Premiere: Watch Pink Fuzz's Murderous New Video for "Turn"

Denver rock’n’roll favorites Pink Fuzz have been hard at work since the release of their 2018 record ‘Speed Demon’. The trio, comprised of sibling duo John Demitro (The Velveteers) and Lulu Demitro with drummer Forrest Raup, just dropped their music video for their single “Turn.” We’re excited to premiere the video here at BolderBeat, which is a follow-up to their last video “Enough” and features some familiar characters including Fast Finger Frank (David Landry of Boot Gun). Prior to the video’s release, we caught up with Pink Fuzz to learn more about their latest cinematic endeavor and their upcoming Midwest tour. Check it out:

Where was “Turn” recorded and who is featured on the track? Did you have a producer involved?

“Turn” was recorded, produced, and mixed by Pink Fuzz and Todd Divel at Silo Sound Studios in Denver. Jim Wilson mastered it.

What inspired the video concept and who all stars in this follow-up video?

 The video for our single “Enough,” which we released in 2017, was part one of the storyline of this tale. “Turn” is the follow-up to that video. In “Enough,” we see a psychopathic serial killer trucker named Fast Finger Frank chasing after a drugged runaway driving a 1975 Firebird down a desolate desert road. Fast Finger Frank collects fingers as trophies, and is on a drug-fueled mission to get every single female digit that he comes across. Inspired by style of Faster, Pussycat! Kill! Kill! and Grindhouse, in the video for “Turn,” we dive into the life and killings of Fast Finger Frank. The band has always been  fascinated by serial killers and what will drive a human being to stoop so low. This is the recurring theme behind our album Speed Demon and our music videos for the record. “Turn” stars Pink Fuzz, David Landry of Boot Gun, The Velveteers, and Noah Shomberg.  

Pink Fuzz.

Pink Fuzz.

Did anything interesting happen during the filming of the video?

Well there are quite a few gory scenes that we shot outside in public places. We had a lot of people walking by or driving by as we were “killing” our victims. That’s always hilarious when you have people genuinely concerned in the background of a shot. Another funny thing was going to the store and buying severed fingers, a turkey baster, fake blood, and then checking out. The cashier’s face was priceless!

Pink Fuzz. Photo Credit:   Vossling

Pink Fuzz. Photo Credit: Vossling

Why did you decide to film a video for this track from ‘Speed Demon’?

This track has a good, fast-driving beat behind it, as well as lyrics that match up to the video content like, “This is the end of the line my friend. Can’t go back now. Seeing life pass on day to day just counting on you. Fading, you’re fading away.” We wrote “Turn” in the perspective of the serial killer. It seemed like the best follow up to “Enough.”

Spooky! What else is Pink Fuzz planning for 2019?

We’ve been working really hard on new a 5-song EP. We wish were able to release it before our upcoming Midwest tour, but audiences will get to hear some of the new tracks live! In our opinion, it is some of our strongest songwriting and best sounds we’ve captured in the studio! We will be releasing it before summer is over. We’ve also got more videos and tour dates to announce sometime soon. For now catch us on the road starting this week at:

6|13 recordBar | KANSAS CITY, KS

6|14 Replay Lounge | LAWERENCE, KS

6|15 AUNTIE MAES | MANHATTAN, KS

6|18 TOTAL DRAG Records | SIOUX FALLS, SD

6|19 The Zoo Bar | LINCOLN, NE

6|20 TBA | COLUMBIA, MO

6|21 TBA | ST. LOUIS, MO

6|22 Liar's Club (ANNIVERSARY PARTY) | CHICAGO, IL

Can’t wait Pink Fuzz! Make sure to check out the band’s video above and keep up with them this summer here.

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Visit 1969 This Weekend at "Quiet No More," A Choral Celebration of Stonewall at King's Center

By: Moriel O'Connor

For the 50th anniversary of Stonewall, the Denver Gay Men’s Chorus and Denver Women’s Chorus are joining forces to commemorate and celebrate this iconic uprising. This Friday June 7th and Saturday June 8th, head to the King’s Center at the Metropolitan State University to time-travel to the Greenwich Village of NYC in 1969.

The riots at Stonewall. Photo credit unknown.

The riots at Stonewall. Photo credit unknown.

Before the uprising, police raids in this village were common and officers were often paid off to dispel violence. It was illegal in New York to be “sexually defiant.” Even dancing together or not wearing gender conforming clothing was seen as an opportunity for arrest. On June 28th, 1969, the New York City police raided the Stonewall Inn and were met with rebellion. A group of people began throwing various objects at the police officers who were harassing them, and the fight for freedom began. This led to future protests and marches throughout NYC. Thousands came together to demand equality and respect. Signs, such as “Gay is Good, “SMASH SEXISM,” and “We are Everywhere” were raised with strong hands.

After Stonewall, the Gay Liberation Front put out a notice that they were organizing. From there, anti-gay legislation was fought for in New York and beyond. The Stonewall Inn became the first national monument that honors the history of LGBTQ rights. This weekend’s chorus will represent the movement through song and visuals with historic and modern projections. Together, they have embodied the struggle into a grand presentation entitled “Quiet No More.”  These Denver performances are in preparation for something remarkable. On June 28th, both the Denver Gay Men’s and Denver Women’s choruses will travel to Carnegie Hall in NYC for the largest collaboration in the history of LGBTQ choruses.

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So come out, come out wherever you are to support marginalized musicians and to partake in the celebration. This show will also remind you that we are not done yet. Fifty years after Stonewall, Colorado is one of only twenty-one states that has full protection for LGBTQ individuals. In states like Alabama, Texas, and Wyoming, it is still legal to deny housing, employment and access to public accommodations to someone based on their sexual orientation or identity. According to the Human Rights Campaign, in 2018, 26 deaths of transgender people, primarily trans women of color, were reported due to fatal violence in the U.S.A. The LGBTQ community deserves to be honored and protected. We must continue to rebel against discrimination and spread truth, acceptance and resilience.

Learn more about “Quiet No More” and purchase tickets here.

-Moriel

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Bellhoss's Latest Video Features a Dancing Flamingo Party at Fort Greene & Everything Pink

By: Julia Talen

Produced by Lady Cactus Media, bellhoss’s latest music video “geraniums #2 primes listeners and viewers for the release of this local folk-indie-space punk band’s first EP geraniums. Frontwoman, Becky Hostetler moved out to Denver five and a half years ago to pursue a master’s degree in political science and has been infiltrating Colorado’s music scene ever since, most recently with a performance at MCA’s B-sides and with an upcoming show at Underground Music Showcase this July. Her poetic, self-proclaimed “sadcore” tunes bend genres and traverse existential themes.

The flamingo-themed video project for “geraniums #2”, shot inside Fort Greene, pilots relatable topics and motifs through many shades of pink. The video opens up with a catchy intro as two strangers, dressed as flamingos, walk into a flamingo-themed party. The camera lens meanders through the synthetic hot-pink crowd to hone in on Hostetler, sitting awkwardly on a couch next to a guy playing a song for her, or seemingly for anyone who will listen, on the ukulele. She begins to sing and removes her kitschy, plastic flamingo glasses. Her eyelids are the only ones at the party smothered in blush-colored eye shadow.

Hostetler's warm voice, akin to Swedish folk-duo First Aid Kit, mingles with the melody as she moves through the party towards the bathroom singing, “I imagine earthquakes early/ I dreams of geraniums/ I will kill my own thoughts thank you/ I don’t need your help.” In the pale pink bathroom, Hostetler puts on lipstick and then takes it off, as the band rolls through the refrain accompanied by mellow, gazy instrumentals, harmonizing the lyrics, “I’ll do what I want to/ I’ll do what I have to figure it out.”

Bellhoss.

Bellhoss.

Eventually Hostetler leaves the bathroom and bumps into a line of people, who appear angrily impatient with her, before she heads to another couch and sits down next to two television screens showing lengthy singular shots of palm trees and ocean waves. The video has this simulacrum feel to it with the vapid pink assembly of folks and the plastic costumes and birds. It’s as if our protagonist is moving through a world covered in seran wrap. Hostetler sings, “Reading all the bible backwards/ waves crash into the sea/ peeling off my own skin sickly/ crashing into the sea,” and listeners get this sense of alienation, not fitting in, feeling backwards like a wave moving the wrong way, as our protagonist navigates this giant sea of pink.

At one point Hostetler joins the party-goers for a group dance, the only time throughout the video that she actively blends into the crowd. The synchronized dance feels empty, and Hostetler eventually leaves it before ultimately leaving the party.

This brilliantly crafted video gives a taste of bellhoss’s musical poeticism and artistry in digging through the cringey, dark, and all too true themes of feeling different and feeling like you don’t see yourself in something. This project offers a peek into what’s in store as the group continues to make music in the Mile High City. Check out the video and don’t miss the band’s release party and show at Lost Lake Lounge, June 9th with Corsicana and Two Tone Wolf Pack.

-Julia

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The River Arkansas Releasing New Record & Embarking on Colorado Tour

By: Mirna Tufekcic

Just when you think there is no room for more blues, folk, country & Americana music in this world, another band pops up and proves its undeniable lure and creative spin on what’s already been done. The River Arkansas is one of those bands that fit that genre, but play with crossing and blurring boundaries as to where they fall exactly. Their sound is just another testament to today’s melting pot of genres that go beyond the box of just blues, just folk, or just country.

The River Arkansas. Photo Credit:   Art Heffron

The River Arkansas. Photo Credit: Art Heffron

The band started in 2014 as a solo project by Mike Clark of The Haunted Windchimes from Pueblo, Colorado. Shortly after laying down some tracks, Clark brought in his friend and bassist Macon Terry. After spending some time playing together, they realized there was something bigger there than just one project. Since then, the band has expanded to include a fiddle player Rachel Sliker, Benjamin Gallagher on the piano, and Robin Chestnut on drums. Each of these musicians is a very talented addition to the band. Together, they give off a heartfelt and wholesome sound which resonates with the Colorado lifestyle of mountain life meets pavement.

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The River Arkansas has played with other Colorado local gems like Grant Farm and the Gasoline Lollipops. The band has released two albums since 2014, and on May 30th they’re releasing their newest album Any Kind of Weather at Syntax Physic Opera in Denver before embarking on tour to several other local mountain venues including the Jamestown Mercantile, Brues Alehouse in Pueblo, Elevation Brewing in Salida, and Deerprint Wine in La Veta.

Any Kind of Weather is a continuation of the band’s effort to blend folk, country, blues and Americana into a smooth concoction. I had the privilege of previewing the album for BolderBeat in lieu of the album release party this week and here are my two cents: The album is certainly country-forward, if not for Clark’s distinct, heartfelt, growling, and raspy country vocals than most certainly for the fiddle, harmonica and banjo sounds that predominate songs on the album, like “Bury Me,” “Big Bald Buddy,” and “Lady Luck.”

Photo Credit:   Art Heffron

Photo Credit: Art Heffron

Many of the songs are easy listening, either moving the listener to a gentle sway, or a light stomp of the feet. Tasteful peppering of the piano throughout the album gives the songs depth that a lot of country music doesn’t experiment with. The drums and guitar of the more upbeat songs like “Balloon Girl,” “Gone in the Morning” and “Mona” add a bit of a rock’n’roll vibe to the mix, allowing some of the songs on the album to break away from a heavy country/folk feel and move into the Americana realm. The slower songs like “Cuernavaca,” “SF Bay” and “Slow Down” take on more of that folky-country-blues tune, giving the album a hardy dose of all the goods. Reminiscent of The Band, Sturgill Simpson, and The Sam Chase, fans of country and Americana are surely going to enjoy The River Arkansas’ junior album Any Kind of Weather.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

ZEMBU's Latest Track "Human" Reveals How Transformative Art Can Be

By: Julia Talen

Colorado based musician and producer ZEMBU recently released an inspiring and deeply poetic music video for her latest single, “Human”. ZEMBU shared that the song, “Human,” is about the day she learned that her mother had died by suicide. The verse of this indie-pop tune contains lyrics that examine various realms of human nature, and the video itself enhances the single in a variety of ways.

ZEMBU.

ZEMBU.

It opens up with celestial “ooo’s” and flashes of ZEMBU’s body, backgrounded by overexposed landscape shots. The video immediately sets a sort of seeking and inquisitive tone for this art project, as ZEMBU’s “Human” takes us on a journey.

Series of elegant shots of ZEMBU dancing against the sun near the water and the forest roll as she begins to sing. ZEMBU’s vocals have a rich hollowness to them, like there is space for listeners to move deeply into the facets and dimensions of her voice. Her lyrics in this song, such as, “She won’t say goodnight no more/simplicity comes in a haunting form,” invites a similar dive into the subject of suicide and its connection to our humanity.

The use of light in the video also reflects the shadows, undertones, blurriness, and fluidity of the song’s themes. In some shots ZEMBU is over exposed, the light blurring out pieces of her body and creating new shadows, while in other shots we cannot make out the features of her face in the dimmed lighting, as she blends further into the natural background.

Additionally, ZEMBU’s use of dance and the way she organically moves her body in the shadowy and overexposed images and shots of herself in nature also evoke the embodiment of humanness that the song navigates. Her words continue to match the visual vision of this project with lines like “I was so ready to take the blame,” “What if, what if, what if, what if, what if,” and “We are human after all.”

This project uses music, poetry, dance, and film to express and explore, to capture a piece of what it means to be human, and how open and raw that can be for all of us in different ways. ZEMBU’s latest release reveals how transformative, trascendental, and truly powerful all avenues of art can be.

-Julia

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Dynohunter Ending Their Spring Tour at Cervantes' with New Music

By: Mirna Tufekcic

Live tech-house music is not a frequent occurrence, even if you find yourself attending a lot of music festivals. However, if you are one of the festival goers who really enjoys electronic music, then live tech is what you ought to seek out if you haven’t already! What I’m getting at here festheads is Dynohunter, a live tech-house act you might have seen perform at music festivals across the country including Electric Forest, Summercamp, Joshua Tree, Sonic Bloom, Arise and others. They've opened for some of the biggest names in livetronica including Papadosio, Eoto, Opiuo, Sunsquabi, Ott, and The New Deal, and supported world renowned DJs Shpongle, Bonobo, Infected Mushroom, Klingande, and The M Machine. The trio has been on a six-week nationwide tour as of late, and they’re closing it out on May 22nd by headlining Denver’s homegrown music event Re:Search Wednesdays at Cervantes’ Other Side.To add to the shenanigans, the event will also feature Casual Commander (Sunsquabi), Aaron Bordas (Late Set), Mikey Thunder and Jordan Polovina. Needless to say, if you’re a tech-house fan, this will be one for the books!

Dynohunter.

Dynohunter.

It’s an added bonus if you like to dance fellow festi lover, because a live Dynohunter show is a sure way to be moved. With a sound embraced by fans of house and techno, and a live performance fueled by the organic energy of live instrumentation, their music is undeniable on the dance floor. Trust me, I’ve seen a few myself. The group’s sound is dark and tribal, peppered with worldly rhythms and deep hypnotic grooves tastefully mixed in with hard-hitting dance tracks, uplifting melodies, and soulful improvisations. This trio is truly a breath of fresh air to the world of electronic dance music. The band’s creative ways of blending deep electronic influences with live saxophone (Clark Smith), bass (Fred Reisen), and drums (Nic Thornsberry) forges a new path in the vast expanse of electronic music.

Dynohunter has released 12 EPs and three full-length records in the past four years with no sign of slowing down. Their newest releases “Third Rock from the Sun,” “Lyra” with Eli Spiral, and “Ectoplasm” have been running hot during their current tour. They’re also keeping it fresh with a single, “Night Tripper”, due for release on May 31st which you may just get to hear early if you stop by their Cervantes’ set. Come and get your electro fix on Wednesday, May 22nd and experience Dynohunter for yourself! It’s bound to be a non-stop tech-house dance party. See you on the dance floor!

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Will Buck Returns to Colorado with New Solo Tunes & Old Bandmates

If you were involved in the Colorado music scene four years ago, it was nearly impossible to miss rock’n’roll outfit West Water Outlaws. What started as a Boulder house party act in 2010 soon found themselves selling out The Fox Theatre and touring nationally with acts like The Meter Men, Royal Southern Brotherhood, Jerry Joseph, and Rival Sons. But just as things really started to take off for the Colorado band, they split when frontman Blake Rooker moved to Nashville to pursue a solo career. The members all went their own way and the band dissolved.

Notably, drummer Andrew Oakley joined several successful Colorado rock acts until he formed A Shadow of Jaguar with Brian Hubbert. But guitarist Will Buck had a harder time trying to find his future in music until recently, when he decided to release his debut solo single “Fuse”. Next Thursday, May 23rd, Buck will return to Colorado for a show with A Shadow of Jaguar and Denver’s Boot Gun at Larimer Lounge. We recently chatted with Will about his new music, his plans for 2019, and why he’s excited to be returning to Denver next week:

You’ve had quite the journey since West Water Outlaws’ breakup. Talk to us about how your current solo project came to be.

In the wake of the West Water Outlaws (WWO) split, I went on my first-ever solo road trip of California in February of 2015. I was lost, shattered and completely open to anything and everything that took me out of reality and into ‘the flow’ as I call it. Aside from writing and the inevitable destructive coping mechanisms that I developed, I found that traveling and really winging it or ‘drifting’ was really the only way [to live]. I would go on to live an entire year of my life ‘drifting’ but that’s a completely different conversation.

Anyway, on that first fateful trip I stopped at an old friends place in Orange County and recorded a demo of this song in one day. I’d had that guitar riff in my head since the end of WWO and I needed to get it out. After that, the song sat dormant for 3 years.

Will Buck. Photo Credit:  Summer Taylor Mosher

Will Buck. Photo Credit: Summer Taylor Mosher

What happened next?

After I finally learned to sing, which by the way was one of the most humiliatingly frustrating, yet absolutely, amazingly freeing experiences of my life, I returned to this song. I wrote lyrics and self produced the rest of the song in 2018. However, I still kept the original recordings of the guitar tracks. Something about them just had the angst of a desperate man about to explode that I couldn’t recreate. Even the original guitar solo, which was done in one take, made the song. I couldn’t have come at that solo with as much heartbreak, anguish and sheer destruction as that day, even if I tried. It was like a song in captivity that finally broke free.

Did anyone else work on “Fuse”?

I cut the vocals at Speakeasy Recordings in North Hollywood with a groovy guy by the name of Ross Newbauer. Ross got a great performance out of me and pushed me in a good direction, so I've since started tracking most of my vocals for the upcoming EP with him. Justin Peacock, who I know from my Colorado days, mixed the track and seriously brought it to life, those original, grungy basement guitars and all! He mixed a lot of the West Water stuff so I knew he would kick ass on this one. Brian Gardner mastered, who is a total legend and I'm lucky to even have that connection. I think some pretty notable hip-hop guys gave him the nickname Big Bass Brian in the early 2000s for his work and I must say he doesn't disappoint! With the exception of my great friend Wyatt Strassner’s rhythm guitar part, the rest is me on the loose.

You also recently released a video for “Fuse”. Tell us about that.

Marshall Miller shot and directed the music video at The Public Works in Denver. He has the creative eye of a hawk and the patience of a stalking lion. I came up with this crazy idea for the video and he was down! He made all of my creative visions come true and then some. It was also quite fun planning and shooting the whole thing together over the span of 4 days, which was amazing. Normally video shoots are a one day, 14-hour ordeal in my experience, so I felt very fortunate to take our time with this one.

“Fuse” is about a relationship that has gone toxic. It's neither persons fault, but the sad truth is that even though you crave being around each other, the whole thing just blows up every time you do. Each person holds the power to ignite the other and sometimes you can't resist being lit up by them even though you know it's going to end badly. I think a lot of people have experienced this conflicted mindset in one way or another, so I wanted to portray that in the video.

What inspired the story of the video?

I've had the necklace in the video for years- it was actually a piece I found at the Boulder Art Mart on Pearl [Stree] and I wore it so much people started calling it my "signature piece." Overtime it started to mean more and more to me, almost like my soul if it were portrayed in an image. So like the song alludes to, I'm sort of at the mercy of my soul’s captor after I hand over the necklace to the two masked women in the video. I call them "the experimenters" as they then start to run trials on me once they've retrieved the key to my subconscious. The shots of me sort of floating in an abyss with a light on my face are supposed to represent just that- my subconscious. Marshall sent me some prototype shots of him in this world we described as "the box" early on and that's what sparked the whole idea for the video. Then we came up the other worlds as we referred to them as "the observatory" which is the room where the masked women are viewing me on surveillance footage inside the "container" where I've been stowed away. Only the one female wearing my necklace possesses the power to transfer between the worlds. That female’s name by the way is Bailey Turner and her partner/leader in crime is MJ Szymanski; they did a terrific job and were total pros in front of the camera.

Photo Credit:  Summer Taylor Mosher

Photo Credit: Summer Taylor Mosher

What else will you be releasing this year?

I have a ton of plans for the rest of the year- I don't want to give away too much but I am definitely releasing a four-track EP this summer that I recorded in New York City at Figure 8 Studios with Andrew Oakley on drums and Wyatt Strassner on guitar and backing vocals. And I will be touring surrounding this release! I can't wait to see where it all takes me now that the song is out on all platforms!

Sweet. How do you feel about returning to your old musical stomping ground this week?

I am extremely excited to return to Colorado. I lived in Boulder for 8 years and miss it all the time. It is one of the best places in the world and holds so many special people in it! I am most excited that Andrew Oakley (drums) and Vince Ellwood (bass) from West Water Outlaws’ original lineup are going to join me onstage for my set. That is a dream come true for me- to stand on stage in Colorado with two of my best friends again and rock out for a room of radical people.

We can’t wait to join in the rockfest. Tickets for Will’s show with A Shadow of Jaguar and Boot Gun are here. Keep up with Will Buck and his adventures here.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Jesse Rutherford Holds His Own on Recent Solo Tour Without The Neighbourhood

By: Taylor Naiman

Monday night, avid Neighbourhood fans were given a real treat to see Jesse Rutherford on his first solo tour at the Bluebird Theatre. Earlier this year when Rutherford announced his solo tour, many fans assumed this would mean the demise of the band entirely. As a band who has experienced huge success over the years, this seemed a little worrisome. Fortunately for fans like me, the band is headed on the road again for their own tour and jamming at various music festivals this summer. Until then though, Rutherford’s solo tour is a special treat. Fans on Monday got to hear the grooves from his solo albums “&” and “Garageb&”. Rutherford has accumulated a substantial and loyal fan-base over the years and since it has been a little over a year since The Neighbourhood played a show in Denver, everyone at the Bluebird this week was hyped to see him take that stage. We even got a sprinkle of The Neighbourhood when he performed “#icanteven”.

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Genre-blending is characteristic of The Neighbourhood’s music, and also of Rutherford’s own solo sound as well. He combines hip-hop, edgy pop undertones mixed with atmospheric beats, and a sultry voice. Monday’s show was comprised of both slow tunes and funky beats we could dance to. This show was different than the others I’ve seen involving Rutherford; a dichotomy which offered a new way to see him in his element. Same man, same voice, yet he offered a different mood. The beauty of the Bluebird too is the absence of any barricade separating the artist(s) from the audience, creating a true concert intimacy. This offered the opportunity for an energetic interaction, whether it was Rutherford shaking hands with concert-goers or some of the crowd feeling personally serenaded. The set embodied both a dance party and chill vibes all in one.

A strong stage presence and audience participation encouragement is essential from any lead singer and for Rutherford, this mean singing “Rock & Roll DJ” together. Rutherford always manages to show how much fun he is having and graces the stage with a necessary character and captivating charisma. He never takes a stationary approach to any of his performances; he moves around constantly with a rhythm concert-goers can not deny. Looking around the room, everyone knew the lyrics, snapped their fingers, and continued to dance. Between songs, girls were in the crowd shouting “Daddy!” and “I love you!”. You could say Rutherford is popular with the Denver ladies.

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Having attended past Neighbourhood shows in Denver, Monday’s show not only felt more intimate; it also felt minimalistic compared to the rest. It had a raw quality, both in regard to Rutherford’s attire and the overall ambience. Over the years, the frontman is always changing his look, whether with his hair color, his choice in leather jackets versus fur jackets, or his affinity for skinny jeans. On Monday he sported a simple white t-shirt and blue Dickies pants; his set was made up of only him and his DJ and a short collaboration with his opener, Goody Grace.

A major highlight from this Denver show was Rutherford sitting down in front of the microphone without his DJ, just him and his acoustic guitar, singing to his fans. Some people would have considered this tour a risk, but with great risk, comes great reward. This solo tour gave Rutherford the opportunity to spread his wings in an avenue of individual sound. This was his show and we were all here for it. We cannot wait to see what the future holds for Jesse and The Neighbourhood.

-Taylor

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.


KAABOO Del Mar's Music Lineup Perfectly Combines New and Old

By: Benjamin Tillis

We may be in the thick of spring, but who isn’t counting down the days until summer and summer festival season? One we’re most excited for is the return of KAABOO Del Mar in sunny San Diego. This three day festival prides itself on providing a premium experience compared to other festivals because it focuses on “comfort, hospitality, and good times.” It’s true. The camp grounds are clean, roomy, and filled with friendly faces who are happy to be there.

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Aside from music, KAABOO features delicious food served by trendy restaurants in the area, and they invite world famous chefs to lead workshops for festival goers. Additionally, you can see some of today’s top comics, as they host a full comedy lineup. This year’s laughs lineup includes Pete Holmes, Bert Kreischer, Bob Saget, Wayne Brady, and Tig Notaro.

But we’d be lying if we said it wasn’t the music lineup that has us most excited, especially because of how unique it is compared to other festivals this year. KAABOO’s list of artists provides an incredibly eclectic mix of up-and-coming artists while also booking headliners who have been at the top of their genre for decades.

Bert Kreischer.

Bert Kreischer.

First, let’s start with the classic names. Some of the biggest headliners this year are Dave Matthews Band, Mumford & Sons, Duran Duran, Black Eyed Peas, Snoop Dogg, Wu-Tang Clan, The Bangles, Boyz II Men, REO Speedwagon, and Silversun Pickups. That list alone is packed with musical legends, some of whom haven’t played live in years. It will be a real treat to see these artists underneath the Southern California sun.

Duran Duran.

Duran Duran.

Additionally, KAABOO always has a great eye for fresh artists who are doing something new and exciting. Performers this year include Con Brio, Griz Folk, Cash Cash, Cheat Codes, and Keuning. These musicians are relatively new to the game, with the exception of Keuning, the lead guitarist of The Killers who has recently begun his own solo career.

Overall, we cannot wait to see what KAABOO has in store for us. Learn more about the festival here.

-Benjamin

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Denver's Underground Music Showcase Announced Their Entire Lineup Today

Denver’s favorite music event of the summer is back for 2019! Get all of the details:

Who: The Underground Music Showcase (UMS), Denver’s largest and most iconic music festival, just announced the full 2019 lineup and will once again bring an array of acclaimed national and local artists, creatively curated stages, and host endless surprises across the three-day showcase.

From Friday, July 26 through Sunday, July 28, the 19th annual Underground Music Showcase will return to the historic and hip Broadway corridor just south of downtown Denver.

What:  The just announced 2019 UMS lineup, with performances by more than 200 artists, includes national headliners Honne, Chicano Batman, Black Mountain, Tuxedo, Earthgang, and Still Woozy.

Supporting artists include Empress Of, Yves Tumor, DRAMA, Sophie Meiers, LEIKELI47, Y La Bamba, Gardens & Villa, William Elliott Whitmore, Miya Folick, Tessa Violet, Haviah Mighty, Liza Anne, Spooky Mansion, Greyhounds, Dressy Bessy, DBUK, SWSH, Kainalu, Jackie Mendoza, Clavvs, Rapperchicks, Rich Jones, Divino Niño, Parallelephants, Deezie Brown, Garrett T Capps and more and more than 200 acts from across Colorado. View the full lineup here.

When: Friday, July 26 – Sunday, July 28

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“UMS is a strong representation of all types of music. This year’s lineup of national and local bands was strategically designed to showcase the volume of musically talented individuals Denver has grown while also inviting some national acts to crash the party. Denver’s music scene is growing and shaping into something special, something worth putting Denver on the map as a nationally recognized ‘music city.’ We have put our heart and soul into ensuring UMS helps grow that positive image for all Denver artists while keeping the soul of this underground music community alive.”

— TOBIAS KRAUSE, EVENT DIRECTOR OF UNDERGROUND MUSIC SHOWCASE

Photo Credit:   Nikki Rae Photography

Photo Credit: Nikki Rae Photography

Where: The Underground Music Showcase takes place in a multitude of venues along Broadway, in Denver, Colorado. More details on specific stages and locations will be announced closer to the festival.

Three-day weekend tickets are now available for $50. The three-day weekend tickets include general admission access to all musical performances and all stages, all weekend long. To purchase tickets, please visit: https://www.undergroundmusicshowcase.com/tickets.

Why: Denver is on its way to becoming a globally recognized music city with locally organized festivals like UMS leading the shift towards more immersive, live music events. UMS is the perfect representation of the vastness of incredibly talented artists from in and around the Denver metro area, showcasing the city’s growing music scene.

Two Parts purchased UMS from The Denver Post Community Foundation in January 2018. Since taking over the festival, Two Parts has worked to expand the number of outdoor stages and experiences and to continue building on the success of the past 18 years.

Grab your presales here!

From Check-In to Check-Out, Hotel Boulderado Provides Luxury Amenities, Historic Charm & Amazing Entertainment

By: Hannah Oreskovich

From check-in to check-out, Hotel Boulderado has all the bases covered for an amazing stay: beautiful rooms built for comfort and charm, a formal and fresh dining experience at Spruce Farm & Fish, poppin’ energy at The Corner Bar, and a nightlife scene of curated cocktails, boot-stomping shows, and skeeball at License No. 1.

Hotel Boulderado.

Hotel Boulderado.

Opened on New Year’s Eve 1908, Hotel Boulderado stands as the first luxury hotel built in Boulder, Colorado. Now a City of Boulder landmark and a member of Historic Hotels of America, the five-story brick building was originally designed by local architects William Redding & Son. Featuring a stunning stained glass lobby ceiling, rich woodwork on every floor, and both modern and classic furniture pieces throughout the property, there’s no doubt the Hotel Boulderado has maintained its luxurious aesthetic over the years.

The author in Hotel Boulderado’s lobby.

The author in Hotel Boulderado’s lobby.

Last weekend, I had the opportunity to stay in the hotel’s Historic King Suite, which features Victorian-era decor, a spacious sitting area with amenities like fresh spring water, and plush Boca bathrobes perfect for winding down your day. The floral wallpaper, iron headboard, and soft colors of the room add to the suite’s beautiful decor details while the room’s vintage desk area allowed me to get some much needed work done before exploring the rest of my stay.

The floral victorian-era decor of the Historic King Suite’s sitting room.

The floral victorian-era decor of the Historic King Suite’s sitting room.

Beyond their stellar room accommodations, Hotel Boulderado houses three incredible businesses under their one roof: Spruce Farm & Fish, The Corner Bar, and speakeasy License No. 1. After checking in and touring the property, I stopped by Spruce to make a reservation for dinner. There wasn’t an empty seat in the farm-to-table restaurant. With a little time before my reservation, I headed to The Corner Bar’s patio for a pre-dinner drink. Located just off of Boulder’s iconic Pearl Street Mall, the bar’s patio area allowed for ample people-watching. Inside, several patrons watched the Denver Nuggets game on television; others were crowded at tables sampling the spot’s small plates, burgers, and beers. A mix of hotel guests and locals, The Corner Bar served as an excellent start to my evening.

Spruce Farm & Fish let me know my table was ready about 30 minutes in to my Corner Bar stop, so I finished my Cabernet and headed to dinner. Though the Corner Bar shares some of the more casual eats from Spruce, Spruce offers an extensive seasonal menu with items you can’t find anywhere else. I sampled the Blue Crab Cakes appetizer (delightful and paired with citrus), the Sweet Pea & Mint Linguini (phenomenally fresh with a soft poached egg and delectable English peas), and the Crème Brûlée (a tasty rich custard with fresh berries and a perfectly caramelized top). The wait staff was exceptionally friendly and willing to talk through recommendations while also providing an opulent dining experience.

After dinner, I wandered downstairs to the hotel’s nightlife joint: License No. 1. There is an entrance from the hotel lobby, so guests never have to leave the property. Alternatively, the spot also has an entrance on 13th Street, a run which features several other Boulder bars. Though License No. 1 is perfectly located for a night of bar hopping Boulder’s downtown, there is so much to do inside of its beautiful brick walls that I never left. Along with its more formal seating rooms, the speakeasy also features a game area replete with a pool table, darts, skee ball, and a photo booth. Partnered with great live music in the venue’s listening room, I was constantly entertained by everything there was to do at License No. 1.

Banshee Tree.

Banshee Tree.

Known as the place where Boulder’s first liquor license was issued, License No. 1 features live music every Thursday-Saturday. Saturdays typically showcase Boulder’s Banshee Tree, a talented four-piece who blur the lines between funk, blues, and gypsy jazz. Comprised of Thom LaFond (vocals, guitar, piano), Jason Bertone (upright bass, shouting), Nick Carter (violin, fiddle, hollering), and Michelle Pietrafitta (vocals, drums), Banshee Tree’s skillful instrumentals and strong rhythm section had an entire room of 50+ people boogieing from wall to wall during my visit. It proved impossible to make my way to the front for photos, so I danced near the back before eventually finding a seat to sip one of the bar’s specialty cocktails, the Boulder Mule. Served in a copper mug, the delightfully refreshing drink is a combination of vodka, St. George pear liqueur, house ginger cordial, and vanilla ginger syrup perfect for summer. License No. 1 has an entire book of custom cocktails, some spirit-heavy; others floral focused or sweet. Much like everywhere else I’d been at Hotel Boulderado, the staff were friendly and enjoyed talking about the menu’s different drink options.

As Banshee Tree continued on, the crowd only grew larger. Formed in upstate New York, Banshee Tree have been living and playing across the Front Range now for years. They’ve played a number of Colorado music festivals, so catching them in the intimate environment that is License No. 1 is a serious treat! The band call themselves a “diverse blend of dance and improvisational styles,” making them easy to groove to or just interesting to hear if you aren’t the dancing type. Banshee Tree’s tunes feature long instrumental stretches, giving patrons ample time to stomp around. Each member of the band is equally skilled at their instrument(s), so songs featured guitar, standup bass, and fiddle solos while Pietrafitta kept up the dancey drum backbone of the tracks. The band broke their night up into two long sets, so during their intermission I had time to explore the venue’s gaming area and snap some shots in the License No. 1 photo booth. Banshee Tree had patrons bouncing well past the midnight hour and since the crew is jetting on tour soon, so I highly recommend catching a show near you this spring!

The historic check-in area at Hotel Boulderado.

The historic check-in area at Hotel Boulderado.

As the night came to an end, I wandered back to my room for a sweet surprise. The Boulderado offers a turn-down service in the evenings, complete with a gift of chocolate truffles from local chocolatier Lift Chocolate. Needless to say, I capped my night with the Grand Marnier and Raspberry truffle selection before drifting off to a very comfortable rest.

No matter the vibe you’re looking for in your next Boulder stay, Hotel Boulderado has something for everyone with an unparalleled excellence in dining, nightlife, and accomodations. Whether you’re booking for business, a wedding, or for pleasure, their staff aim for every guest to have a personalized and elegantly hospitable stay from start to finish. Their lavish amenities are the perfect perk, and historically, there is nothing else like Hotel Boulderado in town.

Hotel Boulderado is offering two special experiences with your stay this spring: the Downtown Boulder Shopping package and the romantic Colorado Clear Skies Stargazing package. To book the Historic King Suite I stayed in, or to see the hotel’s other suites, visit this link. Learn more about Hotel Boulderado here.

All photos, videos, and embedded tracks per the artists or venues featured and those credited. This feature was edited for brevity and clarity by BolderBeat. This feature is partially syndicated and some pieces originally appeared as part of a series on blondontherun.com.

Denver's Major Glen Release Two New Singles, “Violent Streets” & “Weathervane"

By: Norman Hittle

Major Glen, the lo-fi/alt-punk rock trio from Glendale, have just dropped a couple of new singles, “Violent Streets” and “Weathervane.”

The first of many songs from Major Glen since 2018’s self-titled debut, the band will be releasing a new single each month from March to June, and then will be releasing the entire album on vinyl.

Says band member Barrett, “The nature of streaming has forced us to rethink how we submit our music to the public. The new single methodology seems to be working out better than just dropping an entire album and hoping for the best.”

Major Glen.

Major Glen.

Aside from some new sounds, Major Glen will be headlining Streets of London Pub in Denver on Friday May 3rd with The Jinjas and Octopus Tree. Snag event details here.

Keep up with Major Glen here.

-Norman

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

I Prevail Bringing 'Trauma' on Tour This Spring & Summer, Including a Red Rocks Amphitheatre Set

By: Nathan Sheppard

I Prevail recently released their newest album Trauma, which is the band's first album in three years. This highly anticipated record offers fans a look at what their genre has to offer in the future, while also giving us the classic I Prevail that we fans have come to love.

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The first track of the album is “Bow Down,” and was the first single released. This track gives us everything that we know the band is great at: the back and forth between Brian Burkheiser’s clean, smooth vocals and Eric Vanlerberghe’s harsher tones, a melodic chorus, and heavy breakdowns. This song is a clear indication that I Prevail still know how to make the jams they’re known for. They also produced one of their heaviest songs to date on this record with “Gasoline,” a tune that showcases Eric’s screaming abilities.

In “Paranoid,” we get a very different track which shows us a possible direction the band could evolve into. They experiment with different genres by incorporating bits of electronic, hip-hop, and alternative elements into this song. This is seen heavily throughout Trauma and is on par with the trend in rock music today to try and appeal to a wider variety of fans. While I Prevail are trying to expand their musicianship, they still stay true to their roots by not overwhelming you with the electronics; you can still tell there are heavy instrumentals in each track.

I Prevail gained a major following with some of their softer rock ballads like “Alone” and “My Heart I Surrender,” and with Trauma we get two of new awesome ballads. The first is “Every Time You Leave” featuring Delaney Jane and the second is the last track on the album “I Don’t Belong Here.” Both of these songs are definitely tunes that you will be turning the volume up to and singing along.

Overall Trauma takes us to an updated version of I Prevail. The album is very well produced and has a much cleaner sound to it than previous ones. While a good chunk of the rock scene is going towards a more mainstream pop style, I Prevail is able to add elements of that without losing who they are as a band. They experiment with newer sounds in a way that is easier to digest compared to changing their sound all together. Trauma is an album you want to listen to all the way through, whether you’re an old fan or new.

I Prevail will being taking their brand new album on tour this spring/summer with Issues and Justin Stone. Their tour starts at the end of April and hits Colorado when the band will make their way to Red Rocks Amphitheatre on May 13th for KBPI’s annual birthday bash. Tickets and dates can be found here.

-Nathan

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Modern Suspects Release New Music Video for "Desufnoc"

By: Julia Talen

On April 1st, Denver band Modern Suspects released a music video for their latest single “Desufnoc.” Filmed entirely on an iPhone X, guitarist Bart William’s visualized the inspiration behind the film, while frontman Garret Myers wrote the song, galvanized out of a devastating tragedy in which a close friend of his died in a plane crash.

If you haven’t figured it out yet, “Desufnoc,” is confused spelled backwards, and the single and video grip viewers as the group explores the absurdities and the inexplicable aspects of life through visual and audio media.

The video opens with an old Volvo pulling out of a garage on a dry, sunny day. There is music in the background and the viewer thinks that the song is beginning, but the camera hones in the the Volvo’s driver- a woman in a leopard coat with blue hair- listening to what’s on the radio. Anticipation builds as she pulls into a parking garage and we wonder where she is going, but before we can find out, she walks past a series of framed pictures hung on a wall and the camera zooms in to one of the frames, taking the viewer into another realm of the film as the song begins.

As the music flows, the camera continues to hone in on other picture frames, glasses, or mirrors and we melt into new scenes. This movement between different corners of life through pictures and frames elevates lyrics such as, “I’m confused/I’m confused/I feel so confused/Don’t know which way to go.” Viewers become disoriented much like the aftermath of a tragic and sudden loss. The symbolism of moving through frames also makes the audience consider memory and time, and how these play out in the stories that make up our lives and the lives of others.

Modern Suspects.

Modern Suspects.

As the film progresses, the viewer progresses through scenes that are perhaps touchstones of Myers’ personal experience: there is a scene in a body of water, a cemetary, a church. The film ends with a man running toward a house, jumping through a window into a scene evocative of the beginning of the video. The leopard-coated lady listening to Modern Suspects through headphones then walks past another series of frames hung on a wall as the story closes.

Overall, the video sets out to “confuse” viewers, reflecting on events, scenes, stories, and tragedies that take place each day of our own lives and can easily feel disconnected and absurd.

It’s no doubt that Modern Suspects’ visual and musical talent shine in this dreamy pop tune, beautifully accompanied by a thought-provoking video project which brings viewer closer to the lyrics of the track.

Keep up with Modern Suspects here.

-Julia

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

More Than 20 Years Later, The Acid Mothers Temple Continues to Carry On Their Free-Spirited Way of Life

By: Adam Cabrera

Though perhaps far past their prime, The Acid Mothers Temple & The Melting Paraiso U.F.O. continues to carry on their free-spirited way of life pertinent to the beatnik soul collective that the group helped found over two decades ago.

The Japanese psychedelic/noise band, who have played a significant role in the psych revival of the past two decades, performed at the Larimer Lounge on Monday night. Though I had the feeling that the band may have lost some of its muster since their heyday in the ‘90s, their bohemian personality and genuine passion for live performance made for a unique show experience.

Yamantaka // Sonic Titan opened for the headlining act, a five-piece psych/metal band whose diabolic guitar meddling, dark organ sounds, and powerful vocals effortlessly captured the attention of the crowd and got them moving. Faces painted and wearing decorative costumes which resembled traditional Japanese attire, their performance had a theatrical and often menacing tone as if the music was tapping into some ancient oriental mysticism. But the strange and experimental attitude of the band was only the tip of the iceberg compared to the following act.

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The Acid Mothers group is just a small part of the larger collective led by founding band member Kawabata Makoto. “A group of social dropouts of every description – musicians, dancers, artists, farmers, channellers, ex-yakuza, mermaid researchers and professional vagrants” as the band describes it. So, as the group began to gather themselves onstage to set up their equipment, it was clear each member jived with the nonconformist mantra of the collective.

Kawabata, with a head of long unkempt hair and casually touting a pair of paisley bell bottoms, oddly unpacked his gear out of a grocery basket showing perhaps how he never felt the need to buy cases for his equipment. Likewise, the band’s vocalist, Mitsuko Tabata adorned themselves with a purple cape and orange wig while Higashi Hiroshi played synthesizer; not touching a single key throughout his performance. It seemed he much preferred the alien-like whirring of the machines pitch generator.

Drummer Satoshima Nani humorously came dressed in runners shorts and a loose workout shirt. During the show he pounded relentlessly behind the kit; so much so that he broke his sticks halfway through the set and by the end of the night, he was drenched head to toe in sweat, which explained the runner’s getup.

Together the band was a curious group of misfits who in every action displayed just what the AMT collectives motto states, “Do Whatever You Want, Don’t Do Whatever You Don’t Want!” In their largely improvised set they similarly denied any of the usual trappings of traditional rock performances. And in winding psychedelic jams, they would regularly devolve into ear-splitting noise freakouts or relax comfortably into tranquil sonic meditations.

However, despite the youthful energy of the music at certain points during the evening, the oldest members of the group did show their age. Kawabata often would lean against the wall providing relief from standing for so long. And on one occasion, amid Higashi’s long white hair, you could see him wince as he rubbed his sore back. They may have been long past their prime, but their performance surely was one of the most energizing I’ve seen in recent months.

Before the show, I spotted Kawabata hard at work on his computer, most likely plugging away at the multiple AMT projects he is apart of, and as soon as the show ended the band ran to the front of the club to run their merch table. It’s plain to see that nearly 24 years after their start in 1995, they remain true to their carefree and untroubled beginnings with the AMT soul collective as the band continues to tour the U.S. independently. Over the next few months, be sure to catch them live as they make their way across the country as part of their 2019 North American tour.

Keep up with The Acid Mothers Temple here.

-Adam

All photos per the author. All videos and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

FreeMusicForFreePeople Is Throwing an Immersive Event at Denver's Mercury Cafe This Weekend

This Saturday April 13th at Denver’s Mercury Cafe is the FreeMusicForFreePeople (FM4FP) Showcase “Live from the Multi-Verse,” an interactive multi-art experience to celebrate community. FM4FP is a community and media organization that has been serving the Denver area since 2013 who formerly held a residency at Gypsy House Cafe. This year’s event is thrilled to have a home at Mercury.

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With an emphasis on synesthesia, the FM4FP Showcase will focus on an immersive theatrical storyline to engage and entertain the audience with music, circus art, dance, visual art and poetry.   The event is in partnership with Youth on Record’s FEMpowered program and participants have been offered an event internship opportunity at the showcase so they can develop their performance and event planning skills.

Starting at 7PM, the night will feature performances by Lady Gang, Reed Fox, Definitely Maybe, Twin Flame Medicine, Random Temple, Smiley Gatmouth, Sunflower duBois, Circus Performers (Dani Rose and Katie Nadal), Abby Moon & Crescent Dance Project, Nimbus, Bun Bun and FEMpowered Interns. MO SPKX, “2017 Westword MasterMind” and “2018 Westword Best Solo Rapper” will emcee the evening.

Find more information on FM4FP and their mission click here; learn more about Saturday’s event at this link.  

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

First Listen: Whiskey Autumn's 'Modern Doubt' Is a Synth Pop Hollywood Dream

Today, we’re proud to premiere Whiskey Autumn’s new record ‘Modern Doubt.’ The Denver four-piece are releasing the record this Friday, April 12th at Lost Lake Lounge with fellow Denver bands The Milk Blossoms, OptycNerd, and a DJ set from Motion Trap. Synesthesia, who hosted The Pink Party earlier this year, is presenting the show. Take a listen:

 ‘Modern Doubt’ is the follow-up to Whiskey Autumn’s 2017 EP Ice Cream In The Sun. The first single from the album “Birds That Flew,” premiered with 303 Magazine, followed by the premiere of “Let’s Go Sailing Instead” on CPR’s OpenAir. The studio recording of “Monochrome Actress” premiered with our friends at Ultra5280 recently, and the band’s live music video for that song just debuted with Westword last week. Whiskey Autumn will also be on CPR’s OpenAir this Friday for a live session in support of their release and Lost Lake show. Clearly, this is a Denver band with a trajectory worth watching.

Whiskey Autumn. Photo Credit:   Vossling

Whiskey Autumn. Photo Credit: Vossling

Overall, ‘Modern Doubt’ is a psychedelic pop rock album with an overarching theme rooted in modern anxieties such as technology, political doubts, and navigating an always connected world. The album features dancey synth lines, jangly beach guitars, a Hollywood film noir sample, natural sound interludes, and produced hip-hop drum breaks. The record was written by frontman Greg Laut, produced by band members Laut and Jason Paton, mixed by Chris Scott (OptycNerd, Young The Giant) and mastered by Jim Wilson (David Byrne, Neko Case, The Yawpers). Recently, Laut answered a few questions for us about the band’s new record, Friday’s show, and Whiskey Autumn’s 2019 plans:

Tell us more about ‘Modern Doubt’.

Modern Doubt was written and recorded throughout 2017 and 2018 and reflects my experience of the tumultuous landscape of our current times. My bandmate Jason Paton and I threw out any preconceived notions of what our sound is supposed to be and challenged ourselves to create a record that transports the listener to the world that each song exists in, whether it be a dreamy beach, an old Hollywood film, or a crowded airport. For us, that meant looking at the songs through a cinematic lens and setting the scene with natural sound samples and production choices that catered to the storyline.

That’s really cool. It seems like you’ve already had a lot of attention surrounding this record. What else can you tell us about the release show this Friday?

This will be a Whiskey Autumn show like you've never seen before! We have a new rhythm section and a batch of new songs that will be played live for the first time. Synesthesia is presenting the show and they're bringing along Andy Ai and Kat Phenna who will be providing dystopian, film noir visuals that tie into the themes of Modern Doubt. It's going to be a wild night!

What else can we expect from Whiskey Autumn in 2019?

You can expect a vinyl release of Modern Doubt later this year, summer tour dates to be announced soon, and more surprises coming your way in the next few months!

Catch Whiskey Autumn live this Friday, April 12th at Lost Lake Lounge for the release of ‘Modern Doubt’. Tickets are $10 right now if you Venmo @whiskeyautumn; $15 day of show. Find more information on Friday’s gig at this link and keep up with Whiskey Autumn here.

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Review: Lief Sjostrom's 'Impossible Parade' Focuses on Post-Rock Vibes in a Neo-Classical Fashion

By: Norman Hittle

The cello-wielding force of reckoning Lief Sjostrom has released a new EP Impossible Parade.

As with the growing body of work that is Lief Sjostrom, this EP sufficiently augments the sonic progress of his career. Almost like the next release of a trilogy or series, it makes you want to go back and hear the last pieces to fulfill the story and relive the experience again. However, Impossible Parade focuses more on the post-rock vibe in Sjostrom’s neo-classical fashion, with tracks that are laced with a bit more momentum and tension.

Impossible Parade is both canon and progressive to the tale Lief is weaving for us. It fits nicely in the sense of feeling like the composition of a somber and grieving movie or game. I have and continue to imagine the darker moments of Lord of the Rings, Vikings, Skyrim, and the Witcher series in comparison. In simpler terms, his songs have a stygian Celtic folk feel that resonates with an almost enchanted medieval era.

Lief Sjostrom.

Lief Sjostrom.

If you haven’t ventured into the ambient, yet visceral soundscapes of Lief’s previous releases, I’d encourage you to take a moment to do so. I’ve detailed his other works for BolderBeat, Counting Breaths and The Longest Night. I promise, if you enjoy Impossible Parade, you’ll enjoy all of Sjostrom’s records.

Lief will be performing Saturday, April 13th at Ophelia’s Electric Soapbox. Make it a point to enjoy this evening by grabbing details at this link!

Keep up with Lief Sjostrom here.

-Norman

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Boulder-Based Nobide Are Making Waves One Big Stage at a Time

By: Natalie Pulvino

Boulder-based live electronic band Nobide is fresh off a show at the Boulder Theater, soon to headline the Larimer Lounge, and has a lot in store for this summer’s festival season. We sat down with Nick Vann, founder of Nobide, to ask him about the band’s authentic sound, local influences, and upcoming endeavors.   

What differentiates Nobide from other live-electronic acts?

Probably our versatility- we want to make all types of music, not get caught in one sound or genre. We’ve been working on combining the production elements with the live instruments, figuring out how to allow the produced pieces to function like a band member. Our live setup is pretty crazy- I can now manipulate and change the sound of the guys as they’re playing [and] do DJ production effects live which is pretty crazy.

You’ve described Nobide to BolderBeat previously as “organic-electronica,” emphasizing the live aspect to your music. What is your process for infusing the produced pieces with the organic element to create the perfect blend?

Our process is evolving as we figure out our sound. We’re still fresh as a unit, so we’re not sticking to any one process for writing or playing- it’s all very open right now. As far as putting songs together it’s really important to me that the songs don’t come out sounding like just another band. There’s so much possibility with production and sound… I’m always looking to hear something new, both musically and in regards to how a piece actually sounds.

Are there any local live-electronic acts that you draw inspiration from?

Mxxnwatchers is making some really forward thinking stuff, as is Evanoff. Break Science are the OGs. I think we all feed off each other, but we’re all sorta doing our own thing and pushing it as far it can go. To me that’s the ideal- there doesn’t seem to be much of a point in making stuff that sounds too much like someone else.

How do you cultivate that influence while maintaining a strong sense of authenticity in your music?

I think seeing how other people approach their music is the best kind of inspiration. We try not to take what other people are actually doing musically or sonically into account and just focus on doing what sounds best to us. In that sense we have no choice but to be authentic.

Nobide recently opened for The Floozies at the Boulder Theater- what was that like for the band?

It was a huge moment for all of us. I grew up in Boulder, so it was especially exciting for me. It was so killin’ to play for the hometown crew and have them show up like that. Nobide is Boulder-bred, and I think it was cool for the Boulderites to see the evolution of the project. A lot of people got introduced to the music that night too which was exciting. We’ve got mad love for Boulder.

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Are there any shows you guys have played that have been super memorable?

The Boulder Theater show was one for sure, as well as The Fiillmore when we opened for Sunsquabi in January. It’s always exciting to play big rooms with big sound systems. We played with Michal Menert in January and that was a full-circle moment. I’ve been listening to his music for years.

Nobide is on the bill for Summer Camp Music Festival, Sonic Bloom, and a few others that will be announced soon. What is the band looking forward to most about being on the lineup for these festivals?

I think mostly meeting new people- artists and fans alike. It’ll be cool to see how our music stands up and translates in new environments. It’s a big opportunity, but it’s also just gonna be fun as heck.

Do you foresee any challenges that may arise from playing festivals as opposed to singular shows?

It’s definitely going to be a compromise on some fronts [since] we have a pretty complex setup for performing, but it’s nothing we can’t handle. It’ll be a good challenge to be pros, to know it’s not all about us but more about the vibe of the whole event.

There’s been talk that the band may be hitting the road soon. If you guys go on tour, where would you want to play and who would you love to play with?

Eventually all over the world! But for now we’re trying to get down South and out to the West Coast and Midwest, start slowly expanding our radius through the U.S. We’d love to play with all sorts of people that like to get down. Lettuce, Pretty Lights, Zhu, Rufus Du Sol, Bonobo, Odesza… We want to bring this music all over!

Keep up with Nobide here and don’t miss their headlining show at the Larimer Lounge this Saturday, April 6th. Tickets & information here.  

-Natalie

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Catch Jazz is PHSH All Over Colorado This Week, Starting Tonight

By: Mirna Tufekcic

It’s not because Phish isn’t an expansive, easy-to-groove-and-get-down-with band that a group of highly talented musicians decided to form a fluid, tribute Phish collective and name it Jazz is PHSH.  

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Who are Jazz is PHSH? Well, let me tell yah. They’re a floating ensemble of world-renowned, highly talented jazzers who take Phish to the jazziest level, all instrumental and quite gentle on the ears and inner landscapes. Formed by The Chase Brothers in 2015, they gained momentum fast and have attracted many influential jazz and jam musicians including Dennis Chambers (Santana, Miles Davis, Parliament Funkadelic), Jeff Coffin (Dave Matthews Band, The Flecktones), three-time Grammy winning saxophonist Chris Bullock (Snarky Puppy), Michael Ray (Sun Ra, Giant Country Horns, Cosmic Crewe), Grant Green Jr. (Groove Masters), Anthony Wellington (Victor Wooten Band), the teenage piano prodigy hailing from France DOMi Degalle, at one point the late, great, R.I.P. Kofi Burbridge (Tedeschi Trucks Band, Aquarium Rescue Unit, Trey Anastasio Band), & many more!

Jazz is PHSH are playing at the Aggie Theatre in Fort Collins tonight, April 2nd, Denver’s Cervantes Other Side this Thursday, April 4th, Fox Theatre in Boulder on Friday the 5th, and Colorado Springs’ The Black Sheep on Saturday 6th before they hit the rest of North America. (Pssst… all the hyperlinks lead straight to the event tickets so no excuses and you’re welcome!)  

In case you didn’t already know, Phish’s compositions are deep. Jazz deep. All of us who have seen Phish once or twice (or 187 times exactly) know their nature is improvisational and they love to play around with their instruments on stage. Jazz is PHSH takes that to a whole other level. It’s like buying a VW wagon Lego set, taking all the non-foundational pieces and turning it into another kind of VW van altogether… They create original compositions to support unique and playful melodies of Phish, mashing Phish songs with the legendary work of jazz musicians like Miles Davis, Herbie Hancock, Charles Mingus and Wayne Shorter, which is truly a bountiful blend of sounds to inspire Phish fans, jazz lovers, and musicians alike.

So whether you didn’t get enough of Phish at Dick’s last summer or you can’t wait until their appearance again this year, or if your ears are yearning for another rendition of Phish’s musical genius in the jazz format, or if you’ve never heard of Phish but really get off on the jazz stuff, or if you just love seeing awe-inspiring talent live, then catch Jazz is PHSH at any one of the venues they’re playing across our beautiful state of Colorado this week. And be hasty! Catch ‘em while you can because they’re in Colorado for this week only before they take their jazz back on the road.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.