The End of an Era: Warped Tour Comes to a Final Close at California's Shoreline Amphitheatre

By: Nathan Sheppard

It’s hard to put into words what Warped Tour has meant to so many people over its 25 years of hot summer days in parking lots around the country. Founder Kevin Lyman saw an opening to start a new type of festival to highlight less mainstream acts and ended up launching artists like No Doubt and Katy Perry to stardom, and opening doors for punk rockers like Blink-182 to become one of the biggest bands in the world.

Circa Survive.

Circa Survive.

For two generations of punk, rebel, and emo kids, Warped Tour was a place where they could come together as a community and listen to their favorite artists. It’s essentially the music equivalent of running away to the circus for a day, or for a summer for some. Kevin Lyman said that for the final WT shows of 2019, he wanted to, “Bring the atmosphere of a classic Warped Tour show, but on a scale that our fans simply could not get with a national tour. The bands, the special attractions, everything – we want to bring back elements that have made the Warped Tour, Warped Tour, over the past 25 years.” And he did just that.

For the final shows in California this month, Lyman stayed true to his word and transformed yet another parking lot into a classic Warped Tour by bringing back two of the original acts from the first ‘95 tour, Face To Face and Quicksand. Many of the artists that were pushed into the mainstream thanks to Warped Tour joined for the finale show as well, including Simple Plan, Sum 41, and Silverstein. Warped Tour still maintained its discovery roots though, booking lesser-known artists like The World Over and Street Drum Corps along with WT greats. It was truly the best way to end such an iconic and meaningful part of people’s summers, and it goes without saying that Warped Tour has left a legacy and had a major impact on today's music and festival culture. While it was the ending of Warped Tour in name, here’s to hoping that it might be resurrected in some form, what Lyman decides that may be. And if it is, you bet we’ll be there.

See more photos from the festival here.

-Nathan

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Same Same But Different Music Festival Returns for a Second Year to Perris Beach, CA

By: Benjamin Tillis

After a successful inaugural year of the Southern California music festival, Same Same But Different (SSBD), we are excited to see that the two-day arts and music event is returning for a second year. Taking place September 20 and 21 at Perris Beach, CA, which IS 90 minutes from both Los Angeles and San Diego, SSBD just released its funk and jam focused musical lineup, and now we simply cannot wait to attend.

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The weekend’s headliners are Baauer and Beats Antique, and they will be joined by Turkauz, Exmag, Cofresi, Megan Hamilton, and CAPYAC. Beats Antique is a favorite on the list, an electronic trio that incorporates sounds from all over the world with a focus on Middle Eastern beats. David Satori, who plays guitar among many other instruments for Beats Antique, also performed at last year’s Same Same But Different as part of his other musical project, Dirtwire.

There are other names from last year’s lineup that are returning this year, and we’re not sad about it! Those names include, CAPYAC, an LA-based funk band that plays to a beat of its own, Fashion Jackson, a San Diego-based garage pop group who gained our fandom last year when they played their rock-heavy but humorous song “Gossamer,” and MDRN HSTRY, another group out of San Diego that plays surf rock.

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With just one band or artist playing on one of two stages at a time, SSBD is unique in that you can truly see every artist if you want to. And the crowd is very small, so you never have a bad seat or feel too crowded. On top of that, Same Same takes place on a beautiful beach under the California sun. What else can you ask for from a music festival?

We are very excited about this year’s festival and are already counting down the days! For more information, visit the fest’s website.

-Ben

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Emissions Festival in Belden Town, California Was Full of Surprise Vibes

By: Taj Leahy

When a friend decided that I simply must join her at a so-called “bass festival,” I at once figured it was not where I wanted to be. Why? I judged the whole thing to be a hyper-masculine meat market with a shitty sound system and profanities on perpetual loop. But surprisingly, I wasn’t disappointed. It was nothing like that at all. In fact, I had the time of my life, and this “dirt rave” was one of the best parties this old raver has been to in a long time.

Emissions Festival.

Emissions Festival.

With a rocksolid vibe and a fairly insane sound system, Emissions Festival is a gem of an event. Held in the old mining and logging town of Belden, CA, the setting is idyllic as well. The Belden Town Resort is a sprawling building with a restaurant, mercantile, and hotel. The lengthy bar has surely seen and heard many a story, though I didn’t get to add any of my own. Most of the “town” seems to be held up by this single lodge on the banks of the mighty Feather River.

Oddly enough, this oft-used festival site is also a known stopover on the Pacific Crest Trail (PCT). It’s not hard to imagine taking to foot in this lush country. Everywhere you look is either soaring canyon walls, rivulets making their way to the Feather, or some other natural feature reminding you of nature’s enormity and grandeur. It’s little wonder that this area was chosen to be a part of the PCT, though it’s hard to imagine a hiker on a months-long trek pulling into a dirt rave like Emissions. They’d find everything but a respite. The bass cranks all night long; it rattles your waking hours as well as your dreams. Pots and pans vibrate off of stoves. It’s bonkers.

Belden.

Belden.

Another factor that was outside of reckoning was the multitude of Black people at this event. It came as a welcome surprise. Too often, I am one of a handful, and that’s being nice. Honestly, I am more often than not one of perhaps two Black people at a rave. This phenomenon is so normal, and the opposite was so true at Emissions, that when we melinated people did cross each other’s paths, it was hard not to acknowledge it. One Black raver, after commenting on my outfit for the day, pulled down his sunglasses and issued forth a simple and complete statement, “Black people!”

Yes indeed. Judgment be damned. This dirt rave was nothing that I expected, save for the prevalent use of n*gger and b*tch used in the stripped-down and non-melodic music. To be fair, the music didn’t all sound the same, but the genre itself is styled off of Trap music, which is a style of rap with an emphasis on sparse lyrics and a high attention to bass. The funny part is hearing White people play and love this style of music, knowing that it comes from “The Hood” and that it directly contributes to the detriment of Black people, as well as women in general. But I digress.

Speaking of degrading women for sport, the skin at this event was enough to work everyone into a frenzy. But the kicker was that never, not once did this event feel like a meat market, as I had earlier feared. In fact, from the production team to the average partier, everyone I met said that this rave felt “safe.” These days, that’s an important factor. “It’s so good not to have to fight someone off every five minutes,” said one raver to the nods and exclamations of her female friends standing nearby.

Bass. Photo Credit: Audrey A.

Bass. Photo Credit: Audrey A.

Then it hit me: there was something about this party that seemed so good. Partly, I accredit it to being such a small event; they cap the ticket sales at around 600. Coupled with the small area in which the rave takes place, you end up seeing everyone over and over again. It’s ripe for a good time and you can make rave buddies and keep interacting with them for literally days, which took the edge off. Even with the hefty amount of drug use around, most people seemed happy and willing to be there together. Instead of women hiding from men and people lurking, there were spontaneous dance groups and speaker piles, the likes of which I haven’t seen since the 90s. Yes, I’m that old. Yes, I’m still raving.

Rave franz.

Rave franz.

This rave was bliss; ecstasy even. When it was time to go, I found myself sad to leave the new dancer buddies I’d met, which really was a good feeling. The couple of “bromances” I had at Emissions left me feeling very differently than I had expected when first invited to come to this dirt rave in the forest. The plain of it is that I barely want to tell anyone about this festival, but I’ve made an exception for you dear reader. Emissions was such a good party that I’d hate to have it spoiled by too much notoriety.

That said, everyone is welcome, and I myself would love to see Belden from the vantage of a hiker on the PCT. Once again I was reminded of what the raver gods teach us: that all are welcome and that music is life. Life indeed is music, if only we are willing to let it play and be open to its many forms. Everyone is welcome on the dance floor no matter if they have a hiking stick or a Thai stick. Emissions in Belden Town is the place to be.

Learn more about Emissions here.

-Taj

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.    

Joshua Tree Music Festival is an Oasis for All

By: Moriel O'Connor

I was in Youssoupha Sidibe's vintage aluminum artist trailer, listening to the Kora and drinking coffee with Senegalese spice. I had lost my voice from singing higher than ever before. Raspy and sandy, I sat in reflection and recognized the greatness of Joshua Tree, California and their amazing bi-annual festival.

Life at Joshua Tree Music Festival.

Life at Joshua Tree Music Festival.

The night before, the rainbow sherbet skies turned to black as the full moon rose. She shined golden over the vista. The air was cold and crisp, yet still my heart was warm. Everywhere I looked, there was an art installation or mural. I realized nobody was fighting and everyone was friends. There was no room for hate. We stepped, swayed, and sang together to gather all the precious moments we could.  

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The festival was all encompassing and unconventional. For 17 years, it has been run without corporate interests or greed. The music fit this mood, with rebellious acts such as Vintage Trouble, Earth Arrow, Cole Williams Band and Trouble in the Streets. The collection of local bands included Gene Evaro Jr, The Adobe Collective, Megan Hutch and more. Dynohunter brought some Colorado funk, and Oliver Koletzki and My Baby flew in from overseas. Much more than a dance party, there were yoga classes, workshops, children's activities, a  healing village and songwriter sessions.

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The Mojave Desert Land Trust was there as well, educating us on the land and park. The town and national park are named after the Joshua Tree (Yucca Brevifolia). This is the largest species of Yucca, and it only grows in the Mojave Desert. The Joshua Tree and Pronuba Moth are in an everlasting relationship. They cannot survive alone. Sometimes called the Yucca Moth, it is the only insect that can pollinate the Joshua Tree. Female moths collect pollen while laying eggs inside the ovaries. Larvae hatched from the eggs, then use the seed of Joshua tree as a food source. From this kinship, I learned life itself is incomplete without one another. This was a vibe felt strongly among Joshua Tree festival-goers throughout the weekend.

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If you missed the spring fest, the 14th annual fall Joshua Tree Music Festival will take place this October. North Mississippi All Stars and The California Honeydrops are headlining.

To see more from Joshua Tree Music Festival, view this photo album.

-Moriel

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Lightning in a Bottle Is One Transformative Experience You Shouldn't Miss

By: Benjamin Tillis

Lightning in a Bottle (LIB), Southern California’s hidden gem of a “transformative” music festival, took place last weekend from May 8-12 at Buena Vista Lake, a few hours north of Los Angeles. This year was the first time LIB took place at this venue and not on Memorial Day Weekend, which led to attendees being wary about what to expect. But it is safe to say the festival was a huge success. Lightning in a Bottle continues to be one of the best music festivals out there and something that truly everyone should experience, and here’s why:

The Music

If you look at Lightning in a Bottle’s lineups, you will definitely see names you know and love. This year, those names included Disclosure, Big Gigantic, Santigold, Flying Lotus, and Toro Y Moi. But more than other festivals, LIB curates music that is so diverse and exciting to listen to- and watch.

Flying Lotus. Photo Credit: Jess Bernstein

Flying Lotus. Photo Credit: Jess Bernstein

The festival is made up of 7 main stages. Some of the most popular are Lightning Stage and Thunder Stage, where most headliners play. But then there’s Woogie, a bass-lover’s paradise. There are people who come to the festival with full intentions to be at Woogie for the entire festival. And on the other end of the spectrum is my personal favorite, Grand Artique. Grand Artique is the brainchild of a thrift shop in San Diego and has become a staple at LIB. It is so much more than a stage for music. Grand Artique creates a setting that takes you back to the early 1900s and has a distinct “Western” feel. They host one-of-a-kind jam bands and this year that included Ozomatli and WC Thornbush & The Great American Show, as well as talent shows and interactive theater and games.

As opposed to other music festivals where hype is built around certain artists, it seems like discovering new music is what is really encouraged at Lightning in a Bottle. It is safe to say that my three favorite acts were ones I hadn’t heard of and didn’t plan to see. The group that stole the show out of nowhere for me was My Baby. Closing out the night until 4:00AM at Grand Artique, this trio hailing from The Netherlands got the whole crowd going wild. They brought a new energy to psychedelic rock, and people were dancing like crazy.

Clozee and Hellmana. Photo Credit: Timothy Bailey

Clozee and Hellmana. Photo Credit: Timothy Bailey

Other great acts were Clozee, the French DJ who spins incredibly exotic music. Clozee played alongside Hellamana, a fire eating group of acrobatic dancers.

Elohim. Photo Credit: JLB

Elohim. Photo Credit: JLB

Also very fun to watch was, Elohim, an electro-pop DJ and singer who relates to her fans by getting real about mental illness with her lyrics, while also singing incredibly upbeat songs with hooks like “I got love f*ck your money,” “I just wanna go where love is alive,” and “Don’t half love me, love me all the way.” It’s notable that these three best performers (in my opinion) are all females or projects led by a female. The festival does a great job of diversifying their lineup in regards to gender, where artists are from, and genres of music.

The Workshops

During the day you can roam around the festival grounds finding endless music and entertainment. But if you want to go a different route, there are plenty of workshops and classes taking place. This is what truly makes LIB the transformative festival that it is. There are 11 “Arts and Culture” tents/stages that host amazing experiences like a Cacao Ceremony, meditations, and classes on things like painting, keto diets, hula-hooping, and the list goes on. On top of this, there were two tents hosting yoga throughout the weekend.

Vibes. Photo Credit: Jess Bernstein

Vibes. Photo Credit: Jess Bernstein

One of the most impactful and unique workshops I experienced was Psychedelic Breath & Meditation, lead by Anne Marie Kramer. Just through breathing exercises and partnered activities, a group of around 100 people who hadn’t known each other before became very connected and vulnerable together. It was something I had never experienced before, and it set me up for an incredible last day of the festival.

These countless workshops allow one to really grow over the weekend at LIB. They’re a great way to meet like-minded people or really put yourself out there to learn about something new. These are highly recommended for those who attend next year’s Lightning in a Bottle!

The Atmosphere

The past several years of Lightning in a Bottle took place at Lake San Antonio, about halfway between San Francisco and LA. The grounds had rolling hills that really made you feel disconnected and free from the real world. Many long-time LIB attendees feared the new grounds would take away from this feeling. But this year, we learned it’s not the venue that gives LIB its special vibes, but the people and artists. For five days straight, LIBers roamed the grounds with smiles on their faces and positive attitudes. People came to share a new experience with new people. It was easy to open up, meet new people, dance how you want, and roam freely without any judgement.

Photo Credit: Jess Bernstein

Photo Credit: Jess Bernstein

On top of that, although it lacked the typical hills of LIB, the new venue was beautiful. There’s a giant lake with plenty of beachy shoreline with breathtaking hills in the distance and green grass on the grounds. During the hot, sunny days, you could go to the lake and party with new friends. Or you could go to the stages and dance alongside people who couldn’t be happier to be there.

Even when it rained the first night, everyone was there working as a team, providing shelter to those who needed it, while many didn’t let the weather get to them and just kept dancing in the mud and wetness. It was a site to see!

Photo Credit: JLB.

Photo Credit: JLB.

Days after leaving the festival I still feel like I am on cloud nine. LIB allows you to get to know yourself and others better than you could imagine. It gives you a better sense of self. And a stronger connection to those around you.

Lightning in a Bottle truly is a transformative experience filled with amazing art and people. I can’t recommend it enough. If you’re looking for a one-of-a-kind event, LIB is for you. Look out for details on LIB 2020 at https://lightninginabottle.org.

-Ben

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.


KAABOO Del Mar's Music Lineup Perfectly Combines New and Old

By: Benjamin Tillis

We may be in the thick of spring, but who isn’t counting down the days until summer and summer festival season? One we’re most excited for is the return of KAABOO Del Mar in sunny San Diego. This three day festival prides itself on providing a premium experience compared to other festivals because it focuses on “comfort, hospitality, and good times.” It’s true. The camp grounds are clean, roomy, and filled with friendly faces who are happy to be there.

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Aside from music, KAABOO features delicious food served by trendy restaurants in the area, and they invite world famous chefs to lead workshops for festival goers. Additionally, you can see some of today’s top comics, as they host a full comedy lineup. This year’s laughs lineup includes Pete Holmes, Bert Kreischer, Bob Saget, Wayne Brady, and Tig Notaro.

But we’d be lying if we said it wasn’t the music lineup that has us most excited, especially because of how unique it is compared to other festivals this year. KAABOO’s list of artists provides an incredibly eclectic mix of up-and-coming artists while also booking headliners who have been at the top of their genre for decades.

Bert Kreischer.

Bert Kreischer.

First, let’s start with the classic names. Some of the biggest headliners this year are Dave Matthews Band, Mumford & Sons, Duran Duran, Black Eyed Peas, Snoop Dogg, Wu-Tang Clan, The Bangles, Boyz II Men, REO Speedwagon, and Silversun Pickups. That list alone is packed with musical legends, some of whom haven’t played live in years. It will be a real treat to see these artists underneath the Southern California sun.

Duran Duran.

Duran Duran.

Additionally, KAABOO always has a great eye for fresh artists who are doing something new and exciting. Performers this year include Con Brio, Griz Folk, Cash Cash, Cheat Codes, and Keuning. These musicians are relatively new to the game, with the exception of Keuning, the lead guitarist of The Killers who has recently begun his own solo career.

Overall, we cannot wait to see what KAABOO has in store for us. Learn more about the festival here.

-Benjamin

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The Top 5 Acts to See at Lighting In A Bottle This Week

By: Benjamin Tillis

Lightning In A Bottle is less than a week away! The music lineup is one-of-a-kind this year, and it’s difficult to go through the lineup without getting excited over and over again. Here are the top acts we can’t wait to see at LIB:

LIB.

LIB.

5. Cautious Clay- A year and a half ago, Joshua Karpeh, a.k.a. Cautious Clay, was unheard of. That is until he released one song on Soundcloud in 2017 which blew up, titled “Cold War.” Most recently, Cautious Clay released his EP Table Of Context. Packed with soul and creative song lyrics, it’s hard not to look forward to his set. Listen to his songs “SIDEWINDER” andSETTLER’S PARADISE” if you want to get an idea of what to expect.

4. Elohim- Elohim is an electro-pop DJ and performer based out of Los Angeles. What makes her sets so much fun compared to other DJs is that she sings over the awesome beats she plays. Her lyrics are uplifting and positive, and her songs are fast paced, giving you no choice but to bounce up and down with the rest of the crowd. Fan favorites that she’s destined to play at LIB include “Sleepy Eyes”, “The Wave,” and “Half Love.” Don’t miss her at The Lightning Stage.

3. WC Thornbush & The Great American Show- One of the most unique things LIB has to offer is its Grand Artique stage. Grand Artique began as an art collective based out of San Diego, and it is now a Lightning In A Bottle staple, coming up on its ninth year at the festival. The Grand Artique stage hosts unique musical acts, immersive art, and fun theatrical performances. Returning once again to Grand Artique is WC Thornbush & The Great American Show. It’s a full hour of comedic songs and theater taking place in old-time America. It’s amazingly creative, funny, and will still make you want to dance!

2. Disclosure- A rare performer in the U.S., Disclosure is no doubt the most popular name on LIB’s lineup, and for good reason. Their 2014 debut album Settle arguably gave artists Sam Smith and AlunaGeorge their first big hits. And their follow up album Caracal in 2015 also had plenty of big songs, most notably “Magnets” featuring Lorde. Since then, the group took a short hiatus of touring, but has returned with some very unique singles, including “Talk” featuring Khalid. Disclosure will be the final act of the week on Lightning Stage, slated for a 90-minute long DJ set.

1. Lane 8- A California-born and Denver-based house DJ quickly climbing in popularity, Lane 8 makes beautifully melodic music which gives you no choice but to feel good. Many of his songs feature incredibly talented vocalists over instrumentals he creates, which can only be described as ethereal. This set will put the crowd through an emotional journey that will vibe perfectly with the spirit of Lightning In A Bottle. Expect there to be tears in everyone’s eyes when he plays “No Captain.” Check him out at Woogie Stage at midnight Saturday night!

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Of course there are an so many other acts that we’re looking forward to, along with the full itinerary of yoga and workshops focused on mindfulness, health, and community taking place throughout the weekend. The sun will be out and the lake will be full. We can’t wait! See you there Cali!

-Benjamin

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

KABOO Announces Stellar Lineup For Music Festival Under the San Diego Sun

KABOO. 

KABOO. 

While most music festivals reward those with extensive knowledge of alternative artists, KABOO Del Mar gears toward those who listen to artists commonly heard on the radio, and their 2018 lineup certainly does not disappoint. Held at the Del Mar Racetrack and Fairgrounds in San Diego on September 14th-16th, the festival hosts multiple forms of art with a star studded music and food lineup.

Huge names in rock will grace the fest, including Foo Fighters, Imagine Dragons, and legendary Led Zeppelin lead singer Robert Plant. Other artists performing include pop sensation Katy Perry, Jewel, Blondie, Cake, Jimmy Eat World, Robert Delong, and The Spencer Lee Band.

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The comedy portion looks just as appealing as the tunes this year. Craig Ferguson is the top billed gutbuster, along with Iliza Shlesinger, Nick Offerman, and Chris Hardwick. On top of that, featured chefs of the festival include Troy Johnson, a regular face on Food Network, and Dakota Weiss.

KABOO is certainly worth making the trip for even if you don’t reside in San Diego. With plenty of hotel options like L’Auberge Del Mar and Doubletree Del Mar, there should be nothing stopping you if you want to see some of music’s top performers of current and late. Get your tickets here if you want in on the fun!

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Splash House Returns To Palm Springs For A Sixth Year of Pool Parties

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This June and August, Splash House festival returns to Palm Springs, CA for its sixth year of EDM-fueled pool parties and concerts. So far, the lineup has been announced for the first weekend, June 8th-10th, and it includes all-stars like Duke Dumont, Blacklizt (Zhu), and What So Not.

What is so unique about Splash House is that it takes place in three different hotel resorts in Palm Springs: The Renaissance, The Riviera, and The Saguaro, all of which are equipped with pools that the DJ’s play near. It’s the fun of Las Vegas day parties, just with a bit more laidback California attitude. Following the pool parties, there are late night shows at the Air Museum, an incredibly unique venue which has helicopters and airplanes scattered around its grounds. Playing the after-hours shows so far this year are Nora En Pure, Autograf, and SNBRN, among others.

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If you can make it out to Palm Springs, the rest of the festival is surprisingly affordable, with a number of different hotel and ticket packages. Currently a general admission ticket goes for $135. Although June hotel packages are sold-out, there are still a select few tickets available for the August 10th-12th event. These packages start at $700 and include two tickets and a two person hotel room for three nights.

Make sure you bring your favorite pool floaties and dress in your brightest colored clothes for this one! Splash House definitely plays on the colorful design of the hotels in aesthetic and sound. You can even check out The Saguaro in Neon Trees’ music video for “Feel Good.” Buy tickets here for the June event and here for August before it’s too late! We can’t wait to cannonball with you into great music!

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Trevor Hall's 'The Fruitful Darkness EP' Is A Labor of Love

By: Elizabeth Lee

In today’s profit-driven world, it can be hard to define yourself as an artist and maintain the initial passion that drew you to your art. Trevor Hall is one of those whose focus and love for music have lead him to fruition.

Trevor Hall.

Trevor Hall.

Raised in South Carolina, he recorded his first album at the age of sixteen and then traveled to California where he learned classical guitar, as well as the practices of yoga and meditation. Both of these areas of his life would play a major part in the making of his eastern-inspired sound. Trevor would also draw from his roots of spirituality when it came to building a fanbase and connecting with his listeners.

The Fruitful Darkness EP is Trevor’s first independent release, and it was funded entirely by supporters through Kickstarter. Trevor’s fanbase, known as “The Villagers” worked together to raise a total of $137,570, making it the #1 Kickstarter music campaign in 2017. The collaborative effort resulted in its debut at #9 on the iTunes Alternative Charts.

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Artistically, the album pushes boundaries by releasing in three separate installments of 3-5 songs all on specific lunar dates. Trevor’s smooth vocals and guitar weave through every soulful track, bringing to mind the folksy vibe of Bon Iver or songwriting prowess of Jack Johnson. He has a tendency to surprise too- when you hear him rapping over Asian-inspired acoustics, the listener is brought back to his roots and reminded of his leadership in the conscious music community.

Be sure to listen to parts I, II, and III of The Fruitful Darkness EP and catch Trevor on his A Night in the Village Tour this spring across the United States and Europe.

Keep up with Trevor Hall here.  

-Elizabeth

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

J.D. King Just Wants Your Love In New Music Video

By: Hannah Oreskovich

LA’s J.D. King recently release his new video for “Love Me Back,” the single from his upcoming record 'Moon Gardens,' which was recorded entirely in J.D.’s home studio. The “Love Me Back” video, which was directed by his longtime collaborator Avery Wheless (HUSH) stars King, director and actress Kansas Bowling, and cameos from Parker Love Bowling, JuJu Sorelli, and Linda Ramone. It was filmed entirely at Ramone Ranch (yes, Johnny Ramone’s place) in Los Angeles, a place that you’ll want to party at with J.D. (or maybe more so with Kansas?) after watching the video. After a few views, we caught up with J.D. to talk about his most recent release:

Let’s start with a bit about your background. Where are you from and how has that environment shaped your music?

I’m from the city of Norco in Southern California. The environment for music there was interesting [growing up]: oldies radio, learning piano, Catholic hymns, gospel hymns, Gregorian chants, saxophone/flute classes, bluegrass, cowboys, and rock’n’roll. One of my earliest memories is trying to sing into recorders to have a reproduced sound. I made cassette tapes from the radio. I'd also make tapes from vinyl and CDs that I would borrow from the public library and transfer them. I had a genuine thirst to listen to a lot of music and gravitated mainly to pre-1973 stuff. My father found a nice collection of Beatles and Elvis vinyl albums on the beach one time, and I listened to those a lot. I would also watch Hard Days Night often. I found skateboarding videos to have some tasteful music to sample as well. Skateboarders are more often appreciators of non-mainstream music.   

I can definitely feel some of these styles coming together musically and visually for “Love Me Back.” What was the concept behind this video? 

[It’s] “The Fool” who needs love. You’re vulnerable when you love. You fixate, focus, and place your bets; you need the validation of another person to love you back. You are torn to shreds sometimes if they don’t. Make your own happiness and the rest will follow.

J.D. King.

J.D. King.

 Sound advice. What else are you working on?

Paintings, writing more songs, motion films, poems...

Sweet. Any other special plans for 2018?

More beautiful holograms with sound and visions. Probably some live shows.

Speaking of those, when you perform live, what type of environment are you trying to cultivate?

The “I’m gonna take all my clothes off!” vibe. I want the free people to come out, let loose, and listen.

You heard the man. Take off your clothes and give J.D.’s new video a view below:

Keep up with J.D. King here.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.