Kyle Emerson's New "I Can Change" Video Combines the Desert’s Psychedelic Mystique with Slick Indie-Folk Flare

By: Julia Talen

Currently featured as one of Indie 102.3 FM’s Local 303 Artists, indie rocker Kyle Emerson has been building anticipation of his sophomore album, Only Coming Down, out this fall. He dropped his first single from the forthcoming album, “May You Find Peace,” earlier this year. His second single was just released with a stop-motion collaged music video for the song “I Can Change.” Emerson says that the tune was, “written very quickly and demoed acoustically shortly after. Not overthinking the lyrics and letting them be more on the raw, personal side of the spectrum felt like the only place to exist lyrically… and it influenced the direction of the album from there.

The track feels very personal, and the music video alludes to that rawness while also being playful with a hodgepodge of colorful imagery that adds to the story behind this captivating piece. The video opens with a woman lying down facing a window of a moving van, as viewers look over her shoulder and see the van passing from the city to the suburbs to the sea and eventually to space, as the window frame melts away. Dawn breaks, and a grizzly head rises over a mountain like the sun as Emerson begins to sing, presumably connecting Emerson to this grizzly face. 

The lyrics offer a plea, seemingly to the girl in the van, that the protagonist of the song can change his partying ways, but as the music video evolves, we see less of that girl and more of a grizzly bear-headed man playing music. As the collaged video evolves and ebbs with cut-out butterflies swooping over backdrops and colorful layers that shift like a kaleidoscope, listeners realize this song has transformed into a plea no longer to the girl, but to the protagonist’s own self that he can change. 

Kyle Emerson.

Kyle Emerson.

The refrain swells at the same time the viewer sees the words “I Can Change” in white, bold font scroll over the vibrant background like film credits, while voices harmonize and instruments explode. Emerson cries the lyrics, “I can change/ I can change/ I can change.” He continues singing, “I’ll just hit the highway/and start all over again,” when the van from the beginning appears and drives through the forest, the mountains, San Francisco and Joshua Tree. As demons symbolized by images of fire, bats, caves and booze continue to follow the grizzly-headed character, there is a heightening of tension between adventure, nature, escapism, and haunting thoughts- all the themes of this memorable song.

Given Emerson’s success with his first album, Dorothy Alice, it’s no surprise that this local artist continues to create music rich with elements of the desert’s psychedelic mystique welded with his own slick indie-folk flare. Check out Emerson play this tune and others as he performs on the Main Stage at the Uundergound Music Showcase this Sunday, July 28th at 3:20PM.

-Julia

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Lyle Divinisky Tells Us of His Journey with The Motet Before They Headline Red Rocks Amphitheatre This Weekend

By: Mirna Tufekcic

Once upon a time, in the small town of Boulder, Colorado, hippies roamed freely, love was abound, and it gave birth to a music scene rich with homegrown, grassroots vibes where people jammed for the love. After a while, that Boulder scene died out and moved to a place called Denver, where the music community urbanized and became more serious. Today, Denver holds one of the most unique music scenes around. From this community of awesomeness came the band The Motet. Their first album came out in the year 2000, and since then, they’ve been expanding their musical family and crushing it. In lieu of their headlining Red Rocks Amphitheatre show this Friday, July 12th and their massive upcoming fall tour, I phoned frontman Lyle Divinisky to chat about what we should expect to see from their upcoming shows. Read on:

Lyle joined The Motet sometime in 2014-2015, just when the band was looking for something fresh and new to add to their mix. Already a part of the extended grassroots music scene, Lyle was recommended to The Motet by his friend Ryan Zoidas from Lettuce and Dave Brandwein and Taylor Shell from Turkuaz

“The Motet reached out to the guys from Lettuce and Turkuaz when they were looking for a singer, and those guys recommended me. I guess you can say the rest is history. The guys from The Motet had me collaborate on a couple of songs, which turned out to be the songs on the Totem album and we vibed so well that shortly after that, they asked me to join them on tour, starting with a headlining show at Red Rocks with the likes of Vulfpeck and Medeski Martin and Wood. At that time, I was skeptical about leaving my goals as a solo soul singer, but I knew I couldn’t pass up that kind of offer. I think I made the right decision,” he laughs.  

The Motet.

The Motet.

And that he did! For Lyle, the most exciting part of becoming the lead singer of The Motet was exactly the Colorado vibe I mentioned earlier. As he says, “Being able to come into that built-in grassroots, home legacy, and to be welcomed so deeply and quickly, I think, is a really special thing about this band and the Colorado scene in general. The Colorado lifestyle, the Colorado excitement, the Colorado loyalty and investment in music; the music experience and culture created around this community is my favorite part.” 

Lyle grew up on R&B, hip-hop, and soul. His dad, Phil, was his biggest influence. “Yeah I got these pipes from my dad. He ended up choosing the home route and he’s been a teacher his whole life, but while I was growing up, he would play gigs on the weekends and at home, he would have friends come over who would play guitar and sing and I would be around all of that.” 

How he chose to be a singer by profession was a purely instinctive inclination. “I never took any singing lessons, but I grew up around it and was really good at listening. When I finally got old enough to be left alone around the house when I was about 12 or 13 years old, I started singing by myself. But even then, I was just kind of doing it for fun. I didn’t really start becoming serious about singing until I was 17 when I realized a basketball career for a slow, barely-six-foot-tall white guy who can hadrly dunk wasn’t going anywhere. Naturally, I chose the next most successful job placement and that was to be a soul singer,” he laughs. And honestly, we both laugh at that one, but sometimes a strong dedication to what feels right, despite the odds, pays off. So far, in Lyle’s case, it’s been a successful ride that shows no signs of stopping. 

65320452_10156305434001099_5797782297105137664_o.jpg

Lyle and I spent a little time talking about The Motet’s history and how the feel, sound and direction of the band has changed over the years. On that topic he says, “The coolest thing about The Motet’s history is a supreme lack of fear in constantly changing. There’s no thought of trying to build walls or boxes around who the band is. It started as a worldly music with heavy bass and percussion, then moved into afro-jazz and afro-beat, then it went straight funk and right now, with the configuration of the people in the band like Parris on the trombone, Drew with a reggae vibe, and me with a heavy R&B and soul influence… it was inevitable for the band to journey more into that realm than ever before.” 

Parris Fleming, who Lyle mentioned, is also the newest addition to the band. Only 27 years old, he is truly a breath of fresh air for the band as a whole. He took Jazz Instrumental studies at Columbia College in Chicago and played in Dumpstaphunk before joining The Motet. Adds Lyle, “We all feel really lucky to have Parris in the band. He is a superb musician, but he also brings some calm energy to the group. To be only 27 years old and to be such a mature and well-rounded, calm, and confident dude is pretty amazing.” The age range of the band members of The Motet is 27 to 51, a nice mix of experiences where everyone has something worthwhile to bring to the table. 

As far as the band’s live performances, they don’t seem to be stopping. The Motet will be doing the weekend warrior thing this year, playing shows every weekend from now until Thanksgiving. Even though the band’s been on a headlining streak at music festivals and big venues across the nation for several years now, their out-of-the-box approach to making music is unwavering. Staying as a cohesive whole, made of different parts, their performances remain engaging and aspire to connect and impress every time. “We really don't want to box ourselves in. Everything we write and create we want to be genuine. It comes from all of our inspirations coming together and we all have different influences that we bring to the table. As we present that music to the audience we know that we want to create an experience and we know that we want to take the people on a journey, whether that’s to give them the freedom to be as weird and wonderful as they want to be or to nerd out to Garrett Sayers being the most ridiculous bass player and Joey Porter being the funkiest dude ever… you know, we want to create moments and scenarios with the music are very proud of and share it with the audience.” says Lyle.

As for their upcoming headlining Red Rocks show this Friday, they're playing with Galactic and Moon Hooch. Lyle is pretty stoked, saying, “Headlining Red Rocks, once again, is such a dream come true. You hear people always say, ‘Oh man that is such a cool venue!’ And yeah, they’re not wrong! It never gets old and it’s a magical experience, one I am honored to be a part of. This time around, we will have a few special guests and it will be a non-stop-funk-filled dance party. It’s really what we try to do every time and what we do best. The band as a whole is in a really cool place right now. It just feels like there’s something special happening within the group and the music we’re playing. I think it’s undoubtedly going to show in our live performance.” 

As far as magic goes, the dudes of The Motet are also playing during a magical time of the year: summer in Colorado! You can buy tickets for The Motet’s Red Rocks show here while they last. I look forward to seeing you out there!   

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

After 47 Years, the Magical Reputation of Telluride Bluegrass Festival Has Long Been Earned

By: Cy Fontenot 

Nestled in the epic Box Canyon, Telluride Bluegrass lives up to its reputation year after year. There’s not a place in Telluride where pickin’ and dancin’ isn’t goin’ down. From the songwriting contests in town, to incredibly uplifting shows and picking circles in Town Park until sunrise, the Telluride Bluegrass vibe stays alive 24 hours a day for the weekend’s festivities. There’s an undeniable sense of synchronicity to the festival and to Telluride all together. 

Bela Fleck & The Flecktones.

Bela Fleck & The Flecktones.

This was my second year attending the festival and as soon as I walked into Town Park, I was greeted by a familiar face, named Toast who hollered, “Welcome home Cy!” The family at this festival is real, loving, accepting, giving, and very cool. Within the festival walls, it was difficult to not have a smile on my face. Beyond the music, the general positive, healthy, and environmentally conscious vibe is my favorite part of this festival. 

Lake Street Dive.

Lake Street Dive.

Though I was able to witness some incredibly inspiring performances on the main stage by Lake Street Dive, Broke Mountain String Band, and Bela Fleck and the Flecktones, the late night shows are where I found the tastiest of tunes. Leftover Salmon, Magic Beans, and Greensky Bluegrass are always a fantastic time, and proved to be this year as usual. Liver Down the River, which I am a member of, played some solid Funkadelic Grass, and if the people and mountains weren’t enough, Railroad Earth reminded us that this is one amazing festival to be a part of. A feeling of gratitude even flowed through the crowd as Sam Bush showed us if you play enough mandolin, and you are rock’n’roll enough, maybe one day, you too can become the King of Telluride Bluegrass. 

Sam Bush.

Sam Bush.

There really isn’t another festival quite like Telluride Bluegrass, so needless to say, I’m already looking forward to their 47th year. Check out their website here to stay informed for next year! 

View my full photo gallery from this festival at this link

-Cy

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Spread the Word Festival Takes Over Denver this Weekend for Its Biggest Year Yet

By: Will Baumgartner

A testament to the vision, drive, persistence and commitment to musical community of its founder and mainstay Alex MacKenzie-Low, Spread the Word Festival (StW) returns to Denver this weekend with an absolutely explosive lineup at top venues Cervantes’ Masterpiece Ballroom, Levitt Pavilion, and the Denver Coliseum. Now in its seventh year, Spread the Word has grown from its rather humble beginnings to an unstoppable force, bringing international superstars like Karl Denson’s Tiny Universe, and BoomBox to head up another powerhouse lineup of local luminaries including Analog Son, Gasoline Lollipops, TNERTLE, Juno What, Magic Beans, Rob Drabkin, and Mackenzie-Low’s own fantastic band A-Mac & The Height. Colorado up-and-comers like The Reminders, Graham Good & The Painters, Eldren, Jaden Carlson Band, Mama Magnolia, Morsel, Dog City Disco, Float Like A Buffalo, Zagriculture and more will join as well.

Alex Mackenzie-Low.

Alex Mackenzie-Low.

It’s hard enough to keep moving forward and upward in the music business as a bandleader: to add the tremendous responsibility and challenges of putting on a festival, do it year after year and keep it growing, seems almost superhuman. As a member and avid supporter of the Front Range music scene, I’ve watched with considerable awe and respect as Alex has struggled with challenges and disappointments, and still managed to persevere. This year’s Spread the Word looks like a substantial breakthrough, so I was happy to sit down with him and get some insight into the process and rewards.

How did StW get started?

I started it in 2013 because I was really into Denver's music scene and enjoyed promoting shows. I loved the layout of the old Quixote’s on 23rd & Lawrence and got comfortable incorporating all three stages in a single event. From there I decided to launch the first Spread the Word Fest at Quixote’s True Blue on 13th Street in April 2013.

That was [also] the year I graduated UCD with a bachelor's in music business so putting on the festival was also my way of launching out of the college world into the music industry. My old band Green River Vibe had just released an album called 'Spread The Word' and I thought it made a lot of sense for the grassroots Colorado-centric festival I was envisioning.

Had you put on festivals before starting StW, or was this your first?

Aside from the aforementioned mini-festivals, StW Fest is the only festival I put on. This is the 7th year of StW Fest and I'm 27 so I've been working on it the majority of my career in the music industry.

StW has consistently grown over the years, from being comprised entirely of local bands with moderate regional recognition playing in small venues, to the nationally and internationally known headliners and top regional acts in huge local concert destinations like the Denver Coliseum and Levitt Pavilion. How did you get from there to here?

Honestly it mainly comes down to putting in a ton of hard work year after year and making the right connections and keeping relationships strong. I try to keep respect and integrity with everyone I work with and believe it all comes back around when talented people work together. I definitely feel blessed to be working with the team we have this year.

StW-Fest-2019-FB-Event-wave-2.jpg

 What acts are you most excited about at this year’s festival?

 Wookiefoot is my favorite band, so that is an honor, especially with Mike Love. BoomBox headlining the main stage after The Werks will be epic, as well as round two of Spread the Word Family Band. Last year's family band was a treat and this year's super group features members of SunSquabi, String Cheese Incident, Thievery Corporation and Pretty Lights Live Band. Karl Denson to end the weekend will be the perfect finale. Stoked!

What advice would you give to fledgling impresarios trying to put their own festivals together? 

Believe in what you are doing and why you are doing it first and foremost. More practically speaking, find an investor. It’s not cheap and it’s a very risky business. Once you have the funding, vision, location, team, plenty advance notice and the drive to see it through… give it a shot!

A-Mac and The Height.

A-Mac and The Height.

You also lead one of the best bands in the Denver area, A-Mac and The Height. Isn’t it a tremendous amount of work to run your band and a festival of this magnitude? How do you balance the two?

It’s very hard. My free time from January to May is extremely limited. I also book the shows at Moe's BBQ, which is my main day job, so it’s definitely a balancing act. A-Mac & The Height is building our management/booking team, and the team supporting StW Fest has grown which helps. Either way, it’s a labor of love which pushes through all the long days.

The proof that MacKenzie-Low’s labor of love has yielded some spectacular fruit, as the old saying goes, is in the pudding. Get out at and taste it this Friday through Sunday May 17th-19th. Tickets and more info available here.

-Will

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Why You Can't Miss Telluride Bluegrass Music Festival 2019

By: Cy Fontenot

Every year festival-goers and music lovers of all types make their way to the historic mountain town of Telluride to experience the annual tradition of the Telluride Bluegrass Festival. Surrounded on three sides by the rugged San Juan Mountains at 8750 feet in elevation, this festival seems to be the spawn of everything great about the Colorado Bluegrass scene.

45365643_10155553372906540_7296011355469905920_o.jpg

This year’s lineup includes Railroad Earth, Greensky Bluegrass, Leftover Salmon, Yonder Mountain String Band, Bela Fleck, and of course, the King of Telluride, Sam Bush, along with many more phenomenal acts! It’s the festival’s 46th annual year running, and outside of the main stages, keep an eye out for the weekend’s late night shows where you might just catch the next big bluegrass rising star.

Staying the whole weekend to catch every show possible? Camping in Telluride is nothing short of breathtaking. There are several campgrounds within walking or shuttle distance of the festival so get your tent pass here.

Don’t miss your chance to be a part of this year’s Telluride Bluegrass Festival! Tickets and all other info can be found here!

-Cy

All photos per the author. All videos and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Boulder-Based Nobide Are Making Waves One Big Stage at a Time

By: Natalie Pulvino

Boulder-based live electronic band Nobide is fresh off a show at the Boulder Theater, soon to headline the Larimer Lounge, and has a lot in store for this summer’s festival season. We sat down with Nick Vann, founder of Nobide, to ask him about the band’s authentic sound, local influences, and upcoming endeavors.   

What differentiates Nobide from other live-electronic acts?

Probably our versatility- we want to make all types of music, not get caught in one sound or genre. We’ve been working on combining the production elements with the live instruments, figuring out how to allow the produced pieces to function like a band member. Our live setup is pretty crazy- I can now manipulate and change the sound of the guys as they’re playing [and] do DJ production effects live which is pretty crazy.

You’ve described Nobide to BolderBeat previously as “organic-electronica,” emphasizing the live aspect to your music. What is your process for infusing the produced pieces with the organic element to create the perfect blend?

Our process is evolving as we figure out our sound. We’re still fresh as a unit, so we’re not sticking to any one process for writing or playing- it’s all very open right now. As far as putting songs together it’s really important to me that the songs don’t come out sounding like just another band. There’s so much possibility with production and sound… I’m always looking to hear something new, both musically and in regards to how a piece actually sounds.

Are there any local live-electronic acts that you draw inspiration from?

Mxxnwatchers is making some really forward thinking stuff, as is Evanoff. Break Science are the OGs. I think we all feed off each other, but we’re all sorta doing our own thing and pushing it as far it can go. To me that’s the ideal- there doesn’t seem to be much of a point in making stuff that sounds too much like someone else.

How do you cultivate that influence while maintaining a strong sense of authenticity in your music?

I think seeing how other people approach their music is the best kind of inspiration. We try not to take what other people are actually doing musically or sonically into account and just focus on doing what sounds best to us. In that sense we have no choice but to be authentic.

Nobide recently opened for The Floozies at the Boulder Theater- what was that like for the band?

It was a huge moment for all of us. I grew up in Boulder, so it was especially exciting for me. It was so killin’ to play for the hometown crew and have them show up like that. Nobide is Boulder-bred, and I think it was cool for the Boulderites to see the evolution of the project. A lot of people got introduced to the music that night too which was exciting. We’ve got mad love for Boulder.

Larimer_FB (1).jpg

Are there any shows you guys have played that have been super memorable?

The Boulder Theater show was one for sure, as well as The Fiillmore when we opened for Sunsquabi in January. It’s always exciting to play big rooms with big sound systems. We played with Michal Menert in January and that was a full-circle moment. I’ve been listening to his music for years.

Nobide is on the bill for Summer Camp Music Festival, Sonic Bloom, and a few others that will be announced soon. What is the band looking forward to most about being on the lineup for these festivals?

I think mostly meeting new people- artists and fans alike. It’ll be cool to see how our music stands up and translates in new environments. It’s a big opportunity, but it’s also just gonna be fun as heck.

Do you foresee any challenges that may arise from playing festivals as opposed to singular shows?

It’s definitely going to be a compromise on some fronts [since] we have a pretty complex setup for performing, but it’s nothing we can’t handle. It’ll be a good challenge to be pros, to know it’s not all about us but more about the vibe of the whole event.

There’s been talk that the band may be hitting the road soon. If you guys go on tour, where would you want to play and who would you love to play with?

Eventually all over the world! But for now we’re trying to get down South and out to the West Coast and Midwest, start slowly expanding our radius through the U.S. We’d love to play with all sorts of people that like to get down. Lettuce, Pretty Lights, Zhu, Rufus Du Sol, Bonobo, Odesza… We want to bring this music all over!

Keep up with Nobide here and don’t miss their headlining show at the Larimer Lounge this Saturday, April 6th. Tickets & information here.  

-Natalie

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Knuckle Pups’ “Last Whim” Live Session Proves There’s Still Magic In The Intimacy of a Small Room

By: Sam Piscitelli

There’s something about the simplicity of sitting in tight-knit spaces and playing the music you made with your friends. Maybe it’s the resurfacing of the first time you discovered that a particular chord progression mixed correctly and almost sounds poetic. Maybe it’s the feeling of the fire that was first lit after your initial “unofficial” soundcheck in your bandmate’s basement, living room, or garage. Or maybe it’s the ability to play with the sole purpose of letting your music speak for itself. Either way, the energy that can be felt from the Knuckle Pups “Last Whim” live session is spellbinding.

Instead of gunning for a large budget production or over-the-top visual effects, the Knuckle Pups grip listeners with their organic chemistry as a band. Set up in a small recording room, listeners can feel the magic come alive from the beginning of the session, as the voices of the bandmates and the tuning of their instruments carries outward. From there, we’re fortunate to see the Knuckle Pups for who they really are, a group of musically-inclined friends who riff off each other. There’s no glossy cover-up or unnatural introduction; rather there’s a sense of quaint humility. Through the next three minutes and fifty-one seconds, fans and non-fans alike bare witness to a band that gracefully flake on what the standard of an image should be and create their own.

Knuckle Pups.

Knuckle Pups.

You come to understand that while the music video contributes to the branding of Knuckle Pups, it only truly personifies the essence of what the band itself represent, which is allowing their music to speak for itself. Rather than let some false narrative introduce them to the world, the Knuckle Pups use their raw talent and hard work to indicate their presence. It’s a gutsy move, especially for a band that just released their first EP into the world. But, it pays off, as we’re introduced to a band who is both fearless and heartfelt.

-Sam

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

SoDown Lifted and Lit Up the Fox Theatre Last Saturday

By: Will Baumgartner

A Saturday night at one of the top-rated music venues in the country, which happens to be within walking distance of my house, surrounded by joyful energy and kept moving by irresistible dance grooves- not a bad way to spend an evening, right? Add the pleasure of getting to review a headlining set plus a consistently mesmerizing light show with a packed crowd of young friendly faces, and the end result was a music lover whose walk home felt elevated.

I also felt enlightened, because to be honest, electronic music isn’t my field of expertise. That being said, I learned long ago not to ignore it because I love to dance. And what SoDown does-Bass music- is specifically designed for dance lovers. One of the things I’ve learned from talking with those immersed in the culture is “Don’t call it Dubstep!” Also sometimes called “UK Bass,” this music is clearly influenced by dubstep, but also draws on so many different types of sounds that it’s asserted itself to the point where it has its own identity and commands special attention.

SoDown.

SoDown.

So how does SoDown, a relative newcomer in an already exploding field, distinguish itself within the burgeoning Bass pantheon? And who exactly is SoDown? The answers to these questions are interconnected. As is often the case in the electronic music galaxy, we’re talking about one person here: his name is Ehren River Wright. He stands out because he’s an accomplished saxophonist in addition to his clear mastery as a producer, and a fascinating young star whose rise is an exhilarating thing to experience. In the interest of trying to share a bit of that experience, let’s go back to Saturday’s show for a minute.

The crisp autumnal spark outside the theater became a surge of crackling energy inside. Supporting act Megan Hamilton pumped the swelling crowd with her own brand of uplift, blending some live vocals and bits of drumming on a set of pads mounted next to her rig. Everyone was engaged and the smiles exploded toward the entry of SoDown, whereupon the bliss meter hit the high end of the spectrum. From the first notes and flashes of stylized imagery, through the entire barrage of thumping rhythm, soaring melody and spectacular light show, SoDown ascended to some new and dizzying heights.

When young Mister Wright raised his tenor sax to surf the swells and crests on this sea of sound, it was like we were all riding these waves together, light breaking through storm clouds, all surge and spray with a good dose of sway. I’m not sure where all the voices came from, but the familiar backing bits (including, of all people, some Britney Spears) brought a somewhat grounding effect to the ensemble; a reminder that music is a continuum which leads us into an ever-expanding future while holding the power of its own past. Wright came onstage already dancing to the music in his head, and the dance kept growing throughout the night, and throughout the crowd. Even when the “show” experience was “over,” the dance continued on.

SoDown.

SoDown.

Being considerably less well-versed than others in the Bass world, I needed to make allowances for a few things at SoDown’s set. For one, in my research leading up to this night, I’d expected something a bit different. The recorded music that SoDown has released led me to expect something a little more low-key, a tad more downtempo. So it took me a few minutes to adjust my consciousness to the heavier side of his music, until I remembered that if you’re going to create a party or keep one going, it’s necessary to bring some of your heaviest gear with you. As someone who’s attended countless shows by live bands using no electronics whatsoever, I knew this: virtually everyone plays louder, faster, and harder live. That’s the nature of the beast. Once I’d navigated this shift, a handful of the aspects that make up the whole of who and what SoDown is reasserted themselves: the soulful, sometimes even moody smokiness that belie Wright’s love of jazz, soul, and funk were still there. They simply made their presence a little more of an unassuming and pleasant thing, like the quieter guests at a party- they might be bopping a bit more unobtrusively on the periphery or in the midst of all that more frenzied activity, but they aren’t about to leave.

So, ultimately, this is one of the greatest things about the fully alive and ever-evolving world of music we’re so lucky to be part of: there’s room for everyone and everything, all types of people and emotions, all levels of experience and knowledge. That openness was in great evidence at this gathering. There’s no one watching the door at a dance party thrown by SoDown, and if it takes you a minute or three to fold yourself into the crowd, they’re more than happy to make room for you to get in there and be your unique and indispensable self. This element, like the music itself, resists being pigeonholed because there are so many parts needed to make it whole and keep on lifting.

-Will

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Grandoozy Captures Mile High Vibes With First Superfly Festival in Denver

By: Taylor Naiman

Music is integral to the soul- it fosters a great opportunity to make connections with other people and expand horizons. Superfly has established a quintessential destination for enriching that soul and nurturing the spirit, and in Denver, its name is Grandoozy.

The Grandoozy audience dances to artist Snow Tha Product.

The Grandoozy audience dances to artist Snow Tha Product.

The moment you walked through the gates this past weekend, you soon realized this particular festival was going to be unique, and it was. Walking the grounds of Grandoozy on the freshly cut Overland Park grass, Denverites could choose from a plethora of activities to engage in while the smells of tasty treats from local food trucks and curators wafted through the air. There were Colorado-based companies and artists in every element of the festival: food, drink, shopping, art, non-profits, and even onstage.

It was a pleasure to just sit back and observe the surroundings at times. There were couples, there were old friends reconnecting, and there were new friends conversing. Many of the festival-goers we spoke to lived in or around Denver, but some traveled to meet up with Colorado friends for the fest. It was clear that this community held a unique vibe, though it is one that is just beginning. Friends were laughing with each other and parents were dancing with their children. Grandoozy had something for everyone, whether you came for the music, the experiences, or just to chill. With Grandoozy’s relaxing vibes and Denver-focused curation, this festival was a serious Colorado hit.

Whether we were watching Bishop Briggs smiling as she ran onstage, a couple dancing together during the Florence and the Machine set, or a group of friends grabbing a beer together at the “Arts & Crafts” tent, Grandoozy brought Denver’s people together. Across the field, concertgoers were throwing frisbees with a beer in hand; others relaxed in the festival’s ample shade. People were content and were just living and the overall energy of the fest was calm, genuine, and pure. Of course there were moments of explosive energy, like during Kendrick Lamar’s headlining set or The Chainsmokers’ wild pyrotechnics. But overall, Grandoozy became its own little oasis for the weekend in a choose-your-own adventure sort of way. There was an immense amount of beauty in enjoying the entirety of the concert experience while witnessing other people savor in this atmosphere just as much as we did. Grandoozy has fostered a very cultivated Denver community, unrivaled and alluring for the Mile High audience.

Two Grandoozyers meet in the front row at Scissor Stage.

Two Grandoozyers meet in the front row at Scissor Stage.

Messages of friendship and acceptance were abound onstage throughout the festival as well, like when Mavis Staples quoted the The Staple Singers during her set saying, “Reach Out. Touch a Hand. Make a Friend” or when Florence Welch of Florence & the Machine paused her set to tell the audience to hold each other’s hands or to hug the person next to them. Stevie Wonder even concluded the festival with, “Let’s make love great again.” These were the core tenets of Grandoozy, and shining moments throughout the festival. All of the artists conveyed a strong message of unity in these divisive and difficult times

Overall, this is a festival living up to its namesake. It was grand, and it was a doozy. Its size and magnitude for a Colorado music festival are unparalleled and huge milestone for the community. Though it may be corporate owned, Grandoozy did a wonderful job of including local partners, vendors, and musicians in their fest, which is one reason so many felt right at home. Here at BolderBeat, we’re very thankful to have attended the first-ever Grandoozy and look forward to many years of doozyin’ to come.

Read more of our Grandoozy festival coverage here.

-Taylor

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat. Header photo per FilmMagic.com.

Grandoozy's Finale Ended a Great Weekend of Music, Art, & Exploration

The final day of Grandoozy was full of exploration, lots of laughs, and of course, some sweet tunes.

We wandered “The Break Room,” where attendees danced in a circle of speakers outside with live DJs spinning on deck. This was a popular spot in the early evening when it cooled down and people got their groove on. The “80s Ski Lodge” was more of the day dancing spot since it was fully enclosed and cool. Similar to “The Break Room,” a live DJ spun tunes for attendees who had access to a full bar, seating areas near a fake fireplace, and most importantly, full shade in the 93-degree heat. We also checked out the South Park carnival area, where festigoers could play various carnival games themed like the show.

The Backyard” had ample seating as well- there were chairlifts to people-watch in and even a full gondola that attendees could jump inside of for a picture. The small shopping district featured various vendors including Topo Designs, Kleen Kanteen, and even Never Summer snowboards because why not start thinking about that powder now, Colorado? Some vendors even included exclusive Grandoozy products, so if you wanted a sweet souvenir, this was the place to look!

The gondola in “The Backyard.”

The gondola in “The Backyard.”

Artist highlights of the day included soulful jams with Daniel Caesar, St. Vincent’s incredible and artistic set, a high-energy good time with De La Soul, a serious pyrotechnic adventure with The Chainsmokers, and a nightcap from legend Stevie Wonder, who played hits from across his catalogue with a massive band and even did a tribute to the late Aretha Franklin covering “Respect.”

St. Vincent. Photo Credit:   Hannah Oreskovich

St. Vincent. Photo Credit: Hannah Oreskovich

Overall, we were very impressed with all that Superfly Presents had in store for festival attendees at Grandoozy. The weekend featured incredible headliner sets, great shows from local bands, live mural and canvas paintings from Denver artists, delicious Denver food and drinks, and so much more. This festival felt at home in Denver, and we can’t wait to see what’s next from the production team behind this fantastic festival.

Read more of our Grandoozy festival coverage here.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

St. Vincent Slays Set at Superfly's Inaugural Grandoozy in Denver

St. Vincent. Photo Credit:   Hannah Oreskovich

St. Vincent. Photo Credit: Hannah Oreskovich

St. Vincent, otherwise known as Annie Clark, electrified the audience on the Scissors Stage at Denver’s Grandoozy music festival on Sunday afternoon. With a 45-minute set, the audience left craving for more and screaming for an encore.  There is no one like her in the music industry right now and no one who has her indie-rock sound and being in that audience made you feel revived, energized, and youthful.

Photo Credit:   Hannah Oreskovich

Photo Credit: Hannah Oreskovich

St. Vincent’s music is both emotional and beautiful. She has found the perfect balance between rock and pop, establishing her own path in the industry. The lyrics are wonderfully crafted and her Grandoozy live performance was perfectly executed. Though her last tour she performed solo, she was joined by a band at Grandoozy. She captivated the audience and showed us what it means to rock out the St. Vincent way on her multiple, custom-colored guitars. Every color and every piece on the stage contributed to her aesthetic and her visuals were stylish, fun, and interesting. With her black slicked-back bob, orange latex dress, and lavender latex arm sleeves, her style for Grandoozy was pure chic.

Photo Credit:   Hannah Oreskovich

Photo Credit: Hannah Oreskovich

St. Vincent’s style is vibrant, yet minimalistic just like her performance and her stage presence was immense and demanding. Although, she had three other band mates, at times, it almost felt like it was just her- her voice, and her guitar on that stage. Her set was powerful, youthful, and raw. She played songs including, “Digital Witness,” “Masseduction,” “Fear the Future,” “Savior,” “Sugarboy,” “Los Ageless,” and “Slow Disco.” She gave us the opportunity to both dance and rock out. The audience was also treated to an acapella intro to her song “New York” tailored to the Denver audience with “Colfax Avenue” added to the lyrics. It was an empowering experience to see such a strong, talented woman dominate the stage and shred on the guitar.

Photo Credit:   Hannah Oreskovich

Photo Credit: Hannah Oreskovich

St. Vincent is a must-see live experience. It was one of the best sets we saw at this year’s inaugural Grandoozy, so if you haven’t yet, check out St. Vincent on Spotify here.

Find the rest of our Grandoozy coverage at this link.

-Taylor

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Grandoozy's Second Day Was All About The Chill

The crowd at Snow Tha Product.

The crowd at Snow Tha Product.

Vibes were noticeably more chill yesterday at Grandoozys second day. Festivalgoers beat the heat in the Capital One Cardholder Lounge, in the shade under trees near the craft cocktail “Flight School,” and in tents near the “Arts & Crafts” area. An ice cold beer seemed to be on nearly everyone’s Day Two agenda, whether they sampled pours from spots like Elysian Brewing, Left Hand Brewing, or Breckenridge Brewing, or grabbed a Bud Light four-pack from the Bud Light “Dive Bar.”

Pours in the “Arts & Crafts” tent.

Pours in the “Arts & Crafts” tent.

Notable performances of the day included Snow Tha Product, Sturgill Simpson, Young the Giant, and of course, the show-stopping Florence and the Machine, who closed out the night under the stars with the evening’s large crescent moon seemingly floating above the stage. Her performance was magical with a live harpist, her powerful vocals, and her messages of self-love and consciousness for the crowd.

Unlike Friday, where festival attendees seemed more dressed for the heat and comfort, Saturday’s goers came in full costumes, lots of glitter, and fun festival fashion pieces. It was entertaining to see everyone expressing their creative clothing choices, and added to the day’s fun, yet laid-back vibes.  

Today, Stevie Wonder will close out the festival. Logic, St. Vincent, and The Chainsmokers will also be on deck. We’ll be exploring “The Break Room” and “The Backyard” at today’s fest, so come dance with us! Day passes for Grandoozy’s finale are still available here.  

Read more of our Grandoozy festival coverage here.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Grandoozy Starts Their Denver Reign With a Bang

Phoenix.

Phoenix.

Denver’s Grandoozy festival kicked off yesterday with solid musical performances, a great Denver food truck selection, and though there is no parking at the fest, getting there and entering was seamless for almost anyone we spoke to. This is not Superfly Presents’ first rodeo- the production company are the brains behind Bonnaroo and Oustide Lands- and it shows.

Get your unicorn on at Grandoozy.

Get your unicorn on at Grandoozy.

Yesterday’s sets were hip-hop and indie rock heavy. Phoenix, Miguel, The War On Drugs, Ty Dolla $ign, and Bishop Briggs played across the Rock, Paper, and Scissor stages. Local outfits Tennis, Flaural, and AMZY could also be heard across the Overland Golf field. Kendrick Lamar closed out the night with a set that included fireworks, incredible visual productions, and bangers from across his catalogue. Overall, the music for opening day was very solid.

Mac N’ Noodles is bomb.

Mac N’ Noodles is bomb.

Grandoozy’s incorporation of local food and drink curators is definitely a festival highlight. Yesterday, we tried the “Bacon Mac & Cheese” from Mac N’ Noodle, which was delicious. This food truck was a popular spot among festivalgoers, and there were also notably long lines for Super Heady Tacos, Ba Nom a Nom, Sol Tribe, and Carbon + Habit Doughnut Dispensary. The eats game at Grandoozy is strong.

We’re ready to brave the heat with you on Day Two today, and we’ll be exploring the craft brewing “Arts & Crafts” area, along with the “Flight School” craft cocktail spot, among other things. Come down and grab a drink with us- day passes and weekend tickets available here.  

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Why You Need Grandoozy's Official App to Maximize Your Festival Experience This Weekend

This app is so exciting, everyone is doing it.

This app is so exciting, everyone is doing it.

From the festival lineup to the food, Grandoozy just released an app with it all! If the countdown to this weekend’s first Denver Superfly fest isn’t enough to get you excited, learning the ins and outs of this app definitely will.

After your download Grandoozy’s app, customize your schedule and who you want to see under the “Lineup & Schedule” tab. You can set the alerts for your favorite artists so you don’t miss their sets when you’re off at Flight School or Arts + Crafts. You can even see how many people added a particular artist to their schedule and who the most popular artists are if you’re not sure who might be this year’s best kept secret.

Next, move to the “Map” tab and explore where the food, stages, merch and other events are located. In the “Eat, Drink & Explore” tab, you can further customize how you want to experience the festival and see all of this year’s local craft brewers, food trucks, and more!

Make sure to check out the “Go Backstage” tab once you get to the fest too. This gives you the opportunity to get an inside look at what’s happening backstage. There might be artist soundchecks, or just your favorite musicians hanging out.

Finally, make sure to set up Apple Pay! It will give you a secure alternative to bringing cash to the fest, and it makes life on the crowded fest grounds that much easier. Using it will allow you to order food ahead of time, avoid the lines, and enjoy more of the festival. You can seriously maximize every minute of your festi experience with the Grandoozy app!

Still need to grab your passes for the weekend? Do it on the official app or on the Grandoozy website! We’ll see you there.

All show photos per the author. All photos, videos and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

From the Eats to the Tunes, Here's Why We Can't Wait for Grandoozy

35629231_407206493113010_6883065269460140032_o.jpg

Colorado will finally be home to a new music festival this September. The concert promoter, Superfly will debut their first festival, Grandoozy at the Overland Park golf course September 14th-16th. Being the co-creators of other major festivals such as Bonnaroo and Outside Lands, Superfly is not new to creating a memorable experience for concertgoers.

During the fest, we can look forward to over fifty acts, all of which will cater to different tastes in music. Big-name headliners include Kendrick Lamar, Florence + the Machine, and Stevie Wonder. While at the fest, you can spend your Sunday rocking out with St. Vincent, and if you were unable to snag tickets to see The Chainsmokers’ sold out show at Red Rocks in 2016, Grandoozy is your chance to see them in an outdoor setting with a great view of the Rocky Mountains. This is the first time Kendrick Lamar will be back in Denver since last July, and the first time since he won his historic Pulitzer Prize for his record DAMN. His performance is going to be a definite Denver must-see.

The weekend will also be the ultimate Denver music festival experience, from the music to the food. Between performances, make sure to grab a bite or a few before the next act! The entire festival will pay homage to all things local, from the beer you drink to the food you order. The vendors list will spotlight local favorites like Snooze: an AM Eatery (Adam Schlegel), Justin Cucci (Linger, Root Down, Vital Root, Ophelia’s Electric Soapbox, and El Five), Carrie Baird (executive chef at Bar Dough and participant on Season 15 of Top Chef Denver), Jen Jasinski (executive chef/owner of Larimer Square’s Rioja, Bistro Vendome, Stoic & Genuine, Ultreia), and Tommy Lee (chef and owner of Uncle and Hop Alley). You just might find your new favorite dish or meet the chef from your current favorite restaurant!
    
After you have finished your food from our local vendors and feel like dancing between acts,  head over to the Break-Room. It will be Grandoozy’s taste of a disco club right in the middle of the Mile High City. The Break-Room will be a dance lounge to satisfy all music tastes, from ambient to electronic. The lineup features various local DJs who are both up-and-coming, as well as popular within the industry. Some of the local acts will include Sunsquabi, Head for the Hills, The Drunken Hearts, AMZY, and Black Pumas.

Ultimately, this will be a showcase of our beautiful city, spotlight our local food vendors, celebrate our local talent, and it will put Denver on the map for big-name music festivals in the future. This is not the festival to miss, so grab your friends and buy your tickets before they sell out!

Grandoozy pricing starts at $99 for general admission single-day tickets, $224.50 for general admission three-day tickets, $249.50 for VIP single-day tickets, and $674.50 for VIP three-day tickets. They can be purchased online here.To get you pumped for our first major festival, make sure you follow Grandoozy on Spotify, and add their playlists! We’ll see you at the Park!

-Taylor

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Ben Hanna Band, ChinaRose, & Native Station Tell Us What to Expect from Their Sets at Benevolence Festival This Weekend

This week, we’re presenting Benevolence Festival, a benefit day of music for RAICES this Saturday, August 18th at Boulder’s Twisted Pine Brewing from 2PM-10PM. It’s just $6 at the door for six bands and we’ve published our interviews with Augustus, Whiskey Autumn, and The Beeves, so make sure to check those out if you haven’t! Today we’ve got Ben Hanna Band, ChinaRose, and Native Station in the hot seat:

What made you want to become involved in our Benevolence Festival for RAICES?

Ben Hanna Band: If doing what I love can in some small way contribute to helping other people be with their families and find the resources they need, I will be in every time.

ChinaRose: We think it is very important to stand up for human and individual rights and the issue of migrant families being separated is something we cannot condone. We were very excited to be able to participate in Benevolence Fest when we heard it would also be benefiting that cause.

Native Station: We all felt strongly that no matter your political beliefs we need to treat people properly, with love. The way we would hope to be treated.

Ben Hanna. 

Ben Hanna. 

Do you have any other comments on the current political environment?

Ben Hanna Band: Be good to yourselves- you probably deserve it.

ChinaRose: Love is stronger than hate.

Native Station: The devolution of our political climate will stop if we, the general populace, decide upon common goals and take sustained political action to achieve them. But if we continue to base our votes and support on some misguided sense of team or party, rather than ideals, we will continue the descent.

What have your respective bands been up to in 2018?

Ben Hanna Band: Music-wise we are currently working on playing as many shows as possible. Just trying to have fun and stay fresh. No studio projects right now, but lots of new songs and ambition.

ChinaRose: We are currently recording our third album in our basement studio on the Southside of Chicago. We’re touring from August 16th-30th through Colorado, Utah, and California to promote the album and it will be released shortly before we hit the road.

Native Station: We’re finishing writing a debut album while looking for the right “habitat” to record it in.

ChinaRose.

ChinaRose.

What can fans expect at your Benevolence set this weekend?

Ben Hanna Band: We don't even know what to expect. The current line up couldn't make it due to schedule conflicts so it is all new players. There will be trombone and banjo. Some bad jokes might happen as well.

ChinaRose: We will be playing a bunch of new songs off the album!

Native Station: Oh yeah! A lot of energy and some songs from this album we have been working on. We try to keep something fresh in the back pocket and this will be no different.

Native Station. Photo Credit: Ehlert Art 

Native Station. Photo Credit: Ehlert Art 

What’s up for fall friends?

ChinaRose: Hopefully we will be touring around the Midwest this fall!

Native Station: We are looking forward to going on a short tour (headed south!). Also, we will be recording some new tracks which will make their way into the ether.

We can’t wait to hear everyone’s tunes this Saturday. $6; six bands. All for RAICES. See you there Boulder!

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Whiskey Autumn & The Beeves Talk to Us About Why They're Excited to Play Benevolence Festival This Weekend & Their Upcoming Tour Plans

In honor of Benevolence Festival which we’re presenting to benefit RAICES this Saturday, August 18th at Boulder’s Twisted Pine Brewing from 2PM-10PM, we recently chatted with Denver bands Whiskey Autumn and The Beeves. They’ll be playing Saturday’s fest along with headliner Augustus and bands Native Station, Ben Hanna Band, and ChinaRose. We sat down with Whiskey Autumn frontman Greg Laut and The Beeves’ Matthew Sease to learn about why they felt called to play this benefit and what their bands are up to this year:

Why was playing a benefit for RAICES important to you?

Laut: Separating families is unquestionably inhumane and raising awareness about the ongoing crisis is imperative. Hundreds of children still remain separated from their parents and the Trump administration's efforts to reunite the families has been weak and insincere. RAICES is an amazing organization that provides crucial legal support to underserved migrants and is putting quantifiable plans in place to reunite families. Anything we can do to raise money and awareness for the cause feels right.

Sease: We're happy we have a platform to make some kind of difference in this epidemic of evil. Despite the small scale of the event, we hope the money raised will benefit the cause in some tangible way. This is important to us on the most basic human level, as [it] should be to all people.

Whiskey Autumn. 

Whiskey Autumn. 

What has your band been working on this year?

Laut: We've been recording a new album throughout 2018. The first single was released earlier this summer and our next track premieres with CPR’s OpenAir next Tuesday, August 21st on “Mile High Noon” with Alisha Sweeney. Keep your eyes peeled!

Sease: Last February we began work on our debut album with producer, Nate Cook of The Yawpers and engineer Tyler Imbrogno of Eldren. The album is set to release in late 2018.

What can we expect from your set this weekend at Benevolence Fest?

Laut: You can expect a high energy set of rock'n'roll, synth pop, and good time vibes that get you up on the dance floor. We may even play our new song!

Sease: Tuba?

The Beeves. Photo Credit: George L. Bosser

The Beeves. Photo Credit: George L. Bosser

What’s on your agenda for the rest of 2018?

Laut: We'll be touring the Pacific Northwest in late August and early September. It will be our first time performing in that part of the country, so we're very excited to meet some fresh faces along the way. After that we'll be finishing our new record, which you can expect to hear soon!

Sease: As of now, our focus is on the album. Tours are imminent, and an album release show is in the works. Follow our social media accounts and stay tuned!

Anything else you’d like to catch us up on guys?   

Laut: Big ups to Augustus for organizing this festival. They have been close friends of ours for some time now and have put together a great lineup. We're excited and honored to be on the bill!

Sease: We would like to thank Augustus for having us on this important event, and you all at BolderBeat for covering it.

Looking forward to it! Benevolence Fest is just $6 for six bands this Saturday. Come through!

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Denver's Underground Music Showcase Hosting Pop-Up with Free Beer & Discounted Festival Passes This Weekend (07/13)

fbcover2.png

Denver’s Underground Music Showcase is throwing a pop-up event this week in celebration of the upcoming festival. This Friday, July 13th at Black Buzzard, UMS bands Oxeye Daisy, in/Planes, and Tyto Alba will be rocking out to get you excited for the upcoming fest. The UMS is giving the first 100 people through the door a free Oskar Blues draft beer, which means you can choose a Dale’s Pale Ale, Pinner IPA, Mama’s Little Yella Pils, Old Chub and G’Knight on the house!

We’ve already laid out for you several reasons why we’re so excited for this year’s UMS but if you missed that, check out The Underground, the multiple outdoor stages, and the festival’s plans for comedy, art, and more to be a part of this year’s weekend.

Festie time is just a couple of weeks away, July 27th-29th, and at the pop-up show this week, you can snag UMS tickets at discounted pricing with NO service fees. Get your party on this Friday the 13th by RSVPing to this UMS pop-up show here! RSVP is required for entry.

See you at the Buzzard soon!

The End of An Era: Denver's Final Warped Tour Was Everything We Wanted

By: Nathan Sheppard

After 24 years, Warped Tour is ending with a bang. 

Warped Tour had all the feels this year. 

Warped Tour had all the feels this year. 

Warped Tour made its final stop in Denver recently, marking the end of an era. Many of us look forward to the one day of summer where our favorite bands play our favorite songs in a hot parking lot, and Denver showed up in full force to make the most of this bittersweet ending.

The day started off early with some of our favorite local bands- In The Whale and One Flew West- who both rocked the stage and made the Denver music scene proud. We also got our fix of new era of punk/pop-punk with State Champs, Movements, and Waterparks. Also to note- Australia was representing big time for this last Warped Tour- we caught amazing sets from In Hearts Wake, The Amity Affliction, and Tonight Alive.  

Every Time I Die.

Every Time I Die.

After seeing a few bands, we took a break to talk about something that is especially important in today's current entertainment industry: mental health. We caught up with one of our favorite non-profits, To Write Love On Her Arms (TWLOHA) for a little Q&A on the topic:

Tell us a little of what you guys do and how you got started.

We’re a mental health non-profit dedicated to presenting hope and finding help for people struggling with things like addiction, depression, self-injury, and suicide. We started 12 years ago trying to help one of our friends enter treatment by designing a t-shirt and that has evolved into this movement helping hundreds of thousands of people.

What are the main things that you all do to help with mental health?

The biggest way we provide help is providing scholarships for counseling and treatment. Our profits from t-shirts we sell here go towards those scholarships.

What has your relationship with Warped Tour been like over the years?

We’ve been on Warped Tour for 12 years, ever since we started, and they’ve helped us grow and welcomed us to this wild family and we love it so much. It’s a group of people that has a special place in our heart, because every summer we see familiar faces and get to ask how they are, how they’ve been doing since last year, and see it evolve over the years.

With this being the last Warped Tour what are your plans going forward?

It’s bittersweet to see Warped Tour go, obviously, because a lot of us have grown with it, so it’ll be interesting to see what avenues are next. We’ve been getting into the EDM world a little bit; the yoga world which has been fun. There's just going to be some adapting [with] how to interact with these different groups that we’ll be learning about. But we’ll always have Warped to look back on foundly- thanks for the memories Warped!

What are some ways that people can get involved with TWLOHA?

There’s a “Get Involved” tab on our website that can give you a little more detail about bringing the message of hope and health. Whether that looks like bringing a speaker to your area or simply purchasing info cards online to post coffee shops, it’s the little things that really push and make people want to see change and get help. You can also donate directly on the website, and recently we’ve had people donating their birthdays on Facebook to TWLOHA which is an easy way to help us and also get the word out as well. You can find more info at TWLOHA’s website.

Don Bronco.

Don Bronco.

After our interview with TWLOHA, we got right back at it with some of our favorite hardcore bands Wage War and Every Time I Die, where the crowd surfers made security work overtime! Towards the end of the day, we were hit with a massive dose of nostalgia with our favorite old-school emo bands The Used and Mayday Parade. We knew that the day would have to end eventually, and it closed with Simple Plan. It was a “Perfect” way to end the fest, and many of us shed a tear or two.

Simple Plan.

Simple Plan.

For 24 years, Warped Tour has been a place for many of us to let go and forget about the worries of the world while listening to the music that means everything to us. This year’s tour had a little bit for everyone, from new up and comers to the classic bands that we all love. It also had all of our favorite non-profits- communities that we have learned about and grown with over the years of Warped, and people that we can always count on and call home. We will always remember all the great times we had at Warped Tour. We can only hope that they bring this fest back to live on in some capacity, even if that’s another Warped Rewind at Sea or having the festival in a single location where we can relive the glory days of summer. What will Warped Tour become as it burns out and shines on? We can’t wait to find out.

See our full gallery from Warped Tour here

-Nathan

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The Ride Festival: Why This Year's Lineup and the Mountains of Telluride Are a Match Made in Heaven

By: Cy Fontenot

There are few things comparable to taking in the mountains of Telluride and experiencing the loving culture of this historic mountain town. Nestled in a breathtaking box canyon of the San Juan Mountains at 8750’ elevation, Telluride is home to some of the most magical musical occurrences Colorado has to offer.

25791061_1148131468656980_2166633421106714086_o.jpg

Highlighted among these is The Ride Festival. With two nights of String Cheese Incident at the top of the bill, Ride 2018 is bound to be a soul-warming experience. The vibe of this magical mountain town complimented by the sounds of SCI is sure to create a strong sense of euphoria amongst anyone is attendance. Also slotted on the lineup this year are Sheryl Crow, Grace Potter, Joe Russo’s Almost Dead, Big Something, Kitchen Dwellers, and more.

20247795_1057208151082646_3492934625065437035_o.jpg

Town Park still has spots available, so you’ll never have to leave the party! Festival passes also include entry to most NightRide shows, and these unique sets are not to be missed. As the main stage empties out into the streets of Telluride, late night venues such as the Sheridan Opera House, Roma, Liberty, and the Moon at O’Bannon’s will fill up and overflow with sounds until early morning. Check out this year’s NightRide schedule to see you favorites. You can sleep when you’re dead!

19894871_1049424531861008_8756921665291559602_n.jpg

The Ride Festival this year will be a magical, wild ride between the daytime and late night performers, the beauty of those San Juans, and Telluride in full festival vibes.

Check out the full lineup here and get your tickets today at this link!

-Cy

All photos per the author. All videos and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.