Tyto Alba Release Haunting Video For "The Hunger"

By: Hannah Oreskovich

Denver’s indie rock outfit Tyto Alba released their newest music video this week for their track “The Hunger.” The song is from the band’s EP, In Our Own Time, which dropped earlier this year.

Frontwoman Melanie Steinway’s haunting vocals combined with eerie masked figures make “The Hunger” and its accompanying music video a mysterious and emotive track. The video, which was filmed by Slice Cinematics (A Shadow of Jaguar), showcases Steinway performing at Syntax Physic Opera surrounded by men in feathered masks interspersed with eldritch church scenes and Steinway calling out at her own reflection. Colorado’s Brent Cowles makes an anonymous appearance as the band’s “voodoo priest” at the start of the video as well.

A scene from "The Hunger."

A scene from "The Hunger."

Tyto Alba held their release show for the video last night at Syntax, a venue which has turned into a local haven for many musicians, and which was a new addition to this year’s Underground Music Showcase spots.

Brent Cowles as the "voodoo priest."

Brent Cowles as the "voodoo priest."

Check out the band’s video for yourself above and stay on the lookout for more new music from Tyto Alba by keeping up with the band here.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The 2017 Underground Music Showcase Brought Together Artists & Fans For Four Days Of Awesome

By: Hannah Oreskovich

Denver’s annual four day music festival The Underground Music Showcase rocked South Broadway last weekend. We crawled the strip, ate nothing but pizza, and almost refused to sleep in the name of good music. Here are some of our favorite things about this year’s festival:

The Bands

Of course we went to as many shows as possible and of course most of them really rocked our socks off. But here we’re going to be shameless and first tell you about the killer acts who played our packed official day party.

Xavier Provencher & Sean Culliton of Retrofette.

Xavier Provencher & Sean Culliton of Retrofette.

BolderBeat & KGNU combined forces this year to bring you Brunch with a Beat at The UMS, which was five hours of sugar and synth by some of Colorado’s most promising electro acts.

Greg Laut of Whiskey Autumn.

Greg Laut of Whiskey Autumn.

Mirror Fears kicked things off with her industrial goth pop, Church Fire kept things movin’ with their Crystal Castles-esque electronic primal therapy, and DéCollage wrapped the front of The Irish Rover in Mylar and swept the stage with their avant-garde pop. Retrofette’s synth stylings followed, and created a massive dance party full of hip-shaking & flash tattoos. Whiskey Autumn’s indie synth pop closed the show; their unreleased track "Birds That Flew" had many whistling along to its chorus. And in between sets, DJ Erin Stereo crushed sweet beats. We gave away tickets to upcoming Future Islands and Thundercat shows, and we passed out donut lollipops, which many showgoers expressed they hoped were laced with weed (they were not kidz).

As for the rest of our UMS:

Anthony Ruptak.

Anthony Ruptak.

Our first official set at UMS 2017 was at Hi-Dive on Thursday with Anthony Ruptak, who started us off with amazing tunes from his new record Don’t Let It Kill You, and even streamed a Facebook live anti-Trump vid from the stage. Punk rock.

Ishka Phoenix of Ghost Tapes.

Ishka Phoenix of Ghost Tapes.

Ghost Tapes were a funky, neo-soul standout at Skylark; frontwoman Ishka Phoenix had the crowd melting as she delivered tasty R&B sounds from her ice cream microphone.

Ben Pisano of Corsicana.

Ben Pisano of Corsicana.

Corsicana gave us tasty indie tunes while we nommed hard on an Illegal Pete’s burrito, which was the only non-pizza item we allowed ourselves for sustenance. The four-piece are playing a couple of big Colorado shows with Hippo Campus this month, so make sure to roll to those.

Chris Scott & Chris Kimmel of OptycNerd.

Chris Scott & Chris Kimmel of OptycNerd.

OptycNerd describe themselves as “eclectro indie pop hop sexy time,” and well, we wish we’d written that ourselves. Their sexy time at Hi-Dive was enjoyed.

Zola Jesus.

Zola Jesus.

Zola Jesus brought her dark, operatic vocals to the main stage; Red Fang spouted the classic rock stoner jams they’re known for to a headbanging crowd.

What is cooler than wearing glow-in-the-dark face paint? Glow-in-the-dark guitar strings- DUH. Motion Trap had ‘em at their Rover set on Saturday, and they played their electro sonic disco tunes to a packed house that boogied with them from start to finish.

Mic Carroll of All Chiefs.

Mic Carroll of All Chiefs.

All Chiefs kept us out of the rain at Hi-Dive with their indie rock vibes, Evan Holm & The Restless Ones kicked up some folky soul at Gary Lee’s Motorcycle Club, and GALLERIES played a heartfelt tribute show celebrating the life of late Denver music prodigy Kyle McQueen.

The Outfit.

The Outfit.

Rock’n’roll’s The Outfit played their final set ever at 3 Kings Tavern on Friday to a mosh-ready, beer-heavy crowd who were clearly sad to see them go.

Rebecca Williams of The Savage Blush.

Rebecca Williams of The Savage Blush.

The Savage Blush had a killer psych rock-dripping set at the main stage, Slowcaves brought us chill wave surf rock sounds, and Dragondeer managed to blues rock us almost straight through a downpour, though they had to cut their set a bit short when the rain just about flash-flooded the festival parking lot in true Colorado fashion.

Esmé Patterson.

Esmé Patterson.

Brent Cowles revived a soaking crowd with “Cold Times” when the sun came back out, Esmé Patterson slayed her evening dream rock set with unreleased music and a touching tribute with Kitty Crimes to the late Tyler Despres, and Benjamin Booker crowd surfed his way right into Colorado’s heart, closing out the main stage of the festival Sunday evening.

The Booze

Dewar's Whiskey Emporium.

Dewar's Whiskey Emporium.

Breckenridge Brewing was a main sponsor for The UMS this year and we sipped many an Avalanche by the main stage throughout the fest. Dewar’s had what felt like a tiny house made for drinking with free smells and scotch eggs. It was delicious and why you would have wasted your tongue on any other mixed drink in the hot sun and the pouring rain is beyond us.

The Bunny

Yeah. This one.

Yeah. This one.

Mixed Up Gifts’ pop up shop on South Broadway had some sweet merch for sale from Sacred Bones Records and a creepy night light if you’re in the market to wake up afraid of the dark only to find Jason lurking in your bathroom. But best of all was their bunny, who tried to coerce festival-goers into the shop while eerily reading children’s books through the window.

The Budz

No, not that kind you typical Denverite. Overall, we had a rad time at The UMS this year, and we highly encourage you to check out all the bands we mentioned, all the acts we live-interviewed with Zach Dahmen, and any of the performers on the local lineup in general. Because if there’s one thing we came away with after four days of music-hopping insanity, it was with community- from the performers themselves, to the UMS staff and volunteers, to the eager ticket holders bouncing from show to show hoping to find their next favorite band- Denver came out to support its own. Whether we were playing beach volleyball in the artist tent during a downpour or running from the main stage with our best budz to get back to Broadway for a set (those smarter ones took the Meow Wolf bus), this weekend really showcased you- the local music supporter. And for that, we and apparently Governor Hickenlooper, thank you.

Check out our full photo gallery from The UMS here.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos per the author. All videos and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.
 

The 2017 Underground Music Showcase Announces Second Round of Artists

The Underground Music Showcase 2017 just announced their second round of artists for this year's festival! Additions include: Headliner Zola Jesus and artists like Bad Licks, Chocolate Diamond, Dear Rabbit, Decatur, Edison, HERESTOFIGHTIN, The Hollow, innerspace, The Kinky Fingers, Ned Garthe Explosion, Retrofette (we should mention here we're premiering something awesome from this band this Friday), Sleepy SunSIR, Sugar Skulls & Marigolds, Sur Ellz, Treehouse Sanctum, Turvy Organ, & more! Make sure to get your tickets for the July 27th-30th festival in the heart of Denver here. And see our previous story for initial lineup announcements at our original announcement link.

Reminiscing on last year's UMS? Peek back at our coverage of 2016:

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The 2017 Underground Music Showcase Initial Lineup Has Arrived

By: Hannah Oreskovich

The long-awaited and highly anticipated Underground Music Showcase 2017 lineup has arrived. With headliners Benjamin Booker, Red Fang, & Esmé Patterson, this year's fest will take place July 27th-30th. Colorado’s Bandits, Britt Margit, This Broken Beat, Bud Bronson & The Goodtimers, Brent Cowles, The Burroughs, Chloe Tang, CITRA, Coastal Wives, Colfax Speed Queen, Corsicana, déCollage, Dirty Few, Dragondeer, Wolf van Elfmand, Evan Holm & The Restless Ones, Gasoline Lollipops, Get Along, Jilly.FM, Joseph Lamar, King Cardinal, Last of the Easy Riders, Loretta Kill, Mawule, Modern Leisure, One Flew West, The Other Black, Povi, RL Cole, The Savage Blush, Silver and Smoke, SIXXXD, Slow Caves, SYCDVK, Television Generation, The Velveteers, Whiskey Autumn, Whole Milk, Wildermiss, and Yasi are just some of the acts on the bill we've featured in the last year, so needless to say, we're stoked on this lineup. And there are more artists still TBA!

Stay tuned for more UMS info and get ready to join us on Denver's South Broadway for one of our favorite events of the summer! Tickets here.

Reminiscing on last year's UMS? Peek back at our coverage of 2016:

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Talking Festivals, Politics, & New Music with Dressy Bessy's Tammy Ealom

By: Claire Woodcock

Dressy Bessy was one of the first bands remnant of the Riot Grrrl movement in the early 90s based in Denver, CO. Lead vocalist, guitarist, and lyricist Tammy Ealom instituted the indie band, associated with the prolific Elephant Six Collective Recording Company, with guitarist John Hill (who also plays with the E6 band The Apples in Stereo), bassist Rob Greene, and drummer Darren Albert in 1996. After the band released four albums, Craig Gilbert superseded Albert on drums in 2005, and DB released 'Electrified' that same year on a new label, Transdreamer Records.

Dressy Bessy.

Dressy Bessy.

In 2008, when Dressy Bessy released their second record with Transdreamer, the stock market crashed, and the band learned the consequences of trying to tour through an economic recession. Then the country didn’t hear much from Dressy Bessy. In 2015, bassist Greene left, and the end of the Obama era was in sight. As a result, Ealom, Hill, and Gilbert started recording again, this time in their home studio. The product of this recording was 'Kingsized,' which Dressy Bessy released a year ago. Since then, the band has toured the country on the frontlines of a new wave of protest music.

Recently, Ealom spoke with me about upcoming shows and plans for a new record. Read on:

So I heard you went to D.C. recently for the Women's March on Washington.

I did, I did.

What did you think?

It was completely overwhelming and beautiful, and I'm glad I did it. It was beautiful to see so many like minded people come together to protest. I'm still in shock with all of these politics just like everybody else. I had never been in a crowd that big before and it was emotional. But you actually did feel a camaraderie and to feel in camaraderie with that many people at once can be overwhelming. It was incredible, and I'm glad I did it, and it doesn't stop there obviously.

What was your takeaway from being in D.C. that day?

I learned that we not in this alone; there are a lot of people who are freaked out and not standing for the way our government and our world is going with this new Trump administration. I think I'm suffering from some sort of post traumatic stress syndrome just over this entire year. Our album came out almost a year ago and we toured the country a couple of times all the way around, the whole time just sort of reaching out to people and just trying to get across how important it is and was that we're paying attention. I was a true proponent of Obama and I felt really comfortable with him as our president. He is an intelligent, calm person [who was] in charge of our country and it made me comfortable. I didn't obsess about politics everyday. Now I do. I wake up in the middle of the night and I reach over and I grab my phone just to check to see and make sure we don't have to put on gas masks, you know what I mean? Like this is such a crazy time.

Tammy Ealom.

Tammy Ealom.

Dressy Bessy dropped 'Kingsized' about a year ago-

February 5th last year.

So coming up on exactly a year after taking a considerable amount of time off, what has it been like to jump back into the world of album releases and tours during an election year?

It’s been amazing. The record came around about the same time civil unrest was starting, so it was amazing because I was able to go and let it out. I live for this shit. I've been doing it for 20 years and we're continuing on. We're planning a new album hopefully next year. I'm halfway there with new songs, and they just keep coming, so I'm going to take advantage of it and get it out there.

Any ideas on what Dressy Bessy’s next album’s going to be like?

That's a tough question because I don't question where my songs come from, I just let them develop like, ‘Okay, cool cool’ and a lot of times I'm not exactly sure where they came from. I don't sit down like, ‘Oh, I'm going to write a song today.’ Sometimes I just get this feeling as I lay there like ‘Oh God;’ it's like a ball of [noise] and I just let it out through song.

Rock, you just rock.

Rock and roll, that's all it is. It's all rhythm and blues.

Dressy Bessy got its start in Denver over two decades ago. How do you see the topics and songs you guys write about and play evolving over time?

Well, the internet was a big game changer. When our last album came out, Myspace was the place to promote your music. So I think [the internet’s] opened up a world where people can get their music out there. One thing, around 2008 before Obama came in, it wasn't feasible for a lot of bands to tour because gas was so expensive and people didn't have the money to go to shows. So that was kind of part of the reason we stepped back for a second too, because that was the way we went out and made a little bit of money to pay our rent. Now there's like a thriving DIY scene that's happening that more people hear about because of the internet. You kind of just take it day by day or month by month, it's like, ‘Okay let's go out and see what's happening.’

That's such a great point you make about the internet being a promotional tool for musicians. A lot of times I feel that my generation, millennials, myself included, take the access that the internet provides for music exploration for granted.

I mean, it used to be you'd have to send flyers out to street teams and you'd contact them through snail mail and then get their address and send packets of flyers. Now it's just as quick as Facebook. People are paying attention and they see [music] that way.

That makes me wonder how the internet has affected both your pre-existing fan base, as well as your new beginning. Because the people who were listening to 'Pink Hearts Yellow Moons' and were turning out for Dressy Bessy shows are a little older now...

We kind of knew that we'd have to rebuild our fan base, which is what we're doing right now and what we have done this year. It's just what we do, but we are finding our fans range from ages 4 to 70, which is pretty incredible. There are literally all ages at our shows, which is amazing. And a lot of our old friends who aren't paying attention every day are finding out. It happens every time we leave a city; the next day we get a load of messages: ‘Oh my God you guys are still going!’ And this happens every day: ‘Oh my God you have a new album! See you next time!’ And then they see us the next time.

I feel like 'Kingsized' definitely lends itself to a new generation of listeners that are looking for or to hear some sort of sanity in music, you know?

I appreciate that. It's a crazy world [laughs] it's just a crazy world. But yeah the struggle is always there and if it weren’t there, I don't think I'd appreciate what I do as much. It makes it real.

So speaking of the internet, your website teases more shows this year. Any idea when and where they'll be?

In March we're doing the Treefort Music Fest, which is a festival in Boise, Idaho. So we're planning to do some Northwest shows around that. The festival invites are coming in and we're sort of just using those as anchor shows to tour sections of the country at a time. Going out and covering the country all at once can be exhausting and physically, mentally taxing. We used to do six to eight week tours and just go do the whole thing and then come back just like [exhausted] you know? We've discovered that [for us] to keep our sanity, it's best that we go out max two weeks at a time, and just do regions of the country, and then come back for two weeks and go out and tour another section of the country. In March, we'll start doing some stuff. And we'll have Colorado shows within there too. We love Fort Collins and Grand Junction.

Awesome, right on.

Yeah it's coming. We're just trying to get a handle on it.

That's great that you're planning Colorado shows.

Oh of course. Denver is great, you know? There's a reason I've lived here for 23 plus years. I've always loved Denver. Whenever I travel, I'm excited to get home you know?

16473301_1311941575534250_2067741229250307108_n.jpg

It seems like everything went really well for Dressy Bessy since 'Kingsized' came out. I know you were sort of going into it without any real expectations, you were just kind of seeing what would happen, right?

Right. Just going in and doing what we do. I mean, if you put a record out and you expect the world to embrace you, you're bound to be let down. We do it because we have to, we don't do it because we strive to be rockstars or to be rich. We have to do this, so whether lots of people like it or not, we're still going to do it. It's a life calling for us. It's satisfying to go out for 300 people or 30 people or three people; it doesn't matter. If [the crowd’s] all into it, for us it’s completely satisfying. It’s like I always say, I just keep doing it, I keep doing it, I keep doing it, and after I'm done I'll have a legacy. It'll all be there for other generations to pick up on and perhaps be influenced by and it's much bigger than me. My music will live long after I'm dead and that's awesome. I'll take that. If the planet's still here, oh my God.

That's very forward thinking of you. So you see Dressy Bessy as a necessary voice in the industry right now.

I always have. My lyrics are always up for interpretation but I'm of the girl power generation, you know what I mean? Just speak your voice and don't take any shit. And a lot of my songs come about when there’s some sort of conflict, whether it be in my personal life or the world around us... it's sort of my way to just get it out. It could be protesting a relationship I have with a friend, or whatever. Writing songs is my way of getting any negative energy that I have towards a situation or a person or the world in general, just getting it out through song, if that makes sense.

Dressy Bessy is one of several Colorado bands who will perform at the Treefort Music Fest March 22nd-26th. CPR’s Open Air reported that local bands Trout Steak Revival, The Still Tide, Bud Bronson & The Good Timers, Dragondeer and Brent Cowles have also made the list. For the full lineup, which includes Angel Olsen, Mac DeMarco, The Growlers and plenty of other big names, go here.

-Claire

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Westword Music Showcase 2016 Served Up Denver's Best Of The Best

By: Jura Daubenspeck

Festival season is in full force, and this past weekend was one for the books for Denver music lovers. Last Saturday, the city was taken over by Coors Light South Platte Riverfest, Denver Taco Festival, and of course, the 22nd Annual Westword Music Showcase.

The crowd at Westword. Photo Credit:  Ashleigh

The crowd at Westword. Photo Credit: Ashleigh

The Westword Music Showcase offered the chance to frolic freely around Denver’s Golden Triangle neighborhood, bouncing between the festival grounds and a number of bars in the area. This ten-hour-long jam-fest brought some big names to the table, but what was truly special about it was the opportunity to immerse oneself in over 100 local music acts that transcended a wide spectrum of genres.

888. Photo Credit:  Aimee Giese

888. Photo Credit: Aimee Giese

My day began at the Mike’s Hard Lemonade stage, which shared the space with the Coors Light stage. While there, I watched local alternative pop/rock band 888 deliver an electrifying performance. I then moved on to City Hall’s Cue Room, which was home to local musical collective and youth empowerment group YOR (Youth on Record) & The 10th Avenue Exchange. Their main room hosted the talented and unapologetically bizarre KITTY CRIMES.

Listen to our Westword Music Showcase 2016 playlist:

Stoney’s Bar catered to Porlolo and Eros and the Eschaton, both of which emanated the delicate power of what I like to think of as “dream rock.” Cosmic roots rock band Bison Bone took the stage afterward, and had the crowd jumping around and praising the afternoon light.

SPELLS. Photo Credit: Charlotte

SPELLS. Photo Credit: Charlotte

One of my favorite acts of the festival was DeCollage, who transformed the stage at Bar Standard into an underwater psych-tropolis. They reminded us that dancing clams, iridescent cellophane, and fog machines can make anyone’s day that much better. Their cosmic and disarranged pop style forced bodies to explore new movements and decipher hidden rhythms. They were followed by Brent Cowles, former member of You Me & Apollo, whose startlingly beautiful voice is only matched by his complex guitar work.

As the day crept on, the waning daylight was matched by continually amplified tunes, thanks to crazed punk garage band SPELLS, who damn near tore the roof off of The Church, and another personal favorite, Dirty Few. Both had the crowds moshing and sweating all over each other, and Dirty Few even enticed an attendee to jump off of Broadway's rooftop into the arms of the crowd. You can always count on Dirty Few to make your heart skip a few beats and deliver one hell of a good time.

Cold War Kids. Photo Credit: Katelyn

Cold War Kids. Photo Credit: Katelyn

The crowd pleasing Matt and Kim and Cold War Kids both had huge turnouts, and had the crowds singing their tunes. Finally, the festival’s headliner, EDM powerhouse Dillon Francis, gathered an entirely different crowd than the rest of the festival, and kicked it up a notch for anyone who may have mistakenly thought they were too tired to keep dancing.

Matt and Kim. Photo Credit:  Jillian Granger

Matt and Kim. Photo Credit: Jillian Granger

Westword Music Showcase left me drained, but totally fulfilled. It reminded me why I moved to this beautiful and eclectic city. If you didn’t have the chance to check out this festival, never fear! You’ll have another chance to get in on the Colorado festival action with Underground Music Showcase, which takes place on South Broadway Avenue from July 28-31. This festival showcases amazing local acts, alongside big-name headliners. So go grab those tickets now- you don’t want to miss out CO!

-Jura

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.