Templo's New 'Mountains Can’t Cry' Features Naturescape Vibes, Reggae Beats & More

By: Mirna Tufekcic

Agreeing to review Templo’s newest EP Mountains Can’t Cry was a bit of a stretch for me; a test to see if I could get down with dub. Generally, I do not subject my ears to dubstep of any kind, but I made an exception this time out of pure curiosity, and to give the genre another chance because this EP was presented to me as an “ethnic dub album.” I like CloZee and I really like Beats Antique, Bonobo, Ott, and Dynohunter, none of whom are dub, but all of whom definitely know how to throw down some gooey good ethnic sounds. So here I was with Templo, and it did not disappoint!  

Though Mountains Can’t Cry certainly falls into the dubstep category, it is subtle, and filters through the ears without leaving you feeling like you just lost brain cells huffing glue, which is how most of the genre has left me feeling before. At the forefront of each of the six songs are naturescape vibes, reggae beats, and the aforementioned “ethnic” sounds.

The first two tracks on the EP have a Middle Eastern flare. “Magnetics,” has a more up-beat, daytime feel and “The Owl Watches,” turns a little darker and is seductive, with calls from night creatures accompanied by mesmerizing sounds resembling far-east wind instruments and maybe even a bit of Balkan folk. 

Templo.

Templo.

The third track, “Shot in the Dark,” is probably the most traditionally “dubby” track on the EP, with heavy reggae beats and a lot of record scratching. Not long after that, the fourth track reawakens the spirit with a playfulness reminiscent of video games from the early 2000s, and mixes in what sounds like Native American or African tribal chants. “They Gone,” the next to last track on Mountains Can’t Cry, is heavy with reggae vibes. The final track on the album, “RedShotScandal,” incorporates a lot of everything heard in the previous five tracks, but like a fireworks finale, it creates a loud explosion of light and sound only to fade into silence, smoke and gratification at the end. 

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Mountains Can’t Cry is built like a journey through naturescapes. It’s an easy and enjoyable listen that doesn’t even take thirty minutes to complete, and even as someone who wasn’t a fan before, I am confident you’ll like it whether you’re winding down the summer, or catching Templo live on tour this fall. 

Keep up with Templo here.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Every 2018 Red Rocks Show Announced So Far

If you've ever been to Red Rocks, you know there's nothing like it. From the natural beauty of the amphitheater, to the friendly crowd vibes, to the dancing security guards, a Red Rocks show is like its own mini-festival atmosphere. We spend a good part of our spring and summer at the Rocks, and below you'll see why. We've compiled every Red Rocks 2018 show announced so far this year, and we'll update this post every Friday. Start planning your season now and keep checking back for more new shows- 2018 is gonna be a good one. See you on the Rocks!

January

January 12- Red Rocks Local Set with Dynamic Distractions, Venture Still

January 26- Winter On the Rocks with Rick Ross, Jauz, Brother Ali

February

February 16- Red Rocks Local Set with Sugar Ridge Band

March

March 10- Red Rocks Local Set with Many Mountains, Miguel Dakota and The Differents

April

April 18- Camila Cabello

April 19- 311, Method Man, Redman, Collie Buddz, PROF, Long Beach Dub Allstars, Chali 2na

April 20- Flosstradamus, Kayzo, Famous Dex, Melvv, DUCKY

April 21- Opiuo, Sunsquabi

April 25- Kygo, Alan Walker

April 27- Vulfpeck, Kamasi Washington, KNOWER

May

May 2- Post Malone, 21 Savage, SOB x RBE

May 3- X Ambassadors, Misterwives, Allan Rayman

May 4- Twiddle and Stick Figure with The Hip Abduction

May 5- Phil Lesh & The Terrapin Family Band with Leftover Salmon

May 6- Primus, Mastodon, All The Witches

May 10- The Purple Xperience

May 11- Tchami, Malaa

May 12- Global Dub Festival with Ganja White Night, Zomboy, Boogie T. b2b SQUNTO, EPTIC, AFK, Spock

May 13- Modest Mouse

May 14- Khalid

May 19- Above & Beyond

May 20- Elephant Revival with Blind Pilot

May 21- Phantogram, Tycho, Poolside

May 22- The Decemberists, Whitney

May 24- Louis the Child, Big Wild, Quinn XCII, Phantoms

May 25- Devil Makes Three with The Wood Brothers, Murder By Death

May 26- Emancipator Ensemble with Manic Focus, Wax Tailor, Kalya Scintilla & Eve Olution, Tor

May 27- The Disco Biscuits, Spafford, Organ Freeman

May 28- HAIM, Maggie Rogers, Lizzo

May 29- Five Finger Death Punch, Of Mice and Men

May 30- Vance Joy

May 31- Colorado Symphony: Rachmaninoff Piano Concerto No. 2, Brett Mitchell, Natasha Paremski

June

June 1- Michael Franti & Spearhead, Xavier Rudd, Victoria Canal

June 2- The Motet, Boombox, The New Mastersounds

June 3- Marshmello

June 5- Ween

June 6- Ween

June 7- Brit Floyd

June 8- Lettuce, The Floozies, The Funk Hunters, Jaw Gems

June 9- Big Head Todd and the Monsters

June 10- John Butler Trio, Tash Sultana, Mama Kin Spender

June 12- Bryan Adams

June 13- Turnpike Troubadours with Randy Rogers Band, Old 97’s, Charley Crockett

June 14- Ryan Adams, First Aid Kit

June 15- Odesza -SOLD OUT-

June 16- Odesza -SOLD OUT-

June 17- Dispatch, Nahko and Medicine for the People, Raye Zaragoza

June 19- Barenaked Ladies, Better Than Ezra, KT Tunstall

June 20- Kaleo, Anderson East

June 22- Widespread Panic

June 23- Widespread Panic

June 24- Widespread Panic

June 27- Dirty Heads, Iration, The Movement, Pacific Dub

June 27- Third Day

June 28- Funk on the Rocks with Chromeo, The Glitch Mob, Elohim, KITTENS

June 29- Avett Brothers with David Crosby & Friends -SOLD OUT-

June 30- Avett Brothers with Mandolin Orange -SOLD OUT-

July

July 1- Avett Brothers with Special Guest

July 2- Zeds Dead, Ekali

July 3- Zeds Dead, Ekali

July 4- Blues Traveler, G. Love & Special Sauce, The Wailers

July 5- Umphrey’s McGee, Lotus

July 6- Umphrey’s McGee

July 7- Umphrey’s McGee

July 8- Dark Star Orchestra with Keller Williams

July 10- Ray LaMontagne, Neko Case

July 12- moe.

July 13- GRiZ (live band)

July 14- GRiZ

July 15- Seal with the Colorado Symphony, Corinne Bailey Rae

July 16- Imagine Dragons, Grace VanderWaal

July 17- Jackson Browne

July 18- Sylvan Esso

July 19- Trampled By Turtles, The Oh Hellos, Dead Horses

July 20- The String Cheese Incident with JJ Grey and Mofro

July 21- The String Cheese Incident with The Main Squeeze

July 22- The String Cheese Incident with Rising Appalachia

July 24- Paramore

July 25- Killer Queen

July 26- Sarah McLachlin with The Colorado Symphony

July 27- Beats Antique, CloZee, Polish Ambassador, The Diplomatic Scandal

July 28- Tedeschi Trucks Band with Drive-By Truckers, Marcus King Band

July 29- Tedeschi Trucks Band, Drive-By Truckers, Marcus King Band

July 30- Halsey

July 31- Nas, Black Star, Push T, Brother Ali, The Reminders

August

August 2- HARD Red Rocks with DJ Snake, Virtual Self, Mija, GG Magree, Hekler

August 3- Lucero, Frank Turner & The Sleeping Souls

August 4- Yonder Mountain String Band, The Infamous Stringdusters

August 5- Joe Bonamassa

August 6- Steve Martin, Martin Short, The Steep Canyon Rangers, Jeff Babko

August 8- Portugal. the Man, Thee Oh Sees

August 9- Leon Bridges

August 10- Pretty Lights

August 11- Pretty Lights

August 12- Brandi Carlile with Shovels & Rope

August 14- LSD TOUR: Lucinda Williams, Steve Earle, Dwight Yoakam

August 15- Father John Misty, TV On the Radio

August 16- Joe Russo’s Almost Dead

August 17- Old Crow Medicine Show, I’m With Her, Sara Watkins, Sarah Jarosz, Aiofe O’Donovan

August 18- Railroad Earth, Fruition

August 19- THE CULT, Stone Temple Pilots, Bush

August 20- Niall Horan, Maren Morris

August 22- Nathaniel Rateliff & The Night Sweats, Tank and the Bangas -SOLD OUT-

August 23- Nathaniel Rateliff & The Night Sweats, Slim Cessna’s Auto Club

August 24- 1964 The Tribute

August 27- David Byrne -SOLD OUT-

August 28- David Byrne -SOLD OUT-

August 29- Illenium -ALMOST SOLD OUT-

August 30- Shakey Graves, Jose Gonzalez & The Brite Lites, Twin Peaks

August 31- Atmosphere

September

September 1- Gramatik

September 2- Jason Mraz, Brett Dennen

September 3- Jason Isbell and the 400 Unit with Aimee Mann and Amanda Shires

September 4- Lyle Lovett and His Large Band, Margo Price

September 5- Gary Clark Jr.

September 6- Lake Street Dive, Josh Ritter

September 7- STS9, What So Not, DJ Z-Trip

September 8- STS9, TAUK, Cut Chemist

September 9- O.A.R., Matt Nathanson

September 10- Mac DeMarco

September 11-  Rascal Flatts, Trent Harmon

September 12- NEEDTOBREATHE, JOHNNYSWIM, Forest Blakk

September 13- The Revivalists, Houndmouth, J. Roddy Walston and The Business

September 14- Gov’t Mule, Dark Side of the Mule, Warren Haynes Acoustic

September 16- NGHTMRE with Slander and JOYRYDE

September 17- Punch Brothers, Gillian Welch

September 18- Nine Inch Nails, The Jesus and Mary Chain, Tobacco

September 19- Nine Inch Nails, The Jesus and Mary Chain, Tobacco

September 20- Little Big Town

September 21- Trombone Shorty & Orleans Avenue, Galactic, Preservation Hall Jazz Band, New Breed Brass Band, Cyril Neville, Walter Wolfman Washington, Kermit Ruffins

September 22- Greenky Bluegrass with California Honeydrops

September 23- Greenky Bluegrass with Turkuaz

September 24- Beck, Jenny Lewis

September 25- Beck, Jenny Lewis

September 26- Ms. Lauryn Hill

September 27- Get The Led Out

September 28- Big Gigantic

September 29- Big Gigantic

September 29- 3LAU, Louis Futon, Party Pupils

September 30- Gregory Alan Isakov, Patty Griffin

October

October 1- Ben Howard

October 5- Snails

October 9- The National, Sharon Van Etten

October 11- Seven Lions

October 13- Rezz

October 20- Excision, SKisM b2b Trampa, Barely Alive b2b PhaseOne b2b Virtual Roit, Dion Timmer, Subtronics, Wooli

October 22- A Perfect Circle

October 28- ZHU

*All available tickets here.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Moon Hooch: Transcendence, Dance Music, Saxophones, & Drums

By: Will Baumgartner

The sensational New York-based trio Moon Hooch have generated a huge international buzz with their joyful, intense, explorative, dance-friendly music; a buzz that has grown from their early days a few years back playing on subway platforms in NYC to touring with the likes of Beats Antique, They Might Be Giants, and Lotus, all while selling out their own shows at venues across the nation.

Moon Hooch.

Moon Hooch.

This Saturday, October 29th, the trio will play Boulder’s Fox Theatre, and there are still some tickets here. Currently, the crew is touring in support of their wonderful third album 'Red Sky'. The group, which consists of saxophonists Mike Wilbur and Wenzl McGowen plus drummer James Muschler, create vast soundscapes and irresistible dance party music with just these three instruments filtered through a bit of electronics. Their music is in large part an outward expression of their own spirituality and activism: they all meditate and do yoga, practice conscious eating habits, and are constantly involved in work with organic farmers and other groups working toward social and cultural change. With these things in mind, I sat down with McGowen and tried to gear my questions toward the seemingly unlikely connection between their ass-shaking music and their spiritual and cultural efforts. The result was a conversation that, like their music, was both fun and thought-provoking.

First things first- is there a particular meaning behind the name Moon Hooch?

No, actually there isn’t. It means something, but we came up with the name kinda randomly. One day we were playing in the subway and people started dancing, and we were kinda surprised because we weren’t really planning on starting a band. So a person asked us what the name of our band was, and Mike just randomly said ‘Moon Juice’. We went home and googled it and there were four other bands with that name. We looked up synonyms for juice and hooch was one of them, so we went with that.

Watch Moon Hooch's music video for "EWI":

How has your music changed since your debut album, which came out in 2013?

We started out playing in the subway and that was completely acoustic. When we started playing in bigger rooms, I wanted to use more bass, and that’s why we started using the traffic cones, which we put in our saxophones. It creates a bass frequency that makes the subwoofers in clubs respond more. I also bought a contrabass clarinet, which goes as low as 33 Hz, and we have come up with this intricate system of using electronics as spice but not substance. We produce all the sounds acoustically, and then process them through a computer, and that gives us the ability to emulate the sounds of drops and buildups that are common in electronic dance music.

You've talked about incorporating the energy and activity from your surroundings into your music. What's the difference between doing that in the subway and onstage in front of a paying audience? What are the similarities or constants between these two settings? 

The similarity is that you have to give everything you have and be in the moment. If you’re thinking about something else, whether onstage or in the subway, the crowd will respond less. So I think it’s pretty much the same. Maybe onstage you’re a little more focused because people are there and giving you their attention, whereas on the subway you have to grab people’s attention.

Like more and more musicians these days, you've been very vocal about your spirituality, and publicly involved in activism. How do your yoga and meditation practices affect your music? What are the causes you're most involved with as activists? 

It’s a systemic problem we have: culture has spiraled out of control based on domination, greed, fear, and competition, and that has manifested in so many ways. Anywhere you look, you’ll find a manifestation of that core issue. For example, the fact that forests are getting cut down is because we value trees more as a commodity of profit rather than as a breathing, living organism that helps our planet and our species stay alive. It’s a very selfish mindset that leads to this. And that’s only possible because people have become so hardened; they don’t feel their heart as much anymore, and actually don’t really care.

We have so many layers of fears and insecurities and our own issues that really prevent us from caring about others. In the school system, you can find the same sort of issues. We’re getting trained to be functioning members of society; that’s really the main goal of the school system. It’s not really to help a child explore their own purpose and find out who they really are. Most people coming out of school have no idea what they want to do or who they are. This sort of culture is robbing us of our identity.

I see us as spiritual beings: we are consciousness in human form. And as such, we are actually not that interested in material things! These things are all conditioned into us. They’re conditions of being in a body, and in this culture that we crave money and power and all these things, but our true purpose lies in unfolding our loving potential. That’s what spirituality is for me: a way of navigating through all these negative fears and habits and finding our true selves. You can do that through yoga, meditation, music: through anything that allows you to train your focus and clarify your intention. I think you could be making burritos and have very spiritual experiences. If you’re fully present with the burrito, and the people you’re serving, then you have overcome some layers of social conditioning and have found a peaceful place in your heart. These ideas can be manifested in so many different ways, and we try to do it through our music.

Do you feel that you're making a difference in terms of raising consciousness in your fans? In what ways do you try to spread the word about your causes, and encourage people to embrace spirituality? 

I think a lot of people at our shows actually have spiritual experiences, whether they call it that or not.They have experiences that lift them out of their normal state of being. A state of being is essentially an agreement between the mind and the body, a way we interact with ourselves and our nervous system that feels normal to us, that we identify with. And I think that music can heighten the moment to the point where we break out of that and suddenly experience something beyond what we’re used to. I think many people use this experience to question themselves, question society, and grow as beings. I’ve certainly experienced this transcendental state through music, and thought, ‘Wow, I could feel that way all the time if I learn to find a way to transcend all these forces in life and really be expressive.’ So overcoming these things is something our fans do while listening to our music.

What do you want audience members to take with them from your shows?

[I want them to] realize the experience of being free and in the moment that they get at our shows can always be attained by working patiently and diligently [whether it's by] having a daily meditation practice, daily yoga practice, mindful eating, playing music... Whatever it is, being in the moment is something you can practice. And by creating a new state of being, which is really our old state of being, we can create a peaceful society. I think inspiring others to grow in this way is activism.

The album art for  Red Sky .

The album art for Red Sky.

I’m totally looking forward to being at The Fox show this Saturday, in the moment, and personally dancing myself silly! What's next for Moon Hooch? Do you plan to go back in the studio anytime soon?

Yes, we do! After this tour, we’re actually renting a house in the desert in Joshua Tree, California for two weeks, and we’ll be working on new music there for our next recording.  

Make sure to get your tickets to Moon Hooch at The Fox for this Saturday here. And keep up with the band on their website

-Will

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Boulder's Asalott: Exploring Musical Worlds

By: Will Baumgartner

Oh you trancey, huh?

Boulder-based group Asalott (pronounced Ocelot, like the wild cat) is led by the quietly unassuming local genius of the hammered dulcimer, Forrest Lotterhos. The hammered dulcimer, a rarely seen instrument capable of complex patterns of rhythm, melody, and harmony is what Lotterhos composes Asalott’s songs with. The group then takes these compositions and adds some electronics, various acoustic and electric drums, and an electric bass played in an unusual way. The resulting music is like a swirling, sometimes meditative, sometimes ecstatic rhythmic journey to strange and exotic worlds.

Asalott's Forrest Lotterhos behind the hammered dulcimer. 

Asalott's Forrest Lotterhos behind the hammered dulcimer. 

Asalott grew out of a collaboration in 2013 between Lotterhos and drummer Cody Hart (of Boulder funk-rock band Cold River City). Depending mostly on the venue in which they’re performing, their shows range from the quietly introspective to all-out explosions of polyrhythmic dance music. And while they perform in different configurations from duo to trio to quartet, they pack the biggest punch in their full quartet form. So if you’re more into the gentle dreamy feel, catching them as a duo or trio might be more your cup of green tea, but if you really love to dance, best to go to a show where they’ve got the full arsenal going. I recently had the opportunity to sit down with Lotterhos to find out more about Asalott, and their hypnotically irresistible sound.

Forrest- your Facebook page describes your music as "tribal breakbeat". Can you expand on what that term means to you?

Many people ask us what genre of music Asalott is, and that’s a difficult question to answer because of our unique instrumentation. Breakbeat is typically used to describe electronic, trance, or drum and bass music with heavy percussive influence. Three out of four of our instruments are percussion instruments and though we don’t utilize any electronic production, our sound takes on an electronic music feel and a tribal quality with danceable beats, and a trance-like quality with the hammered dulcimer riffs.

Matty Schelling on the beats. 

Matty Schelling on the beats. 

I've been a fan of your hammered dulcimer playing since you used to come into Burnt Toast, the legendary restaurant on the Hill that was home-away-from-home for so many artists, musicians and poets. At that time, you performed solo. How did this project come together as a band, and when? 

I’ve been performing [on the] hammered dulcimer both solo and in various bands in the Boulder and Denver areas since 2008. Burnt Toast was the beginning for me. In 2013 I reconnected with Cody Hart and we began busking on Pearl Street and playing shows as a duo with my hammered dulcimer and his cajon. It was an instant connection and success. We didn’t even have to practice; it came together on the spot. By taking my solo compositions and developing them with Cody’s drum rhythms, [our music] started to take on a new life.

Matty Schelling was a mutual friend and fellow percussionist who joined the group in early 2014, bringing in electronic drum pads and auxiliary percussion. About a month or so after Matty joined us, Joe Braun [came aboard] with his uniquely unhinged bass guitar. Together, the four of us have been playing shows in Boulder since the fall of 2014. We’re still in our early stages, refining our sound and our compositions, but with such eclectic instruments and improvisational roots, we always seem to put on a great show. 

I hear a lot of different styles within the Asalott sound, some of which I can't readily identify. What musical traditions and artists would you say have influenced you most? 

As individuals, we all have different and varying influences, but collectively, we have been influenced by electronic musicians and producers who integrate acoustic sounds and live instruments such as Emancipator, Bonobo, Shigeto, Govinda, and Beats Antique.

Personally, I was influenced at a young age from folk, bluegrass, and old-time music. In my teens I began to listen to a lot of progressive and indie rock bands like The Mars Volta, who utilized complex drum rhythms. In my twenties, I got into listening to and producing electronic and hip-hop music. My hammered dulcimer playing is, at its core, harmonically rich in folk and traditional Irish music and simultaneously rhythmically complex with ever-expanding patterns, taking on a progressive and trance-like persona. I also have to give a shout-out to legendary hammered dulcimer player Jamie Janover, who I saw perform with Zilla back in 2007 and then again at Burning Man in 2009 with Lynx. His integration of live hammered dulcimer with EDM production really inspired me to take my dulcimer playing to another level, and I began to write my own compositions and expand out into playing with different bands and exploring various genres. Needless to say, there is a convergence of many musical styles in Asalott.

Lotterhos, Hart, & Schelling. 

Lotterhos, Hart, & Schelling. 

You've got a great group of players in this project, including drummer Cody Hart of Cold River City and Matty Schelling of Whiskey Autumn. Can you tell me a little about each member, their instruments, and how they fit into the overall sound and feel of Asalott? 

I play the hammered dulcimer, and depending on the show, a Nord synthesizer. The dulcimer is the lead instrument in our band, and most of the compositions center around it. It has a harmonic resonance unlike any instrument, and as a percussion instrument, it sets up the rhythmic cadence for the songs. 

Cody Hart plays two different sized cajons, which are often heard in Flamenco and Afro-Peruvian music. Cody brings a fat bass downbeat and an abundance of rich tones that characterize [his instrument]. Cody closely follows and supports the complex rhythmic patterns of the dulcimer while upping the dance factor. 

Matty Schelling plays electronic drum pads and adds a little vocal flair into the mix. With different Nord percussion synthesizers, Matty is able to add infinite variations of drum sounds. Matty ups the danceability of Asalott with his hip-hop inspired rhythms. Without using computer based production, we are able to achieve a live electronic drum beat that further amps and supports the rhythmic patterns [of our sound].

Joe Braun plays a traveling electric bass that he has rigged to a desk. He he either strums it or uses a viola bow to produce droning, often orchestral sounds. He also provides non-lyrical chanting vocals, using his voice as an instrument in itself. Joe brings and amplifies the contemplative nature of the sound, playing bass lines and singing vocal riffs that hold and lift the dulcimer melodies to another level.

When you play a show, what do you hope the audience will do, feel, and take away from the performance? 

We play shows at a lot of different venues around Boulder. We cater to the space and audience, sometimes deciding to play acoustic duo shows at small venues and coffee shops. When we play larger venues, we bring the whole band and up the energy level. We love when people dance and move to the music. That’s definitely one of our goals [at our shows].

Regardless of the venue or the size of the audience, we all deeply feel that the music we create is heart-expansive at the core and mind-expansive in its complexity. People have told us at shows that our music captivated them in a profound way, sparked feelings of joy, and deepened their connection with themselves and the people around them. We really want people to have a great time: whether they dance, have a spiritual experience, or just chill and listen, we want them to take away an experience that resonates with them and that they remember.

What are your long term plans for Asalott, and what's happening next? 

We recently recorded and are about to release an album of acoustic duo music. It will be six compositions featuring Cody and myself. We also just submitted a video to NPR’s Tiny Desk Contest, which was named one of the top ten entries in Colorado.

We are planning to go back into the studio and track out songs with the whole band soon too. That will be a bigger project with more production involved. We want to play festivals this summer and some larger venues in the Boulder and Denver areas by the end of the year.

Tonight, you can catch us at our home-base, The No Name Bar at 10PM.

Details for the show tonight can be found here.

Watch Asalott’s Tiny Desk submission video:

-Will

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The Weekend Six: Six Shows to See 10/16 & 10/17

By: Hannah Oreskovich

TGIF! Time to catch some shows:

Today (Friday, 10/16)

All Chiefs.

All Chiefs.

All Chiefs at Vindication Brewing 6PM-Close

Boulder-based All Chiefs call themselves an “indie/dance/rock/pop explosion Xtreme!!!” and tonight they’ll get you on your feet at Vindication. They’ve played to a sold out Fox crowd before and you can check out some of their older music here. Stop by after work and then go power nap for our other Friday picks.

Augustus.

Augustus.

Augustus at Johnny’s Cigar Bar 9PM-Close

Is it a cigar bar? Is it a martini bar? Answer that question for yourself tonight when you join Boulder’s Augustus for a rockin’ set at Johnny’s. These boys have been playing all over Colorado as of late, so catch them for a local set over a beer tonight to start the weekend off right. And if you still haven’t checked out their latest EP Into Frames (where have you been?) stream it here.

Policulture.

Policulture.

Policulture at Conor O’Neill’s Irish Pub 10PM-Close

There will be some sweet reggae creeping out of Conor’s tonight. Boulder’s own six-piece Policulture, who dub themselves “Original Mountain Reggae,” will be tappin’ root rhythms for you while you throw one back on Conor’s dance floor. They’ve got bass, they’ve got horns, and they’ve shared the stage with some pretty big reggae acts. So go jam with ‘em.

Tomorrow (Saturday, 10/17)

Asalott. Photo Credit:   Hannah Oreskovich

Asalott. Photo Credit: Hannah Oreskovich

Asalott at the Jamestown Mercantile Co. 8PM-Close

We love love the Middle Eastern beats of Asalott and you know how many times we’ve begged you to make the drive to the Merc. It’s the best. And so is this trio. They’ll put you into a dancing trance while you sip on some Cliffhouse Kombucha on-tap. Make the short drive, burst out of the Boulder bubble, and go lend your ears to Forrest Lotterhos’ awesome dulcimer playing. It’s a show you shouldn’t miss.

Kyle Donovan aka Miles Wide.

Kyle Donovan aka Miles Wide.

Miles Wide at The No Name Bar 10PM-Close

Miles Wide is a Denver-based singer/songwriter (Kyle Donovan) who has toured the US non-stop for more than a year. He’s set his roots in Colorado for the moment, so he’s been playing all over the state. Donovan’s music just makes you smile. As he said about tomorrow’s show, “it’s going to be a night full of friendship, beer, and rock and roll.” Donovan is actually also working on an upcoming feature for our site, so stay tuned! In the meantime, go hang with him behind the big brown door tomorrow evening.

Both Nights (Friday, 10/16 & Saturday 10/17)

Beats Antique Creature Carnival at the Boulder Theater 9PM-Close

By demand, experimental world fusion and electronic trio Beats Antique are headlining two shows at the Boulder Theater this weekend. Known for their wild blend of instrumentation and visually stunning performances, this show sounds totally worth it for only $32. On this particular tour, their focus of the Creature Carnival is “a journey. . .dynamic, psychedelic, and participatory.” It sounds like their shows are going to be insanely entertaining, and if you want to hit up both nights, you can do so for only $55. The picture above tells you every reason why you should go check out one of their shows.

See yah ‘round Beaters.

PS: CHECK BACK HERE FOR MUSIC MONDAY- WE HAVE A BIG ANNOUNCEMENT ABOUT THE FALL SHOWCASE THAT WE CAN'T WAIT TO SHARE!

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.