From Check-In to Check-Out, Hotel Boulderado Provides Luxury Amenities, Historic Charm & Amazing Entertainment

By: Hannah Oreskovich

From check-in to check-out, Hotel Boulderado has all the bases covered for an amazing stay: beautiful rooms built for comfort and charm, a formal and fresh dining experience at Spruce Farm & Fish, poppin’ energy at The Corner Bar, and a nightlife scene of curated cocktails, boot-stomping shows, and skeeball at License No. 1.

Hotel Boulderado.

Hotel Boulderado.

Opened on New Year’s Eve 1908, Hotel Boulderado stands as the first luxury hotel built in Boulder, Colorado. Now a City of Boulder landmark and a member of Historic Hotels of America, the five-story brick building was originally designed by local architects William Redding & Son. Featuring a stunning stained glass lobby ceiling, rich woodwork on every floor, and both modern and classic furniture pieces throughout the property, there’s no doubt the Hotel Boulderado has maintained its luxurious aesthetic over the years.

The author in Hotel Boulderado’s lobby.

The author in Hotel Boulderado’s lobby.

Last weekend, I had the opportunity to stay in the hotel’s Historic King Suite, which features Victorian-era decor, a spacious sitting area with amenities like fresh spring water, and plush Boca bathrobes perfect for winding down your day. The floral wallpaper, iron headboard, and soft colors of the room add to the suite’s beautiful decor details while the room’s vintage desk area allowed me to get some much needed work done before exploring the rest of my stay.

The floral victorian-era decor of the Historic King Suite’s sitting room.

The floral victorian-era decor of the Historic King Suite’s sitting room.

Beyond their stellar room accommodations, Hotel Boulderado houses three incredible businesses under their one roof: Spruce Farm & Fish, The Corner Bar, and speakeasy License No. 1. After checking in and touring the property, I stopped by Spruce to make a reservation for dinner. There wasn’t an empty seat in the farm-to-table restaurant. With a little time before my reservation, I headed to The Corner Bar’s patio for a pre-dinner drink. Located just off of Boulder’s iconic Pearl Street Mall, the bar’s patio area allowed for ample people-watching. Inside, several patrons watched the Denver Nuggets game on television; others were crowded at tables sampling the spot’s small plates, burgers, and beers. A mix of hotel guests and locals, The Corner Bar served as an excellent start to my evening.

Spruce Farm & Fish let me know my table was ready about 30 minutes in to my Corner Bar stop, so I finished my Cabernet and headed to dinner. Though the Corner Bar shares some of the more casual eats from Spruce, Spruce offers an extensive seasonal menu with items you can’t find anywhere else. I sampled the Blue Crab Cakes appetizer (delightful and paired with citrus), the Sweet Pea & Mint Linguini (phenomenally fresh with a soft poached egg and delectable English peas), and the Crème Brûlée (a tasty rich custard with fresh berries and a perfectly caramelized top). The wait staff was exceptionally friendly and willing to talk through recommendations while also providing an opulent dining experience.

After dinner, I wandered downstairs to the hotel’s nightlife joint: License No. 1. There is an entrance from the hotel lobby, so guests never have to leave the property. Alternatively, the spot also has an entrance on 13th Street, a run which features several other Boulder bars. Though License No. 1 is perfectly located for a night of bar hopping Boulder’s downtown, there is so much to do inside of its beautiful brick walls that I never left. Along with its more formal seating rooms, the speakeasy also features a game area replete with a pool table, darts, skee ball, and a photo booth. Partnered with great live music in the venue’s listening room, I was constantly entertained by everything there was to do at License No. 1.

Banshee Tree.

Banshee Tree.

Known as the place where Boulder’s first liquor license was issued, License No. 1 features live music every Thursday-Saturday. Saturdays typically showcase Boulder’s Banshee Tree, a talented four-piece who blur the lines between funk, blues, and gypsy jazz. Comprised of Thom LaFond (vocals, guitar, piano), Jason Bertone (upright bass, shouting), Nick Carter (violin, fiddle, hollering), and Michelle Pietrafitta (vocals, drums), Banshee Tree’s skillful instrumentals and strong rhythm section had an entire room of 50+ people boogieing from wall to wall during my visit. It proved impossible to make my way to the front for photos, so I danced near the back before eventually finding a seat to sip one of the bar’s specialty cocktails, the Boulder Mule. Served in a copper mug, the delightfully refreshing drink is a combination of vodka, St. George pear liqueur, house ginger cordial, and vanilla ginger syrup perfect for summer. License No. 1 has an entire book of custom cocktails, some spirit-heavy; others floral focused or sweet. Much like everywhere else I’d been at Hotel Boulderado, the staff were friendly and enjoyed talking about the menu’s different drink options.

As Banshee Tree continued on, the crowd only grew larger. Formed in upstate New York, Banshee Tree have been living and playing across the Front Range now for years. They’ve played a number of Colorado music festivals, so catching them in the intimate environment that is License No. 1 is a serious treat! The band call themselves a “diverse blend of dance and improvisational styles,” making them easy to groove to or just interesting to hear if you aren’t the dancing type. Banshee Tree’s tunes feature long instrumental stretches, giving patrons ample time to stomp around. Each member of the band is equally skilled at their instrument(s), so songs featured guitar, standup bass, and fiddle solos while Pietrafitta kept up the dancey drum backbone of the tracks. The band broke their night up into two long sets, so during their intermission I had time to explore the venue’s gaming area and snap some shots in the License No. 1 photo booth. Banshee Tree had patrons bouncing well past the midnight hour and since the crew is jetting on tour soon, so I highly recommend catching a show near you this spring!

The historic check-in area at Hotel Boulderado.

The historic check-in area at Hotel Boulderado.

As the night came to an end, I wandered back to my room for a sweet surprise. The Boulderado offers a turn-down service in the evenings, complete with a gift of chocolate truffles from local chocolatier Lift Chocolate. Needless to say, I capped my night with the Grand Marnier and Raspberry truffle selection before drifting off to a very comfortable rest.

No matter the vibe you’re looking for in your next Boulder stay, Hotel Boulderado has something for everyone with an unparalleled excellence in dining, nightlife, and accomodations. Whether you’re booking for business, a wedding, or for pleasure, their staff aim for every guest to have a personalized and elegantly hospitable stay from start to finish. Their lavish amenities are the perfect perk, and historically, there is nothing else like Hotel Boulderado in town.

Hotel Boulderado is offering two special experiences with your stay this spring: the Downtown Boulder Shopping package and the romantic Colorado Clear Skies Stargazing package. To book the Historic King Suite I stayed in, or to see the hotel’s other suites, visit this link. Learn more about Hotel Boulderado here.

All photos, videos, and embedded tracks per the artists or venues featured and those credited. This feature was edited for brevity and clarity by BolderBeat. This feature is partially syndicated and some pieces originally appeared as part of a series on blondontherun.com.

Portugal. The Man Proved Their Reign In the Pop Rock Sphere at Recent Red Rocks Show

By: Hannah Oreskovich

The Lords of Portland landed in Morrison, CO yesterday at Red Rocks Amphitheatre. Portugal. The Man, the progressive rock and recent “Best Pop Performance” 2018 Grammy winners made a sold-out stop at the Rocks between summer festival performances. Formed by John Gourley in 2002, Portugal. The Man originally started as a side project to Gourley’s group Anatomy of a Ghost. After a move to Portland from the group’s origins in Wasilla, Alaska, Gourley and bassist Zachary Caruthers began working on tunes for Portugal. The Man full-time, releasing their debut Waiter: "You Vultures!"  in 2006. The group put out another record in 2007, Church Mouth, and embarked on their first US tour in support of the record. The band then released a series of records with independent label Approaching AIRballoons before signing with Atlantic Records in 2010.

Portugal. The Man.

Portugal. The Man.

With a growing number of festival appearances and the success of their record Evil Friends (2013), Portugal. The Man continued to grow a strong international fan base. After more than a decade of building their brand of prog psych pop rock, Portugal. The Man achieved true worldwide fame for the pop hit “Feel It Still,” which just came out last year. After rising to the top of the Billboard charts, earning the band their aforementioned Grammy, and snagging them a ASCAP Vanguard Music Award, Portugal. The Man suddenly went from that band you once enjoyed seeing at a Bonnaroo tent to a major festival headliner. For this band, that switch appears as though it were seamless, though it took sixteen years.

Now comprised of Gourley and Carothers with Kyle O’Quin, Eric Howk, Jason Sechrist, and Zoe Manville, the six-piece had an incredible Red Rocks performance, both sonically, and in their stage production. Prior to the start of the show, the band had local Lakota tribe members give a blessing to fans before diving into their “For Whom The Bell Tolls” Metallica cover. They then transitioned into their Pink Floyd “Another Brick In The Wall Part 2” mashup with their original “Purple Yellow Red and Blue” before sliding into a catalogue of their originals including “Live in the Moment,” “Noise Pollution,” and of course, “Feel It Still.” The band is known for inserting cover snippets into a mix with their own tracks, and this was evident to listeners with T. Rex’s “Creep In a T-Shirt,” Violent Femmes’ “Children of the Revolution,” The Beatles’ “I Want You (She’s So Heavy),” and the band’s encore, which featured a crazy mashup of their tracks “Sleep Forever,” “Plastic Soldiers,” and “Smile” with Paul McCartney’s “Live and Let Die,” and the Beatles’ “Hey Jude.” It was also guitarist Eric Howk’s birthday, and the band had the crowd join in for a sing-along during their encore for this, which fans loved.

John Gourley.

John Gourley.

Along with their impressive instrumentalism, the band also had a massive projector onstage which displayed various messages from the band and “their management” since they claim to be bad with stage banter. This allowed for a great visual experience with the show whether you were close or far from the band, something that all major festival headliners know is important for a concert goer's experience. Gourley, who is also an artist, is as well-known to fans for his drawing, designs, and sketches, as he is for his music. Many of the art used throughout the show is his work, and was combined with lasers and projections onto the Rocks themselves, along with traditional stage lights.

Overall, the Lords of Portland proved their reign at Colorado’s Red Rocks Amphitheatre with their sold-out show this past week. Take a listen to Portugal. The Man for yourselves here and keep up with the band’s current tour on their website.

See our full gallery of photos from this show here

-Hannah

Follow Hannah on Instagram.

All photos per the author. All videos and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

For Being Afraid of the Dentist, Vance Joy Lit Up Sold-Out Red Rocks Show with Nothing But Smiles

Vance Joy.

Vance Joy.

There’s this story that I think you’ll like. This guy decides to quit his job as an Australian football player and heads to the internet with his ukulele. This musician writes a hit and finds himself. He just played the iconic Red Rocks Amphitheatre, and sold the 10,000+ capacity place out himself.

Oh, oh. That’s some impressive stuff.

This is the story of James Keogh, best known as Vance Joy. The Australian native, who left a promising football career behind to play indie pop folk tunes for the masses, first released his 2013 hit “Riptide” independently on the interwebs. Shortly thereafter, he signed with Atlantic Records for a five-album deal. His subsequent 2013 release God Loves You When You’re Dancing went triple platinum, he dropped Dream Your Life Away a year later followed by a world tour opening for Taylor Swift, and this past February, Joy’s third release Nation of Two hit the airwaves.

Joy and the rocks

Joy and the rocks

“I never knew when I put this song on the internet what would happen and I’m still surprised.” Joy said at his recent Red Rocks show before playing “Riptide.” The radio jam inspired a massive sing-along between the rocks, with Joy even stepping back for a chorus to let the crowd shout the tune, a song he actually wrote about a hotel on the Australian coast.

Along with “Riptide,” Joy played other crowd favorites including “Mess Is Mine,” “Georgia,” and his latest “Saturday Sun.” He was backed by a five-piece band which included a duo horn section and an upright piano player. Mid-set, the group crowded around the front of the stage together for an acoustic breakdown for “Little Boy” and “Bonnie and Clyde.” Later, they played a Lionel Ritchie/Justin Bieber mashup of “All Night Long” with “Sorry,” which had fans screaming, dancing, and even laughing. A Bieber cover? I know. But it was really good!

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On every track of the band’s 17-song set, it was impossible not to notice Keogh living up to his stage name. His 6’ 3” frame cracked a wide smile before, during, and after every song. Literal joy was plastered across his face as he crooned to the delight of the sold-out crowd under Colorado’s full moon and clear skies.

Backstage before the set, Joy divulged, “This is the best venue in the whole world!” before talking about how surreal it felt to be getting ready to go onstage when he and his girlfriend had been hiking around Red Rocks Park just the day before. “I’ve never seen a show here but this is incredible!” he smiled in the most unassumingly excited tone. Later, Joy’s manager Jaddan Comerford revealed this night was a true highlight not only for Vance, but for everyone involved on his team. And yet for someone about to play one of the biggest shows of their career to date, Joy was relaxed backstage, busting out dance moves, chatting about his Ogden Theatre performance a few years ago, and just generally chilling.

There were fans. And then there were  fans .

There were fans. And then there were fans.

Joy’s Nation of Two Tour continues with shows in the US and Canada through July followed by a massive international run through the end of the year across Australia, South America, and Europe. Several of these shows are also already sold out. And whether you’re a die-hard fan (like the woman above), a recently converted boyfriend following Red Rocks, or the casual singer/songwriter listener, you’ve got to admit: Oh, oh - that’s some really impressive stuff.

See more Vance Joy show photos here.

-Hannah

Follow Hannah on Instagram.

All photos per the author. All videos and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.