio, which is run by Tyler Paul Glasgow, Jack Roberts, and Jeff Hummel. Tyler Paul Glasgow produced and added some tasty slide guitar and synth layers on a few of the tracks. Elliott Cook played drums on any track with drums on it, and bass responsibilities were split between myself and Casey Cormier. That just leaves the core members of Dear Me,: Andrew and I both played guitar, Jamie played keys. Andrew and I split lead vocals on the album, and the songs were written by either me or Andrew, and arranged collectively by me, Andrew, Jamie, and whoever happened to be in the rhythm section at the time. Jamie mostly arranges all of our vocal harmonies, and we credit her with keeping us from sounding like a bag full of cats in a burning dumpster.”

Jamie, Andrew, & Sam.

Jamie, Andrew, & Sam.

When asked about whether Present Perfect is comprised more of old tunes the band has played over time, or new songs written just this year, Sam told me, “In some ways it’s like a greatest hits collection of a band no one knew about that had been skulking around in living rooms and cigar bars for five years and finally managed to stumble into a studio.”

More seriously, he added, “The vast majority of the songs are relatively recent, like written inside the last couple years. But something we really wanted to capture with the album was sort of the breadth of all the junk that we’ve kicked around over the last however many years. We wanted the album to capture everything we’ve been over the last five years, [and] I think it does that. Some of the tracks were multi-tracked in studio, some were tracked as full band performances with overdubs, and some were live acoustic trio tracks. That’s all the stuff we’ve been. And I think we managed to massage it into a mostly cohesive product. So I feel pretty dope about that.”

It’s this play between laughs and seriousness (and those same interplays throughout the band’s new record) that had me wondering who some of Sam’s influences are in the comedy and music realms.

“Beyond Louis C.K., I’m a fan of Mike Birbiglia and Dave Chappelle. I like storytellers. Obviously there’s innumerable musicians that I love, but my three desert island albums would probably be Abbey Road by the Beatles, Curse Your Branches by David Bazan, and Stadium Arcadium by Red Hot Chili Peppers.” he told me.

And local artists?

Danielle Ate the Sandwich is one of the best songwriters I’ve ever heard. Andy Sydow and I have peed in many backyards together. He’s my closest non-Jamie friend from CU Denver, and he got me a job teaching music. I really admire his musicianship, and his tenacity. He puts on a pretty sassy live show too. Corsicana went on tour with us last October, and together we discovered the healing properties of cayenne pepper. Ben has the voice of an angel and is irritatingly young. Andrew actually taught him to swim a billion years ago.”

After the release of Present Perfect, Dear Me, have a CD Release Show booked at Syntax on June 10th and are planning to tour around Colorado and the region. They also want to jump back in the studio.

Said Sam, “I feel a little bit like releasing this album was the top of a roller coaster, and the five years before that were the long slow ticking part while we climbed up. And hopefully from here it’s screaming and raising our hands in the air for awhile.”

We’re definitely raising our hands for Dear Me,’s newest release, so give their single “The News” a listen for yourself above, and make sure to grab tickets to their Syntax show by contacting the band here. Keep up with Dear Me, on their Facebook.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The 2017 Underground Music Showcase Initial Lineup Has Arrived

By: Hannah Oreskovich

The long-awaited and highly anticipated Underground Music Showcase 2017 lineup has arrived. With headliners Benjamin Booker, Red Fang, & Esmé Patterson, this year's fest will take place July 27th-30th. Colorado’s Bandits, Britt Margit, This Broken Beat, Bud Bronson & The Goodtimers, Brent Cowles, The Burroughs, Chloe Tang, CITRA, Coastal Wives, Colfax Speed Queen, Corsicana, déCollage, Dirty Few, Dragondeer, Wolf van Elfmand, Evan Holm & The Restless Ones, Gasoline Lollipops, Get Along, Jilly.FM, Joseph Lamar, King Cardinal, Last of the Easy Riders, Loretta Kill, Mawule, Modern Leisure, One Flew West, The Other Black, Povi, RL Cole, The Savage Blush, Silver and Smoke, SIXXXD, Slow Caves, SYCDVK, Television Generation, The Velveteers, Whiskey Autumn, Whole Milk, Wildermiss, and Yasi are just some of the acts on the bill we've featured in the last year, so needless to say, we're stoked on this lineup. And there are more artists still TBA!

Stay tuned for more UMS info and get ready to join us on Denver's South Broadway for one of our favorite events of the summer! Tickets here.

Reminiscing on last year's UMS? Peek back at our coverage of 2016:

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Denver's Indie Shoegaze Outfit Corsicana Play The Mercury Cafe This Thursday

By: Hannah Oreskovich

Denver’s Corsicana is the brainchild of 18-year-old Ben Pisano, who started the project in 2014 while still in highschool. With influences including Bon Iver, Death Cab for Cutie, Sufjan Stevens, and Tycho, Corsicana has evolved into a three-piece band live, with atmospheric soundscapes and a shoegaze ambience. Pisano (guitar/vocals) is accompanied by members Amos Chase (drums/synth) and Ryan Skiles (bass) for performances. And speaking of shows, you can catch this crew this Thursday (01/19) at The Mercury Cafe in Denver.

Ben Pisano of Corsicana. 

Ben Pisano of Corsicana. 

Pisano has recorded two EPs under Corsicana, the second of which caught the attention of Pandora Radio and is featured in the online radio’s catalogue. In September of 2016, Corsicana’s first full-length album Haven was released, a work which Pisano recorded himself in full as well. After the release of Haven last fall, Corsicana found themselves touring the Pacific Northwest and getting radio play on CPR’s OpenAir.

Check out Corsicana’s Haven:

Following their show at The Mercury Cafe this week, you can keep up with Corsicana’s 2017 gig schedule here. Whether you peep this ambient indie act digitally or at their show this Thursday, this is a band starting off the year with some sweet buzz from their release last fall, so lend them an ear. Listen to more Corsicana on their Bandcamp page.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.