Music is Good For the Soul, But Our Musicians Are Struggling

The first week of October each year is Mental Illness Awareness Week. It is a time dedicated to advocating for better mental health care, spreading awareness about the widespread prevalence of mental illness, and fighting the stigma that is often associated with mental health. Despite how far-reaching mental illness is, people who suffer are often met with misunderstanding and a lack of adequate mental health care.

Musicians are no exception to suffering from mental illness. It is no secret that living the life of an artist can be challenging, but if music is supposed to be good for the soul, why do so many musicians struggle with mental illness? After all, music has the ability to calm the mind and allow people to relate to circumstances that they are going through. Many people also promote the healing effects of music therapy for behavioral health. If music is really that good for health, musicians should be some of the healthiest individuals on the planet. However, this misconception couldn’t be more wrong. 

The 73 Percent Report

The Record Union conducted a survey of 1,500 independent musicians asking them about their mental health. Unfortunately, the results were staggering. The study found that 73% of independent musicians claimed to have experienced difficulties with their mental health - including stress, anxiety, and depression. In addition, 33% claimed to have experienced panic attacks and 69% suffer from depression. 

Although the numbers of musicians who struggle with mental illness are devastating, only 39% sought treatment for their symptoms. Similarly, only 33% of struggling musicians aged 18-25 sought mental health care. On the other hand, 50% claimed that they self-medicate with drugs and alcohol.

These numbers are substantially higher among musicians than they are among the general population. The National Alliance of Mental Illness reports that 1 in 5 U.S. adults experienced mental illness in 2018. In conclusion, musicians are far more likely to suffer from mental illness than the general population. This poses the question: If music is commonly used as a form of holistic therapy, and is so good for the soul, why are so many musicians suffering?

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Musicians and Mental Illness

Many well-known artists have also spoken up about how mental illness has affected them. One of them, who is constantly in the media, is Demi Lovato. She was diagnosed with bipolar disorder in 2011 and has struggled with substance abuse as well. Unfortunately, co-occurring mental illness and addiction are not uncommon. After all, people who suffer from mental illness are twice as likely to suffer from substance abuse, and nearly 50% of people with a substance use disorder have a co-occurring mental illness. In fact, we hear about co-occurring disorders among musicians all the time, from Kurt Cobain, Amy Winehouse, and Mac Miller, just to name a few. 

While many artists struggle with it, sometimes to death, others use it as a method of empowerment. Take Kanye West, for example. He claims that his mental health condition is more like a superpower- it fuels his creativity. In addition, Kendrick Lamar, Kid Cudi, and J. Cole have also openly spoken up about having depression. Instead of fighting it or letting their mental health silence them, they speak out to encourage others to share their experiences with one another. Regardless of how musicians deal with their mental illness, the list of artists who struggle with their mental health is endless. 

Culture Shock

If you’ve ever moved to a new country, or from a big city to a small town, you are familiar with the term culture shock. It refers to a feeling of disorientation someone experiences when he or she is suddenly exposed to an unfamiliar way of life, culture, or attitudes. Culture shock can occur as a musician takes a leap into the spotlight. Between the stress of trying to get a big break in the industry, the constant criticism from producers, crowds, and media alike, the anxiety of performing, and the overwhelming fans that refuse to back off, it is no wonder that problems with mental health can take a serious toll on the well being of artists. 

The music industry is brutal, and many will spend years making the effort to achieve their dreams just to be told they aren’t good enough. Negative emotions can trigger self-doubt, depression, and even poor decision making. 

On the other hand, there are the ones who finally break through the industry into the spotlight. First, there are the media, following, dissecting, and often criticizing every decision made by artists. While there is plenty of good publicity, it is way more common to see bad publicity arise when a star is less than perfect. The media and the fans sometimes idolize the stars, dehumanizing them and expecting them to behave impeccably. These ideas put a lot of pressure on celebrities.

On top of the media and overwhelming fans, there also comes the pressure of performing. When performing, the stress response is heightened, provoking a fight or flight response that leads to increased awareness and adrenaline levels. Sometimes, this makes for better performances. For others, however, prolonged stress can lead to panic attacks and long-term anxiety. 

The combination of stress, lack of privacy, and pressure that comes from being a famous artist can lead many to self-medicate or neglect seeking appropriate treatment to care for their mental health. It is clear that the climate of the music industry can be toxic for some, so what can be done to improve it?

Something Needs to Change

Any great change takes time. The media isn’t going to stop condemning mental breakdowns of artists any time soon. Fans aren’t going to stop idolizing stars just because we tell them to, and artists are always going to face pressure before putting on a performance. The good news is that some artists are speaking up about mental health. More and more people are beginning to show compassion for mental health rather than judgment. 

Johan Svanberg, CEO of Record Union, stated after publishing the 73 percent study, “It’s time to put the state of our artists’ mental health on the agenda, before streams and commercial success.” After all, the music industry is well aware of the toll that fame, fortune, and rejection alike takes on the mental health of artists. 

Instead of treating artists as a money-making product, they should be recognized as human beings who have feelings and needs. Record producers and managers should implement regular mental health checkups and take action to prioritize the mental health and well-being of their musicians. 

Similarly, fans and the general population should start speaking up about mental health, too. It is crucial to learn more about mental illness and how symptoms may appear in order to gain an understanding of what others may be going through. Most importantly, allow yourself to see the person, rather than the illness. Share your own story about your struggles with mental illness and how you have found healthy ways of coping. The more it is spoken about with compassion and understanding, the more awareness can be spread. Fighting the stigma of mental illness is essential to encouraging people who are suffering to get the help they need. 

If you or someone you know is struggling with their mental health, reach out. You can call 1-800-622-HELP to speak with someone immediately. Learn more about this hotline here.

Additionally, if you’re one of our Colorado readers, consider joining the Mental Wellness Meetup and check out this Colorado Crisis Services website too.

Venture Into Spectra Art Space's Psychedelic Portal of Purgatory with Synesthesia This October

By: Chris Garcia

If its name Spookadelia doesn’t have you intrigued, then its exhibitions will. Described as a “psychedelic immersive art and theatrical experience,” the spectacle opens this Saturday, October 5th from 7PM-11PM and is presented by Spectra Art Space and Synesthesia. 

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Spectra Art Space is known for their contemporary art exhibitions and detailed immersive experiences which cultivate and inspire creativity, and Spookadelia will be no different. Guests who dare to enter will embark on a narrative-driven journey through otherworldly realms and planes of existence. There will be a variety of installations created by local artists including Lexi Lund & The PussayHaus collective (who built Natura Obscura), DAS who will be working with Denver’s Meow Wolf, and the Spectra Team, who have created installations for the Underground Music Showcase Odyssey.

Venture in and be guided through this psychedelic portal of purgatory into the world of the Spectra Specter. It’s unquestionable that the experience will captivate you as each room and section is an immersive, interactive and mind-bending voyage. Expect to be challenged on social and environmental issues, and explore the layers of the human psyche, all while participating in a fresh take on the haunted experience. The installations and experiences are sure to frighten, but will also be family-friendly. In addition, the spooktacular exhibition will feature performance artists curated by Kayla Smith, whose involvement in local theater includes working with Adams Mystery Playhouse and Fearless Theatre

Starting this Saturday, October 5th and running through November 3rd, dive deep into the unknown world of Spookadelia! Experience the art. Immerse yourself in a new haunted experience. Open your mind. Tickets will be available for a timed entry which will give you access to the installation for an hour on the date specified; purchase them here!

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Retrofette's Smart New Tune Adds to Infectious Corpus of Sweet Synth Pop Tracks

By: Julia Talen

Synth-pop band, Retrofette’s latest single and music video, “A House,” was actually the first song frontman Sean Culliton wrote. The tune’s synthy melody sears deep as the song swells, evoking musicians like Talking Heads, Hot Chip, and LCD Soundsystem.

The video, directed and edited by Dead Medium, opens with the four bandmates (Sean Culliton, Xavier Provencher, Ben Weirich, and Dylan Johnson) standing in line in front of a white backdrop in matching white turtlenecks, bopping their heads. It’s a silly and uncomfortable frame. As the song kicks into gear, a variety of friends begin to build a “room” of a house around the bopping group, complete with typical household items like a couch, a rug, and some plants. Shots and cuts overlay one another at the house shifts over the course of the intro from clean to messied from the party.

When Culliton begins to sing, the band starts cleaning the encompassing space from the aftermath (emoji balloons, a flipped over lawn chair, and strewn confetti.) After the first verse, we see friends begin to build the “lawn” of the house with a strip of faux turf and a piece of picket fence. 

Culliton in the video for “A House.”

Culliton in the video for “A House.”

All the while Culliton sings lyrics like “We live in trees with crooked ends/With crooked lives that twist and turn and bend,” and belts “Stays the same.” Culliton shares that the dance hit calls forth the idea that, “We work all day just so we can party all night. It all becomes so routine that it’s hard to know if we actually like it.” This explains the bland faces of the bandmates and the visual surroundings cycling through: the house, the party, the house, the party.

The video culminates into a big bash where the band is encircled by a swaying group of friends in matching white shirt/black pants uniforms. Confetti explodes as everyone stares into monotony. The silver lining to this bleak, provocative commentary, Culliton notes, is that through all the tedium, at least there are friends. 

This smart new tune adds to Retrofette’s infectious corpus of sweet synth pop tracks. Hear this song and more at one of the groups upcoming shows, October 10th and 25th at Ophelia’s Electric Soapbox or October 26 at Washington’s.

-Julia

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The Velveteers Kickoff Their Third UK Tour with an Electric Farewell in Denver

By: Emily Shuey

Last Saturday night, Boulder natives, The Velveteers, kicked off their headlining show in Denver at The Bluebird Theater to inaugurate their third UK tour, which begins in less than a week. The three-piece band includes frontwoman/lead guitarist Demi Demitro, a 21-year-old with a unique sound conjured as a mix of Joan Jett and Bonnie Tyler, and a siren-esque raspiness defining her personal brand. Her long curly hair (think Claudio Sanchez), jewel-encrusted jacket, and leather pants, accompanied with the bands’ goth-like decor set the scene for a Tim Burton meets Zeppelin-era inspired ambiance.

Demi Demitro of The Velveteers.

Demi Demitro of The Velveteers.

Demi is always accompanied by two drummers, John Demitro (her brother) and Adrian Pottersmith, who have crafted their own unique dual-drum kit, bring a reverberant and flexible base to all of the band’s performances. 

Adrian Pottersmith & John Demitro.

Adrian Pottersmith & John Demitro.

Fans were prefaced by support including The Bitter Suns, The Kinky Fingers, and Boot Gun, but it was obvious The Velveteers have been pulling a loyal crowd following at their shows since the band’s birth in 2014. Fans were decked out in DIY band t-shirts, appropriate goth punk rock attire, and were ready to throw down for an intimate and interactive experience that The Bluebird is known for creating. 

A fan in the band’s merch.

A fan in the band’s merch.

As soon as Demi plugged her guitar into its amplifier, the crowd anxiously waiting, went wild. Moving into their first song, she embodied a confident and nonchalant presence that puts the crowd at ease, but also gives the go-ahead for madness. The crowd hosted fans of all ages, united over their mutual love for moshing, head banging, and theatrical rock. 

Pottersmith in the crowd.

Pottersmith in the crowd.

The band played favorites like the provoking “Death Hex,” and their catchy single “Eyes Tell Lies” sending the crowd into a full-blown, relentless circle mosh, which was a common scene for most of the show. (I might have a few bruises and worn quite a few PBR’s to prove it). The show was made even more intimate with the absence of a pit, allowing fans to cheer and be involved from just inches away. The drummers kept the energy high throughout the show, especially when Pottersmith removed one of their snares, placed it in the crowd, and performed an interactive, punk rock-style drum solo. 

Saturday’s UK tour kickoff show proved that The Velveteers are capable of holding their own as headliners, and seemed symbolic of good things yet to come. They are currently self-managed, self-taught, and sans record label. The European market is volatile for even some of America’s most successful outfits, but with perseverance, it can be career defining. The band will be kicking off their third international tour in Glasgow on September 10th. 

See more photos from this show here.

-Emily

All photos provided to BolderBeat by the author. This feature was edited for brevity and clarity by BolderBeat.

Day N Vegas Just Might Have the Ultimate 2019 Festival Lineup

By: Luis Castro

With a star-studded lineup, Day N Vegas is bringing together some of the best names in hip-hop, and is making a strong case for festival of the year. Dreamville, Astroworld, and Top Dawg Entertainment will join forces during the weekend to bring fans the best experience possible. Kickstart the weekend with Dreamville's J. Cole, J.I.D, Bas, Earthgang, and Saba. The energy will only continue with Juice Wrld, Denzel Curry, Lil Mosey, Comethazine, and Lil Uzi Vert (who, if he drops Eternal Atake beforehand, fans are in for a treat.)

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Saturday, we'll be left stargazing after Travis Scott, Migos, 21 Savage, Da Baby, and Sheck Wes, who are definitely must-sees as their festival experience has taught them how to master a crowd and keep the energy high. Lil Nas X proved he's way more than just a one hit wonder with his new 7" EP this year too, and we can't wait for this young talent to perform it! 

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Sunday really will be a fun day for Day N Vegas’s close-out with a TDE heavy lineup. Ab-Soul, Isaiah Rashad, Jay Rock, School Boy Q, and Kendrick Lamar will put the cherry on top to an already amazing festival lineup. Tyler the Creator will pay Red Rocks Amphitheatre in Denver a visit just a month before Day N Vegas, which will likely be a great preview to what will surely be an energetic set. Brockhampton, Ski Mask the Slump God, and Flatbush Zombies will make sure all the jumping and hype is well alive throughout the day too.

Overall, this is one fest we can’t wait for! Close out the 2019 music season with us in Vegas for more than just a day. Get your tickets here

-Luis

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

"When Your Axe is at its Sharpest, it's Time to Lay it Down." - Wild Faith Serenades Longmont at Rosalee's Pizzeria

By: Moriel O'Connor

If you are searching for the sounds of music, you will strike gold in Boulder, Colorado. The Pearl Street Mall is well-dressed in street performers, everflowing fountains, sculptures over sandstone, and manicured beds of marigolds, daisies and tulips. You are almost certain to stumble upon a wandering musician. Some pass by; some choose to listen. This is where I met Leonardo Armigo of Wild Faith

Wild Faith.

Wild Faith.

With long curls, a sweet smile and a guitar in hand, he played for the people of Pearl Street busking. After catching him up and down the road, he invited me to his recent show at Rosalee's Pizzeria in Longmont, Colorado.

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Leo is a storyteller with impeccable rhythm and musical talent. His songs show an appreciation for sacred places and all aspects of nature, including the human experience and all its vulnerabilities. While he sings, passion rings through his voice and medicine moves through his fingers. Wild Faith is rooted in the Southwest, with Apache, Comanche, Spanish and  Mediterranean ancestry. Leo has been performing for over 15 years. He recently traveled through Peru and brought back stories to sing. Throughout his performance, Leo spoke for the land with lyrics and reminders such as:

"The example we set is the destruction we heal."

"When you're axe is at its sharpest, it's time to lay it down."

"When there is wonder, there is a way."

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Wild Faith donates 50% of his album sales to Amazon Watch, a nonprofit dedicated to protecting the Amazon rainforest and the rights and cultures of the indigenous. You can support the Amazon and purchase Wild Faith's album, The Longest Journey- An Acoustic Experience here. Find him at Arise Festival in Loveland, Colorado this August and Tribal Visions in Taos, New Mexico this September. If you're lucky, you might even hear his heart songs on Boulder’s Pearl Street. 

Keep up with Wild Faith here

-Moriel

All photos per the author. All videos and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Westword Music Showcase's 25th Anniversary Brought Together Artists, Friends & Powerful Frontwomen

By: Taylor Naiman

On Saturday, the Westword Music Showcase overtook the streets of Denver’s Golden Triangle. Though it was a 97-degree day with the sun overhead at all times, everyone had a beer in hand and seemed to be unbothered by the heat. People were happy and excited just to hear some brand new music from local and national artists alike. From the bars to the clubs, there were plenty of venues along Broadway and Lincoln Street to escape the heat while enjoying some good tunes. Rather than occupying a bunch of stages outside, Westword Music Showcase nurtures local businesses, with a majority of the sets taking place at various bars and clubs including Bar Standard, Stoney’s, 100% De Agave, Mirus Gallery, #VYBE, Club Vinyl and The Church. This amalgamation of local businesses and bands allowed people to discover new venues, new music, and new people along the way.

Bishop Briggs. Photo Credit: Adrienne Thomas

Bishop Briggs. Photo Credit: Adrienne Thomas

Celebrating its 25th anniversary this year, this one-day music festival is a staple of the Denver community. It has been a successful launch-pad for many local artists over the years, including the likes of DeVotchKa and 3OH!3. This year, we caught some big-name acts such as Jai Wolf, Bishop Briggs, Yasi and CHVRCHES, among others on the main stages. Bishop Briggs was a fan-favorite, with her powerhouse voice and contagious smile. The last time she was in Denver was for her set at the now defunct Grandoozy. At Westword, Briggs was loving every minute of her Mile High set, running from one end of the stage to the next, unphased by the altitude or the heat. The audience was treated to some of her new music, while also hearing  the entirety of her Church of Scars album. 

CHRVCHES. Photo Credit: Adrienne Thomas

CHRVCHES. Photo Credit: Adrienne Thomas

Denver Westword’s Music Showcase presents an essential platform for artists to share their craft and tell their story. Music delivers a message and over the day, we heard a lot of stories Denver’s local rock’n’roll band Los Mocochetes used their music to address today’s political issues, such as immigration. At the end of their set, they told us, “Dance is a form of prayer.” We definitely love our music out here in Colorado, and it was a blast to see the differing forms of expression coming from the artists and concert-goers.

Photo Credit: Adrienne Thomas

Photo Credit: Adrienne Thomas

Westword Music Showcase is all about supporting the local scene, and thrives on the concept of concert-goers discovering the unknown or what may be an undiscovered talent. The Showcase this year was jam-packed with a culmination of genres curated for diverse tastes. Throughout the day, it was nice walking the grounds, running into friends having a drink together. This fest is a “squad up and see that new band you have not heard of” type of event. It thrives on the idea to not listen to one type of genre, but rather to branch out and hear a new voice. The beauty of this Showcase is that you will, without a doubt, discover a new musician or band to follow on Spotify

The Velveteers. Photo Credit: Adrienne Thomas

The Velveteers. Photo Credit: Adrienne Thomas

Whether rocking out to Cheap Perfume or The Velveteers, it was a breath of fresh air seeing Colorado frontwomen take charge and own the stage. The festival also featured a number of strong national female acts, including Lauren Eve Mayberry, the lead singer of CHVRCHES, and aforementioned Bishop Briggs.

If you didn’t get the chance to go to Westword Music Showcase this year, listen to their festival playlist here! We’re already looking forward to Westword’s 2020 announcement. 

See more photos from this festival here.

-Taylor 

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Color Red Studios Releases Dragondeer's Latest Digital 45 Record

By: Mirna Tufekcic

Denver’s own Southern-funk disco-blues band Dragondeer dropped a digital 45 earlier this month with two tracks featuring bassist Jeff Franca from Thievery Corporation and guitarist Jordan Lint from Analog Son. The band dove into deep sonic territories during their Color Red Studios session. Color Red is a Denver-based record label and music hub for local and visiting artists to collaborate and create music together. Self-proclaimed to be “more than just a record label, Color Red is; a music scene, a curated artist group, a media outlet, a studio, a genre-fluid music platform, a global launch pad of ideas.”

From the Color Red sessions, Dragondeer’s two new tracks are a true testament to the above statement. “Mirage Á Trois” has a cool-cat sexy vibe that grooves, but listen closer and you’ll hear it’s really talking about the delusional traps one’s own mind can create, you know, the me, myself, and I kind of mind tricks that suck you in and leave you wandering in an illusion. “Max Patch,” a more upbeat, carefree funk groove, is a jam session among the bandmates during their stay at a mountain cabin on the border of North Carolina and Tennessee. Equal parts soul and rock’n’roll, the lyrics speak to the easy vibes of sipping on moonshine and jamming with family and friends while fluffy white clouds pass above a Smoky Mountains cabin. The boys sure did paint quite the scene and ambiance with these two tracks.

Dragondeer has played with the likes of Nathaniel Rateliff & the Night Sweats, Shakey Graves, and Drive By Truckers; they’ve been at the Telluride Bluegrass Festival; and now the band is hitting the road for a summer tour. They will be making appearances at the Firefly Music Festival and Electric Forest (with The String Cheese Incident). Click here for Dragondeer’s full tour dates.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Dizzy Wright Ended His Recent Tour in Denver with a Nipsey Hussle Tribute & More

By: Moriel O'Connor

If you were like me, you spent your high school days hotboxing in your friend’s Pontiac while banging rap music on back roads. It seemed more badass back then, when you had to steer clear of the cops and put in eyedrops before going back to physics class. Now, cannabis is easy to get ahold of, and you don’t have to worry about the CD scratching and skipping over your favorite lines. Still, there is nothing like lighting up and getting down.

Dizzy Wright.

Dizzy Wright.

For real, name a more iconic duo than weed and hip hop. I’ll wait. Dizzy Wright gets this, and he’s even got his own strain. He rolls his own blunts and keeps it real. Cruising to Colorado from his hometown of Las Vegas, he finished off his recent tour at Cervantes’ last weekend.

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During his set, Dizzy praised to be “a mile high,” saying Denver was his favorite city to visit. He also paid respect to Nipsey Hussle. Dizzy’s music stands out from most modern day rap with authenticity and truth. He is an independent artist whose lyrics and spirit show passion and integrity, encouraging others to take back their power. Dizzy’s been rapping since he was a child and recently released his album, Nobody Cares, Work Harder, collabing with Mozzy, Tech N9ne, Berner, Curren$y, Jarren Benton and Demrick.

So if you weren’t at Cervantes’ this last weekend, or even if you were, roll up, view my shots from the show, and listen to Dizzy’s latest album here. Much love. 

-Moriel

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

After 47 Years, the Magical Reputation of Telluride Bluegrass Festival Has Long Been Earned

By: Cy Fontenot 

Nestled in the epic Box Canyon, Telluride Bluegrass lives up to its reputation year after year. There’s not a place in Telluride where pickin’ and dancin’ isn’t goin’ down. From the songwriting contests in town, to incredibly uplifting shows and picking circles in Town Park until sunrise, the Telluride Bluegrass vibe stays alive 24 hours a day for the weekend’s festivities. There’s an undeniable sense of synchronicity to the festival and to Telluride all together. 

Bela Fleck & The Flecktones.

Bela Fleck & The Flecktones.

This was my second year attending the festival and as soon as I walked into Town Park, I was greeted by a familiar face, named Toast who hollered, “Welcome home Cy!” The family at this festival is real, loving, accepting, giving, and very cool. Within the festival walls, it was difficult to not have a smile on my face. Beyond the music, the general positive, healthy, and environmentally conscious vibe is my favorite part of this festival. 

Lake Street Dive.

Lake Street Dive.

Though I was able to witness some incredibly inspiring performances on the main stage by Lake Street Dive, Broke Mountain String Band, and Bela Fleck and the Flecktones, the late night shows are where I found the tastiest of tunes. Leftover Salmon, Magic Beans, and Greensky Bluegrass are always a fantastic time, and proved to be this year as usual. Liver Down the River, which I am a member of, played some solid Funkadelic Grass, and if the people and mountains weren’t enough, Railroad Earth reminded us that this is one amazing festival to be a part of. A feeling of gratitude even flowed through the crowd as Sam Bush showed us if you play enough mandolin, and you are rock’n’roll enough, maybe one day, you too can become the King of Telluride Bluegrass. 

Sam Bush.

Sam Bush.

There really isn’t another festival quite like Telluride Bluegrass, so needless to say, I’m already looking forward to their 47th year. Check out their website here to stay informed for next year! 

View my full photo gallery from this festival at this link

-Cy

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: Watch Pink Fuzz's Murderous New Video for "Turn"

Denver rock’n’roll favorites Pink Fuzz have been hard at work since the release of their 2018 record ‘Speed Demon’. The trio, comprised of sibling duo John Demitro (The Velveteers) and Lulu Demitro with drummer Forrest Raup, just dropped their music video for their single “Turn.” We’re excited to premiere the video here at BolderBeat, which is a follow-up to their last video “Enough” and features some familiar characters including Fast Finger Frank (David Landry of Boot Gun). Prior to the video’s release, we caught up with Pink Fuzz to learn more about their latest cinematic endeavor and their upcoming Midwest tour. Check it out:

Where was “Turn” recorded and who is featured on the track? Did you have a producer involved?

“Turn” was recorded, produced, and mixed by Pink Fuzz and Todd Divel at Silo Sound Studios in Denver. Jim Wilson mastered it.

What inspired the video concept and who all stars in this follow-up video?

 The video for our single “Enough,” which we released in 2017, was part one of the storyline of this tale. “Turn” is the follow-up to that video. In “Enough,” we see a psychopathic serial killer trucker named Fast Finger Frank chasing after a drugged runaway driving a 1975 Firebird down a desolate desert road. Fast Finger Frank collects fingers as trophies, and is on a drug-fueled mission to get every single female digit that he comes across. Inspired by style of Faster, Pussycat! Kill! Kill! and Grindhouse, in the video for “Turn,” we dive into the life and killings of Fast Finger Frank. The band has always been  fascinated by serial killers and what will drive a human being to stoop so low. This is the recurring theme behind our album Speed Demon and our music videos for the record. “Turn” stars Pink Fuzz, David Landry of Boot Gun, The Velveteers, and Noah Shomberg.  

Pink Fuzz.

Pink Fuzz.

Did anything interesting happen during the filming of the video?

Well there are quite a few gory scenes that we shot outside in public places. We had a lot of people walking by or driving by as we were “killing” our victims. That’s always hilarious when you have people genuinely concerned in the background of a shot. Another funny thing was going to the store and buying severed fingers, a turkey baster, fake blood, and then checking out. The cashier’s face was priceless!

Pink Fuzz. Photo Credit:   Vossling

Pink Fuzz. Photo Credit: Vossling

Why did you decide to film a video for this track from ‘Speed Demon’?

This track has a good, fast-driving beat behind it, as well as lyrics that match up to the video content like, “This is the end of the line my friend. Can’t go back now. Seeing life pass on day to day just counting on you. Fading, you’re fading away.” We wrote “Turn” in the perspective of the serial killer. It seemed like the best follow up to “Enough.”

Spooky! What else is Pink Fuzz planning for 2019?

We’ve been working really hard on new a 5-song EP. We wish were able to release it before our upcoming Midwest tour, but audiences will get to hear some of the new tracks live! In our opinion, it is some of our strongest songwriting and best sounds we’ve captured in the studio! We will be releasing it before summer is over. We’ve also got more videos and tour dates to announce sometime soon. For now catch us on the road starting this week at:

6|13 recordBar | KANSAS CITY, KS

6|14 Replay Lounge | LAWERENCE, KS

6|15 AUNTIE MAES | MANHATTAN, KS

6|18 TOTAL DRAG Records | SIOUX FALLS, SD

6|19 The Zoo Bar | LINCOLN, NE

6|20 TBA | COLUMBIA, MO

6|21 TBA | ST. LOUIS, MO

6|22 Liar's Club (ANNIVERSARY PARTY) | CHICAGO, IL

Can’t wait Pink Fuzz! Make sure to check out the band’s video above and keep up with them this summer here.

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The River Arkansas Releasing New Record & Embarking on Colorado Tour

By: Mirna Tufekcic

Just when you think there is no room for more blues, folk, country & Americana music in this world, another band pops up and proves its undeniable lure and creative spin on what’s already been done. The River Arkansas is one of those bands that fit that genre, but play with crossing and blurring boundaries as to where they fall exactly. Their sound is just another testament to today’s melting pot of genres that go beyond the box of just blues, just folk, or just country.

The River Arkansas. Photo Credit:   Art Heffron

The River Arkansas. Photo Credit: Art Heffron

The band started in 2014 as a solo project by Mike Clark of The Haunted Windchimes from Pueblo, Colorado. Shortly after laying down some tracks, Clark brought in his friend and bassist Macon Terry. After spending some time playing together, they realized there was something bigger there than just one project. Since then, the band has expanded to include a fiddle player Rachel Sliker, Benjamin Gallagher on the piano, and Robin Chestnut on drums. Each of these musicians is a very talented addition to the band. Together, they give off a heartfelt and wholesome sound which resonates with the Colorado lifestyle of mountain life meets pavement.

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The River Arkansas has played with other Colorado local gems like Grant Farm and the Gasoline Lollipops. The band has released two albums since 2014, and on May 30th they’re releasing their newest album Any Kind of Weather at Syntax Physic Opera in Denver before embarking on tour to several other local mountain venues including the Jamestown Mercantile, Brues Alehouse in Pueblo, Elevation Brewing in Salida, and Deerprint Wine in La Veta.

Any Kind of Weather is a continuation of the band’s effort to blend folk, country, blues and Americana into a smooth concoction. I had the privilege of previewing the album for BolderBeat in lieu of the album release party this week and here are my two cents: The album is certainly country-forward, if not for Clark’s distinct, heartfelt, growling, and raspy country vocals than most certainly for the fiddle, harmonica and banjo sounds that predominate songs on the album, like “Bury Me,” “Big Bald Buddy,” and “Lady Luck.”

Photo Credit:   Art Heffron

Photo Credit: Art Heffron

Many of the songs are easy listening, either moving the listener to a gentle sway, or a light stomp of the feet. Tasteful peppering of the piano throughout the album gives the songs depth that a lot of country music doesn’t experiment with. The drums and guitar of the more upbeat songs like “Balloon Girl,” “Gone in the Morning” and “Mona” add a bit of a rock’n’roll vibe to the mix, allowing some of the songs on the album to break away from a heavy country/folk feel and move into the Americana realm. The slower songs like “Cuernavaca,” “SF Bay” and “Slow Down” take on more of that folky-country-blues tune, giving the album a hardy dose of all the goods. Reminiscent of The Band, Sturgill Simpson, and The Sam Chase, fans of country and Americana are surely going to enjoy The River Arkansas’ junior album Any Kind of Weather.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Dynohunter Ending Their Spring Tour at Cervantes' with New Music

By: Mirna Tufekcic

Live tech-house music is not a frequent occurrence, even if you find yourself attending a lot of music festivals. However, if you are one of the festival goers who really enjoys electronic music, then live tech is what you ought to seek out if you haven’t already! What I’m getting at here festheads is Dynohunter, a live tech-house act you might have seen perform at music festivals across the country including Electric Forest, Summercamp, Joshua Tree, Sonic Bloom, Arise and others. They've opened for some of the biggest names in livetronica including Papadosio, Eoto, Opiuo, Sunsquabi, Ott, and The New Deal, and supported world renowned DJs Shpongle, Bonobo, Infected Mushroom, Klingande, and The M Machine. The trio has been on a six-week nationwide tour as of late, and they’re closing it out on May 22nd by headlining Denver’s homegrown music event Re:Search Wednesdays at Cervantes’ Other Side.To add to the shenanigans, the event will also feature Casual Commander (Sunsquabi), Aaron Bordas (Late Set), Mikey Thunder and Jordan Polovina. Needless to say, if you’re a tech-house fan, this will be one for the books!

Dynohunter.

Dynohunter.

It’s an added bonus if you like to dance fellow festi lover, because a live Dynohunter show is a sure way to be moved. With a sound embraced by fans of house and techno, and a live performance fueled by the organic energy of live instrumentation, their music is undeniable on the dance floor. Trust me, I’ve seen a few myself. The group’s sound is dark and tribal, peppered with worldly rhythms and deep hypnotic grooves tastefully mixed in with hard-hitting dance tracks, uplifting melodies, and soulful improvisations. This trio is truly a breath of fresh air to the world of electronic dance music. The band’s creative ways of blending deep electronic influences with live saxophone (Clark Smith), bass (Fred Reisen), and drums (Nic Thornsberry) forges a new path in the vast expanse of electronic music.

Dynohunter has released 12 EPs and three full-length records in the past four years with no sign of slowing down. Their newest releases “Third Rock from the Sun,” “Lyra” with Eli Spiral, and “Ectoplasm” have been running hot during their current tour. They’re also keeping it fresh with a single, “Night Tripper”, due for release on May 31st which you may just get to hear early if you stop by their Cervantes’ set. Come and get your electro fix on Wednesday, May 22nd and experience Dynohunter for yourself! It’s bound to be a non-stop tech-house dance party. See you on the dance floor!

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Spread the Word Festival Takes Over Denver this Weekend for Its Biggest Year Yet

By: Will Baumgartner

A testament to the vision, drive, persistence and commitment to musical community of its founder and mainstay Alex MacKenzie-Low, Spread the Word Festival (StW) returns to Denver this weekend with an absolutely explosive lineup at top venues Cervantes’ Masterpiece Ballroom, Levitt Pavilion, and the Denver Coliseum. Now in its seventh year, Spread the Word has grown from its rather humble beginnings to an unstoppable force, bringing international superstars like Karl Denson’s Tiny Universe, and BoomBox to head up another powerhouse lineup of local luminaries including Analog Son, Gasoline Lollipops, TNERTLE, Juno What, Magic Beans, Rob Drabkin, and Mackenzie-Low’s own fantastic band A-Mac & The Height. Colorado up-and-comers like The Reminders, Graham Good & The Painters, Eldren, Jaden Carlson Band, Mama Magnolia, Morsel, Dog City Disco, Float Like A Buffalo, Zagriculture and more will join as well.

Alex Mackenzie-Low.

Alex Mackenzie-Low.

It’s hard enough to keep moving forward and upward in the music business as a bandleader: to add the tremendous responsibility and challenges of putting on a festival, do it year after year and keep it growing, seems almost superhuman. As a member and avid supporter of the Front Range music scene, I’ve watched with considerable awe and respect as Alex has struggled with challenges and disappointments, and still managed to persevere. This year’s Spread the Word looks like a substantial breakthrough, so I was happy to sit down with him and get some insight into the process and rewards.

How did StW get started?

I started it in 2013 because I was really into Denver's music scene and enjoyed promoting shows. I loved the layout of the old Quixote’s on 23rd & Lawrence and got comfortable incorporating all three stages in a single event. From there I decided to launch the first Spread the Word Fest at Quixote’s True Blue on 13th Street in April 2013.

That was [also] the year I graduated UCD with a bachelor's in music business so putting on the festival was also my way of launching out of the college world into the music industry. My old band Green River Vibe had just released an album called 'Spread The Word' and I thought it made a lot of sense for the grassroots Colorado-centric festival I was envisioning.

Had you put on festivals before starting StW, or was this your first?

Aside from the aforementioned mini-festivals, StW Fest is the only festival I put on. This is the 7th year of StW Fest and I'm 27 so I've been working on it the majority of my career in the music industry.

StW has consistently grown over the years, from being comprised entirely of local bands with moderate regional recognition playing in small venues, to the nationally and internationally known headliners and top regional acts in huge local concert destinations like the Denver Coliseum and Levitt Pavilion. How did you get from there to here?

Honestly it mainly comes down to putting in a ton of hard work year after year and making the right connections and keeping relationships strong. I try to keep respect and integrity with everyone I work with and believe it all comes back around when talented people work together. I definitely feel blessed to be working with the team we have this year.

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 What acts are you most excited about at this year’s festival?

 Wookiefoot is my favorite band, so that is an honor, especially with Mike Love. BoomBox headlining the main stage after The Werks will be epic, as well as round two of Spread the Word Family Band. Last year's family band was a treat and this year's super group features members of SunSquabi, String Cheese Incident, Thievery Corporation and Pretty Lights Live Band. Karl Denson to end the weekend will be the perfect finale. Stoked!

What advice would you give to fledgling impresarios trying to put their own festivals together? 

Believe in what you are doing and why you are doing it first and foremost. More practically speaking, find an investor. It’s not cheap and it’s a very risky business. Once you have the funding, vision, location, team, plenty advance notice and the drive to see it through… give it a shot!

A-Mac and The Height.

A-Mac and The Height.

You also lead one of the best bands in the Denver area, A-Mac and The Height. Isn’t it a tremendous amount of work to run your band and a festival of this magnitude? How do you balance the two?

It’s very hard. My free time from January to May is extremely limited. I also book the shows at Moe's BBQ, which is my main day job, so it’s definitely a balancing act. A-Mac & The Height is building our management/booking team, and the team supporting StW Fest has grown which helps. Either way, it’s a labor of love which pushes through all the long days.

The proof that MacKenzie-Low’s labor of love has yielded some spectacular fruit, as the old saying goes, is in the pudding. Get out at and taste it this Friday through Sunday May 17th-19th. Tickets and more info available here.

-Will

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

From Check-In to Check-Out, Hotel Boulderado Provides Luxury Amenities, Historic Charm & Amazing Entertainment

By: Hannah Oreskovich

From check-in to check-out, Hotel Boulderado has all the bases covered for an amazing stay: beautiful rooms built for comfort and charm, a formal and fresh dining experience at Spruce Farm & Fish, poppin’ energy at The Corner Bar, and a nightlife scene of curated cocktails, boot-stomping shows, and skeeball at License No. 1.

Hotel Boulderado.

Hotel Boulderado.

Opened on New Year’s Eve 1908, Hotel Boulderado stands as the first luxury hotel built in Boulder, Colorado. Now a City of Boulder landmark and a member of Historic Hotels of America, the five-story brick building was originally designed by local architects William Redding & Son. Featuring a stunning stained glass lobby ceiling, rich woodwork on every floor, and both modern and classic furniture pieces throughout the property, there’s no doubt the Hotel Boulderado has maintained its luxurious aesthetic over the years.

The author in Hotel Boulderado’s lobby.

The author in Hotel Boulderado’s lobby.

Last weekend, I had the opportunity to stay in the hotel’s Historic King Suite, which features Victorian-era decor, a spacious sitting area with amenities like fresh spring water, and plush Boca bathrobes perfect for winding down your day. The floral wallpaper, iron headboard, and soft colors of the room add to the suite’s beautiful decor details while the room’s vintage desk area allowed me to get some much needed work done before exploring the rest of my stay.

The floral victorian-era decor of the Historic King Suite’s sitting room.

The floral victorian-era decor of the Historic King Suite’s sitting room.

Beyond their stellar room accommodations, Hotel Boulderado houses three incredible businesses under their one roof: Spruce Farm & Fish, The Corner Bar, and speakeasy License No. 1. After checking in and touring the property, I stopped by Spruce to make a reservation for dinner. There wasn’t an empty seat in the farm-to-table restaurant. With a little time before my reservation, I headed to The Corner Bar’s patio for a pre-dinner drink. Located just off of Boulder’s iconic Pearl Street Mall, the bar’s patio area allowed for ample people-watching. Inside, several patrons watched the Denver Nuggets game on television; others were crowded at tables sampling the spot’s small plates, burgers, and beers. A mix of hotel guests and locals, The Corner Bar served as an excellent start to my evening.

Spruce Farm & Fish let me know my table was ready about 30 minutes in to my Corner Bar stop, so I finished my Cabernet and headed to dinner. Though the Corner Bar shares some of the more casual eats from Spruce, Spruce offers an extensive seasonal menu with items you can’t find anywhere else. I sampled the Blue Crab Cakes appetizer (delightful and paired with citrus), the Sweet Pea & Mint Linguini (phenomenally fresh with a soft poached egg and delectable English peas), and the Crème Brûlée (a tasty rich custard with fresh berries and a perfectly caramelized top). The wait staff was exceptionally friendly and willing to talk through recommendations while also providing an opulent dining experience.

After dinner, I wandered downstairs to the hotel’s nightlife joint: License No. 1. There is an entrance from the hotel lobby, so guests never have to leave the property. Alternatively, the spot also has an entrance on 13th Street, a run which features several other Boulder bars. Though License No. 1 is perfectly located for a night of bar hopping Boulder’s downtown, there is so much to do inside of its beautiful brick walls that I never left. Along with its more formal seating rooms, the speakeasy also features a game area replete with a pool table, darts, skee ball, and a photo booth. Partnered with great live music in the venue’s listening room, I was constantly entertained by everything there was to do at License No. 1.

Banshee Tree.

Banshee Tree.

Known as the place where Boulder’s first liquor license was issued, License No. 1 features live music every Thursday-Saturday. Saturdays typically showcase Boulder’s Banshee Tree, a talented four-piece who blur the lines between funk, blues, and gypsy jazz. Comprised of Thom LaFond (vocals, guitar, piano), Jason Bertone (upright bass, shouting), Nick Carter (violin, fiddle, hollering), and Michelle Pietrafitta (vocals, drums), Banshee Tree’s skillful instrumentals and strong rhythm section had an entire room of 50+ people boogieing from wall to wall during my visit. It proved impossible to make my way to the front for photos, so I danced near the back before eventually finding a seat to sip one of the bar’s specialty cocktails, the Boulder Mule. Served in a copper mug, the delightfully refreshing drink is a combination of vodka, St. George pear liqueur, house ginger cordial, and vanilla ginger syrup perfect for summer. License No. 1 has an entire book of custom cocktails, some spirit-heavy; others floral focused or sweet. Much like everywhere else I’d been at Hotel Boulderado, the staff were friendly and enjoyed talking about the menu’s different drink options.

As Banshee Tree continued on, the crowd only grew larger. Formed in upstate New York, Banshee Tree have been living and playing across the Front Range now for years. They’ve played a number of Colorado music festivals, so catching them in the intimate environment that is License No. 1 is a serious treat! The band call themselves a “diverse blend of dance and improvisational styles,” making them easy to groove to or just interesting to hear if you aren’t the dancing type. Banshee Tree’s tunes feature long instrumental stretches, giving patrons ample time to stomp around. Each member of the band is equally skilled at their instrument(s), so songs featured guitar, standup bass, and fiddle solos while Pietrafitta kept up the dancey drum backbone of the tracks. The band broke their night up into two long sets, so during their intermission I had time to explore the venue’s gaming area and snap some shots in the License No. 1 photo booth. Banshee Tree had patrons bouncing well past the midnight hour and since the crew is jetting on tour soon, so I highly recommend catching a show near you this spring!

The historic check-in area at Hotel Boulderado.

The historic check-in area at Hotel Boulderado.

As the night came to an end, I wandered back to my room for a sweet surprise. The Boulderado offers a turn-down service in the evenings, complete with a gift of chocolate truffles from local chocolatier Lift Chocolate. Needless to say, I capped my night with the Grand Marnier and Raspberry truffle selection before drifting off to a very comfortable rest.

No matter the vibe you’re looking for in your next Boulder stay, Hotel Boulderado has something for everyone with an unparalleled excellence in dining, nightlife, and accomodations. Whether you’re booking for business, a wedding, or for pleasure, their staff aim for every guest to have a personalized and elegantly hospitable stay from start to finish. Their lavish amenities are the perfect perk, and historically, there is nothing else like Hotel Boulderado in town.

Hotel Boulderado is offering two special experiences with your stay this spring: the Downtown Boulder Shopping package and the romantic Colorado Clear Skies Stargazing package. To book the Historic King Suite I stayed in, or to see the hotel’s other suites, visit this link. Learn more about Hotel Boulderado here.

All photos, videos, and embedded tracks per the artists or venues featured and those credited. This feature was edited for brevity and clarity by BolderBeat. This feature is partially syndicated and some pieces originally appeared as part of a series on blondontherun.com.

Why You Can't Miss Telluride Bluegrass Music Festival 2019

By: Cy Fontenot

Every year festival-goers and music lovers of all types make their way to the historic mountain town of Telluride to experience the annual tradition of the Telluride Bluegrass Festival. Surrounded on three sides by the rugged San Juan Mountains at 8750 feet in elevation, this festival seems to be the spawn of everything great about the Colorado Bluegrass scene.

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This year’s lineup includes Railroad Earth, Greensky Bluegrass, Leftover Salmon, Yonder Mountain String Band, Bela Fleck, and of course, the King of Telluride, Sam Bush, along with many more phenomenal acts! It’s the festival’s 46th annual year running, and outside of the main stages, keep an eye out for the weekend’s late night shows where you might just catch the next big bluegrass rising star.

Staying the whole weekend to catch every show possible? Camping in Telluride is nothing short of breathtaking. There are several campgrounds within walking or shuttle distance of the festival so get your tent pass here.

Don’t miss your chance to be a part of this year’s Telluride Bluegrass Festival! Tickets and all other info can be found here!

-Cy

All photos per the author. All videos and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

I Prevail Bringing 'Trauma' on Tour This Spring & Summer, Including a Red Rocks Amphitheatre Set

By: Nathan Sheppard

I Prevail recently released their newest album Trauma, which is the band's first album in three years. This highly anticipated record offers fans a look at what their genre has to offer in the future, while also giving us the classic I Prevail that we fans have come to love.

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The first track of the album is “Bow Down,” and was the first single released. This track gives us everything that we know the band is great at: the back and forth between Brian Burkheiser’s clean, smooth vocals and Eric Vanlerberghe’s harsher tones, a melodic chorus, and heavy breakdowns. This song is a clear indication that I Prevail still know how to make the jams they’re known for. They also produced one of their heaviest songs to date on this record with “Gasoline,” a tune that showcases Eric’s screaming abilities.

In “Paranoid,” we get a very different track which shows us a possible direction the band could evolve into. They experiment with different genres by incorporating bits of electronic, hip-hop, and alternative elements into this song. This is seen heavily throughout Trauma and is on par with the trend in rock music today to try and appeal to a wider variety of fans. While I Prevail are trying to expand their musicianship, they still stay true to their roots by not overwhelming you with the electronics; you can still tell there are heavy instrumentals in each track.

I Prevail gained a major following with some of their softer rock ballads like “Alone” and “My Heart I Surrender,” and with Trauma we get two of new awesome ballads. The first is “Every Time You Leave” featuring Delaney Jane and the second is the last track on the album “I Don’t Belong Here.” Both of these songs are definitely tunes that you will be turning the volume up to and singing along.

Overall Trauma takes us to an updated version of I Prevail. The album is very well produced and has a much cleaner sound to it than previous ones. While a good chunk of the rock scene is going towards a more mainstream pop style, I Prevail is able to add elements of that without losing who they are as a band. They experiment with newer sounds in a way that is easier to digest compared to changing their sound all together. Trauma is an album you want to listen to all the way through, whether you’re an old fan or new.

I Prevail will being taking their brand new album on tour this spring/summer with Issues and Justin Stone. Their tour starts at the end of April and hits Colorado when the band will make their way to Red Rocks Amphitheatre on May 13th for KBPI’s annual birthday bash. Tickets and dates can be found here.

-Nathan

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Modern Suspects Release New Music Video for "Desufnoc"

By: Julia Talen

On April 1st, Denver band Modern Suspects released a music video for their latest single “Desufnoc.” Filmed entirely on an iPhone X, guitarist Bart William’s visualized the inspiration behind the film, while frontman Garret Myers wrote the song, galvanized out of a devastating tragedy in which a close friend of his died in a plane crash.

If you haven’t figured it out yet, “Desufnoc,” is confused spelled backwards, and the single and video grip viewers as the group explores the absurdities and the inexplicable aspects of life through visual and audio media.

The video opens with an old Volvo pulling out of a garage on a dry, sunny day. There is music in the background and the viewer thinks that the song is beginning, but the camera hones in the the Volvo’s driver- a woman in a leopard coat with blue hair- listening to what’s on the radio. Anticipation builds as she pulls into a parking garage and we wonder where she is going, but before we can find out, she walks past a series of framed pictures hung on a wall and the camera zooms in to one of the frames, taking the viewer into another realm of the film as the song begins.

As the music flows, the camera continues to hone in on other picture frames, glasses, or mirrors and we melt into new scenes. This movement between different corners of life through pictures and frames elevates lyrics such as, “I’m confused/I’m confused/I feel so confused/Don’t know which way to go.” Viewers become disoriented much like the aftermath of a tragic and sudden loss. The symbolism of moving through frames also makes the audience consider memory and time, and how these play out in the stories that make up our lives and the lives of others.

Modern Suspects.

Modern Suspects.

As the film progresses, the viewer progresses through scenes that are perhaps touchstones of Myers’ personal experience: there is a scene in a body of water, a cemetary, a church. The film ends with a man running toward a house, jumping through a window into a scene evocative of the beginning of the video. The leopard-coated lady listening to Modern Suspects through headphones then walks past another series of frames hung on a wall as the story closes.

Overall, the video sets out to “confuse” viewers, reflecting on events, scenes, stories, and tragedies that take place each day of our own lives and can easily feel disconnected and absurd.

It’s no doubt that Modern Suspects’ visual and musical talent shine in this dreamy pop tune, beautifully accompanied by a thought-provoking video project which brings viewer closer to the lyrics of the track.

Keep up with Modern Suspects here.

-Julia

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

More Than 20 Years Later, The Acid Mothers Temple Continues to Carry On Their Free-Spirited Way of Life

By: Adam Cabrera

Though perhaps far past their prime, The Acid Mothers Temple & The Melting Paraiso U.F.O. continues to carry on their free-spirited way of life pertinent to the beatnik soul collective that the group helped found over two decades ago.

The Japanese psychedelic/noise band, who have played a significant role in the psych revival of the past two decades, performed at the Larimer Lounge on Monday night. Though I had the feeling that the band may have lost some of its muster since their heyday in the ‘90s, their bohemian personality and genuine passion for live performance made for a unique show experience.

Yamantaka // Sonic Titan opened for the headlining act, a five-piece psych/metal band whose diabolic guitar meddling, dark organ sounds, and powerful vocals effortlessly captured the attention of the crowd and got them moving. Faces painted and wearing decorative costumes which resembled traditional Japanese attire, their performance had a theatrical and often menacing tone as if the music was tapping into some ancient oriental mysticism. But the strange and experimental attitude of the band was only the tip of the iceberg compared to the following act.

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The Acid Mothers group is just a small part of the larger collective led by founding band member Kawabata Makoto. “A group of social dropouts of every description – musicians, dancers, artists, farmers, channellers, ex-yakuza, mermaid researchers and professional vagrants” as the band describes it. So, as the group began to gather themselves onstage to set up their equipment, it was clear each member jived with the nonconformist mantra of the collective.

Kawabata, with a head of long unkempt hair and casually touting a pair of paisley bell bottoms, oddly unpacked his gear out of a grocery basket showing perhaps how he never felt the need to buy cases for his equipment. Likewise, the band’s vocalist, Mitsuko Tabata adorned themselves with a purple cape and orange wig while Higashi Hiroshi played synthesizer; not touching a single key throughout his performance. It seemed he much preferred the alien-like whirring of the machines pitch generator.

Drummer Satoshima Nani humorously came dressed in runners shorts and a loose workout shirt. During the show he pounded relentlessly behind the kit; so much so that he broke his sticks halfway through the set and by the end of the night, he was drenched head to toe in sweat, which explained the runner’s getup.

Together the band was a curious group of misfits who in every action displayed just what the AMT collectives motto states, “Do Whatever You Want, Don’t Do Whatever You Don’t Want!” In their largely improvised set they similarly denied any of the usual trappings of traditional rock performances. And in winding psychedelic jams, they would regularly devolve into ear-splitting noise freakouts or relax comfortably into tranquil sonic meditations.

However, despite the youthful energy of the music at certain points during the evening, the oldest members of the group did show their age. Kawabata often would lean against the wall providing relief from standing for so long. And on one occasion, amid Higashi’s long white hair, you could see him wince as he rubbed his sore back. They may have been long past their prime, but their performance surely was one of the most energizing I’ve seen in recent months.

Before the show, I spotted Kawabata hard at work on his computer, most likely plugging away at the multiple AMT projects he is apart of, and as soon as the show ended the band ran to the front of the club to run their merch table. It’s plain to see that nearly 24 years after their start in 1995, they remain true to their carefree and untroubled beginnings with the AMT soul collective as the band continues to tour the U.S. independently. Over the next few months, be sure to catch them live as they make their way across the country as part of their 2019 North American tour.

Keep up with The Acid Mothers Temple here.

-Adam

All photos per the author. All videos and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

FreeMusicForFreePeople Is Throwing an Immersive Event at Denver's Mercury Cafe This Weekend

This Saturday April 13th at Denver’s Mercury Cafe is the FreeMusicForFreePeople (FM4FP) Showcase “Live from the Multi-Verse,” an interactive multi-art experience to celebrate community. FM4FP is a community and media organization that has been serving the Denver area since 2013 who formerly held a residency at Gypsy House Cafe. This year’s event is thrilled to have a home at Mercury.

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With an emphasis on synesthesia, the FM4FP Showcase will focus on an immersive theatrical storyline to engage and entertain the audience with music, circus art, dance, visual art and poetry.   The event is in partnership with Youth on Record’s FEMpowered program and participants have been offered an event internship opportunity at the showcase so they can develop their performance and event planning skills.

Starting at 7PM, the night will feature performances by Lady Gang, Reed Fox, Definitely Maybe, Twin Flame Medicine, Random Temple, Smiley Gatmouth, Sunflower duBois, Circus Performers (Dani Rose and Katie Nadal), Abby Moon & Crescent Dance Project, Nimbus, Bun Bun and FEMpowered Interns. MO SPKX, “2017 Westword MasterMind” and “2018 Westword Best Solo Rapper” will emcee the evening.

Find more information on FM4FP and their mission click here; learn more about Saturday’s event at this link.  

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.