After 10+ Years, The Feathermerchants Are Releasing a New Record

It’s been more than 10 years since Connecticut’s Feathermerchants released new music or played a live show. In fact, you’d be more likely to find founder and guitarist Pete Veru wandering CU Boulder’s campus with his nose in a book on Dutch finance than you would on a stage. The recent Ph.D. graduate left the band in 2007 for academic pursuits; the other Feathermerchants members moved on to new lives then too. But today that’s all about to change. After 11 years, Feathermerchants have released a new record, A Pull From The Flask.

The Feathermerchants. Photo Credit: Bill Dicecca

The Feathermerchants. Photo Credit: Bill Dicecca

Veru founded Feathermerchants in 1996 and has always been the band’s primary songwriter. After recording a demo with renown producer Jim Chapdelaine in Hartford, Connecticut, Chapdelaine actually joined the project. Veru then recruited bassist Drew Glackin and drummer Jon Peckman. The next year, the crew began recording their self-titled debut record and added Erin O’Hara and Allison Winston into the fold on lead vocals. Guest musicians like John Fay (The Tragically Hip) and Hassan Hakmoun also played on the debut.

Upon its release, the single “Water and Dreams” was picked up from Feathermerchants by director Frank Todaro for his film Above Freezing. The band then scored a distribution deal with Rykodisc and found themselves making waves on the CMJ college radio charts. Reviews of the record, however, were mixed and around 2000, lead singers Erin O’Hara and Allison Winston left the project and were replaced by Shannon Kennedy. It was also at this time that former Saturday Night Live bassist Paul Ossola joined the fold as Glackin left to join The Silos.

Pete Veru. Photo Credit: Bill Dicecca

Pete Veru. Photo Credit: Bill Dicecca

With a new lineup, the band found themselves back in the comfort of Chapdelaine’s studio, where they recorded their second release Unarmed Against the Dark. The album was an indie folk pop piece with “songs with deep hooks drenched in reverb.” Feathermerchants even recruited Chuck Leavell (Allman Brothers; Rolling Stones) to play on a track, the song “Brooklyn Ferry” which is a tribute to Walt Whitman. Upon completion, Unarmed Against the Dark fell into the hands of a South African publicist by chance, and the band developed a large following overseas thanks to a slew of South African media features. Soon, Feathermerchants found themselves playing a number of high-profile shows at places like Joe’s Pub, on festival lineups like South by Southwest, and with other popular bands of the time like Keane, October Project, and Grey Eye Glances.

In 2006, the band released what has previously been their final record, Last Man On Earth. The band’s radio success continued on the CMJ charts, and they were even featured on National Public Radio. The band swapped Ossola for bassist Jay Wiggin and continued performing. In 2007, the group played what would be two of their last shows at Joe’s Pub and the University of Hartford’s Music for a Change series. Both of these live sets were recorded, and Chapdelaine locked away the tunes without much thought at his studio following the shows.

A Pull From The Flask.

A Pull From The Flask.

Shortly thereafter, the band parted ways amidst the dying record label industry and the emergence of live streaming services. Veru went on to academia, Kennedy also pursued an advanced degree, and Chapdelaine went on to earn 13 Emmys for his work in the music world. Peckman and Wiggin continued playing in local projects in the East Coast music scene.

Then in 2016, Veru returned to the states after a historical research stint in Amsterdam. He called Chapdelaine and the two reminisced on their last shows as the Feathermerchants. Chapdelaine invited Veru back up to his studio, where the duo spent time listening and mixing the once-forgotten recordings from their final performances. Together, they gathered 16 tracks for A Pull From The Flask.

“Jim and I sat through dozens of hours of mixing and producing. There were songs that we played during those shows that we hadn’t played since the late nineties; songs that Shannon Kennedy never [even] recorded in the studio.” Veru told us. “After putting it away for ten years, all of a sudden it sounds fresh to me again. We really were hitting our stride as a live band right when things ended. I think younger kids who were musically aware in the 90s might think so too.”

We definitely do. Chapdelaine and Veru self-admittedly enjoyed piecing together their new record, so whether you’ve been a Feathermerchants fan for years, or it’s your first introduction to this now classic 90s band, we hope you’ll share in our excitement of the release of A Pull From The Flask. You can find it on iTunes today.

Keep up with the Feathermerchants here.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Mayday Parade Rolled Through Denver All Smiles for Their 'Sunnyland Tour'

By: Nathan Sheppard

Denver was treated to a Warped Tour reunion this past Wednesday as Mayday Parade’s Sunnyland Tour made its stop at Summit Denver. Mayday was joined by Oh, Weatherly, William Ryan Key, and This Wild Life, all of whom played at least one date on this past year’s final Warped Tour.

Mayday Parade.

Mayday Parade.

Oh, Weatherly kicked things off with an up-tempo pop-emo set. They had a good stage presence and were able to keep the crowd engaged by sharing the stories behind a couple of their songs, mixed with a joke or two. While they’ve only been a band for two years, they are already road veterans. William Ryan Key followed up with a very mellow acoustic set. While the songs were enjoyable, the set was a bit slow for the energy in the room. Key amped it up with a sing-a-long of “Ocean Avenue,” but finished with an unreleased song that no one knew which was a questionable choice after playing something everyone was grooving to.

Self-described “Hot Topic meets Mumford & Sons” two-piece This Wild Life followed up Key’s performance with fun, upbeat acoustic songs from their latest record Petaluma. The duo had a happy-go-lucky attitude that was infectious and spread a smile to everyone's face. Midway through the set, lead singer Kevin Jordan gifted us with a Blink-182 ukulele medley as the drum set was rearranged onstage, which was a highlight of the set as well. This Wild Life have gained a pretty strong following over the last couple of years and it is easy to see why; they have a unique sound that is appealing for everyone.    

Mayday Parade topped off the night with an epic 17-song set with tunes from their debut EP Tales Told By Dead Friends to their most recent, Sunnyland. It was truly a celebration of the band’s 12-year-old discography. The crowd was a mix of teeny boppers, twenty somethings, and “grown men who are still emo kids” according to lead singer Derek Sanders. But it showed that Mayday Parade’s songs music spans generations. The set itself had everything Mayday fans could ask for, from singing along to the oldies and a couple covers, it was an enjoyable time for all.

You can listen to Sunnyland and check out the rest of the the band’s tour dates here.

-Nathan

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

RIDE Festival Is One of Colorado's Most Beautiful & Friendly Fests

By: Cy Fontenot

There are few things more pleasing than the sounds of music complemented by the mountains of Telluride. There is a beautifully synchronistic vibe that resonates within this breathtaking box canyon in the Uncompahgre Mountains which seems to pull together the best situations, and last weekend, RIDE Festival once again brought all of this together.

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The first day started off with Tyler Childers bringing some grassy vibes to the stage before a rock’n’roll extravaganza began. After Larkin Poe, Big Something really kicked of the jam vibes and then passed the torch to ZZ Ward, who was a fantastic opener for the wonderful Sheryl Crow. Following these female stronghouses, String Cheese Incident hit the stage and took the crowd on a psychedelic journey, kicking off one of the best Saturday nights RIDE has ever had. Following the Cheese, the late night crowd danced their behinds off to Kitchen Dwellers ‘til the wee hours of the morn, and it was all laughs and bluegrass from there! The crowd at RIDE proved sleep is for the dead.

Sheryl Crow. 

Sheryl Crow. 

Day two kicked off with New Respects, followed by the Quaker City Night Hawks, who really pumped the rock vibes for next-up Dhani Harrison. Chris Robinson Brotherhood followed, sending swells of sounds into the mountains and beyond, which set a strong, beautiful tone for the evening. Grace Potter’s set was next and took the crowd to the edge of tears, which really put us in a vulnerable state for what was then one of the most inspiring sets of the weekend, Joe Russo’s Almost Dead. Drummer and band leader Joe Russo has the capability to build an incredible amount of energy and fluidity instrumentally, which really set the stage for Tom Hamilton to channel Jerry better than anyone I’ve seen (and I’ve been to more than a few Dead shows).

The Cheese!

The Cheese!

That’s when Cheese came back for round two, and I don’t know if anyone was prepared for their Sunday night set. Starting things off with dueling drum solos, the Colorado classic band played one of the most intriguing sets I’ve seen from them. They created such a space for the human experience in their sound that no one wanted the weekend to end.

Overall, RIDE Festival was one of the most beautiful, friendly, and fun weekends of the summer. There’s really nothing like the sounds they set up squished between the awesome peaks of Telluride. Keep an eye out for next year’s Ride Festival lineup; we’ll bring it to you as soon as it’s announced.

To view a full gallery from this year’s festival, click here.

All photos per the author. All videos and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

-Cy

Race To Neptune Are Either the Black Sheep of Fort Collins or It's Next Big Thing

By: Brody Coronelli

With a new lineup, the band’s heavy, technical, and invigorating new EP Abandon Fashion showcases their evolution as a band, and what sets them aside from their counterparts.

Race To Neptune.

Race To Neptune.

With a spellbing conceptual precision that blends scuzzy ‘90s grunge-rock, darkwave, and the teeth-kicking emotional thunder of punk in a manner that makes heads bang, dice tumble, and PA systems growl, Race to Neptune are one of Fort Collins’ loudest, eclectic, and ferocious rock bands.

The band made their debut in 2016 with Oh Contraire, an album that had a few moments of brazen, fiery chargings into up-tempo punk-rock, but for the most part stayed on the melodic side, using dark, midtempo, and gritty instrumentation to surround frontman Brian Maier’s personal and biting lyrics in a shadowy glow. On the Thurston Moore-reminiscent “Wanderlilly,” the guitars are loud and fiery, but immensely tasteful and bright as the band uses a catchy refrain and echoing harmonies to guide the song into a warm resonance. The song is forceful and delicate all at once; a balance the band had no issue finding on that album.

On their new EP Abandon Fashion, the band has kept the technical sensibilities of their debut intact, making use of raw, punkish energy to play their eclectic and progressive brand of rock’n’roll. Many of the songs have a raw and thundering approach that takes more after punk-rock than it does from brazen, technical, and melodic broods through the dimly lit streets of Oh Contraire. These songs aim to ignite, but not in a typical four-chord punk rock fashion. The band uses this driving energy and delivers it with an array of sonic intricacies in a way that’s more indicative of artists like Jack White, Black Sabbath, and Queens of The Stone Age rather than Subhumans or The Germs.

“I think [Abandon Fashion] is a two word statement that almost signifies that we are going to write, record, and do what we want and how we want, no matter what is cool, trendy, or ‘in fashion’,” says frontman Brian Maier.

The whole EP was cut live at Stout Studios in Fort Collins, capturing a raw and forthright energy that often can’t be found when meticulously multi-tracking or chasing the perfect take. This raw approach, balanced with the driving and aggressive nature of the songs makes Abandon Fashion a fierce, unrelenting pleasure.

“I honestly have always wanted to [record the way we did on this record] because it captures the aggressiveness and raw energy of how we actually sound that can’t be faked. I think if we recorded the first album the same way those songs would have come across just as heavy. Track by track recording is so dialed in and precise in every way from the smallest turn of an amp or pedal knob to how hard we strum or hit a drum or cymbal. This was total freedom and we recorded this just how we practice and this is how we sound live, because it is!” says frontman Brian Maier.

The opening track “Mortal Melody” features a nearly two-minute chugging intro with guitars that gradually grow more jagged, and pummelling drums that grow fiercer with each strike. The song is a garage-driven excursion that has all the thrill of driving down an empty desert highway going fifty over the speed limit. “I’ll be your creature/Can you teach me to teach/Sing to me slowly/In a motor melody,” Maier sings with a quiet growl on top of a scuzzy and aggressive bassline.

The Sonic Youth and Modest Mouse inspired “Departure” follows, a scuzzy rocker with a chanting, harmonic, and arena rock-reminiscent chorus. “Sunsets” is an older song of Maier’s that resurfaced while the band was tracking the album. With a beachy, sunburnt instrumental that feels like a long drive by the coast and lyrics about running off to California, it’s a bright and infectious song by a band that often defaults to the shadows.

The closing track “Abandon Fashion” is a return to form for the band. The entirely instrumental song opens with a fit of siren-esque picking, only to devolve into a showdown of fiery, circling guitars that get more aggressive with every note. What starts out capturing a warm sunset quickly starts to resemble a sky littered with flames, dancing down to the ground.

The album artwork for  Abandon Fashion .

The album artwork for Abandon Fashion.

In more ways than one, Abandon Fashion marks a new beginning for the band. Not only is it a step into new musical territory, but the band underwent two significant lineup changes before making it. With Matt Petersen now on drums and Matt McNear on bass, the band’s sound is shifting in a different direction. Their influences are made loud and clear, and their presences melding with Maier’s technical and anthemic songwriting have led to Race of Neptune’s most invigorating record so far.

“I think it has been a pretty seamless transition,” says Petersen. “We got comfortable together really quickly. Matt just came on as bassist late February and we were in the studio the first week of April. I think that's definitely a testament to our cohesiveness. [Matt and I] both have a strong jazz background with our instruments which allows us to keep time really well while getting out of the rhythmic box bass and drums can sometimes be confined to in rock music. We are also all involved in the writing process… it’s a very cumulative sound you’re hearing.”

Race to Neptune underwent a quick evolution on Abandon Fashion, and for the better. It’s an invigorating, technical, and fun record that sets the band at the forefront of Fort Collins’ music scene. This doesn’t mean that they aren’t outliers, though. In a scene dominated by folk, EDM, and bluegrass, Race to Neptune are a shining beacon of musical progression and experimentation run through a filter of loud, raw, and eclectic rock.

“There has been a little increase in rock bands and venues in the [Fort Collins] area which is nice, but we are still the black sheep of the music scene up here. It is still very much dominated by jam bands, DJs and bluegrass, but we are trying very hard to support other local rock bands as well,” Maier says.

When the musical cohesiveness, energy, and vision of a band like Race To Neptune are all working together, maybe being the black sheep isn’t a bad thing; maybe it’s a sign that they’re at a the forefront of new sound and identity for Northern Colorado. It’s too early to say, but considering how far they’ve come as a band on only two records, anything is possible.

Abandon Fashion is out now. You can keep up with Race to Neptune here.

-Brody

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Viretta To Release New Music Video This Friday (03/30)

By: Mirna Tufekcic

Viretta, a Denver-based alt-rock band, is coming out with a 12-track album that took over two years to complete. Why? The band took it upon themselves to record and mix the whole thing in their own studio, making it sound exactly the way they wanted. The tracks were their oysters. 

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As it turns out, taking on this task all by themselves was no small feat. Mike Moroni, Viretta’s frontman, lightheartedly admits to the pains and turmoil of taking on such an endeavor saying, “It was hell!” Ultimately though, he acknowledges it was worth the fruits of labor. Combining the heavy riffs reminiscent of Queens of Stone Age and with Radiohead-like reverb, the album fronts an electric hard-rock swagger with vulnerable and emotional wanting. And now the band wants you to get ready!

The single off the upcoming album, “You are My IV” is already out. If the rest of the tracks deliver like this song does, then we’re all in for an angsty, roaring, riff-rocking treat to satisfy all our alt-rock cravings.

The Fear is scheduled for release in full across all platforms on May 18th. In lieu of the date, Viretta will be releasing three music videos to get you amped, starting with the first video for the album’s second track “Cordyceps,” which will be released this Friday, March 30th to view online, or if you find yourself on Market Street in Denver at The Black Buzzard, Oskar Blues Grill & Brew you can see it in person. Viretta will play a live show, along with The SIR Band, before unveiling the video to the crowd.

Want more details? Head to the Facebook event and get tickets!

-Mirna 

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Demi Demitro Of The Velveteers Told Us About All The Eerie Inspirations Behind Their New Record

By: Brody Coronelli

Velveteers frontwoman Demi Demitro reflects on the band’s debut EP, their roots, and what’s on the horizon for this young duo who are already making their mark on the scene.

The only way to get to the stage at the Hi-Dive, a small punk rock venue on South Broadway in Denver, is through the crowd. There’s no door or curtain onstage where the musicians emerge from, dressed in black, wearing leather and ivory boots. Instead, they’re reminded of the tightness, the body heat, precariously shaking drinks, and shallow breaths of the crowd before they come onstage. This didn’t stop The Velveteers from making a grand entrance to their release show for their debut EP on February 9th.

The Velveteers. Photo Credit:   Sierra Voss Photography

The Velveteers. Photo Credit: Sierra Voss Photography

Instead of simply getting onstage, setting up, and starting their set, the band, fronted by Demi Demitro on vocals and guitar, carried in rhythm by her brother John, and aided by their third drummer and relatively new addition Noah Shomberg (who also plays with The Yawpers), set their gear in place and stepped back into the crowd only to confidently re-emerge onto the stage like three rock stars playing the O2 Academy.

This infectious, rock‘n’roll bravado isn’t something the band picked up along the way. It’s been there since the start. Their intense, convicted aesthetic and sonic identity has already brought on huge accomplishments for a band their age. They’ve toured the UK with Deap Valley, playing to massive crowds, played motorcycle festivals in Joshua Tree with sound by Hutch, Queens of the Stone Age’s longtime sound engineer, and they’ve had vinyl pressed of their newest album at the Third Man Records factory in Detroit. Each of these accomplishments spawned from their time spent as a centerpiece in the Colorado and Midwestern DIY scenes.

“Some of our favorite shows we’ve ever played have been at DIY venues. The people in that scene are really genuine, they’re not trying to rip you off, and they’re there to listen. What they do [for younger bands] is important, because I know it shaped who I am as a musician,” frontwoman Demi Demitro said over tea at the Yellow Deli, one of her favorite Boulder haunts.

Photo Credit:   Sierra Voss Photography

There’s an energy to seeing The Velveteers play. Onstage, the band occupies a tangent world of pointed shoes, glitter jackets, bones, and candles. It’s like hair metal if it were born out of Dracula or The Nightmare Before Christmas instead of big hair, zebra print, and leather pants.

“A lot of the inspiration we have for our band comes from places other than music. I’m really inspired by Tim Burton, Walt Disney, and Andy Warhol. The Walt Disney version of Snow White has this gothic-ness to it, and that’s something that really inspired our album,” she said.

The theatrics of these non-musical influences leave a lasting impression. The band’s merch table looks like a séance just took place, adorned with candles and skulls. The face of the band’s new album shows them with blacked out eyes and upside down crosses on their foreheads. Demitro even claimed that a chunk of the album was written in a graveyard.

“When [the song ‘Death Hex’] came out, I had all these Wiccans and Pagans following me around asking me if I was a witch. It’s a metaphor-- I don’t really mean it,” she said, laughing.

Photo Credit:   Sierra Voss Photography

The immediate fear with a band like The Velveteers is that they’re all show. One listen to their debut self-titled EP sends that assumption into the dust. Finding a loud, irresistible, and cryptic balance between the spacious grit of Queens of the Stone Age, the pummeling, percussive thunder of The White Stripes and The Dead Weather, and the sheer lightening of Iggy Pop and the Stooges, the band has crafted a presence built on their own unique visual bravado guided by thundering, melodic songs that aren’t easily forgotten.

The EP, recorded mostly live and to tape at Silo Sound Studios in Denver, CO over the past year opens with “Just Like The Weather,” a driving, aggressive cut that places Demi’s tectonic, rhythm-heavy guitar playing and vast vocal range to the forefront, as the band occupies a musical storm that viciously encircles you until the words have found a way into your veins. The band’s songs have a habit of doing this, often effortlessly. They’re written with emotional sincerity and performed with bombastic assertion.

“When I write, it’s almost like being in a daze. [Sometimes it feels like] I’m not really there when I’m writing, which is this magical feeling. I got that feeling with every song on the album,” Demitro said.

“Anastasia Sings” is another song that takes you for a ride. With a piercing scream kicking things off, the track features some of the band’s most dynamic guitar playing yet, which reaches a jagged crescendo following the chorus.

“[That’s] another one of my favorite tracks [on the album]. That one was really inspired by Iggy Pop, ‘cause I had seen him live with the Post Pop Depression band,” Demitro said.

The band doesn’t lock themselves into a specific sound, though. In similar fashion to their haunting, non-album single “This Love Lasted,” “Darling Beloved” takes the album in a cryptically stripped-back direction.

“I did ‘Darling Beloved’ in one take. Vocals, guitar, everything. That song is really special to us, because it was completely in the moment. One of my favorite parts of going into the studio is when stuff like that happens, and in no way will you ever be able to recreate it,” she continued.

The stripped-back, horrorshow “Darling Beloved” and it’s stylistic sibling “This Love Lasted” aren’t currently fixtures in the band’s live set. Instead, their performances rely on roaring guitar, clamorous drums, and a fuzz that hits you right in the chest. The band doesn’t use a bass player, so Demi Demitro’s guitar playing has evolved into a versatile and rhythmic barrage that covers the low end, high end, and everything in between. The band is a sound to be reckoned with live; they pull the audience straight into their world of dark, irresistible magnetism.

In promotion of their debut, the band recently embarked on a two-week national tour in promotion of the record, have more dates in the works for the rest of the year, and are also set to play an unofficial showcase at SXSW in Austin, TX this March. Listening to their album and seeing them live leaves the impression that this is what the band was working towards all along: a sold-out release show for a triumphant debut record, a national tour (with many more shows to come), and a spot at one of the most popular musical festivals in the nation. Despite all appearances and affirmations of success, this is only the beginning for this band, and if their start is any indication, what’s to follow will be all whirlwind, heat, and flash.

Keep up with The Velveteers here.

-Brody

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Every 2018 Red Rocks Show Announced So Far

If you've ever been to Red Rocks, you know there's nothing like it. From the natural beauty of the amphitheater, to the friendly crowd vibes, to the dancing security guards, a Red Rocks show is like its own mini-festival atmosphere. We spend a good part of our spring and summer at the Rocks, and below you'll see why. We've compiled every Red Rocks 2018 show announced so far this year, and we'll update this post every Friday. Start planning your season now and keep checking back for more new shows- 2018 is gonna be a good one. See you on the Rocks!

January

January 12- Red Rocks Local Set with Dynamic Distractions, Venture Still

January 26- Winter On the Rocks with Rick Ross, Jauz, Brother Ali

February

February 16- Red Rocks Local Set with Sugar Ridge Band

March

March 10- Red Rocks Local Set with Many Mountains, Miguel Dakota and The Differents

April

April 18- Camila Cabello

April 19- 311, Method Man, Redman, Collie Buddz, PROF, Long Beach Dub Allstars, Chali 2na

April 20- Flosstradamus, Kayzo, Famous Dex, Melvv, DUCKY

April 21- Opiuo, Sunsquabi

April 25- Kygo, Alan Walker

April 27- Vulfpeck, Kamasi Washington, KNOWER

May

May 2- Post Malone, 21 Savage, SOB x RBE

May 3- X Ambassadors, Misterwives, Allan Rayman

May 4- Twiddle and Stick Figure with The Hip Abduction

May 5- Phil Lesh & The Terrapin Family Band with Leftover Salmon

May 6- Primus, Mastodon, All The Witches

May 10- The Purple Xperience

May 11- Tchami, Malaa

May 12- Global Dub Festival with Ganja White Night, Zomboy, Boogie T. b2b SQUNTO, EPTIC, AFK, Spock

May 13- Modest Mouse

May 14- Khalid

May 19- Above & Beyond

May 20- Elephant Revival with Blind Pilot

May 21- Phantogram, Tycho, Poolside

May 22- The Decemberists, Whitney

May 24- Louis the Child, Big Wild, Quinn XCII, Phantoms

May 25- Devil Makes Three with The Wood Brothers, Murder By Death

May 26- Emancipator Ensemble with Manic Focus, Wax Tailor, Kalya Scintilla & Eve Olution, Tor

May 27- The Disco Biscuits, Spafford, Organ Freeman

May 28- HAIM, Maggie Rogers, Lizzo

May 29- Five Finger Death Punch, Of Mice and Men

May 30- Vance Joy

May 31- Colorado Symphony: Rachmaninoff Piano Concerto No. 2, Brett Mitchell, Natasha Paremski

June

June 1- Michael Franti & Spearhead, Xavier Rudd, Victoria Canal

June 2- The Motet, Boombox, The New Mastersounds

June 3- Marshmello

June 5- Ween

June 6- Ween

June 7- Brit Floyd

June 8- Lettuce, The Floozies, The Funk Hunters, Jaw Gems

June 9- Big Head Todd and the Monsters

June 10- John Butler Trio, Tash Sultana, Mama Kin Spender

June 12- Bryan Adams

June 13- Turnpike Troubadours with Randy Rogers Band, Old 97’s, Charley Crockett

June 14- Ryan Adams, First Aid Kit

June 15- Odesza -SOLD OUT-

June 16- Odesza -SOLD OUT-

June 17- Dispatch, Nahko and Medicine for the People, Raye Zaragoza

June 19- Barenaked Ladies, Better Than Ezra, KT Tunstall

June 20- Kaleo, Anderson East

June 22- Widespread Panic

June 23- Widespread Panic

June 24- Widespread Panic

June 27- Dirty Heads, Iration, The Movement, Pacific Dub

June 27- Third Day

June 28- Funk on the Rocks with Chromeo, The Glitch Mob, Elohim, KITTENS

June 29- Avett Brothers with David Crosby & Friends -SOLD OUT-

June 30- Avett Brothers with Mandolin Orange -SOLD OUT-

July

July 1- Avett Brothers with Special Guest

July 2- Zeds Dead, Ekali

July 3- Zeds Dead, Ekali

July 4- Blues Traveler, G. Love & Special Sauce, The Wailers

July 5- Umphrey’s McGee, Lotus

July 6- Umphrey’s McGee

July 7- Umphrey’s McGee

July 8- Dark Star Orchestra with Keller Williams

July 10- Ray LaMontagne, Neko Case

July 12- moe.

July 13- GRiZ (live band)

July 14- GRiZ

July 15- Seal with the Colorado Symphony, Corinne Bailey Rae

July 16- Imagine Dragons, Grace VanderWaal

July 17- Jackson Browne

July 18- Sylvan Esso

July 19- Trampled By Turtles, The Oh Hellos, Dead Horses

July 20- The String Cheese Incident with JJ Grey and Mofro

July 21- The String Cheese Incident with The Main Squeeze

July 22- The String Cheese Incident with Rising Appalachia

July 24- Paramore

July 25- Killer Queen

July 26- Sarah McLachlin with The Colorado Symphony

July 27- Beats Antique, CloZee, Polish Ambassador, The Diplomatic Scandal

July 28- Tedeschi Trucks Band with Drive-By Truckers, Marcus King Band

July 29- Tedeschi Trucks Band, Drive-By Truckers, Marcus King Band

July 30- Halsey

July 31- Nas, Black Star, Push T, Brother Ali, The Reminders

August

August 2- HARD Red Rocks with DJ Snake, Virtual Self, Mija, GG Magree, Hekler

August 3- Lucero, Frank Turner & The Sleeping Souls

August 4- Yonder Mountain String Band, The Infamous Stringdusters

August 5- Joe Bonamassa

August 6- Steve Martin, Martin Short, The Steep Canyon Rangers, Jeff Babko

August 8- Portugal. the Man, Thee Oh Sees

August 9- Leon Bridges

August 10- Pretty Lights

August 11- Pretty Lights

August 12- Brandi Carlile with Shovels & Rope

August 14- LSD TOUR: Lucinda Williams, Steve Earle, Dwight Yoakam

August 15- Father John Misty, TV On the Radio

August 16- Joe Russo’s Almost Dead

August 17- Old Crow Medicine Show, I’m With Her, Sara Watkins, Sarah Jarosz, Aiofe O’Donovan

August 18- Railroad Earth, Fruition

August 19- THE CULT, Stone Temple Pilots, Bush

August 20- Niall Horan, Maren Morris

August 22- Nathaniel Rateliff & The Night Sweats, Tank and the Bangas -SOLD OUT-

August 23- Nathaniel Rateliff & The Night Sweats, Slim Cessna’s Auto Club

August 24- 1964 The Tribute

August 27- David Byrne -SOLD OUT-

August 28- David Byrne -SOLD OUT-

August 29- Illenium -ALMOST SOLD OUT-

August 30- Shakey Graves, Jose Gonzalez & The Brite Lites, Twin Peaks

August 31- Atmosphere

September

September 1- Gramatik

September 2- Jason Mraz, Brett Dennen

September 3- Jason Isbell and the 400 Unit with Aimee Mann and Amanda Shires

September 4- Lyle Lovett and His Large Band, Margo Price

September 5- Gary Clark Jr.

September 6- Lake Street Dive, Josh Ritter

September 7- STS9, What So Not, DJ Z-Trip

September 8- STS9, TAUK, Cut Chemist

September 9- O.A.R., Matt Nathanson

September 10- Mac DeMarco

September 11-  Rascal Flatts, Trent Harmon

September 12- NEEDTOBREATHE, JOHNNYSWIM, Forest Blakk

September 13- The Revivalists, Houndmouth, J. Roddy Walston and The Business

September 14- Gov’t Mule, Dark Side of the Mule, Warren Haynes Acoustic

September 16- NGHTMRE with Slander and JOYRYDE

September 17- Punch Brothers, Gillian Welch

September 18- Nine Inch Nails, The Jesus and Mary Chain, Tobacco

September 19- Nine Inch Nails, The Jesus and Mary Chain, Tobacco

September 20- Little Big Town

September 21- Trombone Shorty & Orleans Avenue, Galactic, Preservation Hall Jazz Band, New Breed Brass Band, Cyril Neville, Walter Wolfman Washington, Kermit Ruffins

September 22- Greenky Bluegrass with California Honeydrops

September 23- Greenky Bluegrass with Turkuaz

September 24- Beck, Jenny Lewis

September 25- Beck, Jenny Lewis

September 26- Ms. Lauryn Hill

September 27- Get The Led Out

September 28- Big Gigantic

September 29- Big Gigantic

September 29- 3LAU, Louis Futon, Party Pupils

September 30- Gregory Alan Isakov, Patty Griffin

October

October 1- Ben Howard

October 5- Snails

October 9- The National, Sharon Van Etten

October 11- Seven Lions

October 13- Rezz

October 20- Excision, SKisM b2b Trampa, Barely Alive b2b PhaseOne b2b Virtual Roit, Dion Timmer, Subtronics, Wooli

October 22- A Perfect Circle

October 28- ZHU

*All available tickets here.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Poets & Wolves Bring Their Alternative Indie Dance Pop Sound Alive At Denver Show

By: Nathan Sheppard

Poets & Wolves played Your Mom's House last week, with Adventure Nothing and The Ugly Architect. The intimate show started with a mix of original songs and solid covers by Adventure Nothing. Then The Ugly Architect, an outfit from Fort Collins, took the stage and bumped up the energy with their exuberant performance style and fun-loving stage presence.

Poets & Wolves.

Poets & Wolves.

The Greeley-based band Poets & Wolves finished off the night with a solid set. The alternative indie four-piece use a wide variety of influences and genres to create a sound unique to themselves. They mix slow, melodic bass with catchy guitar riffs to get you dancing while simultaneously keeping alt chill elements strong throughout their catchy, grooving tunes.

The group opened their set with songs from their debut EP To The Moon, having only released two double-single records prior. Poets & Wolves also did a cover of Linkin Park's “Waiting For The End” with their own alt emo twist. They topped off the night with one of their older singles, “Pretty Little Mess,” which sent the night off with a stomping frenzy.

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You can stream Poets & Wolves’ music on all platforms and keep up with them on Facebook. Though this was the band’s last show of 2017, you can see them January 11th at Globe Hall with Stereoshifter, Echoes In Reverie, and Wolf Poets.

-Nathan

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Dynohunter Evoke The Depth And Expansiveness The EDM Scene Is Craving

By: Mirna Tufekcic

Boulder, Colorado, a city closely associated with bluegrass and jam bands, is also home to thriving EDM musicians. Born out of the Lotus and STS9 jam scene, Boulder’s own Dynohunter is a hybrid of electronic dance music production and live band improvisation. Pulling electronic influences from house, techno, and electronica, while continuing to be influenced by their instrumental funk, jazz, and jam roots; blending electronic influences with live saxophone, drums and bass, Dynohunter evoke the depth and expansiveness the EDM scene is craving.

Dynohunter.

Dynohunter.

The trio has been around since 2010 and they’ve come a long way in their time as a band. Clark Smith has been keeping Dynohunter fresh with sax, keys, and percussion while mixing and producing the music, Fred Reisen adds the essential drooling low bass grooves, and drops a synth note when appropriate, Nic Thornsberry seamlessly kicks the drums and SPD-SX.  Blend these with tasteful original electronic soundscapes peppered with other organic instruments (like a conch shell, for example) and you got yourself an EDM journey deep into the universe (or jungle, or ocean, or insert your own temperature and atmosphere preference here). You are bound to at least bob your head, if you’re not fully compelled to dance.   

Watch Dynohunter’s recent live session at Knew Conscious:

Clark’s sparking creativity stems from his take on the music genre, “I just feel like EDM, Techno, and House music have so much untapped potential and unexplored pockets that intrigue and excite me. With other music genres, it feels like most avenues have already been explored.”

Dynohunter.

Dynohunter.

Early on in their career, the band played alongside the likes of Sunsquabi, Infected Mushroom, Shpongle, The New Deal, Papadosio and more. They’ve toured the country and have performed at music festivals coast to coast including Summercamp, Joshua Tree Music Festival, Sonic Bloom, and Arise. But along with their successes, the band has also dealt with tough loss. In April 2016, the band’s drummer and dear friend Justin Ehmer passed away after a long battle with cancer. Justin was a key member of the band who poured his heart and soul into the project. Since then, Dynohunter has pushed on, healing with time, but keeping Justin’s spirit alive in their music. A picture of his smiling face still stands behind the drums in Dynohunter’s home studio, a place the band has recently been working hard in.

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Dynohunter’s 2015 full length album The Nomad was well received; since then they have released four EPs, with Rattle the Cage being their most recent. Their fifth and upcoming EP titled Tilmun is scheduled for release on December 13th, with the single dropping December 6th, just a couple of days before they headline The Bluebird Theater in Denver.

Dynohunter at   Knew Conscious  .

Dynohunter at Knew Conscious.

Being a musical experience of their own, Dynohunter is well worth seeing live.  If you can catch them this Friday, December 8th at The Bluebird Theater, you’ll be in for a treat with fresh music right out of the studio and onto the stage.

According to Reisen, “[Dynohunter] sure has a way of bringing that experiential aspect of music to life and if you’re coming into it open-minded, you’ll be taken on a journey of higher vibration; an hour and a half experience that leaves you feeling a little bit better and expanded.”  Spoken like a true Boulderite, Fred!

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

This Denver Company Is Connecting The Traveling Music Community One Overnight Stay At A Time

By: Hannah Oreskovich

Colin Bultinck’s business idea started where many great ones do: at a music festival.

Bonnaroo was one of the first things that inspired me to be a musician.” Colin recently told us, with his first trek to the fest’s Manchester stomping grounds being back in 2015 (Kendrick Lamar headlined that year ICYMI).

“People are so positive there and there were so many people who had traveled from all over the place to be there. That’s when I realized friends were staying in hotels, camping, and looking for places to spend the night near the festival.” Bultinck said, “And that’s when I was surprised that there wasn’t something already like this.”

By this, Bultinck means his company Rock n Doze, an online site where users can book a room for a night similar to Airbnb, but with a heavy music focus.

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“I’ve been a lifelong musician and though I’ve never gone on tour, I have a lot of friends who have. Being involved in the music community, I know it’s a struggle for traveling musicians to find a place to stay, and better yet, to practice. I know touring bands who have stayed in their cars or at someone’s apartment who they met at their show. And I know bands who find themselves inspired on the road wishing they could play once they get to their destination, but don’t have the option.” Bultinck said, “Then there are also the fans. I’ve traveled to four Airbnbs specifically for concerts and music events this past year. Rock n Doze brings this entire music community together.”

Much like Airbnb, anyone can book a room for the night on Rock n Doze and anyone can host a room or home. But users are also encouraged to talk music! If hosts have a studio or practice space, they can include that with their room for rent. If they have gear available for use, they can market that as well. Fans can also book with Rock n Doze and expect to have a host who is more knowledgeable about the local music scene than your average Airbnb-er.

Colin Bultinck. 

Colin Bultinck. 

“Before I moved to Denver, I stayed at an Airbnb. I wanted to find a city where the music scene was supportive of local artists so I shared my story with the host and asked about looking at local music spots that I’d be able to play if I moved here. The host didn’t know any music venues. They were right down on South Broadway by Hi-Dive and 3 Kings! I was surprised that Denver could be such a big music city, but they had no idea where the local spots were. That’s when I realized that whether you’re a musician, a tech on tour, or a fan, there should be something to further connect the traveling music community.”

Hence the birth of Rock n Doze, which is currently available in several music markets with a focus on the Denver and Front Range music scenes. The site is currently in its first stages, with a full launch planned around the start of festival season. Still, it’s already seeing business.

“At my house, I offer a studio space with a drum kit and mics and amps. I had a band who stayed at my house recently, and I jammed out with them for a little bit,” Bultinck said, “This could open up opportunities for home concerts, ride-sharing for fans, and even connecting with potential fans on a more personal level if you’re a hosting band.”

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Local industry players can also advertise services on the site- concert photographers, street teams, and other promotional show services are already available for booking.

Which brings us to the dough. Rock n Doze takes only 5% of fees for services and spots booked, which is less than competitor Airbnb. Just one conversation with Colin will tell you that while he wants to grow the business, the goal of Rock n Doze goes far beyond profit margins.

“We offer bands a cheap place to stay and play, and fans a place to meet other music-lovers.” Bultinck said, “[Rock n Doze] is meant to support and connect an industry that really needs it. I honestly think it’s the future of the traveling music community.”

Check out more from Rock n Doze and book a room for yourself here.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Review: Synth Pop Act futurebabes Bring Us "Spreadsheets In Bedsheets"

By: Norman Hittle

Much like some of our favorite legendary artists, futurebabes came about out of a broken relationship and an artistic mindset to delve into music as therapy opposed to lingering in crippling sadness.

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Since signing to Bandwagon Records in 2015, this Greeley-based synth pop act have been making headway with their drum machines and analog synthesizers that create a nostalgia  of 80s sounds. With a very indie nod to Joy Division and perhaps the Human League, futurebabes presents us with their latest single “Spreadsheets in Bedsheets.”

Aside from this recent release, they have also released 2015’s Day Job EP, 2016’s “Thirsty Man’s Hunger Plea” and 2016’s “Wolves”. You can peep all of these releases on their Bandcamp.

Keep an ear out for futurebabes and their upcoming Colorado shows, as well as a new tune or two as they are currently in the studio!

-Norman

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Whitacre Bringing New Brand Of Folk Rock To Fox Theatre This Week (09/28)

By: Hannah Oreskovich

Earlier this year, we premiered singer/songwriter Paul Whitacre’s music video for his track “Beth.” The Indianapolis transplant had recently settled into the Denver scene and was playing his acoustic folk originals at venues around the state. But since we last caught up with Paul, he’s added more rock to his folk sound. How? By adding several Denver players to his new project: Whitacre.

Whitcare.

Whitcare.

Under his solo project, Paul played a few Denver shows with Chase Perry (banjo) and Kyle Miner (electric guitar). But after Mark Cunningham slid into Paul’s DMs and the two had a productive jam session, Cunningham and his roommate Brent Perkins also joined the crew, which at this point was turning into a full-fledged band. That's when Rachel Hartman (fiddle) also connected with the group, and Whitacre the band was born.

Whitacre have since been supporting The Ghost of Paul Revere at shows this fall, with their next performance slated for Boulder’s Fox Theatre this Thursday, September 28th. The show will also feature Denver blues rock outfit Dragondeer, who released their Topanga Canyon Sessions Vol. 1 earlier this year.

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Whitacre told us they're excited to share their new sound at The Fox this week, so make sure to snag tickets to check out their new brand of folk rock for yourself! You can listen to their latest record Coming of Age here.

Keep up with Whitacre on Facebook.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Catch Funk Quintet Tula's Album Release Show at Globe Hall This Friday (07/28)

By: Jura Daubenspeck

As the end of July approaches and energies are high, you may be wondering, “Where oh where will I get my funk fix tonight?!” Fear not though, as Colorado’s funky quintet Tula has just what you need. The band will be set up at Globe Hall this Friday, July 28th, to celebrate their album release titled, Follow The Beast Inside.

Follow The Beast Inside is the band’s first ever full-length studio album and was recorded at Scanhope Sound with producer/engineer Joshua Fairman, who is known for his work with Analog Son, Sunsquabi, The Motet, and The New Mastersounds.

Fronted by the talented Brian Duggan (guitar/vocals), Tula is comprised of Josh Gendal (guitar), Jon Ham (bass), Jeremy Smith (saxophone), and Logan Firth (drums). Pulling together influences such as Umphrey’s McGee, Phish, Led Zeppelin, Red Hot Chili Peppers, and Metallica, their music stays exciting, ever-changing, and oh so groovy.

Tula.

Tula.

Friday’s release show will also feature opening act KingFriday the 13th, as well as DJ Hug and Frank Asaurus. Tula will perform the entirety of the album Follow The Beast Inside from beginning to end, for a performance that will be nothing less than dazzling.

Tickets for Tula’s Follow The Beast Inside album release show are $5 and can be purchased here. The show starts at 9PM (doors 8PM) and is open to music-lovers 21+.

Listen to Tula's latest tracks:

Check out more details for the event here, and connect with Tula on Facebook and Twitter. Upon release, Follow The Beast Inside will be available on Spotify, iTunes, YouTube, and everywhere that music is sold or streamed.

-Jura

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Denver's Newest Outdoor Music Venue: Details On Levitt Pavilion & Our Chat With Andy Thomas

By: Sierra Voss

Denver’s new outdoor amphitheater Levitt Pavilion opened its gates last Thursday night in Ruby Hill Park. The venue was born out of the creation of The Friends of Levitt Pavilion Denver (FLPD), which is an a 501c(3) non-profit, and their primary mission is to build community through music. Levitt Pavilion will be hosting over 50 free concerts per year, as well as select ticketed events. Last Thursday’s opening night was filled with a ribbon cutting, speeches, and for the first time: music. Slim Cessna’s Auto Club, Halden Wofford & the Hi*Beams and Andy Thomas’ Dust Heart took the stage and filled the grounds with tunes. Free shows are already booked through September for Levitt’s 2017 schedule, alongside some ticketed events including 311, Josh Abbott Band, and Cody Johnson.

Levitt Pavilion’s Community Outreach Director, Andy Thomas chatted with BolderBeat recently, and gave us some amazing insight on how Levitt Pavilion came to be and what we can expect from this venue throughout the summer, and for years to come. Read on:

How does Denver’s Levitt Pavilion compare to the other Levitt venues across the country?

The Levitt Foundation helps get all the venues started, but each cities’ venue operate as a separate non-profit. We all book free music; we all book family accessible music with diverse genres. We all try to make sure there is a low socioeconomic barrier for people trying to find and connect with local arts and music. We [Denver] are different in the way that we have a new venue- some of the older Levitts are refurbished bandshells and buildings. We are really lucky in that Denver’s venue is a brand new, state-of-the-art facility. We have a lot of advantages in creating our pavilion based on knowing how people want to experience music and how bands want to play music.

How do you think Levitt Pavilion Denver compares to the other outdoor venues in Colorado like Red Rocks, Fiddlers Green, or Botanic Gardens?

Every venue has its specialty. However, we are more centrally located and a mostly free outdoor concert experience. There is a bike trail and a lot of people in the neighborhood that can walk here. We hope we help offer a experience that may be a little easier of a commute, where people don’t necessarily have to make a day out of it.   

Will the venue always be open seating?

We will bring in chairs for certain shows that may include an older audience demographic.

Do you have a ratio of how many local artists you will be booking versus national acts each year?

I don’t know about the ratio, but we do have local openers on every show, as well as a Colorado Music Series that features Colorado-based artists exclusively. So maybe a little over 50%.

How do you feel Levitt Pavilion will hold up in terms of being competitive enough to book alongside other local promoters/venues in town?

We are not trying to directly compete with anyone. If people want to do that with us, that's understandable because we are a new entity and were booking quality bands that other people would want to book. We have no interest in getting in a shooting match with anybody. We are a nonprofit at its core, and we have a very specific mission, and that's bringing community to music. That mission can’t succeed if we are distracted by what competitors are doing. We have a great relationship with a lot of independent promoters in town. We truly want to make sure we can bring the best artists we can to the venue.

Top three things that concertgoers should bring to a Levitt show?

  1. BYOB (Bring your own blanket)

  2. Open attitude (For artists you may have not heard of before)

  3. Snacks (All of the snacks. Check our website for guidelines of what you can bring onto the grounds)

We can’t wait to check out more shows at Levitt Pavilion this summer- make sure to get yourself to a set after you peep their full schedule here. Keep up with Levitt’s happenings on Facebook.

-Sierra

All photos per Joel Rekiel with BLDGBLKS Music Company. All videos and embedded tracks per the artist credited. This feature was edited for brevity and clarity by BolderBeat.

Kyle James Hauser's Music Featured In New Judd Apatow Film 'The Big Sick'

By: Hannah Oreskovich

If you’ve had the chance to check out Judd Apatow’s newest film The Big Sick, you may have noticed a familiar sound in some of the film’s scenes: Colorado’s Kyle James Hauser’s music is featured in the major motion picture.

Kyle James Hauser. Photo Credit: Lindsay Giles McWilliams

Kyle James Hauser. Photo Credit: Lindsay Giles McWilliams

Hauser has been involved in the Colorado music realm in some capacity since he was a teen in Golden, CO and his brother was playing Denver’s punk rock scene in Pinhead Circus. He’s toured with Gregory Alan Isakov, played as a member of Rapidgrass, and released a number of solo neo-folk recordings through Louisville, Kentucky’s sonaBLAST! Records. His first record Oh Oh debuted in 2012, and saw its songs featured in two MTV shows and several movies. Hauser’s last record, You A Thousand Times, was released in 2014 and actually held the #1 spot on Colorado Public Radio during that year. In total, Hauser’s music has been featured in over 12 films, and The Big Sick is the second movie his music can be heard in that has had a nationwide release.

Hauser expressed his excitement about his most recent feature saying, “It’s an incredible honor to have my songs included in such a moving story. For [the film] to be receiving the accolades it has is a dream come true, and is quickly becoming one of the highlights of my career. I can only hope to be a part of something this powerful again in the future and to help continue representing music made in our wonderful state!"

Currently, Hauser is the Colorado Music Strategy Coordinator at The Music District in Fort Collins. He also works with Sean King (Trout Steak Revival) on licensing deals for Colorado artists, manages the Detour Program at The Music District, and teaches songwriting at Berklee College of Music. Needless to say, Hauser is one awesomely accomplished Colorado artist & we’re stoked he garnered such a big opportunity with his tunes!

Photo Credit: Scott McCormick

Photo Credit: Scott McCormick

Ironically Hauser told us that he has no idea what the context of the scenes are in which his featured tracks will play in the film.

“I often don’t see the movies my music is in until the dust has settled,” he chuckled, adding, “But I am a big Judd Apatow fan.”

Listen to Kyle James Hauser:

The Big Sick premiered in LA on June 23rd and has a wide release on July 14th. Some Colorado theaters have showings slated as early as this week, so get yourself tickets!

In the meantime, make sure to check out Hauser’s music and keep up with all he’s involved in with Fort Collins’ The Music District. There are some big things happening there, and Hauser is passionate about sharing them and getting local artists involved.

Keep up with Kyle James Hauser on his website.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Strings & Wood Bring Live Music To Your Living Room Or Garden And Keep The Indie Spirit Alive

By: Mirna Tufekcic

Keeping the intimate, indie, and low-key spirit of music concerts alive, Strings & Wood is a curated concert series led by Art Heffron, a steadfast lover of music with undying appreciation for singer/songwriters. Over the years, Strings and Wood has featured artists like Ark Life, Covenhoven, Rob Drabkin, and Anthony Ruptak, and in 2015 was voted best concert series by Westword.

Dusk at the Masala Co-Op Show.

Dusk at the Masala Co-Op Show.

Last Tuesday evening, Strings and Wood featured Anna Tivel from Portland, Oregon and Joe Johnson from Manitou Springs, CO at an outdoor garden concert hosted by Boulder’s Masala Co-op, one of the first co-ops in the city and most beloved homes on The Hill. Cosmic Collective, an artist collective in Boulder that seeks to harbor community and creativity for conscious artists, provided the gear and sound for the show. It was a splendid, collaborative affair.  

Anna Tivel.

Anna Tivel.

The garden concert opened up with Joe Johnson’s storytelling of “true stories” like that of Rattlesnake Kate and odes to great boxers like Muhammad Ali. His stories engaged the crowd, who sat on blankets in the green grass as the sun slowly began to sink behind the Flatirons.

Joe Johnson.

Joe Johnson.

As dusk turned to night, Anna Tivel serenaded the crowd. Opening up with a statement, “Living in Portland, Oregon where the sun doesn’t shine very often and people keep their heads down, rarely looking you in the eye, I write one happy song a year,” she played a happy-ish tune before taking us on a journey of beautifully written songs and melodies that had everyone in the crowd quietly attentive and introspective.  

The garden concert closed with Joe and Anna playing a John Prine cover, with the crowd singing along.

The crowd.

The crowd.

It was a lovely evening of music and art. Concert series like Strings and Wood truly have a magical way of bringing a community together where music lovers and musicians alike enjoy and respect each other’s company in art. Among the large venues and high-brow artists that come through Denver and Boulder, it’s refreshing to see a uniquely curated, intimate concert with up and coming artists as they cultivate their art and share it with the most respectful of spectators. Acknowledging these spectators, Anna turned to the crowd in the garden Tuesday night and said, “You guys should teach lessons in listening.”

If you’d like to see the last Strings and Wood concert series before it moves out to Portland, Oregon, you can check out The Backyard Shindig on July 28th and 29th presented by Strings and Wood and Mountain to Sound alongside The UMS in one of the neighborhoods in Denver on Broadway, where the UMS takes over.

-Mirna

All photos per Art Heffron & Skye Hughes. All videos and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat. 

Old-Time In The Rockies: CROMA Gears Up For Annual Festival

By: Riley Ann

Since its inception in 2010 with just three individuals, the Central Rockies Old-Time Music Association (CROMA) continues to expand in breadth and depth. Their eighth annual festival is less than a month away, and it’s guaranteed not to disappoint. 

For a taste of old-time before the festival, CROMA is hosting a fundraiser this Sunday, June 11th from 12PM-9PM at City Star Brewing in Berthoud. The day features live music starting at 2PM, which includes performances from The Fiddle Dogs, The Brownsville Thomcats, and Ryan Drickey (of FY5) and Dusty Rider (of The Railsplitters) and friends, in addition to an old-time jam. The silent auction includes artwork from Nick Bachman and Howard Rains, CDs from David Bragger and the Field Recorders Collective, music lessons from local teachers (including yours truly), and items from local businesses, including Spirit Hound Distillers, Cajun Moon Design, Peet’s Coffee, and a chance to win a pair of tickets to this year’s CROMA festival. City Star is also donating $1 for every beer sold during the event, and Curbed Hunger will be on-site serving food all day.

A barn dance at CROMA last year. 

A barn dance at CROMA last year. 

You’ll also have another chance to dust off your boots before the festival at the next CROMA barn dance, which is being held on Friday, June 16th at The Music District in Fort Collins from 7PM-930PM. Admission is $10 for adults and $25 for the whole family (kids 12 and under are free), and all dances are taught, so no experience is necessary! This event is just a taste of the nightly barn dances at the festival. 

One of the stages at the 2016 CROMA festival.

One of the stages at the 2016 CROMA festival.

The CROMA festival kicks off on Wednesday, July 5th and runs through Sunday, July 9th. Veteran festival-goers will still appreciate the intimacy of the festival, diverse workshops, rollicking nightly dances, and jamming alongside lovers of old-time from across the country in the paradise of Parrish Ranch. However, this year’s festival will offer new aspects, including kids’ workshops and open stage times, couples dance workshops (like the Schottische, two-step, and waltz), and more diverse instrument workshops, like an old-time harmonica workshop led by Seth Shumate of The Ozark Highballers.

The lineup this year includes a variety of bands that hail from Galax, Virginia, West Virginia, and various parts of the Ozarks, including Eddie Bond and the New Ballards Branch Bogtrotters, The Ozark Highballers, Jesse Milnes and Emily Miller, and The Musky Dimes and Lansford and McAlister. Dance callers include local favorite Larry Edelman of Denver, Dot Kent of Chicago, and Phil Jamison of Asheville, North Carolina. Additional instructors include Joanie and Steve Green, Tony Holmquist, and Barbara Rosner

While day passes are unlimited, camping tickets nearly sold out last year, so get your tickets early here. Volunteer positions are still available in exchange for day passes, and you can find out more by contacting CROMA here. If you are interested in joining the CROMA community, especially in regards to grant writing, social media and design, or other capacities, you can connect with them here. More information about CROMA is available on their website.

-Riley

Find out more about Riley on her blog.

All photos per the author. This feature was edited for brevity and clarity by BolderBeat.


Check out our coverage of CROMA last year for a taste of this year's sweetness:

Denver's Project Pabst 2017: Ice Cube, Phantogram, Unicorns, & Plenty of PBR

By: Sierra Voss & Hannah Oreskovich

Project Pabst Denver 2017 rolled into town this past weekend for a full day of music and PBR-fueled fun. The RiNo District was alive with the sound of music, lots of people in red, white, and blue Pabst regalia, and a giant unicorn stood in mighty glory at the heart of it all. Festival-goers held PBRs in hand for a full day of music as they strolled the streets for good times and stopped by the two outdoor main stages and the local venues on the block, including Larimer Lounge, Meadowlark (which hosted shows in the kitchen and bar areas), Cold Crush, and Nocturne.

The beer started flowing when the festival gates opened around 1PM as Project Pabst-goers meandered around and gathered near the Laser Horse Stage to catch the first band of the day, Chicago’s Twin Peaks. These boys were a rowdy, rockin’ start to kick off festmode. Headbanging and epic guitar jumps were commonplace throughout their set. Needless to say, the TP dudes started the fest off with killer energy.

Deap Vally. Photo Credit:  Sierra Voss

Deap Vally. Photo Credit: Sierra Voss

Deap Vally were the next touring act to take an outdoor stage over at the Captain Pabst Stage on the opposite side of the festival grounds. The rock’n’roll lady duo christened listeners with deep guitar cuts and barefoot, drum-stomping beats. They had the crowd foot-stomping along to hits like “End of The World” and at one point gave a shout-out to Denver’s The Velveteers, who toured Europe with them at the end of last year.  

Montoneros. Photo Credit:   Hannah Oreskovich

Montoneros. Photo Credit: Hannah Oreskovich

The next touring act was supposed to be Chicago’s Noname, who played Denver’s Lost Lake not too long ago. Unfortunately for festheads, she actually pulled out of the show last-minute (and several other tour dates). She was replaced with Denver’s math rock outfit Montoneros, who stirred the crowd with their post-punk sounds and kept the afternoon grooving on.

Surfing space with STRFKR. Photo Credit:   Hannah Oreskovich

Surfing space with STRFKR. Photo Credit: Hannah Oreskovich

STRFKR took things up a notch mid-day when they unleashed astronaut dancers who crowdsurfed on inflatables and launched confetti into the crowd. By this point in the afternoon, RiNo was abuzz as the crowd continued to grow and fill in the festival streets. Festivalists stopped at the food truck circle near the Captain Pabst Stage for eats, checked out artwork by Denver’s So Gnar, and explored local acts like All Chiefs, Dave Devine Quartet, Kinky Fingers, Other Black, and Whole Milk.

DB. Photo Credit:   Sierra Voss

DB. Photo Credit: Sierra Voss

Outside, Danny Brown took the energy STRFKR unleashed and ran with it. His set was straight fire as he jumped around the stage and stopped mid-phrase to let the audience prove their fandom by filling in the missing words to his tunes. Like his music, Brown’s entire energy was playful and unpredictable, which kept the audience awaiting his every move.  

Kurt Vile. Photo Credit:   Hannah Oreskovich

Kurt Vile. Photo Credit: Hannah Oreskovich

Kurt Vile slowed things down as the sun started to dip lower into that late-afternoon warmness outdoors. His incredible and unhurried songwriting skills allowed for a much needed break in the day before the shenanigans of the night took over. He kept the crowd smiling with quick quips and played tunes across his catalogue, including his well known “Pretty Pimpin,’” announcing before he started the song’s iconic guitar line, “I’m going to play you my favorite song.”

Phantogram. Photo Credit:   Sierra Voss

Phantogram. Photo Credit: Sierra Voss

Vile’s set was followed by Phantogram’s sunset show on the Laser Horse stage. By this time, the streets were packed to the brim with showgoers. Phantogram, as per usual, gave their audience an amazing performance with sweet beats, synth sounds, and their duality of strong vocals.

Ice Cube. Photo Credit:   Hannah Oreskovich

Ice Cube. Photo Credit: Hannah Oreskovich

Ice Cube closed the outdoor part of the festival, opening his set with a mashup of several N.W.A. hits. Shortly thereafter, he yelled, “F*ck this show!” and ran offstage, to which his hypeman announced, “If you paid too much money for Ice Cube to play three songs and leave the show, say this with me, ‘F*ck you Ice Cube!’” It wasn’t long before the crowd began this chant, which Ice Cube apparently loved, as he re-entered with a smile and proceeded to run around the stage crushing his catalogue. At one point, a giant painting of Ice Cube was passed from the back of the crowd to the front, where fans held it up and continued to cheer throughout his set. From the crowded barriers that made it nearly impossible to exit the photo pit to the thousands of fans singing along every word to “Straight Outta Compton,” one thing was clear: Denver loves the Cube.

After Ice, the outdoor stages of Project Pabst closed for the night, and festival-goers packed the block’s local venues for continued sets by Dirty Few, Dragondeer, and Flaural, with Colfax Speed Queen closing out the entire festival.

Denver loves yah PBR. Photo Credit:   Sierra Voss

Denver loves yah PBR. Photo Credit: Sierra Voss

At the end of the night, festival attendees left with unicorn koozies in hand, bellies full of tasty food truck eats, and memories of rad musical performances. Missed this year’s Pabst Project Denver? It never too early to start planning for next year Colorado…

-Sierra & Hannah

All photos per the authors. Gallery One per Sierra Voss. Gallery Two per Hannah Oreskovich. All videos and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Boulder In-The-Round Moves to eTown

By: Claire Woodcock

If you’re in Boulder and find yourself in the music scene circle, you’ve probably already come across Boulder In-The-Round. What began as workshopping sessions for founders Hunter Stone and Theresa Peterson soon morphed into into a monthly concert series hosted by Vapor Distillery.

Boulder In-The-Round at its previous location, Vapor Distillery.

Boulder In-The-Round at its previous location, Vapor Distillery.

This year, Boulder In-The-Round has a new home. eTown Hall will host the concert series that features local artists the first Wednesday of every month. The program showcases four songwriters who take turns performing one song at a time, one after the other.

“We’re bringing a different group to eTown that doesn’t go there regularly,” says Stone, also a singer/songwriter in the community. “Our show has its own following of young music lovers and musicians that we’re going to be able to bring to this really cool venue.”

Hunter Stone.

Hunter Stone.

Boulder In-The-Round’s community presence will be amplified by eTown’s state of the art sound equipment engineered by sound technicians at eTown. Local singer/songwriters will set up in eTown’s cafe for an intimate listening room experience.

“If you enjoy this kind of thing, you’re entering a world where everybody there is interested in music too,” says Theresa Peterson, co-founder of Boulder In-The-Round, and a singer/songwriter herself.

Theresa Peterson.

Theresa Peterson.

eTown syndicates its programming nationally, which means the venue often brings in bigger artists. The folks behind Boulder In-The-Round are providing local artists with access and opportunity to state of the art equipment and a larger listening base.

“Having Boulder In-The-Round at eTown opens up the community to who’s coming through, who’s playing when; shows that should be on their radar,” says Stone. “It’s bridging the gap between local and national artists, giving us all a space to grow.”

eTown Cafe, the new home of BITR.

eTown Cafe, the new home of BITR.

Also moving to eTown are the live paintings that Boulder In-The-Round exhibited when they were at the Vapor. Visual artists begin with a blank canvas and the artists create to the beat of the songs. At the end of the night, artists are left with a tangible piece of art from the evening that is sometimes auctioned off to the crowd.

“Art shouldn’t be segregated. Adding that visual aspect to the auditory: seeing someone painting live and seeing what they’re creating in the moment it kind of regulates the growth of the show,” says Stone.  

Mike Tresemer painting at a Boulder In-The-Round.

Mike Tresemer painting at a Boulder In-The-Round.

Boulder In-The-Round’s first night at eTown is tomorrow, January 4 at 7PM in the eTown cafe. On the bill are singer/songwriters Dechen Hawk, Megan Burtt, Monica Marie and Dusty Stray. Live paintings will be produced by local artists Mick Tresemer and Ellen Moershel

Check out a live video performance from a previous Boulder In-The-Round:

“It’s all original music,” says Peterson. “There’s a lot of collaboration that happens too on the spot. A lot of times we’ll have people that just met or have only met a couple times before just playing on each other’s songs all night.”

“The idea of that being recognized by an outside source and [eTown] giving us a chance to brow our show into a different space, that could potentially help us grow a lot,” says Stone. “It feels really good to have that kind of validation. Theresa and I started this with the mentality that if you build it, it will come.”

And Boulder In-The-Round is well on its way. More on this month’s lineup herekeep up with BITR on their Facebook.

-Claire

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

December 17th Has Officially Been Declared Colorado's Nathaniel Rateliff & The Night Sweats Day

By: Sierra Voss

Governor Hickenlooper hereby proclaimed December 17th as Nathaniel Rateliff & The Night Sweats Day last night. That’s right, this sweet Denver-based band now have a day all their own for all they have brought to the world with their music, and more specifically, for all they have brought to Colorado.

During the short ceremony prior to the show, Hickenlooper made a declaration to the sold-out Ogden crowd, bestowing the honor upon the band:

“So we want to do something really special tonight to thank them for everything they have done to put us on the map in such a big way…
Whereas the folk R&B group haS traveled over 208,000 miles in the last 18 months, touring the world and playing sold-out venues; and
Whereas, since June 2015, Nathaniel Rateliff & The Night Sweats have performed 246 shows in more than 16 countries across the globe; and
Whereas Nathaniel Rateliff & The Night Sweats sold over 640,000 albums and have performed for over 700,000 people, not including you; and
Whereas 7.1 million people have listened on Spotify and streamed the equivalent of over 432 years of the group's music; and
Whereas, managed by Chris Tetzeli and Denver-based 7S Management, the group, even with their global travel, has deep roots to the Colorado community; and
Whereas their upcoming August 2017 show at Red Rocks Amphitheatre, a world-renowned venue with 10,000 seats, sold out in just 7 minutes!; and
Whereas Colorado’s music scene continues to grow and thrive through the enormous talent, dedication, and passion for community that musicians like Nathaniel Rateliff & The Night Sweats brings to our state;
Therefore, I, John W. Hickenlooper, Governor of the entire State of Colorado, do hereby proclaim forever after, December 17th, 2016 as Nathaniel Rateliff & The Night Sweats Day in the state of Colorado."

And so, on the snowy Saturday night, fans celebrated a day in the name of the band as Nathaniel Rateliff dropped to his knees, thanking the audience as the Colorado flag was wrapped around his shoulders.

The adoring crowd launched into dance as the band opened their emotionally heartfelt set. The room was buzzing with positive vibes encapsulating the support this community has had for Rateliff & The Night Sweats throughout their journey. It was clear how moved Nathaniel was as he stopped every few song to praise the crowd and speak his heart, wiping away tears.

It seemed all and every popular Nathaniel Rateliff & The Night Sweats song was played, including of course, the band’s hit song, S.O.B. The band closed with this track and departed the stage, prompting the crowd to burst out into chorus singing back to the band for an encore.

It was a magical night for Nathaniel Rateliff & The Night Sweats fans, and an important recognition from the state regarding Colorado’s growing music scene. The band’s next announced Colorado gig is the aforementioned Red Rocks Ampitheater show in August 2017. Looking to catch a show before next summer? Check out their international tour schedule here.

-Sierra

All photos per the author. All videos and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.