After 47 Years, the Magical Reputation of Telluride Bluegrass Festival Has Long Been Earned

By: Cy Fontenot 

Nestled in the epic Box Canyon, Telluride Bluegrass lives up to its reputation year after year. There’s not a place in Telluride where pickin’ and dancin’ isn’t goin’ down. From the songwriting contests in town, to incredibly uplifting shows and picking circles in Town Park until sunrise, the Telluride Bluegrass vibe stays alive 24 hours a day for the weekend’s festivities. There’s an undeniable sense of synchronicity to the festival and to Telluride all together. 

Bela Fleck & The Flecktones.

Bela Fleck & The Flecktones.

This was my second year attending the festival and as soon as I walked into Town Park, I was greeted by a familiar face, named Toast who hollered, “Welcome home Cy!” The family at this festival is real, loving, accepting, giving, and very cool. Within the festival walls, it was difficult to not have a smile on my face. Beyond the music, the general positive, healthy, and environmentally conscious vibe is my favorite part of this festival. 

Lake Street Dive.

Lake Street Dive.

Though I was able to witness some incredibly inspiring performances on the main stage by Lake Street Dive, Broke Mountain String Band, and Bela Fleck and the Flecktones, the late night shows are where I found the tastiest of tunes. Leftover Salmon, Magic Beans, and Greensky Bluegrass are always a fantastic time, and proved to be this year as usual. Liver Down the River, which I am a member of, played some solid Funkadelic Grass, and if the people and mountains weren’t enough, Railroad Earth reminded us that this is one amazing festival to be a part of. A feeling of gratitude even flowed through the crowd as Sam Bush showed us if you play enough mandolin, and you are rock’n’roll enough, maybe one day, you too can become the King of Telluride Bluegrass. 

Sam Bush.

Sam Bush.

There really isn’t another festival quite like Telluride Bluegrass, so needless to say, I’m already looking forward to their 47th year. Check out their website here to stay informed for next year! 

View my full photo gallery from this festival at this link

-Cy

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Spread the Word Festival Takes Over Denver this Weekend for Its Biggest Year Yet

By: Will Baumgartner

A testament to the vision, drive, persistence and commitment to musical community of its founder and mainstay Alex MacKenzie-Low, Spread the Word Festival (StW) returns to Denver this weekend with an absolutely explosive lineup at top venues Cervantes’ Masterpiece Ballroom, Levitt Pavilion, and the Denver Coliseum. Now in its seventh year, Spread the Word has grown from its rather humble beginnings to an unstoppable force, bringing international superstars like Karl Denson’s Tiny Universe, and BoomBox to head up another powerhouse lineup of local luminaries including Analog Son, Gasoline Lollipops, TNERTLE, Juno What, Magic Beans, Rob Drabkin, and Mackenzie-Low’s own fantastic band A-Mac & The Height. Colorado up-and-comers like The Reminders, Graham Good & The Painters, Eldren, Jaden Carlson Band, Mama Magnolia, Morsel, Dog City Disco, Float Like A Buffalo, Zagriculture and more will join as well.

Alex Mackenzie-Low.

Alex Mackenzie-Low.

It’s hard enough to keep moving forward and upward in the music business as a bandleader: to add the tremendous responsibility and challenges of putting on a festival, do it year after year and keep it growing, seems almost superhuman. As a member and avid supporter of the Front Range music scene, I’ve watched with considerable awe and respect as Alex has struggled with challenges and disappointments, and still managed to persevere. This year’s Spread the Word looks like a substantial breakthrough, so I was happy to sit down with him and get some insight into the process and rewards.

How did StW get started?

I started it in 2013 because I was really into Denver's music scene and enjoyed promoting shows. I loved the layout of the old Quixote’s on 23rd & Lawrence and got comfortable incorporating all three stages in a single event. From there I decided to launch the first Spread the Word Fest at Quixote’s True Blue on 13th Street in April 2013.

That was [also] the year I graduated UCD with a bachelor's in music business so putting on the festival was also my way of launching out of the college world into the music industry. My old band Green River Vibe had just released an album called 'Spread The Word' and I thought it made a lot of sense for the grassroots Colorado-centric festival I was envisioning.

Had you put on festivals before starting StW, or was this your first?

Aside from the aforementioned mini-festivals, StW Fest is the only festival I put on. This is the 7th year of StW Fest and I'm 27 so I've been working on it the majority of my career in the music industry.

StW has consistently grown over the years, from being comprised entirely of local bands with moderate regional recognition playing in small venues, to the nationally and internationally known headliners and top regional acts in huge local concert destinations like the Denver Coliseum and Levitt Pavilion. How did you get from there to here?

Honestly it mainly comes down to putting in a ton of hard work year after year and making the right connections and keeping relationships strong. I try to keep respect and integrity with everyone I work with and believe it all comes back around when talented people work together. I definitely feel blessed to be working with the team we have this year.

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 What acts are you most excited about at this year’s festival?

 Wookiefoot is my favorite band, so that is an honor, especially with Mike Love. BoomBox headlining the main stage after The Werks will be epic, as well as round two of Spread the Word Family Band. Last year's family band was a treat and this year's super group features members of SunSquabi, String Cheese Incident, Thievery Corporation and Pretty Lights Live Band. Karl Denson to end the weekend will be the perfect finale. Stoked!

What advice would you give to fledgling impresarios trying to put their own festivals together? 

Believe in what you are doing and why you are doing it first and foremost. More practically speaking, find an investor. It’s not cheap and it’s a very risky business. Once you have the funding, vision, location, team, plenty advance notice and the drive to see it through… give it a shot!

A-Mac and The Height.

A-Mac and The Height.

You also lead one of the best bands in the Denver area, A-Mac and The Height. Isn’t it a tremendous amount of work to run your band and a festival of this magnitude? How do you balance the two?

It’s very hard. My free time from January to May is extremely limited. I also book the shows at Moe's BBQ, which is my main day job, so it’s definitely a balancing act. A-Mac & The Height is building our management/booking team, and the team supporting StW Fest has grown which helps. Either way, it’s a labor of love which pushes through all the long days.

The proof that MacKenzie-Low’s labor of love has yielded some spectacular fruit, as the old saying goes, is in the pudding. Get out at and taste it this Friday through Sunday May 17th-19th. Tickets and more info available here.

-Will

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Why You Can't Miss Telluride Bluegrass Music Festival 2019

By: Cy Fontenot

Every year festival-goers and music lovers of all types make their way to the historic mountain town of Telluride to experience the annual tradition of the Telluride Bluegrass Festival. Surrounded on three sides by the rugged San Juan Mountains at 8750 feet in elevation, this festival seems to be the spawn of everything great about the Colorado Bluegrass scene.

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This year’s lineup includes Railroad Earth, Greensky Bluegrass, Leftover Salmon, Yonder Mountain String Band, Bela Fleck, and of course, the King of Telluride, Sam Bush, along with many more phenomenal acts! It’s the festival’s 46th annual year running, and outside of the main stages, keep an eye out for the weekend’s late night shows where you might just catch the next big bluegrass rising star.

Staying the whole weekend to catch every show possible? Camping in Telluride is nothing short of breathtaking. There are several campgrounds within walking or shuttle distance of the festival so get your tent pass here.

Don’t miss your chance to be a part of this year’s Telluride Bluegrass Festival! Tickets and all other info can be found here!

-Cy

All photos per the author. All videos and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Boulder-Based Nobide Are Making Waves One Big Stage at a Time

By: Natalie Pulvino

Boulder-based live electronic band Nobide is fresh off a show at the Boulder Theater, soon to headline the Larimer Lounge, and has a lot in store for this summer’s festival season. We sat down with Nick Vann, founder of Nobide, to ask him about the band’s authentic sound, local influences, and upcoming endeavors.   

What differentiates Nobide from other live-electronic acts?

Probably our versatility- we want to make all types of music, not get caught in one sound or genre. We’ve been working on combining the production elements with the live instruments, figuring out how to allow the produced pieces to function like a band member. Our live setup is pretty crazy- I can now manipulate and change the sound of the guys as they’re playing [and] do DJ production effects live which is pretty crazy.

You’ve described Nobide to BolderBeat previously as “organic-electronica,” emphasizing the live aspect to your music. What is your process for infusing the produced pieces with the organic element to create the perfect blend?

Our process is evolving as we figure out our sound. We’re still fresh as a unit, so we’re not sticking to any one process for writing or playing- it’s all very open right now. As far as putting songs together it’s really important to me that the songs don’t come out sounding like just another band. There’s so much possibility with production and sound… I’m always looking to hear something new, both musically and in regards to how a piece actually sounds.

Are there any local live-electronic acts that you draw inspiration from?

Mxxnwatchers is making some really forward thinking stuff, as is Evanoff. Break Science are the OGs. I think we all feed off each other, but we’re all sorta doing our own thing and pushing it as far it can go. To me that’s the ideal- there doesn’t seem to be much of a point in making stuff that sounds too much like someone else.

How do you cultivate that influence while maintaining a strong sense of authenticity in your music?

I think seeing how other people approach their music is the best kind of inspiration. We try not to take what other people are actually doing musically or sonically into account and just focus on doing what sounds best to us. In that sense we have no choice but to be authentic.

Nobide recently opened for The Floozies at the Boulder Theater- what was that like for the band?

It was a huge moment for all of us. I grew up in Boulder, so it was especially exciting for me. It was so killin’ to play for the hometown crew and have them show up like that. Nobide is Boulder-bred, and I think it was cool for the Boulderites to see the evolution of the project. A lot of people got introduced to the music that night too which was exciting. We’ve got mad love for Boulder.

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Are there any shows you guys have played that have been super memorable?

The Boulder Theater show was one for sure, as well as The Fiillmore when we opened for Sunsquabi in January. It’s always exciting to play big rooms with big sound systems. We played with Michal Menert in January and that was a full-circle moment. I’ve been listening to his music for years.

Nobide is on the bill for Summer Camp Music Festival, Sonic Bloom, and a few others that will be announced soon. What is the band looking forward to most about being on the lineup for these festivals?

I think mostly meeting new people- artists and fans alike. It’ll be cool to see how our music stands up and translates in new environments. It’s a big opportunity, but it’s also just gonna be fun as heck.

Do you foresee any challenges that may arise from playing festivals as opposed to singular shows?

It’s definitely going to be a compromise on some fronts [since] we have a pretty complex setup for performing, but it’s nothing we can’t handle. It’ll be a good challenge to be pros, to know it’s not all about us but more about the vibe of the whole event.

There’s been talk that the band may be hitting the road soon. If you guys go on tour, where would you want to play and who would you love to play with?

Eventually all over the world! But for now we’re trying to get down South and out to the West Coast and Midwest, start slowly expanding our radius through the U.S. We’d love to play with all sorts of people that like to get down. Lettuce, Pretty Lights, Zhu, Rufus Du Sol, Bonobo, Odesza… We want to bring this music all over!

Keep up with Nobide here and don’t miss their headlining show at the Larimer Lounge this Saturday, April 6th. Tickets & information here.  

-Natalie

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Review: Corsicana's "Reprieve" Recalls The Detriments Of Growing Up

By: Sam Piscitelli

Growing up as naive children we tend to imagine life as an exploration of majestic intent. We prefer to seek out our own wanderlust in order to see what the world has prepared for us. There’s an impression that the lives we lead will be difficult at times but we tend to see it as less realistic and more fantasy than anything else. In Corsicana’s new single “Reprieve” from their forthcoming record Perennial, that flawed logic falls short as we’re given an authentic perspective into the detriments of growing up.

Corsicana makes it clear within their first line that there’s essentially no give and take left in their adult lives except when they’re asleep. With taut precision and delicate placements Corsicana’s “Reprieve” introduces us to the loss of innocence, the unwarranted heaviness it leaves on your chest and the undying life of having life figured out only to end up questioning the answers you had before. The song is contradictory in the sense that it lulls you into a warm familiarity while also causing a recurring shock of wondering what’s ahead, but it’s the contradictories complexity that makes the song genuinely sincere. The ability to mourn while comprehending the ability to move forward is the basis of learning to live through life.

Corsicana.

Corsicana.

The attempts at painting a picture that is a universal struggle may seem like a challenge, but here, it’s done with ease. It just goes to show that an old idea can have a nuanced perspective when done right. It’s a welcomed approach to an idea that’s seemingly been all dried up. The idea of growing older is largely capitalized on, but is rarely executed right. While Twenty-One Pilots hint at growing up as unromantic and Taylor Swift muses she wants to turn back time, Corsicana’s take is about relying on life to balance itself out. “Reprieve” is a song that expertly unravels life’s little moments, whether that may be the beauty, the ugly, or the fine line that treads between them.

Keep up with Corsicana here.

-Sam

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Review: Rodes Rollins Comes Into Her Own With 'Velvet'

By: Julia Talen

Rodes Rollins (Talia Taxman) has truly come into her own in the last year and a half. Since the release of her acclaimed, coming-of-age EP, Young Adult, Rollins has gone on to release a series of singles including “Nasty Woman” and “Boom Pow.

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Her next musical project, called Velvet, which drops October 19th, is an A/B Side record underscoring Rollins' impressive range as an artist. Her music straddles the sphere of all sorts of genres, from psychedelic rock to folk with a bluesy flare. This record is no exception.

The A Side's "Mystery Man" opens up with vintage instrumentals, which reminded me somewhat of some of the instrumentals The Growlers incorporate in their music. There is a sort of "Wild West" vibe throughout the tune as well, which is perhaps a nod to Rollins' roots having grown up in Boulder, Colorado. Complimenting that western old-time vibe are her exquisite, spooky, and synthy vocals that allure listeners deep into the story of a search for someone as she sings, "Mystery man/hold a gun to his head/what you want you can get."

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Verse foils lyrics on the B side of Velvet with the track "Wrong Turn" when Rollins' sings, "We take a step towards a demise/darling we/try and then we realize/darling we/hung the towel up to dry." In the search her first track alludes to, her second track suggests a wrong turn's been made. In this "wrong turn," Rollins' tune slows down, shows off even more of her incredible vocal range, and plays up a somber side to her vocalization. There too, is an openness in her voice evocative of Cat Power. In addition to her vocals, Rollins rounds out the B Side with an incredible guitar outro solo which elevates the mesmerizing quality of both of her tunes on Velvet, as listeners quickly come to realize her guitar-playing talent is quite remarkable.

Rollins' music is original, combining all sorts of influences as she continues to experiment and grow as a musician. Such originality is certainly a difficult achievement in our musically saturated world, but Rollin's is going for it and doing it well.

-Julia

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Grandoozy Captures Mile High Vibes With First Superfly Festival in Denver

By: Taylor Naiman

Music is integral to the soul- it fosters a great opportunity to make connections with other people and expand horizons. Superfly has established a quintessential destination for enriching that soul and nurturing the spirit, and in Denver, its name is Grandoozy.

The Grandoozy audience dances to artist Snow Tha Product.

The Grandoozy audience dances to artist Snow Tha Product.

The moment you walked through the gates this past weekend, you soon realized this particular festival was going to be unique, and it was. Walking the grounds of Grandoozy on the freshly cut Overland Park grass, Denverites could choose from a plethora of activities to engage in while the smells of tasty treats from local food trucks and curators wafted through the air. There were Colorado-based companies and artists in every element of the festival: food, drink, shopping, art, non-profits, and even onstage.

It was a pleasure to just sit back and observe the surroundings at times. There were couples, there were old friends reconnecting, and there were new friends conversing. Many of the festival-goers we spoke to lived in or around Denver, but some traveled to meet up with Colorado friends for the fest. It was clear that this community held a unique vibe, though it is one that is just beginning. Friends were laughing with each other and parents were dancing with their children. Grandoozy had something for everyone, whether you came for the music, the experiences, or just to chill. With Grandoozy’s relaxing vibes and Denver-focused curation, this festival was a serious Colorado hit.

Whether we were watching Bishop Briggs smiling as she ran onstage, a couple dancing together during the Florence and the Machine set, or a group of friends grabbing a beer together at the “Arts & Crafts” tent, Grandoozy brought Denver’s people together. Across the field, concertgoers were throwing frisbees with a beer in hand; others relaxed in the festival’s ample shade. People were content and were just living and the overall energy of the fest was calm, genuine, and pure. Of course there were moments of explosive energy, like during Kendrick Lamar’s headlining set or The Chainsmokers’ wild pyrotechnics. But overall, Grandoozy became its own little oasis for the weekend in a choose-your-own adventure sort of way. There was an immense amount of beauty in enjoying the entirety of the concert experience while witnessing other people savor in this atmosphere just as much as we did. Grandoozy has fostered a very cultivated Denver community, unrivaled and alluring for the Mile High audience.

Two Grandoozyers meet in the front row at Scissor Stage.

Two Grandoozyers meet in the front row at Scissor Stage.

Messages of friendship and acceptance were abound onstage throughout the festival as well, like when Mavis Staples quoted the The Staple Singers during her set saying, “Reach Out. Touch a Hand. Make a Friend” or when Florence Welch of Florence & the Machine paused her set to tell the audience to hold each other’s hands or to hug the person next to them. Stevie Wonder even concluded the festival with, “Let’s make love great again.” These were the core tenets of Grandoozy, and shining moments throughout the festival. All of the artists conveyed a strong message of unity in these divisive and difficult times

Overall, this is a festival living up to its namesake. It was grand, and it was a doozy. Its size and magnitude for a Colorado music festival are unparalleled and huge milestone for the community. Though it may be corporate owned, Grandoozy did a wonderful job of including local partners, vendors, and musicians in their fest, which is one reason so many felt right at home. Here at BolderBeat, we’re very thankful to have attended the first-ever Grandoozy and look forward to many years of doozyin’ to come.

Read more of our Grandoozy festival coverage here.

-Taylor

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat. Header photo per FilmMagic.com.

Grandoozy's Finale Ended a Great Weekend of Music, Art, & Exploration

The final day of Grandoozy was full of exploration, lots of laughs, and of course, some sweet tunes.

We wandered “The Break Room,” where attendees danced in a circle of speakers outside with live DJs spinning on deck. This was a popular spot in the early evening when it cooled down and people got their groove on. The “80s Ski Lodge” was more of the day dancing spot since it was fully enclosed and cool. Similar to “The Break Room,” a live DJ spun tunes for attendees who had access to a full bar, seating areas near a fake fireplace, and most importantly, full shade in the 93-degree heat. We also checked out the South Park carnival area, where festigoers could play various carnival games themed like the show.

The Backyard” had ample seating as well- there were chairlifts to people-watch in and even a full gondola that attendees could jump inside of for a picture. The small shopping district featured various vendors including Topo Designs, Kleen Kanteen, and even Never Summer snowboards because why not start thinking about that powder now, Colorado? Some vendors even included exclusive Grandoozy products, so if you wanted a sweet souvenir, this was the place to look!

The gondola in “The Backyard.”

The gondola in “The Backyard.”

Artist highlights of the day included soulful jams with Daniel Caesar, St. Vincent’s incredible and artistic set, a high-energy good time with De La Soul, a serious pyrotechnic adventure with The Chainsmokers, and a nightcap from legend Stevie Wonder, who played hits from across his catalogue with a massive band and even did a tribute to the late Aretha Franklin covering “Respect.”

St. Vincent. Photo Credit:   Hannah Oreskovich

St. Vincent. Photo Credit: Hannah Oreskovich

Overall, we were very impressed with all that Superfly Presents had in store for festival attendees at Grandoozy. The weekend featured incredible headliner sets, great shows from local bands, live mural and canvas paintings from Denver artists, delicious Denver food and drinks, and so much more. This festival felt at home in Denver, and we can’t wait to see what’s next from the production team behind this fantastic festival.

Read more of our Grandoozy festival coverage here.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

St. Vincent Slays Set at Superfly's Inaugural Grandoozy in Denver

St. Vincent. Photo Credit:   Hannah Oreskovich

St. Vincent. Photo Credit: Hannah Oreskovich

St. Vincent, otherwise known as Annie Clark, electrified the audience on the Scissors Stage at Denver’s Grandoozy music festival on Sunday afternoon. With a 45-minute set, the audience left craving for more and screaming for an encore.  There is no one like her in the music industry right now and no one who has her indie-rock sound and being in that audience made you feel revived, energized, and youthful.

Photo Credit:   Hannah Oreskovich

Photo Credit: Hannah Oreskovich

St. Vincent’s music is both emotional and beautiful. She has found the perfect balance between rock and pop, establishing her own path in the industry. The lyrics are wonderfully crafted and her Grandoozy live performance was perfectly executed. Though her last tour she performed solo, she was joined by a band at Grandoozy. She captivated the audience and showed us what it means to rock out the St. Vincent way on her multiple, custom-colored guitars. Every color and every piece on the stage contributed to her aesthetic and her visuals were stylish, fun, and interesting. With her black slicked-back bob, orange latex dress, and lavender latex arm sleeves, her style for Grandoozy was pure chic.

Photo Credit:   Hannah Oreskovich

Photo Credit: Hannah Oreskovich

St. Vincent’s style is vibrant, yet minimalistic just like her performance and her stage presence was immense and demanding. Although, she had three other band mates, at times, it almost felt like it was just her- her voice, and her guitar on that stage. Her set was powerful, youthful, and raw. She played songs including, “Digital Witness,” “Masseduction,” “Fear the Future,” “Savior,” “Sugarboy,” “Los Ageless,” and “Slow Disco.” She gave us the opportunity to both dance and rock out. The audience was also treated to an acapella intro to her song “New York” tailored to the Denver audience with “Colfax Avenue” added to the lyrics. It was an empowering experience to see such a strong, talented woman dominate the stage and shred on the guitar.

Photo Credit:   Hannah Oreskovich

Photo Credit: Hannah Oreskovich

St. Vincent is a must-see live experience. It was one of the best sets we saw at this year’s inaugural Grandoozy, so if you haven’t yet, check out St. Vincent on Spotify here.

Find the rest of our Grandoozy coverage at this link.

-Taylor

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Grandoozy's Second Day Was All About The Chill

The crowd at Snow Tha Product.

The crowd at Snow Tha Product.

Vibes were noticeably more chill yesterday at Grandoozys second day. Festivalgoers beat the heat in the Capital One Cardholder Lounge, in the shade under trees near the craft cocktail “Flight School,” and in tents near the “Arts & Crafts” area. An ice cold beer seemed to be on nearly everyone’s Day Two agenda, whether they sampled pours from spots like Elysian Brewing, Left Hand Brewing, or Breckenridge Brewing, or grabbed a Bud Light four-pack from the Bud Light “Dive Bar.”

Pours in the “Arts & Crafts” tent.

Pours in the “Arts & Crafts” tent.

Notable performances of the day included Snow Tha Product, Sturgill Simpson, Young the Giant, and of course, the show-stopping Florence and the Machine, who closed out the night under the stars with the evening’s large crescent moon seemingly floating above the stage. Her performance was magical with a live harpist, her powerful vocals, and her messages of self-love and consciousness for the crowd.

Unlike Friday, where festival attendees seemed more dressed for the heat and comfort, Saturday’s goers came in full costumes, lots of glitter, and fun festival fashion pieces. It was entertaining to see everyone expressing their creative clothing choices, and added to the day’s fun, yet laid-back vibes.  

Today, Stevie Wonder will close out the festival. Logic, St. Vincent, and The Chainsmokers will also be on deck. We’ll be exploring “The Break Room” and “The Backyard” at today’s fest, so come dance with us! Day passes for Grandoozy’s finale are still available here.  

Read more of our Grandoozy festival coverage here.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Why You Need Grandoozy's Official App to Maximize Your Festival Experience This Weekend

This app is so exciting, everyone is doing it.

This app is so exciting, everyone is doing it.

From the festival lineup to the food, Grandoozy just released an app with it all! If the countdown to this weekend’s first Denver Superfly fest isn’t enough to get you excited, learning the ins and outs of this app definitely will.

After your download Grandoozy’s app, customize your schedule and who you want to see under the “Lineup & Schedule” tab. You can set the alerts for your favorite artists so you don’t miss their sets when you’re off at Flight School or Arts + Crafts. You can even see how many people added a particular artist to their schedule and who the most popular artists are if you’re not sure who might be this year’s best kept secret.

Next, move to the “Map” tab and explore where the food, stages, merch and other events are located. In the “Eat, Drink & Explore” tab, you can further customize how you want to experience the festival and see all of this year’s local craft brewers, food trucks, and more!

Make sure to check out the “Go Backstage” tab once you get to the fest too. This gives you the opportunity to get an inside look at what’s happening backstage. There might be artist soundchecks, or just your favorite musicians hanging out.

Finally, make sure to set up Apple Pay! It will give you a secure alternative to bringing cash to the fest, and it makes life on the crowded fest grounds that much easier. Using it will allow you to order food ahead of time, avoid the lines, and enjoy more of the festival. You can seriously maximize every minute of your festi experience with the Grandoozy app!

Still need to grab your passes for the weekend? Do it on the official app or on the Grandoozy website! We’ll see you there.

All show photos per the author. All photos, videos and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Ben Hanna Band, ChinaRose, & Native Station Tell Us What to Expect from Their Sets at Benevolence Festival This Weekend

This week, we’re presenting Benevolence Festival, a benefit day of music for RAICES this Saturday, August 18th at Boulder’s Twisted Pine Brewing from 2PM-10PM. It’s just $6 at the door for six bands and we’ve published our interviews with Augustus, Whiskey Autumn, and The Beeves, so make sure to check those out if you haven’t! Today we’ve got Ben Hanna Band, ChinaRose, and Native Station in the hot seat:

What made you want to become involved in our Benevolence Festival for RAICES?

Ben Hanna Band: If doing what I love can in some small way contribute to helping other people be with their families and find the resources they need, I will be in every time.

ChinaRose: We think it is very important to stand up for human and individual rights and the issue of migrant families being separated is something we cannot condone. We were very excited to be able to participate in Benevolence Fest when we heard it would also be benefiting that cause.

Native Station: We all felt strongly that no matter your political beliefs we need to treat people properly, with love. The way we would hope to be treated.

Ben Hanna. 

Ben Hanna. 

Do you have any other comments on the current political environment?

Ben Hanna Band: Be good to yourselves- you probably deserve it.

ChinaRose: Love is stronger than hate.

Native Station: The devolution of our political climate will stop if we, the general populace, decide upon common goals and take sustained political action to achieve them. But if we continue to base our votes and support on some misguided sense of team or party, rather than ideals, we will continue the descent.

What have your respective bands been up to in 2018?

Ben Hanna Band: Music-wise we are currently working on playing as many shows as possible. Just trying to have fun and stay fresh. No studio projects right now, but lots of new songs and ambition.

ChinaRose: We are currently recording our third album in our basement studio on the Southside of Chicago. We’re touring from August 16th-30th through Colorado, Utah, and California to promote the album and it will be released shortly before we hit the road.

Native Station: We’re finishing writing a debut album while looking for the right “habitat” to record it in.

ChinaRose.

ChinaRose.

What can fans expect at your Benevolence set this weekend?

Ben Hanna Band: We don't even know what to expect. The current line up couldn't make it due to schedule conflicts so it is all new players. There will be trombone and banjo. Some bad jokes might happen as well.

ChinaRose: We will be playing a bunch of new songs off the album!

Native Station: Oh yeah! A lot of energy and some songs from this album we have been working on. We try to keep something fresh in the back pocket and this will be no different.

Native Station. Photo Credit: Ehlert Art 

Native Station. Photo Credit: Ehlert Art 

What’s up for fall friends?

ChinaRose: Hopefully we will be touring around the Midwest this fall!

Native Station: We are looking forward to going on a short tour (headed south!). Also, we will be recording some new tracks which will make their way into the ether.

We can’t wait to hear everyone’s tunes this Saturday. $6; six bands. All for RAICES. See you there Boulder!

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Whiskey Autumn & The Beeves Talk to Us About Why They're Excited to Play Benevolence Festival This Weekend & Their Upcoming Tour Plans

In honor of Benevolence Festival which we’re presenting to benefit RAICES this Saturday, August 18th at Boulder’s Twisted Pine Brewing from 2PM-10PM, we recently chatted with Denver bands Whiskey Autumn and The Beeves. They’ll be playing Saturday’s fest along with headliner Augustus and bands Native Station, Ben Hanna Band, and ChinaRose. We sat down with Whiskey Autumn frontman Greg Laut and The Beeves’ Matthew Sease to learn about why they felt called to play this benefit and what their bands are up to this year:

Why was playing a benefit for RAICES important to you?

Laut: Separating families is unquestionably inhumane and raising awareness about the ongoing crisis is imperative. Hundreds of children still remain separated from their parents and the Trump administration's efforts to reunite the families has been weak and insincere. RAICES is an amazing organization that provides crucial legal support to underserved migrants and is putting quantifiable plans in place to reunite families. Anything we can do to raise money and awareness for the cause feels right.

Sease: We're happy we have a platform to make some kind of difference in this epidemic of evil. Despite the small scale of the event, we hope the money raised will benefit the cause in some tangible way. This is important to us on the most basic human level, as [it] should be to all people.

Whiskey Autumn. 

Whiskey Autumn. 

What has your band been working on this year?

Laut: We've been recording a new album throughout 2018. The first single was released earlier this summer and our next track premieres with CPR’s OpenAir next Tuesday, August 21st on “Mile High Noon” with Alisha Sweeney. Keep your eyes peeled!

Sease: Last February we began work on our debut album with producer, Nate Cook of The Yawpers and engineer Tyler Imbrogno of Eldren. The album is set to release in late 2018.

What can we expect from your set this weekend at Benevolence Fest?

Laut: You can expect a high energy set of rock'n'roll, synth pop, and good time vibes that get you up on the dance floor. We may even play our new song!

Sease: Tuba?

The Beeves. Photo Credit: George L. Bosser

The Beeves. Photo Credit: George L. Bosser

What’s on your agenda for the rest of 2018?

Laut: We'll be touring the Pacific Northwest in late August and early September. It will be our first time performing in that part of the country, so we're very excited to meet some fresh faces along the way. After that we'll be finishing our new record, which you can expect to hear soon!

Sease: As of now, our focus is on the album. Tours are imminent, and an album release show is in the works. Follow our social media accounts and stay tuned!

Anything else you’d like to catch us up on guys?   

Laut: Big ups to Augustus for organizing this festival. They have been close friends of ours for some time now and have put together a great lineup. We're excited and honored to be on the bill!

Sease: We would like to thank Augustus for having us on this important event, and you all at BolderBeat for covering it.

Looking forward to it! Benevolence Fest is just $6 for six bands this Saturday. Come through!

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

10 Sets We Really Loved at The Underground Music Showcase

By: Nathan Sheppard

South Broadway in Denver was home to the 18th annual Underground Music Showcase (UMS) this past weekend and was bigger and better than ever. With 20 venues and 300+ artists, there was truly something for everyone to enjoy. Now under the directions of Two Parts and a very talented booking team, this year’s UMS put an emphasis on community. The UMS provided so many local artists a place to show off their skills and a place to discover new national artists coupled with interesting immersive experiences. From many local artists to national fan favorites, it was a serious struggle to see everyone who played, but these were a few of my favorites from this weekend.

PPL MVR at the UMS.

PPL MVR at the UMS.

The Burroughs

This old school funk band definitely puts the soul in soul music with their high energy live shows. Their onstage presence has enabled this Greeley band to grow a loyal following since 2013. Frontman Johnny Burroughs brings a very distinct singing style and energy that will make you groove along to their funky jams.

Cloud Cult

The experimental indie rock group had us hypnotized with their spacey tunes. Known for their theatrical shows, the band made the most of the shortened set and took everyone at main stage through a musical adventure. There was even on onstage engagement after their third song.

Deerhunter

Another experimental indie band, Deerhunter was also a must see set when they closed out Saturday on the Main Stage. The parking lot was packed tight for the Atlanta band, and they played a number of their hits for the eager crowd. The set ended with “He Would Have Laughed,” and then “Snakeskin” for the encore to finish off the night the right way.

Decatur

Tucked away in Moe’s BBQ on the first night of UMS, Decatur played one of the earlier shows on Friday but rocked the cozy venue. This up and coming alt-rock band made the most of their show by creating an atmosphere with their own lighting and smoke, and then by rocking our socks off. This is a band to keep an eye out for in Denver.

Hot 8 Brass Band

We got our dance shoes on and got down to the funky tunes of New Orleans Hot 8 Brass Band. In fact, I’d say Denver got a little taste of Mardi Gras in July; the guys are able to combine some old school elements of NOLA street music with more modern elements. They even paraded down the street at one point during the fest, making them one of our favorite UMS artists.

My Body Sings Electric

People packed into Illegal Pete’s to get a glimpse of MBSE and the boys brought the noise for one of the best sets of the weekend. The packed room sang along to every song and even assisted with some crowdsurfing of lead singer Brandon Whalen.

PPL MVR

One band that flew under the radar as one of the most entertaining shows of the weekend was PPL MVR. By combining comedy with their synth rock, you get the unique “yeti rock” that made PPL MVR’s set so much fun. They jumped into the crowd in costume at several points and came out to meet fans after their set too.

Silver & Gold

Northern Colorado’s Silver & Gold have quickly made a name for themselves as one of the state’s best local bands. Friday night was proof of that, as Illegal Pete’s was filled to capacity once more. This band’s energetic and fun-loving attitude made for a great time for everyone to dance along to their hit songs “Smoke” and “Headed West.”

Slow Caves

Slow Caves had double duty playing both Saturday and Sunday sets, with their first being at 3 Kings. This old school indie band brings different popular 80’s and 90’s elements to their music and adds modern twists. They’re a Colorado staple so I hope you caught at least one of their UMS shows.

White Denim

Easily the most energetic show of the weekend was from rock band White Denim. The band drew the biggest crowd that the Sesh Stage had all weekend, so it was a bit surprising that this act wasn’t at the Main Stage. Everyone present sang along to their tunes and those who weren’t familiar with the lyrics were jamming out just as hard.

This year’s UMS was definitely one of the biggest and best in the festival’s 18-year history. The UMS is a place where you can bond with people over a shared love of music while being able to support and learn about new local businesses and different ways to become involved in the arts and cultural scenes in Denver. Though under new ownership, UMS proved it is truly the showcase of Colorado’s booming music scene, keeping true to its roots of discovery while also improving community elements and experiences that were new to the fest with its multiple outdoor stages and art installations. We’re glad  to have shared in this year’s amazing experience, and a special thanks to all the artists and volunteers who made this weekend so great.

See a full gallery from our UMS 2018 weekend here

-Nathan

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Whitacre Talk to Us About Their Single "Find The Light" & Their Upcoming UMS Performance

Denver’s Whitacre recently released their newest single, “Find The Light.” The song is the band’s third single release from their upcoming record 'Within the Mountain’s Shadows.' The five-piece have had a busy summer, so we caught up with the crew to see what's next:

Tell us more about “Find The Light”:

Chase Perry: “Find the Light” is the first single off of our upcoming EP entitled Within the Mountain’s Shadows. After self-recording our first two singles, we decided to work with a highly-praised Denver producer, Joe Richmond. “Find the Light” is the first songs we did with Joe and he really challenged us to work and rework the song until it was our best effort.  We feel the production quality is top notch.

What's the band's songwriting process been like for this new record?

Joey Wenberg: Our songwriting process is continually evolving. Initially, Paul Whitacre brought all of the chord progressions and lyrics to the table from his solo project.  Recently, it’s been a much more collaborative process. The best is when we schedule practices for the sole purpose of bringing new ideas to the table and just jam- this is where the best songs have been created most recently. But a lot of times inspiration strikes when we’re outside of our formal practices.  So we’ve become big fans of Apple’s “Voice Memo” app. We use it to send ideas back and forth to each other, in hopes something good can come out of it.

Whitacre.

Whitacre.

We know there’s been a recent change in your lineup- who is all involved in the project right now?

Chase Perry: Whitacre formed in August of 2017 and there are currently five of us- Paul Whitacre (front-man), Mark Cunningham (drums/keys), Chase Perry (banjo/harmonica), Joey Wenberg (bass), Robert Bullington (lead guitar).

What are your favorite spots to play live in Denver?

Paul Whitacre: We’ve been lucky enough to play quite a few venues here in Denver. As for our favorite venue in Denver, it’s got to be a two-way tie. Larimer Lounge offers an amazing intimate space that allows us to feel really engaged and connected to our fans. On the flipside, The Bluebird Theater offers one of the bigger stages and better sound systems we’ve been able to play through. Plus, having your band’s name on their giant marquee is pretty sweet too!

What's next for Whitacre?

Paul Whitacre: We’re really close to finishing the final songs on our upcoming EP and we’re working hard to find another good tour to join before the end of the year. And, even though we’re not even done with this first EP, we’re already thinking about the next one. We are constantly writing songs, playing shows and fine tuning our craft.

Where can we catch you this weekend at The UMS?

We will be playing South Broadway Christian Church on Friday at 9PM!

Great! See you there!

Keep up with Whitacre here.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: King Eddie's Single "Making Flippy Floppy" Is the First Track Out from Moon Magnet's Upcoming UMS Cassette Release

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This week, Moon Magnet Studios are releasing their Moon Magnet Composition Volume 4. Dropping this Friday July 27th before UMS, the record will be streamable on iTunes and Spotify but will also have a special cassette release. The tape will feature songs by Retrofette, Rubedo, Dandu, King Eddie, Venus Cruz, members of Esmé Patterson, Mini Mansions, JJUUJJUU, Sound of Ceres/Candy Claws, Ancient Elk, and OptycNerd. Today, we’re premiering a single from the record, King Eddie’s “Making Flippy Floppy,” a Talking Heads cover that the band also has a video for below. You can see King Eddie and more Moon Magnet artists at our UMS day party MoonSpoon this Saturday, July 28th from 12PM-4PM at Irish Rover. We sat down with King Eddie’s frontman Jay Mars and Moon Magnet Studios’ Reed Fox to learn more about the track and the cassette release:

Reed, what inspired Moon Magnet Studios to put together this record for the UMS?

Reed Fox: The UMS is a special time of the year- the best weekend of the year when all the Moon Magneteers come out to play. Every UMS we record a song. In 2013, we taped as many mylar space blankets together as we could and did an absurdist parade around Broadway one night of the UMS. Another year Riley Geare from Unknown Mortal Orchestra was hanging out at Moon Magnet and I recorded him playing drums on a song. That session morphed into what became the title track off of déCollage’s last album, Magnetize. One year we recorded an hour long acapella album of nonstop ambient vocal loops with members of Sunboy and Ancient Elk called Camp Forever Friends. In 2015 Cody Coffey, Megan Crooks, Ryan Schlichtman, and Derrick Bozich recorded a song called “Beautiful Mess.” The songs are always directly about the magic of UMS and on this one, Cody sings a play on words about UMS and “Ur a Beautiful Mess.” It’s finally getting released on this compilation! We wanted to do something special and include a bunch of our friends who are playing UMS on one comp. Laura Goldhamer ran a collective called Long Spoon and released a compilation in 2008 featuring Paper Bird, Ian Cooke, Kitty Crimes, and Griff from Inner Oceans. It had a huge impact on my group of friends and that was the impetus for starting Moon Magnet and releasing compilations in the first place.

What does a Moon Magnet collaboration look like with the artists featured? Do they connect with you or vice versa? Do you work with each artist on their songs? What does a relationship with Moon Magnet look like for a release like this?

Reed Fox: The collaborations are always different. Sometimes it’s a band hiring me to record their album, EP, or single. Sometimes it’s a singer songwriter with lyrics and a melody who asks me to create all of the music and drums. Sometimes it’s a bunch of friends hanging out and we hit record and it ends up becoming totally mind blowing. Everything at Moon Magnet is hyper-collaborative and it’s fun to get as many artists involved as possible. Here’s a Spotify playlist of most of the songs released on the label; there’s another with the 36 albums recorded in the studio with a link to stream on Spotify too. Neil Lyons and I run the licensing branch of Moon Magnet together. There’s currently 1,000 songs in our library and we synch them in film, television, and audio-visual works. It’s easy to submit your song or find the right song for your video on our site.

Jay- tell us a bit about your cover of “Making Flippy Floppy” from the compilation. Who did you work with for it and where was it recorded?

Jay Mars: I love covers that have little to no resemblance to the original. We screened the movie Stop Making Sense at my job at The Alamo Drafthouse and I was inspired by the raw energy of their performance and wanted to really make it our own. I started a mentorship at the University of Denver several months ago and this was the first track I produced under the guru-ship of Michael Schulze, the director of the music production program. I was listening to a lot of Bowie's Blackstar album and I think the production and performance is really influenced by that record- the drums more than anything; they're kind of dark and slippery. It's been truly amazing working with such a talented producer and mentor. Not just his fluency with the technology, but his willingness to suggest ideas and challenge your assumptions. I think that's what makes a great producer- the vision and ability to make connections and create moments in the music where you didn't see the opportunity. Kevin Netz (Yonbre) created all these crazy atonal textures on a Moog synthesizer that throw the entire track into orbit before it comes back into the chorus. I recorded the drums with Linton Wright at the Lamont School of Music and I tracked the vocals, synth bass, and guitars at Moon Magnet.

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Who did the album artwork for the compilation? It’s so cool!

Reed Fox: Jacqueline Sophia Cordova did. Jacqueline can you talk about your work on this record?

Jacqueline Sophia Cordova: The Ancient.Future featured in this work is more than just my avatar and moniker, it is a philosophy and a way of life. It is shaped by the coalescing of ancient wisdom, magic, and mythologies with modern/future science and technology. It exists as a singular point in a non-linear understanding of space/time as the Eternal Now. Understanding existence as multidimensional, I see and experience past and future, and all dualistic concepts as happening simultaneously within a single event. My creative work is, ultimately, channeled work. I express through many mediums including visual art, costume and fashion, poetry, performance, ceremony, music, and dance. The collective journey toward understanding consciousness and reality is a defining theme in my work. Aesthetically, my work is compiled of imagery and information I receive through dreams, intuitive landscape, mystical experiences, ancient mythology and symbolism, modern science, future technology, the quantum realm, and artificial intelligence. Ancient.Future is deeply intimate work. I am continuously baffled and mesmerized by mere embodiment and what it means to be here; a merging of energy and matter into form. I often create literal self portraits, using myself as a subject, but all my work is an expression of my life journey, a sort of commentary to parallel my human experience.

Reed Fox: Jacqueline currently has work up at the 925 Gallery in the CVA in Denver until mid-August, as well as a show scheduled at Dateline in December. She also has work in the current issue of Suspect Press. See her artwork on all the Moon Magnet Compilations and all of déCollage’s releases except for their first album. You can connect with Jacqueline on Instagram, Facebook, and view her online gallery her site.

Thanks Reed, Jay, & Jacqueline. Take a listen to King Eddie’s song above and make sure to see all of your favorite Moon Magneteers at the BolderBeat Presents MoonSpoon Day Party this Saturday during The Underground Music Showcase! You can also catch King Eddie’s solo UMS set at 3 KIngs Tavern on Sunday at 8PM!

MoonSpoon's Day Party at the UMS This Saturday Will Feature a Surrealist Show & Tell, 'Blind Date' Performances, & More

At last year’s UMS, we threw our Brunch with a Beat Day Party and brought you bands like Church Fire, déCollage, Erin Stereo, Mirror Fears, Retrofette, and Whiskey Autumn. This year, we’ve partnered with Moon Magnet Studios to bring you yet another danceable day party at the three-day fest called MoonSpoon this Saturday, July 28th from 12PM-4PM at the Irish Rover. Though the party will feature plenty of musical performances, Moon Magnet is spicing up the style of this event and bringing a ton of fun activities to the mix. We sat down with Moon Magnet’s Reed Fox to chat about what you can expect Saturday:

Reed! What is MoonSpoon?

Long Spoon is a collective label that Denver artist Laura Goldhamer cohered with glorious pals from Denver bands like Paper Bird and Eye & the Arrow. The collective came together while Goldhamer ran a Denver DIY arts and community space called “Brooks Center Arts: Underground Tea House.” Goldhamer created the DIY space in the basement of a historical church in Cap Hill in 2007, and coordinated numerous concerts, art shows, spirituality classes, and other progressive cultural events until its close in 2009. In 2008, Long Spoon released a compilation of Colorado artists, which features such Denver greats like Nathaniel Rateliff and Ian Cooke. Long Spoon ultimately influenced me to form Moon Magnet. Laura Goldhamer and I are now uniting to explore MoonSpoon, an overlap of old and new ethos!

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Cool. The noon slot on the day party is a “show and tell.” What is that? Is it what most of us remember doing back in elementary school?

Imagine if you had five minutes to show off anything you wanted. This is your chance to show us your closet dance moves, let the crowd name your new goldfish, cast a shadow puppet or show off your third grade painting or poem. You could perform an impression, read a diary entry, rap, shows us your oddities/collections, draw live with crayons, DJ from your phone, say a joke, or do some karate! Message us and we'll give you a five minute slot to peek through the space time continuum and share anything you want with the world. You can also be anonymous and present from behind our silver curtain. There will probably be a makeshift shower with a lot of reverb if that makes you more comfortable. Actually there probably won’t be. Every 30 minutes we'll take a field trip to the bar in our imaginary airplanes. This is surrealist show & tell, a harp strung with barbed wire, a morphological echo: your lobster telephone.

Following “show and tell” is a Blind Date meets Whose Line Is It Anyway gameshow at 1pm. What are the rules?

Blind Date was one of the most memorable and enjoyable shows Moon Magnet’s thrown over the past five years. Last time it featured members of Other Black, Ancient Elk, Ghost Tapes, Rubedo, Twin Flame Medicine, and Retrofette. This year, I’m sure it will include some of the same people and more. Come get your heart broken! A curated group of musicians will be randomly paired to play a song together. Each song has a time limit to keep their date from getting too steamy- get a room already will yah! Dice will decide how many artists play together on any given song. Everyone in the audience will write on a piece of paper what they want the next song to sound like and a few submissions will be pulled from a hat for each song. No dater will know who they are forced to "play" with until their names are pulled out of a goblet, hence the term blind date. Just wait for the speed dating round!

Sweet Sally! Tell us about Laura Goldhamer's Folktron-a-thon Y2K slot at 2PM.

Folktron-a-thon started between 2009 and 2010 as a somewhat organic open mic which flowed from one person playing a few tunes and friends/acquaintances tastefully chiming in with spontaneous sonic support. Even though it was gently facilitated by Goldhamer, rather than a sign up list, it smoothly transitioned from one song leader to the next. The first Folktron-a-thon was in 2009 but was instead called “Folktron-a-thon 2005,” and thus this year we chose to nonsensically and non-chronologically call it “Folktron-a-thon Y2K!” We will encourage friends to come prepared to perform a song or two, and sit in with others on whatever instrument is available to subtly lend help to the song.

What’s going to follow Y2K?

My solo project Poppet will be playing a special set, ‘surprises are foolish things.'  It will be a step away from my usual routine, and so an experiment. Anything can happen (but should not be expected). The only certainties are organized sound, perfect intervals, and a performative element.”

Meep Records will also be involved with this day party. What are they bringing to the show?

Meep Records is run by Adam Baumeister. He makes lathe cut vinyl records for musicians and vinyl enthusiasts. They make perfect gifts for holiday presents, your band’s album release party, and custom mixtapes for your significant other. He’s made hundreds, thousands of records and is bringing a gaggle of them to the day party. He also cut 20 limited edition déCollage records with our new single on stained glass 7” records. Plus, they’re square! This will be the fifth record I’ve printed through him and they always sell out quickly so come check them out!

How can people who want to join in the fun get more involved?

Message me or comment on the Facebook event if you have a talent or object you’d like to show off at the “Surrealist Show and Tell” or if you want to perform in our “Blind Date!”

Stay tuned for more announcements about MoonSpoon from us and join our Facebook event for the day here.

The Ride Festival: Why This Year's Lineup and the Mountains of Telluride Are a Match Made in Heaven

By: Cy Fontenot

There are few things comparable to taking in the mountains of Telluride and experiencing the loving culture of this historic mountain town. Nestled in a breathtaking box canyon of the San Juan Mountains at 8750’ elevation, Telluride is home to some of the most magical musical occurrences Colorado has to offer.

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Highlighted among these is The Ride Festival. With two nights of String Cheese Incident at the top of the bill, Ride 2018 is bound to be a soul-warming experience. The vibe of this magical mountain town complimented by the sounds of SCI is sure to create a strong sense of euphoria amongst anyone is attendance. Also slotted on the lineup this year are Sheryl Crow, Grace Potter, Joe Russo’s Almost Dead, Big Something, Kitchen Dwellers, and more.

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Town Park still has spots available, so you’ll never have to leave the party! Festival passes also include entry to most NightRide shows, and these unique sets are not to be missed. As the main stage empties out into the streets of Telluride, late night venues such as the Sheridan Opera House, Roma, Liberty, and the Moon at O’Bannon’s will fill up and overflow with sounds until early morning. Check out this year’s NightRide schedule to see you favorites. You can sleep when you’re dead!

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The Ride Festival this year will be a magical, wild ride between the daytime and late night performers, the beauty of those San Juans, and Telluride in full festival vibes.

Check out the full lineup here and get your tickets today at this link!

-Cy

All photos per the author. All videos and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Campout for the Cause Was the Most Grounding Music Festival I've Ever Been To

By: Mirna Tufekcic

The 10th Anniversary of Campout for the Cause took place the first weekend of June at the beautiful Meadows in Buena Vista, Colorado. Kicking off the high country summer, Campout was a community gathering of yogis, nature, and music lovers alike. Campout’s mission over the years has been to step away from the party so familiar to music festivals and focus more on community, conversation, yoga, and music while contributing to a meaningful cause. Each year the cause changes, but it generally focuses around environmental, humanitarian, and educational topics, and it’s always for a not-for-profit organization.

Acrobatics. Photo Credit: Molly McCormick

Acrobatics. Photo Credit: Molly McCormick

This year, however, the cause was a little closer to home. The proceeds went to a Campout for the Cause partner Michael Welle and his family to help pay for their daughter’s medical expenses. Emery, now two years old, has been fighting embryonal rhabdomyosarcoma, a pediatric cancer, since she was five months old. For almost two years, Emmy has been undergoing regular chemotherapy treatments at Children's Hospital in Denver. Her prognosis is encouraging, but this tough little ladybug still has a long road to travel before she gets better.  For more information or ways to donate, you can visit Emmy’s Friends.   

That being said, attending Campout for the Cause this past weekend felt really good. Knowing that the money spent at the festival was going to be an honorable cause while enjoying nature, yoga, music, and learning about sustainable living filled my cup for the weekend and was a great way to start the summer days. It also felt really good to relax and be surrounded by families with children, without the pressure of drinking, taking drugs, or partying to fit in. The vibe of the festival was really grounding and quiet, despite the loud music coming from the stage every evening.

Pixie and Party Grass. Photo Credit: Zach Malone

Pixie and Party Grass. Photo Credit: Zach Malone

Speaking of the loud music, the lineup was quite enjoyable. Unfortunately I missed Mandolin Orange on Friday night, but I caught the whole lineup on Saturday evening which featured The Lil’ Smokies, Intuit, Tierro with Bridget Law, Grantful Dead Review (Grant Farm’s very own take on the Grateful Dead), and others. Sunday evening, last of the festival, featured Bonnie Paine of Elephant Revival with Friends, while Grant Farm closed the night.

Workshops during the weekend ranged from building a sustainable lifestyle and self-love to belly dancing and hula hooping. Yoga classes were offered each day with instructors like Gina Caputo teaching on the main stage, “Stand Up Paddle Board Yoga” at the pond of the meadows, and aerial yoga for both adults and kiddos. If you think these sound unappealing, think again. All of them filled up before the afternoon!

Yoga. Photo Credit: Zach Malone.

Yoga. Photo Credit: Zach Malone.

Campout for the Cause is presented by Wondergrass, the same people who put together the annual Winter Wondergrass music festival in Steamboat Springs. So if you like the grassy, rooty, folk feel of a music festival without all the beer and party fuss, come out next year for a real feel-good, wholesome experience at Campout. And give to the cause! See you next year.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Review: Elder Grown Release First Record In Seven Years & With It, They've Found Home

By: Julia Talen

The Durango-based band Elder Grown released their sophomore album last month, and though the band's been playing music for a little over 10 years now, they haven't released a record since 2011 (Fire on the Way). Sam Kelly, the band's saxophonist gave insight into why the group decided to self-title this record: "[it] well represents the band because the group… blends so many different genres throughout a set and can kind of sound like a mixtape… this felt like the best representation [of us as a band]."

Elder Grown.

Elder Grown.

The record certainly showcases a range of talent and skill with a bit of a mixtape vibe. The tunes are explorative organically, highlighting the group’s knack to dig into different genres, yet because Elder Grown has a "jam band" improvisational quality to their compositions, the movement between each genre, whether it's funk, jazz, reggae, or hip hop, flows and works.

The motif nature, a connection to Colorado's landscape, runs throughout the record. The first track, "Feel you in the Sun," brings listeners into the album slowly, like a sun peaking onto the Front Range. The instrumentals including the soft percussion and whiny saxophone linger and wander before the band begins to sing lyrics, "Home lies in this dirt, in this earth/Hope lies in your hands, always now, in your hands." The group's vocal harmonies are rich and layered, similarly to their instrumentals, as the track traverses jazz and rock genres over the course of seven minutes, ending full circle on the same notes that it opened with.

The next track, "I Like You," is a more upbeat switch from the opener. The tune has a lo-fi feel with hazy vocals. The funky sax and bass carry through this short track, and the song has an energy to it similar to the adrenaline rush of having a crush that the lyrics allude to, with twists and turns that reflect the ups and downs of human emotion.

The third track "Dreamin'’" showcases another side of Elder Grown: hip-hop. It opens up with a bit of a disco feel but dives into hip-hop with facets of the track and a reminiscence to Jurassic 5. Once again the sax brings a bit of a funky edge to the tune as the lyrics tell a story we can all relate to of a relationship that has ended, but both parties "dream" of what it would be like to go back to the good times.

As the album continues on, the tracks continue to survey the skillful variability this group's tapped into. "Animal" reminded me of Portugal the Man (another very versatile band), "Rolling Thunder" has an Eastern European feel to it with rootsy instrumentals, and "Never Stop Dancing" has a catchy electro-pop ambiance.

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"Made or Ate the Bread," another longer track, was one of my favorites. Lyrically the tune is poetic: "Be mindful how you made or ate the bread/Remember you don't always catch the fish you’re fed/With this in mind I give my thanks and I get my rest." The tune picks up with a groovy beat and more reggae vibes before cascading into a dreamy and wandering interlude juxtaposing the upbeat pieces of the song and holding a mirror up to one of the albums themes: that though you may wander or stray, you always come home to yourself.

Elder Grown has come home to themselves with this album. The sax carries through their tracks, as do the themes of relationships, human complexities, and nature allowing them to seamlessly and organically survey all sorts of musical genres that represent the band's musicality. There's a fearlessness embedded in the tracks. Elder Grown goes for it because they've come home to themselves in this self-titled record.

Check them out this weekend Saturday, May 26th at Denver Day of Rock at the Welton Street Stage.

-Julia

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.