Tony Vincent and the Boulder Philharmonic Traverse Bowie's Ch-ch-ch-ch-changes at Macky Auditorium

By: Adam Perry

Looking like a member of Bauhaus, vocalist Tony Vincent cut a unique figure on Pearl Street this past Sunday afternoon, carrying a Peppercorn bag after shopping there with his parents – in town from Albuquerque – the day after slaying David Bowie hits with the Boulder Philharmonic Orchestra at Macky Auditorium.

The 45-year-old Vincent – made famous by starring on NBC’s The Voice and in the first national tour of Rent – emerged onstage at Macky in a choker necklace, a black dress shirt, tight blue pants and black leather shoes Saturday night, leading the Boulder Phil and members of Windborne Music. The ensemble’s “Music of David Bowie” production was able to fill about three-fourths of Macky’s 2000 capacity, and those who snoozed on the event missed some incredible moments.

Vincent & the Boulder Philharmonic Orchestra. Photo Credit: Amy Rune Carlson

Vincent & the Boulder Philharmonic Orchestra. Photo Credit: Amy Rune Carlson

The setlist was not deep, focusing on Bowie’s most well-known pop classics, and not many to which an orchestra could lend much creativity or power. But when the juxtaposition of the rocking and the symphonic was magical, such as on the glam-rock standard “Starman,” the sparks that flew lived up to Macky Auditorium’s timeless façade.

Falling just short of the filthy distortion and energy that early Bowie axe-man Mick Ronson brought from the working-class Rats of Hull to the Spiders from Mars, Windborne guitarist George Cintron did his best Earl Slick impression leading the evening’s initial tunes – “Rebel Rebel” and “Ziggy Stardust.” Conductor Brent Havens quipped, “Is this what you expected?” to the mostly stilted, older and white audience, and Vincent aptly complimented Bowie for always “keeping us guessing” before the orchestra launched into a beautiful version of “Changes.”

Vincent went on hit-or-miss tangents between tunes, focusing on his self-professed lifelong “nerdy” obsession with “countless” interviews with and biographies of Bowie, perhaps the most renowned iconoclast in rock history. This worked when Vincent, for instance, glowingly introduced “Fame” – Bowie’s hit 1975 collaboration with John Lennon. But Vincent’s purported encyclopedic knowledge of Bowie’s catalog and legacy also missed the mark a few times, such as when he stressed that a “longing for love” was the common thread in Bowie’s nearly half-century catalog, stating, “that’s probably what he was getting at with this next song” as a set-up for “China Girl,” a cheeky and somewhat racist 1983 hit for Bowie that was actually written by Iggy Pop in 1976.

The balcony view at Macky. photo credit: Amy Rune Carlson

The balcony view at Macky. photo credit: Amy Rune Carlson

No matter – the Boulder Philharmonic’s arrangements were the real star of the show, which got better after intermission, not just because the song selection become more ambitious (with slightly more obscure songs like “Fashion” and “Young Americans”) but because I moved from the fifth row all the way to the balcony to hear and see the orchestra much better.

Windborne (which will return to Macky next February to present a highly anticipated night of Queen songs with the Boulder Philharmonic Orchestra) and Vincent were flashy and powerful, but it was the Boulder Phil’s soaring additions to on tunes like the funky 1980 mindbender “Ashes to Ashes” that made the evening truly memorable. Hopeless Bowie nerds might have flinched at Vincent’s occasional missteps on tiny details in lyrics, like singing “billions of swastikas in my head” instead of “visions of swastikas” in “China Girl” or “need an axe to break the ice” rather than “want an axe” in “Ashes to Ashes,” but when the orchestra came together with otherworldly dynamics and artistry on “Space Oddity” and “Changes,” to name a few, the heavens opened.

Vincent sang everything with talent and grace, but part of Bowie’s importance was bringing the vulnerable and the avant-garde to the pop and refined worlds and vice versa, so the most striking moment of the evening was watching a senior-citizen in the balcony break down in tears when the orchestra nailed a complex arrangement of 1972’s campy but genius and poetic “Life On Mars?

New Mexico native Vincent’s appearances in Rent, Jesus Christ Superstar, American Idiot and We Will Rock You make him a perfect fit to sing certain classics from Bowie’s diverse career – such as “Changes” and “Life On Mars?”  However, it’s admittedly impossible for anyone, even dozens of dazzling musicians gelling in a giant orchestra, to do justice to the pinball-style catalog of Bowie, who once sang, “Until there was rock, you only had God.”

Coincidentally, Sunday morning in Boulder featured a 90-minute Bowie tribute concert for children and their parents at the Boulder Theater, and the contrasts were interesting and hilarious. Cover-band Loving the Alien – which jubilantly regaled a couple hundred locals with fun-loving Bowie tunes and crowd-participation treats like a parachute, sing-alongs and glow-stick jewelry – not only dug deeper into Bowie’s catalog than the Boulder Philharmonic, with tunes like the very orchestral “The Man Who Sold the World,” but (unlike Vincent) also didn’t cut out risqué Bowie lyrics like the line about Quaaludes in “Rebel Rebel.”

As Bowie’s diverse catalog grew, even the Thin White Duke himself, and the countless versions of his backing band, could never perfectly capture all of his unique eras of iconoclastic music in one evening. Vincent, Windborne and the Boulder Phil did an entertaining and memorable job trying to – at the very least – lend an energetic and symphonic angle to Bowie’s hits. It will be fascinating to see what they do with Queen’s catalog next year as well.

-Adam

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

BolderBeat Presenting Boulder Music Festival to Benefit RAICES

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BolderBeat is excited to announce that we are presenting a mini-festival to benefit RAICES this August. Featuring Colorado bands Augustus, Native Station, Ben Hanna Band, Whiskey Autumn, and The Beeves, along with Chicago’s ChinaRose, the full day of music is slated for Saturday, August 18th from 2PM-10PM at Boulder’s Twisted Pine Brewing.

Said festival organizer Jim Herlihy, “Separating children from their families is unconscionable and I wanted to do something about it. The long answer is that this is an event in a string of events that has left me feeling angry and helpless over the last couple years. I spend a lot of energy moving our music career forward and not enough time helping people in need. I genuinely love these bands that we got for this bill and I wanted to shine a light on this side of the Boulder scene and use it to help this cause. Bringing great musicians together to raise money for an urgent cause- I don't know if it gets much better than that.”

Tickets for day are just $6, and all proceeds from the Benevolence Benefit will be donated to RAICES, the Refugee and Immigrant Center for Education and Legal Services, which is a non-profit serving immigrant children, families, and refugees in Central and South Texas. Come out for the cause and get event details here.

Over the next few weeks, we’ll be bringing you details on each of the band’s on our lineup, so stay tuned!

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Mitchel Evan's Intimate, Informal Solo Debut Record Is Also A Send Off

By: Brody Coronelli

The newly solo singer/songwriter reflects on his former band, the experience that inspired his upcoming, informal debut The Little Horse Tapes, and how it drove him to seek rejuvenation back home.

Mitchel Evan.

Mitchel Evan.

The road to Mitchel Evan becoming a solo artist has been long and winding. It’s taken a complete uprooting from his home state of Virginia, the inception, prosperity, and disbanding of his former band The Mangrove, and past struggles with addiction and personal tragedy to lay the emotional groundwork for a career that has recently become entirely his own.

At heart, Evan has always been a solo artist. He writes forthright and honest music that strikes the arduous balance between being relatable and personally expressive, and although collaboration has often been a step between the creation and delivery of his work, his music has always been a vibrant extension of himself, above all else.

“The disbanding of The Mangrove was probably the best thing that ever happened to me artistically. The material for the band was written by me, for the band. It had a specific sound in mind. After awhile, I felt constricted doing this,” he says, “I’m really grateful that I had the Mangrove for three years, [though]. It allotted me a lot of time to experiment with different sounds, to work with a producer, to learn to record, and figure out how I like to write. It was the middle of the road; it was somewhere between being a solo artist, and being in a band.”

Since his band split for good late last year, Evan has yet to officially debut as a solo artist. This is where The Little Horse Tapes comes in. Recorded at Little Horse, a vintage music and bookstore in Louisville, CO that occasionally doubles as a recording studio, this six-track, live-to-tape cassette will be Evan’s first release since he struck out on his own.

The songs that comprise The Little Horse Tapes were written from a place of heartache, and released entirely out of circumstance. After Evan struck up a friendship with Ryan Sniegowski, Little Horse’s sound engineer, six songs Evan had written but didn’t have any plans of including on his debut LP It’s A Hell of a Drug, Nostalgia (due out this summer), suddenly found a home. Loosely, the tapes are a concept album; each stripped-down, acoustic track was written during a recent romantic relationship, and they document the beginning, middle, and end.  

“They’re all- more or less- hopeful love songs, but through the filter of my cynical mind,” he says.

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“Open Season,” the opening track of Side A, was one of the first songs Evan wrote during the relationship, and instead of it basking in the honeymoon phase, it projects to the end, foreseeing a future where he and the girl are no longer together. “I’m at the mercy of a fragile heart,” he croons on the song, coming to terms with his sensitivity and the mess it can make.  

“Cancel Out The Noise” is a breezy and irresistible folk song about relinquishing control to love. Evan sings of love as an entity that operates on its own terms, having come over him like a storm he couldn’t outrun.

“[It’s about me] falling in love, but I don’t like that I’m falling in love. I had just gotten out of a three-year relationship, and I was only single for three months before I fell again. I knew it was gonna be a long road, and that I didn’t have a say in the matter,” he says.

“I don’t wanna feel this way/I don’t wanna feel the way I do/And that’s your cue,” he sings on the chorus, acknowledging that his feelings are out of his control, but still ultimately remain his own.

“[The track is also about] acknowledging the illusion of free will. It’s been a crazy, very hard couple of months,” he says, “We have this illusion to wrestle our will into place and gain control over our lives, but we have control over so little that happens to us. We only have control over the way we respond to life.”

“I Can’t Stop Thinking About You” continues the theme of not having control over how we feel or what comes over us. It’s a slow-burning, magnetic song that uses simple, yet powerful imagery to portray the struggle of not being able to get someone off your mind. “I can’t stop thinking about you” is repeated throughout the song, mimicking the spiraling and redundant noise that love fills your head with. It features a slow, pulsing drum machine that quietly lulls behind the music like a pulse or a subway sonar, subtly stitching the song together.

“It’s supposed to be redundant and repetitive, because that’s how [love] feels. I [couldn’t] stop thinking about [her]; [she was] running through my head over and over like this cyclical pulse,” he says. “[The song] stays true to the cynical nature of [this record]. It was irritating that I was falling in love, and I was fighting it every step of the way, instead of allowing myself to fall.”

“Thirty Miles (Juliette)” is a quaint and stripped-down song about Evan uprooting himself from Virginia, coming to Colorado, and the doubts that followed, particularly towards the end of the relationship that inspired these songs.

“I’m an eternally restless person, and a lot of that has to do with not knowing if I should be in Colorado. This song documents the push and pull between being here and loving it and also missing my family, the humidity, the ocean, and the East Coast in general,” he says.

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These feelings of doubt have culminated, and Evan is planning on leaving Colorado soon and going back home on the East Coast for a few months. He isn’t leaving without a proper goodbye, though. He’s playing a release show for The Little Horse Tapes at Little Horse Books and Vintage in Louisville on April 14th. With opening acts David Burchfield, Maya Bennett and Many Mountains, the night is a celebration of local talent as well as an intimate send off for Evan; an artist that’s done everything he can to make Colorado feel like home, but still feels the irresistible tug of the Atlantic.

“I was overwhelmed by the circumstances that ended this relationship, and I felt really alone. I didn’t know how to cope with it, but I knew I needed a break, so I started planning a trip back home to reconnect, take a look at myself, be with people who love me, and to breathe and re-center,” he says.

While back home, he has a number of shows planned in Virginia, as well as the surrounding states. With big plans of touring the Carolinas, to play Washington D.C., and to make a stop in Nashville, the trip is also about bringing his music to new scenes and new audiences. After all, he has a lot to be excited about. The past year as seen Evan at his most fully-formed and prolific. He released Back and Forth, a full length album with The Mangrove last year, and he’s set to release It’s A Hell Of A Drug, Nostalgia this summer, in addition to The Little Horse Tapes. People on the East Coast need to hear his work just as much as he needs to reflect and re-center in a place that truly feels like home.

 ** Mitchel’s upcoming show at Little Horse Books has been unfortunately cancelled. 

Keep up with Mitchel here.

-Brody

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Allie Chipkin Dropping New Record 'Cascades' With Release Show This Weekend

“I have always gotten chills from the sounds of consonants and the patterns of poetry.”

That’s what Boulder’s Allie Chipkin told us, the singer/songwriter whose love of language it seems is really what started her performance career. Having studied Spanish and poetry in college at Boston Conservatory, Allie’s obsession for “the rhythm of words” is initially what inspired her early songwriting. In fact her senior year project was actually her debut record, Honey & Knives. As she started to record the album, she dove headfirst into studying her influences alongside her poetry classes- “Joni's lyrics, Ani's melodies, Patti's wild New York stories, as well as the harmonies of Sara Bareilles and Laura Mvula's R&B chord progressions.” Together, these artists blend into her sound, along with her own styles and musings.

Allie Chipkin. Photo Credit: Justin Camerer.

Allie Chipkin. Photo Credit: Justin Camerer.

Fast-forward beyond her graduation and Chipkin is now a Boulder-based resident about to release her follow-up EP Cascades. Recorded back in Boston with producer and collaborator Kevin O’Connell, Cascades explores in subject Allie’s time spent traveling over the past couple of years. This is obvious on tracks like “Seattle,” which includes percussive elements meant to emphasize rain. Other songs like “Lovesick” don’t directly have a wanderlust feel, but more subtly explore relationships. In fact, Chipkin told us this track is more specifically about the electric creative force behind Chipkin and O’Connell’s collaboration on the record.

Said Chipkin, “I’m ecstatic to release Cascades, because it came to life through the support of the many people in this world I love. This EP showcases talents, sounds, and inspiration from my creative colleagues across the country, and was generously funded by dear friends, fans, and family. Cascades feels like a crisp ‘high-five’ with everyone who has supported my artistic/personal journey thus far. This week, I send gratitude to those who share their love with me, and to anyone who has smiled or winked at me along the way.”

Artwork per Michaella Twersky.

Artwork per Michaella Twersky.

With the digital release of her record slated for this Friday, February 23rd, you have the chance to check out Cascades before Chipkin’s release show the following night at Longmont’s Still Cellars. She’ll be joined onstage by fiddler Oliver Jacobsen, and David Burchfield will open the night.

Make sure to join Allie this weekend and check out her newest release. You just might get the chills yourself.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Every 2018 Red Rocks Show Announced So Far

If you've ever been to Red Rocks, you know there's nothing like it. From the natural beauty of the amphitheater, to the friendly crowd vibes, to the dancing security guards, a Red Rocks show is like its own mini-festival atmosphere. We spend a good part of our spring and summer at the Rocks, and below you'll see why. We've compiled every Red Rocks 2018 show announced so far this year, and we'll update this post every Friday. Start planning your season now and keep checking back for more new shows- 2018 is gonna be a good one. See you on the Rocks!

January

January 12- Red Rocks Local Set with Dynamic Distractions, Venture Still

January 26- Winter On the Rocks with Rick Ross, Jauz, Brother Ali

February

February 16- Red Rocks Local Set with Sugar Ridge Band

March

March 10- Red Rocks Local Set with Many Mountains, Miguel Dakota and The Differents

April

April 18- Camila Cabello

April 19- 311, Method Man, Redman, Collie Buddz, PROF, Long Beach Dub Allstars, Chali 2na

April 20- Flosstradamus, Kayzo, Famous Dex, Melvv, DUCKY

April 21- Opiuo, Sunsquabi

April 25- Kygo, Alan Walker

April 27- Vulfpeck, Kamasi Washington, KNOWER

May

May 2- Post Malone, 21 Savage, SOB x RBE

May 3- X Ambassadors, Misterwives, Allan Rayman

May 4- Twiddle and Stick Figure with The Hip Abduction

May 5- Phil Lesh & The Terrapin Family Band with Leftover Salmon

May 6- Primus, Mastodon, All The Witches

May 10- The Purple Xperience

May 11- Tchami, Malaa

May 12- Global Dub Festival with Ganja White Night, Zomboy, Boogie T. b2b SQUNTO, EPTIC, AFK, Spock

May 13- Modest Mouse

May 14- Khalid

May 19- Above & Beyond

May 20- Elephant Revival with Blind Pilot

May 21- Phantogram, Tycho, Poolside

May 22- The Decemberists, Whitney

May 24- Louis the Child, Big Wild, Quinn XCII, Phantoms

May 25- Devil Makes Three with The Wood Brothers, Murder By Death

May 26- Emancipator Ensemble with Manic Focus, Wax Tailor, Kalya Scintilla & Eve Olution, Tor

May 27- The Disco Biscuits, Spafford, Organ Freeman

May 28- HAIM, Maggie Rogers, Lizzo

May 29- Five Finger Death Punch, Of Mice and Men

May 30- Vance Joy

May 31- Colorado Symphony: Rachmaninoff Piano Concerto No. 2, Brett Mitchell, Natasha Paremski

June

June 1- Michael Franti & Spearhead, Xavier Rudd, Victoria Canal

June 2- The Motet, Boombox, The New Mastersounds

June 3- Marshmello

June 5- Ween

June 6- Ween

June 7- Brit Floyd

June 8- Lettuce, The Floozies, The Funk Hunters, Jaw Gems

June 9- Big Head Todd and the Monsters

June 10- John Butler Trio, Tash Sultana, Mama Kin Spender

June 12- Bryan Adams

June 13- Turnpike Troubadours with Randy Rogers Band, Old 97’s, Charley Crockett

June 14- Ryan Adams, First Aid Kit

June 15- Odesza -SOLD OUT-

June 16- Odesza -SOLD OUT-

June 17- Dispatch, Nahko and Medicine for the People, Raye Zaragoza

June 19- Barenaked Ladies, Better Than Ezra, KT Tunstall

June 20- Kaleo, Anderson East

June 22- Widespread Panic

June 23- Widespread Panic

June 24- Widespread Panic

June 27- Dirty Heads, Iration, The Movement, Pacific Dub

June 27- Third Day

June 28- Funk on the Rocks with Chromeo, The Glitch Mob, Elohim, KITTENS

June 29- Avett Brothers with David Crosby & Friends -SOLD OUT-

June 30- Avett Brothers with Mandolin Orange -SOLD OUT-

July

July 1- Avett Brothers with Special Guest

July 2- Zeds Dead, Ekali

July 3- Zeds Dead, Ekali

July 4- Blues Traveler, G. Love & Special Sauce, The Wailers

July 5- Umphrey’s McGee, Lotus

July 6- Umphrey’s McGee

July 7- Umphrey’s McGee

July 8- Dark Star Orchestra with Keller Williams

July 10- Ray LaMontagne, Neko Case

July 12- moe.

July 13- GRiZ (live band)

July 14- GRiZ

July 15- Seal with the Colorado Symphony, Corinne Bailey Rae

July 16- Imagine Dragons, Grace VanderWaal

July 17- Jackson Browne

July 18- Sylvan Esso

July 19- Trampled By Turtles, The Oh Hellos, Dead Horses

July 20- The String Cheese Incident with JJ Grey and Mofro

July 21- The String Cheese Incident with The Main Squeeze

July 22- The String Cheese Incident with Rising Appalachia

July 24- Paramore

July 25- Killer Queen

July 26- Sarah McLachlin with The Colorado Symphony

July 27- Beats Antique, CloZee, Polish Ambassador, The Diplomatic Scandal

July 28- Tedeschi Trucks Band with Drive-By Truckers, Marcus King Band

July 29- Tedeschi Trucks Band, Drive-By Truckers, Marcus King Band

July 30- Halsey

July 31- Nas, Black Star, Push T, Brother Ali, The Reminders

August

August 2- HARD Red Rocks with DJ Snake, Virtual Self, Mija, GG Magree, Hekler

August 3- Lucero, Frank Turner & The Sleeping Souls

August 4- Yonder Mountain String Band, The Infamous Stringdusters

August 5- Joe Bonamassa

August 6- Steve Martin, Martin Short, The Steep Canyon Rangers, Jeff Babko

August 8- Portugal. the Man, Thee Oh Sees

August 9- Leon Bridges

August 10- Pretty Lights

August 11- Pretty Lights

August 12- Brandi Carlile with Shovels & Rope

August 14- LSD TOUR: Lucinda Williams, Steve Earle, Dwight Yoakam

August 15- Father John Misty, TV On the Radio

August 16- Joe Russo’s Almost Dead

August 17- Old Crow Medicine Show, I’m With Her, Sara Watkins, Sarah Jarosz, Aiofe O’Donovan

August 18- Railroad Earth, Fruition

August 19- THE CULT, Stone Temple Pilots, Bush

August 20- Niall Horan, Maren Morris

August 22- Nathaniel Rateliff & The Night Sweats, Tank and the Bangas -SOLD OUT-

August 23- Nathaniel Rateliff & The Night Sweats, Slim Cessna’s Auto Club

August 24- 1964 The Tribute

August 27- David Byrne -SOLD OUT-

August 28- David Byrne -SOLD OUT-

August 29- Illenium -ALMOST SOLD OUT-

August 30- Shakey Graves, Jose Gonzalez & The Brite Lites, Twin Peaks

August 31- Atmosphere

September

September 1- Gramatik

September 2- Jason Mraz, Brett Dennen

September 3- Jason Isbell and the 400 Unit with Aimee Mann and Amanda Shires

September 4- Lyle Lovett and His Large Band, Margo Price

September 5- Gary Clark Jr.

September 6- Lake Street Dive, Josh Ritter

September 7- STS9, What So Not, DJ Z-Trip

September 8- STS9, TAUK, Cut Chemist

September 9- O.A.R., Matt Nathanson

September 10- Mac DeMarco

September 11-  Rascal Flatts, Trent Harmon

September 12- NEEDTOBREATHE, JOHNNYSWIM, Forest Blakk

September 13- The Revivalists, Houndmouth, J. Roddy Walston and The Business

September 14- Gov’t Mule, Dark Side of the Mule, Warren Haynes Acoustic

September 16- NGHTMRE with Slander and JOYRYDE

September 17- Punch Brothers, Gillian Welch

September 18- Nine Inch Nails, The Jesus and Mary Chain, Tobacco

September 19- Nine Inch Nails, The Jesus and Mary Chain, Tobacco

September 20- Little Big Town

September 21- Trombone Shorty & Orleans Avenue, Galactic, Preservation Hall Jazz Band, New Breed Brass Band, Cyril Neville, Walter Wolfman Washington, Kermit Ruffins

September 22- Greenky Bluegrass with California Honeydrops

September 23- Greenky Bluegrass with Turkuaz

September 24- Beck, Jenny Lewis

September 25- Beck, Jenny Lewis

September 26- Ms. Lauryn Hill

September 27- Get The Led Out

September 28- Big Gigantic

September 29- Big Gigantic

September 29- 3LAU, Louis Futon, Party Pupils

September 30- Gregory Alan Isakov, Patty Griffin

October

October 1- Ben Howard

October 5- Snails

October 9- The National, Sharon Van Etten

October 11- Seven Lions

October 13- Rezz

October 20- Excision, SKisM b2b Trampa, Barely Alive b2b PhaseOne b2b Virtual Roit, Dion Timmer, Subtronics, Wooli

October 22- A Perfect Circle

October 28- ZHU

*All available tickets here.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: Augustus Release New Single "Demons" From Upcoming EP

By: Andrew Wright

In the dizzying internet world where all the different kinds of music thrown at you can be overwhelming, to the pop-dominated airwaves of half-dead radio, it is a touch of awesome nostalgia to hear simple, cool, straightforward rock and roll. The Boulder-based band Augustus are a call back to this music, the kind that simply exudes cool without trying.

“Demons” is the first single from the band’s forthcoming EP, which is due out in the spring of 2018. “Demons” is simple in its form as a rock song, but this is a good thing. The most important lesson I ever learned in music theory class was to write music and then have the theory make sense of it; in other words it’s ok to be simple when the music is actually good. Augustus have accomplished this powerful principle with “Demons,” making this band yet another solid one in the ever-growing pool of awesome talent in Colorado. With bluesy guitars under frontman Colin Kelly’s thick and reverb-y vocals, to the rock-heavy drum patterns on this track, “Demons” is a perfect wave of rock’n’roll.

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“Demons” is the first of two singles to be released from the band’s Denver Art Institute sessions, where drummer Jay Elliot is an adjunct professor. Members Jim Herlihy (guitar) and Chad Mathis (bass) tracked their instruments live at DAI along with Elliot (drums) and students from an advanced audio course helped engineer the sessions, making this song bleed even more Colorado music community vibes. The vocals and lead guitar were tracked at Casa Nostra Studios in Boulder by Kelly (vocals/guitar), with mastering by Dominick Maita.

Augustus have plans to release a music video for "Demons" soon. You can keep up with this four-piece rock'n'roll outfit and their next EP here.

-Andrew

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Daybreaker Is Officially The Best Way To Wake Up

By: Hannah Oreskovich

Last Thursday, I woke up at 5AM to don my best fur vest with some of Boulder’s happiest people. Yoga mat in hand, I headed to the Boulder Theater for what was the earliest door time I’d ever attended: a spry 6AM. Though it was still dark outside when I arrived, the inside of one of Boulder’s best concert venues was glowing. Ticket-checkers greeted everyone who entered with a hug and a twinkling, “Welcome to Daybreaker!” It was hard to keep even the most “I’m-not-a-morning-person” from smiling.

Inside the theater, DJ Falcon Punch was spinning disco funk tunes. Around me, people were spreading out yoga mats where concert-goers normally post up with a beer to catch a band. There was a lot of faux fur happening, and alongside it, yogis in onesies ranging from your classic Christmas pajama look to your Ninja Turtle of choice. Though it was early, there was no sign of sleep. People were ready to party.

Yoga Pod’s Dan Carbonell and Rob Loud led the morning sun salutations just as the horizon was lighting up outside. They made the practice playful while DJ Falconpunch continued to throw down some fun, meditative grooves for those long-held plank poses. Loud even recommended twerking during saddle pose, and more than one Daybreaker attendee took him up on it.

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After yoga, the bar opened at 7AM with a selection of green juice and tea. There were temporary tattoo stations and face-painting. More penguins, tigers, and unicorns twirled into the venue as the event's emcee, Drew Wyman from Shinesty, beckoned attendees to dance. Which they did. For the next TWO HOURS before most of them hit their day jobs. Somehow, the positive and creative space that Daybreaker fosters with this event will leave you more energized than any morning Starbucks ever could. The event almost feels like a mini Bonnaroo high-five session, jam-packed with love and positive vibes. People left the theater shining with gratitude and smiles, and though I rarely leave a music venue any other way, this was different. I actually questioned if I might be a morning person thanks to Daybreaker.

Daybreaker is coming back to Colorado, in Boulder Thursday, January 11th (details TBA) and in Denver at Club Vinyl on Wednesday, January 17th. Get tickets here and get to it! You don’t want to (hit) snooze on this one.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos per the author. All videos and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Review: Eric Dorr's 'Dream Routine' EP Showcases His Ability To Slip Into Many Corners Of Indie

By: Julia Talen

Boulder resident and eclectic musician Eric Dorr has recently released his debut EP, Dream Routine. Dorr moved to Boulder five years ago with his close friend and collaborator Sawyer Bernath after studying music at Temple University in his hometown of Philadelphia, Pennsylvania. Bernath produced Dorr's polished EP and much of it was recorded in apartments throughout the city of Boulder.

Eric Dorr.

Eric Dorr.

Dorr began playing music in high school band, the trumpet specifically, and that early inspiration definitely weaves into his EP with horns cropping up in many of the tracks. The tracks are quite surreal as the EP's title insinuates; the lyrics often connote dreams and consciousness as the tunes incorporate all sorts of sound, from keys, to overlays of whispers, echoing vocals, hazy instrumentals, horns, and even chimes. Many of the tracks reminded me of Dr. Dog; each song layers and builds while listeners can feel the emotion behind Dorr's vocals. Additionally, the EP's title works, because while every song reflects Dorr's musical interests and abilities experimenting with different sounds and various contrasts, the tracks have a similar formula or structure, like a routine. “Dream Routine” showcases Dorr's seamless ability to slip into and explore assorted sub-genres of indie rock.

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The EP begins with "Kerosene." Sturdy guitars and ample percussion thicken the introduction, which is followed by a beat of silence. Then Dorr's vocals come in, reminiscent of Ben Gibbard's, accompanied by harmonies and instrumentals which steadily progress as the tune unfolds. The end of the song propels us into the album with a culminating build that crescendos as Dorr sings "headed off into an endless dream."

As you move through the EP, you get a taste of Dorr's musical curiosities and wanderlust. The second track, "Around Again," shifts gears, radiating poppy vibes, as it opens with sugary "ooo's" and "ahhh's" that thread throughout the tune. The song builds, similarly to "Kerosene" and the forthcoming tracks, ending distinctively with a couple of verses from the tune sung in a more rustic, faded way, as if we are listening through a wall. It almost feels as though we are crossing time, getting a look into what the first pass of the tune sounded like before it went "around and around" through edits as Dorr added to it.  

Listen to Dream Routine:

"Leaves," the fourth track on the record, also emphasizes Dorr's ability to explore a more pop-indie-rock genre. This catchy, quick tune highlights the whimsical, reverberating keyboard as swift drum beats keep the track moving forward. Dorr's vocals, accompanied by the keys, reminded me of Keane. The lyrics compliment the contemplative themes laced throughout the EP with poetic verses like, "So familiar/Just like a dream… Countin' all the leaves/in the land of a thousand trees/reachin' up your sleeve/for all that use to be." "Leaves" uses lyrics and musical experimentation to navigate themes of dreams and memory as sounds swell and drift away over and over.

Later we hear "The Loss," possibly the tune that ties all of Dorr's musical directions together. The track starts out swaying slowly and moves forward into a catchy refrain echoing the introspective theme of the tune. The backup vocals and Dorr croon, "It won't let go, let go, let go/It won't let go of me/I can't let go/It won't let go of me." Captivating, experimental, and slightly electronic keys interpose between the refrain and verses, and launch forth after the second verse. Everything begins to evolve and grow as the lyrics "a quarter short of a diamond hand" repeat. This song reminded me of something that could be on Dr. Dog's album Fate. "The Loss," surveys a plethora of sounds and instruments within the span of five minutes, from echoing vocals, interesting drums and cymbals, and groovy keys. Though this tune starts out slow, momentum surges as Dorr layers on different resonances that you might not expect to blend, but they do, making the track super stimulating and perhaps my favorite of all.

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Dorr has laid it all out on his short EP. He showcases his ability to slip into the many corners of indie music, and he is not afraid to take on diverse sounds, instruments, and styles. Dorr said in a recent interview regarding his EP that he, "wants to have a few different styles to catch someone’s ear. [My] goal for the next project will definitely be to see how this next couple of months go, how the EP is received… and push in a more specific direction." Though "Dream Routine" navigates all sorts of musical sounds and directions, the consistent builds and structure of each track, along with the introspective thematic content tie the tunes together. See for yourself as Dorr continues to tour and perform tracks from this EP. His next show is Saturday, December 16th at Hunter Bay Coffee Roasters in Arvada.

Keep up with Eric Dorr here.

-Julia

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Start The Workday Off Right With Daybreaker Boulder This Thursday (11/30)

This Thursday, November 30th, it’s all about the onesies. Boulder’s Daybreaker party is back, this time at Boulder Theater where the theme is “Furries and Onesies.” The crazy dance party, with a yoga practice pregame, has become an international sensation inspiring people to come together for a morning of fun to “seize the day” before heading to work.

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“We are so excited to have grown this event and host it at the Boulder Theater.” said Rachel Namordi, event organizer. “Our community has fully embraced this global movement, and we love that they want to start their day with movement, gratitude, and connection all before work and completely sober. We’re beyond inspired by how this has impacted people’s creativity at work and life, and how it’s brought multi-generations together through the love of dance, yoga, and real connection.”

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The morning’s yoga session will be hosted by Yoga Pod Boulder’s own Dan Carbondale and Rob Loud. Coffee, healthy juices and snacks, live performances, and free giveaways are just some of the things attendees can also expect to be included in the experience.

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Daybreaker Boulder will also help benefit local nonprofit Attention Homes for this event, the only shelter for youth in Boulder County. Attendees are asked to bring gently used clothes to the event to be donated to the organization.

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Yoga starts at 6AM; the dance party is from 7AM-9AM. Yoga & Dance tickets are $35 and Dance Only tickets are $25. Groups of three or more can get Dance Only tickets for $20 each when purchased together. If attending yoga, yogis are asked to bring their own yoga mat. For more information and to get tickets, click here.

See you in your best onesies, Boulder!

Action Bronson Bringing Blue Chips Tour To Boulder Theater (11/15) & Denver Ogden Theatre (11/16)

Action Bronson, the weed-loving hip-hop-artist-turned-Munchies superstar will grace the Boulder Theater stage this month. Bronson, who is currently touring on his record Blue Chips 7000, is known to rap about his love of food when he isn’t teaching you how to properly choose the right heady glass for your favorite strain of the devil’s lettuce.

Action Bronson.

Action Bronson.

Bronson released his first studio record, Dr. Lector, back in 2011. But it wasn’t until his fourth release, Saab Stories, that Action Bronson picked up steam. In 2012, he signed to Goliath Artists, was featured on an Odd Future track, and wound up joining Warner Bros. Records. He hit Coachella in 2013 and scored his Munchies debut with Vice in 2014. Blue Chips 7000, which dropped earlier this year and is the third release in a Bronson mixtape series called “Blue Chips,” has been said by Pitchfork to have, “cheeky, relentless verses to match the energetic funk he’s best accompanied by.”

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Snag tickets for Action Bronson’s 11/15 show at Boulder Theater here or to his Denver Ogden 11/16 show here. Bronson will be joined at the show by Trash Talk and Mayhem Lauren. Get details in the Facebook event.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Danny Shafer Bringing Back Open Stage Nights At New Boulder Venue

By: Elizabeth Lee

Singer-songwriter Danny Shafer will be bringing his Open Stage nights back to Boulder starting tomorrow, Tuesday, November 7th. After a 16-year run hosting the open mic night at Boulder’s now defunct Conor O’Neill’s, Shafer is ready to reconnect with the amazing community he’s helped create over the years at a new venue. Here at BolderBeat, we’ve heard stories from numerous local musicians who started playing out at Danny’s previous open mic night, so his new stage is sure to bring even more local talent together.

Danny Shafer.

Danny Shafer.

With over 200 shows a year on his own, Shafer has been bringing his original country and bluegrass tunes to audiences at venues such as The Rocky Mountain Folks Festival, The Boulder Theater, The Fox Theatre, and Swallow Hill as well as many others across the country. His acclaimed songwriting skills and fingerstyle guitar are a treat to witness in person.

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For a fun night of tradition, community, and awesome music, be sure to catch Shafer’s Open Stage every Tuesday at Boulder's new Oskar Blues Taproom (formerly World of Beer). You can sign up for 15 minute sets starting at 7PM and the music begins at 730PM.

RSVP on Facebook and keep up with Danny here.

-Elizabeth

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Review: Pat Ice Injects Hip-Hop Tunes With "Krispy Vibes"

By: Allan Tellis

Hip-hop, like any other art form, requires innovation. Unfortunately, hip-hop specifically can have the propensity to be stagnated and stuck on the dominant sound of the culture at the moment. Due to the speed at which changes in hip-hop move, it is even more obvious when artists are riding the wave or coattails of the current trends in the genre. As one half of the duo Pat Ice, Boulder artist and New Orleans native J-Ice is focused on shaking that stagnation and pushing the culture forward. His partner in crime, Play Pat, is a production-focused artist who infuses his trip-hop, blurry vibes into the duo’s interesting style. Their sound  is innovative, yet draws back on many of the technical skills cemented by the founders of the genre.

J-Ice.

J-Ice.

Although the group’s music has the ability to get a party lit, it doesn’t compromise the lyrical skill set that so many emcees hold in high regard. It also doesn’t particularly ride the sound pattern of current club music with heavy trap snare lines or West Coast funk-laden influences. Pat Ice has managed to create their own sound, which is a feat in itself in today’s hip-hop arena. Their smooth sonics, or as J-Ice phrases it, “krispy vibes,” can be found most notably in their tracks “Don’t Get Offended” and “Online.” These melodically upbeat, yet slow tempo tunes make the perfect backdrop for a relaxing drive through the city or a kickback in the living room with your closest amigos.

Pat Ice also has a strong lyrical pedigree, flexing his wordplay on tracks like “Ripple Effect,” so don’t let the group’s laidback vibes give any of you whack rappers any ideas. Overall this Boulder hip-hop duo is definitely worth checking out.

-Allan

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

White Denim & A Shadow of Jaguar Will Keep You Alive After The Dead

White Denim.

White Denim.

White Denim are rolling into Boulder for a Post-Dead Late Night Party at The Fox Theater this Friday night. That’s right! If you are not quite done dancing the night away after The Dead & Company show at Folsom Field, you can head on over to The Fox for a continuation of rock & roll tunes. So lace up your shoes, shake off those jam band vibes and get ready for crunchier, punchier driving drum beats and ripping guitar solos to wrap up your night of music.  

Watch White Denim's "Ha Ha Ha Ha (Yeah)" music video:

White Denim hail from Austin, Texas and have become well known for their unique classic rock approach. Their most recent album release was Stiff, which they dropped last year. The band teamed up with Ethan Johns to produce the record, and collaborated with Cass McCombs to write the track, “Thank You.” The album was a sweet sixteen of sorts, leaving behind the group’s less mature garage rock sound and stepping into a more bluesy, retro rock sound.   

NYC’s A Shadow of Jaguar will be opening the evening. We last caught up with this blues rock duo after their release of their music video for the track “Keep On Knockin’,” which was filmed in Boulder. This band actually formed in Colorado, so their return back to these roots of sorts should be a kickin’ time.

Rumor has it these boys all know how to put on a show. Get your tickets here!

 -Sierra

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Niwot's Curse Play Illegal Pete's On Pearl This Thursday (06/01)

By: Hannah Oreskovich

This Thursday, June 1st at Illegal Pete’s on Pearl, Niwot’s Curse have their first official show. The Boulder five-piece band consists of Four Horse Johnson (vocals/guitar), Dave Long aka Mr. Long (vocals/guitar), Ben Gaubert (bass), Derek Cibere (drums), and Amber O'Hearn (vocals). Though it’s their first official gig in Boulder, Niwot’s Curse are well-known in these parts. Frontman Four Horse Johnson played many an open-mic at the now defunct Conor O’Neill’s Irish Pub, and his songs have even been covered by bands including Augustus. Four Horse is a bit of a character, and that’s ever-present in his witty lyricism and rock’n’roll onstage demeanor. And as Four Horse says, Mr. Long is his perfect musical counterpart, so in honor of the band’s first billed show, we sat down with Four Horse Johnson and Mr. Long to learn more about Niwot’s Curse and their plans to rock out this summer. Read on:

What are the origins of Niwot’s Curse?

Mr. Long: The origins go back to the curse itself. Myself, Derek, and Four Horse are lifelong Boulder residents who wouldn't be here if not for Niwot's Curse. Everyone met organically by playing at Conor O'Neill's open stage, where we all came together and formed the band.

How long have you been playing together then?

Mr. Long: Nine months.

Niwot's Curse recording at   Cosmic Collective

Niwot's Curse recording at Cosmic Collective

What can patrons expect from NC’s first official gig?

Four Horse Johnson: A powerhouse band of talented musicians blowing the roof off the place, with energy to spare and super catchy tunes.

Illegal Pete’s is one of our favorite Colorado supporters of local artists. Tell us why you’re stoked to play there for your first gig.

We love the vibe- their support of music comes from the top. We’d like to thank Derek Warwick for booking us. We all go there all the time- it's a great place with good food and inexpensive drinks too.

We know you’ve been recording in the studio. Talk to us about what you’ve been laying down and who you’ve been working with.  

Mr. Long: We recorded eight songs live at Cosmic Collective and they were recorded by Eric Plein. They were mixed by Ray Smith, who is well known for his work on the Muscle Shoals soundtrack and with Strangebyrds. They are mastered and sound great in stereo and all. We decided to release five of the tracks and they are available for streaming or download on our Reverbnation. We just also submitted one song to iTunes and Spotify. We are very proud of the tracks and plan to record more songs at Ray's studio in Rollinsville soon.

Is “Tame Me” based on a personal experience?

Four Horse Johnson: Yes it is. But it's a universal theme to a lot of relationships that I think men and women go through- the, ‘I love you, now change yourself’ bullsh*t.

What inspired your track “Wine Tasting From Hell”?

Four Horse Johnson: The song is based on a true event in my life. I wrote it on the train to Paris. I was new in a relationship and we fell in love hard and fast. That night nipped a budding romance at the bud. It was one of the most traumatic events of my life. The lyrics that tell the story are some of my best verses I ever wrote. The tragedy of it all is summed up in the final verse, ‘Love was at our fingertips. Now I know it don't exist. I won't forget our last kiss. The taste of vomit on your lips…’

Four Horse Johnson doubles at The Most Interesting Man In The World. 

Four Horse Johnson doubles at The Most Interesting Man In The World. 

So what else can we expect from Niwot’s Curse this summer?

Mr. Long: We are moving our rehearsal location to Niwot, appropriately. We are playing in Lyons this weekend at Burning Barn, followed by a set at Johnny's Cigar Bar on June 17th. Since we released our new music, we're getting a lot of interest. We are interested in booking shows later in July and August and ask any bands or venues that want us to contact us as we ramp into the scene.

Nice. Four Horse- I’m going to ask the question all the ladies want to know. Will you be wearing your all-white suit to the gig this week at Pete’s?

Four Horse Johnson: Yeah if I can get the beer stains out of it…

So there you have it. Make sure to stop by Illegal Pete’s this Thursday night for Niwot’s Curse- details here.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Reinventing the String Band: Darol Anger Forges A New Tradition

By: Riley Ann

String players in the Front Range had a real treat this past weekend. Living legend Darol Anger and the Republic of Strings, which features violinist Enion Pelta-Tiller of TAARKAand Joy Adams of Half Pelican on cello, hosted a workshop at Naropa before performing a concert in the evening on Sunday, April 23rd as the conclusion of their most recent Front Range tour. The full ensemble, which included Emy Phelps on guitar and vocals, Mike Robinson on guitar, and Eric Thorin on bass, played an evening concert the same day.

Darol Anger. 

Darol Anger. 

Darol Anger has made an indelible impact on the evolution of the fiddle. From his early days with David Grisman to the Turtle Island String Quartet, and his 2012 release of Chops & Grooves with Rushad Eggleston and Casey Driessen, Anger is no stranger to stretching possibilities and breaking rules through innovative techniques. His Fiddle-ology workshops are aimed at sharing these techniques that Anger helped developed in contemporary styles, techniques which transcend any particular genre. “I’m a failed classical player,” Anger laughed, “but that’s why I teach: to be the teacher that I wish I had.”

Nearly 50 string players attended the workshop, including fiddlers, cellists, mandolin players, and a harpist. Ages and experiences ranged as well, from kids under 12 who have played most of their lives, to touring professionals who make their living performing music, and adults who have recently picked up their instrument for the first time in decades, or recently picked it up for the very first time. Each participant shared their journey with music. “I played violin as a girl and put it down for a few years, but I just picked it up again after retirement,” said one fiddler, smiling. Another shared, “I’ve played professionally in symphonies for years, but you don’t get much exposure to music like this in Miami.” Despite their differing paths, all of the participants were looking to expand their musical vocabulary, whether it was getting out of habitual solos, diversifying their backup techniques, or even learning to break away from classical training to freely improvise.

Phelps, Thorin, & Robinson.

Phelps, Thorin, & Robinson.

The Republic of Strings are the perfect performers to share these techniques. Philosophically, the ensemble disregards limitations and borders. As articulated in their bio, “Our shared Republic Of Strings’ imaginary borders extend through all geographical or other imaginary borders, and we accept no unsightly cultural boundaries. We revel in variety and seek to deeply understand.” Such is true musically as they blend the folk music spanning the world, including Scandinavia, Africa, South America, urban America, Appalachia, and more with neo-classical, blues, jazz, hip-hop, bluegrass, and postmodern influences, ultimately weaving together a new tapestry of music that defies compartmentalization in any genre or style.

Pelta-Tiller & Anger.

Pelta-Tiller & Anger.

The partnership between Pelta-Tiller and Anger is also unique and longstanding. “Darol and I have been friends for a very long time,” said Pelta-Tiller. “I grew up listening to him in the Bay area and would go see him with my parents when I was really little. After college I was staying at my parents, and I took some lessons with him,” she said. Since then, they have taught at some of the same fiddle camps and see each other at festivals. “We’ve been friends for a long time, and I’m really excited to be able to bring him out here,” she said.

Joy Adams.

Joy Adams.

Although this was the first workshop of its kind at Naropa, Anger and Pelta-Tiller are considering the possibility of doing more area workshops in the future and even expanding what those workshops offer. The full calendar of events can be found on Naropa’s website, including this summer’s Creative Music Workshop, which focuses on improvisation. Pelta-Tiller and Adams are also both teaching at the Rustic Roots campfire jamming camp in Moffat, Colorado this August.

-Riley

Find out more about me on my blog.

All photos per the author. This feature was edited for brevity and clarity by BolderBeat.

An Evening with Paul Kimbiris & Other Singer/Songwriters at Denver's Walnut Room

By: Mirna Tufekcic

There are a lot of singer/songwriters. Let me rephrase that: there are a lot of singer/songwriters just within the radius of Boulder-Denver, Colorado.  

If  you’re not into the singer/songwriter thing, you can stop reading now. Otherwise, please continue:

Me, well, I have a visceral experience listening to singer/songwriters tell stories and pour their hearts out in black and blue. But, there’s a fine line demarcating a good singer/songwriter. Don’t worry! I’m not about to criticize or bash anyone. That line is for you to draw, depending on what you prefer; what makes your ears perk and your soul vibrate. As for me, I like to keep a wide periphery and experience the journey a musician or a band will take you on. So, naturally, two weekends ago when I went to The Walnut Room in Denver with singer/songwriter Paul Kimbiris to hear him and five other musicians play for an attentive audience, I was very pleased by the variety of sounds and experiences each artist brought onstage. The event, titled “Under the Radar: Singer/Songwriters You Should be Listening To,” was put together by HomeVibe, a production company specializing in high quality intimate shows that take on a living room feel.  And let me tell yah, that it did.    

Paul Kimbiris.

Paul Kimbiris.

I hitched a ride with Paul down to The Walnut Room, since we both live in Boulder, and used it as an opportunity to mine his brain for an inside scoop of a singer/songwriter. It wasn’t the easiest task.    

“I think about a lot of dark stuff,”  Paul said.

His last album The Dark Side of Pearl was released in 2014. It is dark; rather melancholy at times but definitely heartfelt. If you want to read a review on it, you can here, but you really should just listen to it and judge for yourself. The latest Kimbiris news is, however, that Paul has an upcoming EP to be released this spring/summer. And it’s going to be different than his last work.

“I don’t wanna be a downer. It feels good to make people dance.” he told me.

This EP will be more upbeat and rock and roll. Paul likened it to Bob Dylan’s song “Like a Rolling Stone,” saying, “it’s a lively tune with a rather dark message.” 

Life in the green room.

Life in the green room.

Immersed in conversation, Paul missed our exit off Hwy 36 that was to take us straight to the venue.  

“We’re actually going to Mexico. I know I told you we’d be going to see some music, but really, we’re just flying out to Mexico. You got your passport, right?” he joked. I wish.

Paul’s been living in Boulder for several years now. He is originally from Greece but grew up in Philly. He has a home in Greece, and he plans to take advantage of that this summer by flying there and playing some music.  

“I feel like I’m missing out on life. I keep saying I want to do this and that, but then I just sit around and watch it all pass by. I should do more. I think I will.”  

Paul mentions he’s also interested in setting up a tour, though he fears being on the road all by himself would send him too far down the rabbit hole. So, for now, Paul writes songs for TV shows and flies out to California to do the recordings, and that’s mainly how he gets his name out besides doing shows like the one at The Walnut Room.    

Jacob Russo.

Jacob Russo.

Once we arrived at the venue, we were greeted with friendly, excited faces. In the green room, the energy was chill and supportive as performers warmed up with guitars in hand. Shortly after our arrival the first artist was up.

Jacob Russo was a bit of a version of Gregory Alan Isakov. I don’t really know what that means. That’s just the vibe I got. You know, the one that takes you to secret fairy gardens of magic and sparks…

Andy Palmer.

Andy Palmer.

Andy Palmer followed with a strong, powerful presence. My favorite part about his performance was when he laid down his guitar, picked up two copper mugs (Moscow Mules, anyone?), and sang poetry as he banged them together. This guy is rad.   

Wes Cichosz closed the first set by wooing the crowd with his guitar skills, shredding the blues all over the place. He broke the pattern of the typical singer/songwriter by opening his set with fast-paced, finger-picking blues rock, which raised the vibe in the room a few notches. He is definitely a very talented artist, who also plays the sax.  

It was time for a set break, so I continued to chat with Paul. He was opening the second set. I asked him if he gets nervous before he has to go up. He shook his head no, but I wasn’t convinced. He kept pacing around and seemed a bit restless. So I asked him a few questions about his history as a musician.  

“I’ve been playing music for a long time. My first gigs were in college with a band I was the lead singer of. It was a great way to meet girls.”  

But, according to Paul, he’s only become good enough to do his solo thing over the past few years. He got his affirmation to roll solo when some fellow respected singer/songwriters invited him to jam and open up for their gigs after seeing him play one of his early shows at Boulder’s Shine.  

“I remember back when Shine first opened and I asked the managers to play a solo gig there, unsure if anyone was even going to listen. Then Gregory Isakov and friends showed up and liked my set enough to come up and tell me I got my pulse on something good.”  

When I asked him where he gets inspiration to write, he responded with, “So many things inspire me to want to write music. Some are just everyday scenes of life, you know, like when you see the sun and sky reflected on a steel casket at a funeral. Happy things like that.” His dry humor is quite endearing.

Paul & Nina.

Paul & Nina.

Paul was up. He captivated the audience, accompanied onstage by Nina Fronjian on the violin and as backup vocals. She’s toured with Gregory Alan Isakov as part of the Ghost Orchestra, and Paul met her at one of Gregory’s shows backstage awhile back. As I listened to Paul’s raspy voice with his old Martin guitar in hand, the image of The Old Guitarist from Picasso’s blue period came to mind. That was the vibe and the experience of Paul’s set at The Walnut Room.

Dave Tamkin came up next, painting beautiful imagery with his guitar, while his voice projected passion and honesty. He’s originally from Chicago, but these days he lives in Boulder and is quite a prolific artist. He brought Wes onstage for one of the songs to play the sax and it was lovely.     

Larry Nix, Denver’s recent import from Alabama, closed the evening with some pretty hardy country tunes. I think his intention was to transport you somewhere deep in the swamp lands of the South; he is quite the southern gentleman.    

Overall, “Under the Radar” was a well-curated event, though they should have featured female singer/songwriters too. Other than that, the experience was enjoyable and satiating. So humble readers, if you’re into singer/songwriters and want to delight in some local artists, then you should keep an eye out for these fellas playing around town. They’re totally worth your trip.

Paul’s next show is in Boulder at the Bohemian Biergarten on Friday, January 27th. Details here.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Cameron Bailey Debuts New Music at Cosmic Collective Concert

By: Hannah Oreskovich

We last caught up with Cameron Bailey at the end of the summer, shortly after he dropped his debut EP A Boy And His Guitar. The Boulder singer/songwriter, who threw down every track on the release in just one take, has continued his laid back and honest live style with a release this month from Cosmic Collective.

Cosmic Collective, which is part rehearsal studio, part recording studio, and part art hangout has turned into quite the Boulder music haven over the past year. The success of their podcast and live recording sessions have sparked the interest of local and national artists and fans alike.

As such, it was no surprise that Bailey debuted new music at his CC set, including the track “Surely There,” which is a particularly great listen for the snowy days we’ve had recently. Bailey's vocals are raw, charged with a twangy energy that keeps you caught in his candid storytelling of love lost and nostalgia remembered over the bareness of his lone guitar.

Check out Bailey’s live studio concert at Cosmic Collective:

Bailey has plans for a new release in 2017; keep up with his tour dates here. And check out more live studio sessions from Cosmic Collective on their Soundcloud.

Listen to more of Bailey's music on his Spotify:

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Victors & Spoils' Mustaches and Man Glands for Movember Event Tonight

By: Hannah Oreskovich

Doesn’t everyone love a good mustache? We do. And that’s why we thought you’d better know that Victors & Spoils in Boulder is hosting an event called Mustaches and Man Glands for Movember tonight. Man glands? Yes. We said it.

Victors & Spoils, which sits on the corner of 19th and Pearl, is an advertising agency that “opens its creative and strategy process to people around the globe.” But tonight, the joint is going full-barbershop mode for a good cause. Artists from VooDoo Lounge will be posted up at V&S to trim your man beard for a suggested donation of $20. They’ll help you transform your pre-winter scruff into the mustache of your dreams (maybe try one of these?). The entire event benefits the Movember Foundation, with 100% of proceeds going to Movember for prostate cancer research. The first shave starts at 4PM and the last snip is slated for 7PM.

Join the Facebook event for more info.

Or put your man gland balls to the wall and sign up for a trim here.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Boulder's Pearl Street Music & Arts Festival Kicks Off Tonight

By: Hannah Oreskovich

Blind Pilot. Yonder Mountain String Band. Langhorne Slim. What do these three talented acts have in common? They’re headlining the Pearl Street Music & Arts Festival, which kicks off tonight and lasts the whole weekend!

The Pearl Street Music & Arts Festival, which showcases local and national music acts at several venues across Boulder’s Pearl Street, starts at Rembrandt Yard Art Gallery tonight at 530PM with a Songwriter’s Workshop from Elephant Revival’s Dango Rose. From there, there’s a massive list of artists to see at various digs throughout the weekend. Whether you’re looking for a soulful serenade over coffee, (check out The Constellation Collective at The Laughing Goat) or you want to boogie down over brews (get to The Other Black at The Lazy Dog), there’s a show for you! Some of the weekend’s events are free, and others are ticketed, so make sure to get your details on that here.

All proceeds from The Pearl Street Music & Arts Festival go to The Future Arts Foundation and The CAN’d Aid Foundation. Both support local music, art, and more, which makes your entrance a donation to awesome organizations. It’s a win-win!

So get out and do some good this weekend by living local. Check out The Pearl Street Music & Arts Festival’s full schedule for November 17th-20th here.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Get Funky Tonight with Orgone and The Pamlico Sound at The Fox Theatre!

The Pamlico Sound. 

The Pamlico Sound. 

One of Boulder’s favorite funk outfits, The Pamlico Sound, are baptizing souls again tonight at The Fox Theatre. The talented TPS have been playing a ton of hotspots recently, including Ophelia’s, Dickens Opera House, and The Lazy Dog. The eight-piece played The Fox back in February as well, opening for Denver’s Analog Son. Tonight, TPS is sharing the stage with California’s traveling funk/soul band Orgone. The also eight-piece group are touring on their most recent release, “Beyond The Sun”. Check it out below and get your tickets tonight to show here! We love supporting local openers and can’t wait to see The Pamlico Sound bring down the house yet again before Orgone takes the stage for a funkadelic performance.

Fans of The Pamlico Sound can get $4 off normal ticket prices by purchasing their tickets at the link above and using the promo code BRASS. Show your love for the band and save some money! Discount online purchase only.

Listen to Orgone’s “Beyond The Sun”:

Check out more from The Pamlico Sound on their Facebook. Visit Orgone’s website right here.

-Hannah

Follow Hannah on twitter and instagram.

All photos, videos, and embedded tracks per the artists featured. This feature was edited for brevity and clarity by BolderBeat.