Wrap Your Ears In Our 'A Very Indie Holiday' Playlist

Spend your holiday season with your ears wrapped in our newest playlist! “A Very Indie Holiday” by tastemaker Sierra Voss has tunes by artists like The Shins, Fruit Bats, Vulfpeck, LCD Soundsystem, Blitzen Trapper, The Lumineers, Cat Power, and of course, Christmas-loving Sufjan Stevens.

Make sure to follow us on Spotify to check out our many playlists, and if you’re an artist looking to submit your song for playlist consideration, roll to our Contact page and do it!

Happy Holidays music lovers.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Winter Is Coming So Snuggle Up To Our 'Cozy Vibes' Playlist

With a few snowfalls behind us now and many more ahead for those of us in states with actual seasons, we’ve got a cozy playlist for you to cuddle your ears with this winter:

Tastemaker Sierra Voss has crafted this warm blanket of fireside sounds for us, which features songs from artists like Leif Vollebek, The Haunted Windchimes, Bon Iver, Hallie Spoor, Nathaniel Rateliff & The Nightsweats, Whitney, and more.

Make sure to follow us on Spotify to check out our many playlists, and if you’re an artist looking to submit your song for playlist consideration, roll to our Contact page and do it!

Stay warm music lovers.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Rock Out To Our 2017 Underground Music Showcase Playlist

By: Hannah Oreskovich

With Denver’s Underground Music Showcase just a couple of weeks away, our very own tastemaker Sierra Voss has created a sweet summer playlist full of tunes from tons of artists on this year’s lineup.

Denver darling (and headliner) Esmé Patterson opens our playlist, followed by fellow headliners Benjamin Booker, Zola Jesus, and Red Fang. There are a ton of Colorado favorites to bop your heads to after that-  déCollage, Dirty Few, Dragondeer,  CITRA, The Velveteers,  Slow Caves, Television Generation, and Whiskey Autumn- are just some of the artists you’ll find on our UMS playlist!

So get ready to pop a cold one at Irish Rover, headbang at Hi-Dive, and dance with us up and down South Broadway at the 2017 UMS! Get your festival passes here!

Listen to our 'Underground Music Showcase 2017' Playlist:

Make sure to follow us on Spotify to check out more of our playlists, and if you’re an artist looking to submit your song for playlist consideration, roll to our contact page and do it!

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat. 

Jump Into Summer With Our 'Pickin' On CO Summers' Spotify Playlist

By: Hannah Oreskovich

Just in time for summer and the many folk & bluegrass festivals that come with it in Colorado thanks to Planet Bluegrass, here’s our ‘Pickin’ On Colorado Summers’ Spotify Playlist:

Tastemaker Sierra Voss has put some serious tuneage together for your summer soundtrack. Trout Steak Revival classically opens our pickin’ playlist, with tracks by Caribou Mountain Collective, Fruition, The Haunted Windchimes, Elephant Revival, Punch Brothers, The Infamous Stringdusters, Blitzen Trapper, Railroad Earth, Sarah Jarosz, and others. Several of these artists play the upcoming 2017 Telluride Bluegrass Festival.

Make sure to follow us on Spotify to check out our many playlists, and if you’re an artist looking to submit your song for playlist consideration, roll to our Contact page and do it!

Happy Summer.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Dive Into Groovin' Hip-Hop Tunes On Our 'Welcome To It' Playlist

By: Hannah Oreskovich

Wanna groove? Then dive into ‘Welcome To It’ right meow. We promise you won’t be able to sit still.

Deca opens our hip-hop Spotify Playlist tunage this month, with tracks by Nas, Qbala, J. Cole, No Name, Trev Rich, and of course, Tribe Called Quest. Tastemaker Sierra Voss has thrown in some lip-lickin’ numbers into this one.

Trev Rich per Sierra Voss for BolderBeat. 

Trev Rich per Sierra Voss for BolderBeat. 

Make sure to follow us on Spotify for continued tunage, and if you’re an artist looking to submit your song for playlist consideration, roll to our Contact page and do it! Welcome to it.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Jump In The Sun With Our 'Hey Spring' Spotify Playlist

By: Hannah Oreskovich

After the 80 degree weekend we just had, spring feels like it’s just about in full swing. What better way to usher in the sunshine than to roll down your windows and bump some good music? Lucky for you, we’ve got a new playlist up that will help yah do just that.

Check out our ‘Hey Spring’ playlist, courtesy of our tastemaker Sierra Voss:

The Pixies open the 16-song mix, Denver’s The Shady Elders close it, and there is a lot of deliciousness sandwiched in between with tracks by Dressy Bessy, White Denim, The Yawpers, Queens of the Stone Age, Colfax Speed Queen, and more.

Make sure to follow us on Spotify for continued tunage, and if you’re an artist looking to submit your song for playlist consideration, roll to our Contact page and do it!

Spring on kids.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

(Un)Traditional Love Songs: A Playlist For Your Valentine's Day & So Much More

By: Joliene Adams

Forget complaints about Valentine’s Day commercialism. Let’s think instead on the limitations of the kind of love that gets advertised to us. Love comes in all shapes and sizes far beyond romantic, and this playlist reflects all those feelings and shades of love. Wherever you are at in your love life and whoever you love in whatever ways, whether the burning embers of passion or the charcoal heart of getting burned from love; from your lover to your mother, it’s all here:

Listen to BolderBeat’s “(Un)Traditional Love Songs” Playlist:

1. “Death Hex” – The VelveteersDeath Hex (2016)

No one said love came without barbs. Hook, line, and sinker, The Velveteers rock straight for the jugular. John Demitro’s drums thunder with the urgency of foreboding storms while Demi Demitro’s tight, heavy guitar licks smack you awake. Staggered vocal notes build tension up to lift off as Demi lets melodic hollers unapologetically rip. If their rock doesn’t shatter the teacups on your shelf, you haven’t turned that heavy grit up loud enough.

And this one’s lyrical content doesn’t dote expressly on love. Demi speaks to this in an interview covered by BolderBeat’s Hannah Oreskovich, “‘Death Hex’ is about awakening from the dead and saying goodbye to the past. It was really inspired by a sense of magic I felt happening. It’s a story of coming back from a bad situation and coming out on the other side better than you ever imagined.” It might not be about love, but it’s an ages old story, that of the lover who rises from the ashes. Take your heartbreak, wipe the floor clean with it, and rise from the ashes bigger, better, stronger, faster, badder-asser.

2. “Didn’t See You There” – Red Fox RunRed Fox Run (2015)

Ever turned around or glanced sidelong at your buddy and all of a sudden SPLAT, you think, “I did NOT realize my friend was this cute let alone that that I was in love with them this whole time?” This number cascades and careens as your own feelings might at such a realization. Red Fox Run fearlessly showcase vocalist and rhythm guitarist Daniel Rondeau shouting out a proclamation from the truths that sit in the center pit of a heart. He’s proclaiming hopeful, but it’s clearly uncertain since “I couldn’t love you more than I do right now” isn’t the end of the sentence. Red Fox Run keep it playful, but in the end, they’ve said all they need to say.

It’s the year anniversary of Red Fox Run being no longer, an anniversary that may bring with it many a fan’s broken heart. But the good news is that three out of four original RFR members continue on in their new Denver-based project Wildermiss.

3. “I Like You” – Ned Garthe Explosion Flashlight Tan (2016)

Crash forward, skid in sideways, stop abruptly- you’ll travel at all different speeds in Ned Garthe Explosion’s capable hands. Splaying themselves across diverse elements is something familiar to Ned Garthe Explosion and their fans. As Andy Thomas of Westword notes, 2016’s Flashlight Tan finds frontman Ned Garthe and his co-conspirators messing around with genre and intent “writing deliberately toward a certain genre, in an earnest near-parody that’s so good you can’t tell it’s a parody. It’s a depth of vision that can only be achieved late at night, when the cops are nowhere to be found.” But isn’t that love sometimes? Crashing forward, landing backwards… and even sometimes ending in a weird parody you sort of knew existed.

4. “Call Through the Wire” – Inner Oceans Call Through the Wire (2016)

“If I leave you in the night...” The suggestion alone leaves you indignant, does it not? The sentiment wells up from something clearly much deeper as Inner Oceans’ frontman Griffith Snyder sings lushly of the story unfolding. “I see you all the time and it hurts to think you were right,” he sings. The sound is atmospherically absorbing while the message delivers clear adoration with a twinge of regret and a still-in-love/lust-with-you. Sometimes it’s hard to separate the two, in life or in music, and I can’t come down on which it might be here but I’m ok with it.

5. “Shooting Star” – RossonianYou Are Your Own Dentist (2013)

Rossonian use space and astral phenomena as metaphor, delivering dreamy and delicate wonder. This one is absolutely a love song, but also earns love for the success of their symbolic narrative. It propels, then floats, taking pause to deliver changes in emphatic subtleties. Rossonian is master of small sound shifts across a slow build, lending the song a complexity that doesn’t announce itself like a smack to the face, but rather comes at and through you like the feeling of slowly waking up. This one’s a gentle journey from one end of conscious awareness to another, starting gently and sleepily as it comes to burn bright-eyed awake.  

6.  “Day I Was Born” – 5ive, Jessica Jones – Radioland (2016)

There’s romantic love, and then there’s the love for your mother. Both can overpower. If I had any doubts as to which it was here at first (the word “mama” is sufficiently vague enough terminology to always throw me off without further clear direction), Jessica Jones’ vocal turn sways results to the latter. “Mama you believed in me, even when my skies were gray, you gave me the entire world… people asked me how’d I got so strong. I tell ‘em that my mama showed me the way. You always raised me up right, with all the love you gave.” Where 5ive (Quinn Lynch) and Jessica Jones put the soul in your playlist, your mother put you and your soul into this world. So if you tell anyone you love them on Valentine’s Day, make it your mother and be sure to thank her.

7. “If I Grew a Violet (You’d Ask for a Rose)” – Andy Sydow A Little Messed Up (2016)

Ever read the children’s book If You Give A Mouse A Cookie? This is an adult version of that tale in more ways than one. If you give a mouse a cookie, they’ll want a glass of milk. They will want something else and more after the glass of milk, so on and so forth until eternity. Sydow dishes up love pangs boiled over lost hopes in the spirit of said book. Emotionally honest, raw words of disappointed love come in, combined with loving, earnest, even sweet melody. The message delivered could interpret as one lover's greed or the other’s embittered pessimistic complacency. You can’t tell who is at fault but you can tell who fell short of the two: the “I” of the singer. It sounds at once an apology, and at once a screw you.

But this tune is also for the times everything you give or have isn’t enough. It’s a song of love exhausted and felled short. Although heartbreak does lead to some great songwriting, as Andy Sydow reminds. Thank you for breaking your open heart for us, Andy.

8. “Tilt-A-Whirl” – The RailsplittersThe Faster It Goes (2015)

If Colorado’s associated with bluegrass, The Railsplitters play a huge support role in buttressing the strong reputation and taking it on tour across the nation. Clear-ringing harmonies usher in a fast-paced minimalism foregrounding wise essentials and together, they come carrying melodies at different speeds, much as a Tilt-a-Whirl carousel making circles. Research lends insight here, for when Dusty Rider songwrites he, “writes with the full band in mind, imagining an entire song in his head before it’s even heard it out loud.” This one is a reflective reminiscence on the memories of someone who came before, but is gone now. And with mind racing, you start to question yourself and all that was.

Lauren Stoval’s lead vocals are clear as sunlight on snow, while Dusty Rider and Peter Sharpe’s alternations between plucking each note and full-bodied strumming chords lend interest and supplement with distinctive, rhythmic filler. Leslie Ziegler’s bass comes in barely, but richly, serving the more invisible role, like that of editor to writer. And of course, there’s Joe D’Esposito’s fiddle coming in on the top to send the song off into its final soars of that gloriously spinning Tilt-a-Whirl.

9.  “Someone Like Me” – SF1 Inamorata (2012)

From hand drums to lyrical repetitions, SF1 keeps their sound light, and their message relatively straightforward. There’s a serious sense in which this song seems at once upbeat, and then anything but. It’s a song that wouldn’t have to come without heartbreak, but it takes its pride on walking away in fulfilled request from another. “You’ll never find someone like me” could come out all wrong in a breakup, but the cheerful sonic delivery here gives this song a quality of what you sing in your head knowingly to comfort and uplift your own self on the walk home, giving props to your emotional regulation in honoring a request, and moving on.

10. “Bloodstream” – IoliteBloodstream (2016)

Bloodstream’s sophisticated stormy pop comes through even better on headphones, as Iolite’s (Elina Odnorlav) full-bodied indie-electronica pounces at you with confident authority. She fuses an ear, talent, and a decade of piano work with electronic assets wisely, and all at the ripe old age of seventeen. Laying down this kind of sophisticated, well-calibrated arrangement with undergirding convinces you she’s worth your ear time. The sheer carnal sensuality of this tune pulses at you with a cosmopolitan sensibility, one that makes the heart beat fast. Iolite is fierce, and if you need more proof, read BolderBeat’s interview with Odnorlav by Sierra Voss.

11. "Wait to Rust” – Kayla Marque, Kid Astronaut, Sur EllzLive and Die Like This (2016)

Triple Denver whammy! This Kayla Marque, Kid Astronaut (Jon Shockness), and Sur Ellz (Khalil Arcady) collaboration 110% comes out the most natural thing in the world. Lyrically and vocally caressing you with emotion, this trio allures in their fervent R&B/soul blend as soft finger snaps and harmonies soften your ear and melt into your heart chambers.

Marque caresses your emotions with intimacy in both lyric and lead vocals. Muted cymbal, reliant drums, and the hushed guitar unobtrusively lend rhythm, combining together and across this song to create instrumental romance and a certain sense of enchantment. The heart, bloodstream, nervous system, and muscle memory in you recognize the message: wanting something at a cellular level you know at a cognitive one is only going to destroy or undo you. Having a heart is a wonderful gift and real son of a gun, ain’t it?

12.  “They Love to Hate” – Molina Speaks, DJ Icewater Sex Money Ego (2016)

Robust, fresh beats thump and bump as they palpitate at heart rate speed. Chill, smooth, and with a pinch of lyrical sass, this one’s also purely carnal. It’s got sexy love and wantingness combined with a creed of holding-your-cool and enjoying all the spontaneous pleasures of life. It’s definitely a turn-up tune for cruising in your car, or even cooler, on your low-rider bike with the sweet speaker you should probably have. Molina Speaks and DJ Icewater have collaborated to make something seductive, both in romantic passions and in making you just want to live out loud to the full. So get to it.

13. “Lucid Recall” – Sunboy Yesterday Is in Love With You (2016)

Yes to a song that I’d enjoy instrumentally, yet do with its lyrics just the same. Sunboy give it a good 55 seconds before vocals seep in though, setting the feel first. If only we all had lucid recall, but memory doesn’t always work that way. Yet, at the same time, it’s by dint of the lyric “haven’t felt this way in a long time” that we remember: sometimes it isn’t the memory, but the feelings evoked that bring back lucid recall in all its vivid glory. And what a robust memory sensation it is when it hits.

Synthy sounds and a certain protraction allow emotions here to take flight. Vocals and piano instrumentation undergird a sound that might be tinny and emotionless otherwise, which would be the last desirable thing in a song so emotionally charged in content. Like Iolite’s “Bloodstream,” headphones are most recommended on Sunboy’s “Lucid Recall” for best up-close-and-personal vibes.  

14. “Medicine” – Rose QuartzAxis of Love (2015)

In the abstract, medicine is there to make us better. Humans are no strangers to using or abusing another person in this way at some time. Sometimes leaning on others is necessary and appropriate. But there is a difference between asking for help and being soul-suckingly co-dependent or reliant. Like a prescription drug, it can be toxic, and this song rails against the notion that one partner serves that role. You can use medicine or abuse it, and this one splits the difference.

A combination of electronic space-esque warble, full-bodied guitar notes, and clips on the drum machine set the scene. Lyrically unapologetic, this is a power number for those times you need to speak to your decision to leave someone who treats you like something to be used up rather than given to. Rose Quartz build and release tension with efficacy, establishing a subtle back and forth strain that fits the bill in the stark truths this electronic groove-pop song seeks to sing out and deliver sans apology. The only thing bigger than its sound may be the heart behind it. This is definitely one to get sassy to under lights on the dance floor, and that sounds like a great way to spend Valentine’s Day.

Make sure to follow us on Spotify to take a listen to this playlist and more Colorado music playlists at BolderBeat.

-Joliene

All songs per the artists featured. This feature was edited for brevity and clarity by BolderBeat.

'Resolution As Revolution' - Give Our January Spotify Playlist A Listen!

By: Joliene Adams

Did I make a New Year’s resolution? Did you? Whether any of us did or didn’t, the fundamental spirit behind it is a worthy reminder. Every day is an opportunity to begin a personal revolution in all the ways you might dream. Here is a playlist that, for each of its own various sonic and lyrical reasons, can help you toward your own resolution for revolution in 2017.

Click here for our 'Resolution As Revolution' Playlist or play it below:

1. “Highways” - REIGHNBEAUSister Grotto – Blood (Deluxe) (2016)

“Highways” has audible ebb and flow. Electronic pulses fuzz and fade in close while ten words make up the lyrical content and are given constant return. The repetition begins to act on the ear and body/brain like a mantra. A collaboration between New Mexico’s REIGHNBEAU and Denver’s Sister Grotto (Madeline Johnston), this one is dream fuzz that occupies a space somewhere between the here and there of the slightly awake and half asleep. What begins with gentles sounds of a rainstick fades to what sounds like a resampling of the rainstick with more static and fuzz interlaced. Sophisticated subtleties keep this song interesting alongside its relaxed and meditative feel. Let this one help you develop your own mantra for the year to come. Open your heart throttle and imbibe sound poetry: 2017 is a wholly open road.

2. “When” - RUMTUM – Mystic Wonders (2013)

Sampling Vincent Gallo’s hauntingly wistful and imminently gorgeous 2001 “When,” RUMTUM puts a pip in Gallo’s depressive downtempo and melancholic step. RUMTUM takes it away and makes it fresh, fun, and comparatively light. Basically, they take Gallo’s frown, turn it upside down, and give it proverbial jazz hands. They take Gallo’s gentle cooings and splice them to a tune to tap your toe to. RUMTUM isn’t afraid to experiment with anything, and you shouldn’t be either. It’s the new year after all.

3. “Elevate” - Kid Astronaut – Moon Theory (2015)

“Elevate” is chalk full of takeaways. “We were not born to be complacent,” Shockness maintains. Agreed. His loungy R&B sound with a soft hip-hop thump to undergird here goads and uplifts you gently into that place of higher being. And, “We were born to be special.” The task is yours to become the most special version of yourself you can. The possibility to be that is the gift you are given at birth. You owe it to yourself, and the most fundamental things between you and better you at any given time is complacency if you’ve fallen into it. Shake yourself awake. “Elevate” is loaded positivity; it is, in other words, more than positivity for positivity sake. Kid Astronaut summons the best of you.

4. “Base” - CRL CRRLL – Wave (2015)

CRL CRRLL (Carl Carrell) successfully builds a musical jenga tower with “Base” one piece at a time. The song retains solid structure despite the increased pressure of newly added elements, balancing R&B notes in lead vocals, hip-hop in backup vocals, a jazzy quality to the drums and keys, and  then you already have several musical layers by the time her chill lead vocals come in clear. As the song chugs forward into jazzier fusion with all these elements, it ends with a sudden peaceful fade out of ocean shorescapes and the faintest mutterings of what could be voices at the wharf: “Lovin’ just what I am, lovin’ just what I ain’t.” The creed of self-acceptance will serve you well in the next year if you can abide.

5. “Into the Wind” – King Cardinal – Once a Giant (2015)

Remember that scene from Ace Ventura where Ace himself rips out a waiter’s heart and gives it to him in a doggy bag? Welcome to how it feels to listen to King Cardinal’s soulful alt-folk. This is a safe one to cry, mourn, long, hope, and remember to. Brennan Mackey gives the term singer/songwriter new meaning, and he wants your second chance. You enter without words, while Ben Waligoske’s steel pedal daggers you in the side. It continues to supplement, yet give that country-underbelly feel that allows heart pangs to echo through the room. Lean into life as you would gale force winds. Looking back too hard can get you depressed, looking forward too much can bring you anxiety. Just lean where you are, lean into the wind; trust your struggle and be not afraid.

6. “Just Don’t Stop” – The Kinky Fingers – Vagabond (2015)

Tone and message make this a happy, head-bop worthy (or inducing) tune. There is a delightful float in Taylor Doyle’s guitar, and soar in his vocals. Eventually, he stops crooning as he sends you off on a couple high notes, punctuated neatly with three steps back down and low, “Just. Don’t. Stop.” We take instrumental flight with Daniel Hogan and Travis Page’s soft rhythmic drums keeping it steady while the guitar takes surf rock-esque flight with reverb indulgences. This one’s a fun journey for the ear that never loses its path despite its wanderings. It’s a good one to get, or keep, you going in the new year.

7. “Get Loose Have Fun” – Dirty Few – Get Loose, Have Fun (2012)

Dirty Few touts warm beer and out-of-tune guitars; they never get too serious about themselves save two exceptions: partying and playing drinking man’s music. They want you to have a jolly good sullied blast of a night, and they shake it off with the tambourine whose sound drops into the background but propels the track forward from the get-go no less. Dirty Few here has that slight 60s pop beat in its pulse and the “ooh, ooh, OHH, OOH” backup vocals. It’s the kind of 60s vibe you can readily imagine leading to proto-punk on down the line, and then to skate rock. But we’ll call it dive-bar rock because no matter the acoustics of the place, any dive-bar is the best venue to catch Dirty Few in. It’s homecourt. Let’s get this 2017 party started!

8. “The Mtn Song” – Rayland Baxter – Ashkelon (2013)

Uh oh. We’re getting sentimental again. But Rayland Baxter could be singing about shoelaces and nonsense and get you to emote. Fortunately, he knows not just how to sing with all his heart, but to storytell both as musical abstraction and in literal lyrical composition. This is one to give you chills. It’s so soft and sweet. He whistles, serenades, and implores, turning over tender phrase after tender phrase as drums and guitar support this gentle, unhurried, and earnest offering of love. Love is all he has to give. Is that enough? Normally I’d say no. But syrup-ing from his earnest, low-lyrical valleys and high peaks, I’d say, “I’ll think on it. Ask again tomorrow,” and know I’ve already decided while falling asleep to the sound of those endearing whistlings in my own head. Even if love is all you have to give in 2017, it’s better than nothing at all, and is, quite truly, one of the best things in the world you can give. So take a note from Baxter and do it with all your heart, soul, and perhaps even your singing voice, should you be so inclined.

9. “Whistle While You Work” – Wheelchair Sports Camp – No Big Deal (2016)

You come in building off mixed whispers of Emcee Kalyn Heffernan. It’s a sheer drop at 00:20 into straight hip-pop thereafter, coming at you with melodic and rhythmic whistles and Joshua Trinidad’s synchronized trumpet horn on blast. Intermixed are, by comparison, callous, hard-cutting electronic beats. They all join together and maintain the BPM to make this track the banger that it is. From the first, Emcee Kalyn Heffernan’s vocals and lyrical delivery are all her own. She captivates. And when she turns the phrase, “they call me Little Miss Guided,” it’s just one of her many lyrical delights. In reference to Wheelchair Sports Camp, the Village Voice reported, “If there were ever a moment for a queer, disabled rapper with a love for pot, jokes, and revolution to be a star, the moment is now.” It’s about time. Thank you 2017.

10. “Left Fist Evolution” – Bianca Mikahn – Left Fist Evolution (2010)

A low, thumping beat and hushed, bluesy choral vocals reel you into this tune. Bianca Mikahn weaves her story in poetic clips and fragments that suggest a certain story without really telling a story in the classic sense. But there’s a story there, for sure. She leads the listener to hear, see, and feel what she’s driving at unequivocally without saying who, when, where, or why. Lyrically, vocally, and stylistically, “Left Fist Evolution” is powerfully evocative. I’ve heard the word “fortified” used to describe Bianca Mikahn, and that is how the listening process and outcome of “Left Fist Evolution” feels. We all need fortification, and music is the next best supplement to vitamins. So take yours by taking this one in.

11. “No Worries” – Trigga ManThe Reminders – Hit Man (2012)

Sampling another old favorite, The Specials’ “Ghost Town” is featured in the background here, and their reggae and ska influence comes through beyond the sample in this song. Where it’s got a pinch of dance hall in the female vocal chorus, there’s a dash of hip-hop with male vocal delivery in verse. Where musical components blend samplings and reminisce on interrelated genres, the content delivery blends too, packed full of literary, cultural, and political references. “Get it twisted like Oliver, yo.” you hear. This is a composite piece of precocious stature that makes it easy to miss if you’re too busy getting down to it the first go around. But also, in 2017, tell yourself as often as possible: “Me no worry with what them say and me not goin’ to be afraid.” Hold strong with Trigga Man and The Reminders’ beats.

12. “Music Is a Gift” - Grim & Darling - Beauty Through Pain (2015)

Music is good for you: mind, body, and spirit. And Grim & Darling part with their musical gifts for your benefit as gentle organs and strings grace your entrance: “Create a song as a gift just to give it a way, royalty free, no fee, just in hopes to teach about loyalty, honesty, forgiveness, giving second chances lovingly. Nobody’s above the beat, in fact we need it to breathe. That’s the mentality. Give away your masterpiece as if we never had to eat, leave your ego as a casualty. I’m glad to be passing this to all of you, it’s all truth, try to use it, I will too. I hope we can all focus on the consequences of what we do.” Grim & Darling’s mindful tune serves as an homage to what you musicians do for us. This isn’t empty flattery. Being a musician isn’t easy work, but humans thrive in music, so thank you. Scaling up and down graduated xylophone bars with patience, the delicate clear sounds ring a victorious and encourage your feeling the same about your own power. Get after the new year.

13. “Ready to Live - Pt. 1” - Thug Entrancer - Death After Life (2014)

We start and end on a meditative note, only here we go pure electronic instrumentation. This one’s a sonic journey from sound artist Ryan McRyhew. Thump off to the pace of an electronic pulsating heartbeat as horn-reminiscent tones enter. Sounds begin to grind in and on top, creating an ever complex liftaway into layered reflections on itself. McRyhew does his personal sound poetry one to two new sounds at a time, letting you slowly take in the cerebral, but ready flow of this musical peregrination. Get work done or space out in daydreams to this one. It’ll get you where you’re going if you let it take you there. I hope 2017 finds you more ready to live than ever, and this playlist serves as a continued asset in your endeavor.

Make sure to follow us on Spotify to take a listen to this playlist and more Colorado music playlists at BolderBeat.

-Joliene

All songs per the artists featured. This feature was edited for brevity and clarity by BolderBeat.

BolderBeat's 'November's My Favorite Indoor Sport' Playlist

By: Joliene Adams

Every month, we publish a new Spotify playlist of Colorado artists for your ears. Here’s our 'November's My Favorite Indoor Sport' playlist, because it’s bound to snow here soon and make you want to curl up inside with some good tunes, right?

BolderBeat's 'November's My Favorite Indoor Sport' Playlist: 

 

1. Candy Claws, Ceres and Calypso in the Deep Time (2013), “Into the Deep Time (One Sun)”

Best song for dreaming cozily in bed about ancient sea creatures emerging from the depths of the deep blue.

How old is the ocean? That’s where things get a little bit fuzzy. And Candy Claws’ own fuzzy dream pop fuels this question with echoes like reverb in deep time, a multimillion year operation of geologic formation. For such distortion and heavy chugging guitar riffs, the atmospheric effects across this track are as divergent from your typical “ocean sounds” as they are hypnotizing. Still, this song feels like you’re looking right into the ocean, taking in the crash of waves in slow motion.

PS: Candy Claws recently expanded into a new project, Sound of Ceres, who you can check out here.

2. shark dreams, Deeep (2016), “Frozen Love”

Best song for lying down on the bed you just made, hands behind head.

Crisp hits on closed hi-hat and drum rim snare your ears into the rhythmic tap of this tune. Warm electric guitar moves by, while layered male and female vocals float and intermingle. This one picks up speed across its first minute, only to hold back and slow down. These subtle shifts pull at your emotional tide, encouraging you to just feel the sensations as its sounds ebb and flow. Relax.

3. The Lonelyhearts, Years in the Great Interior (2013), “Princess of Rubble”

Best song for doing a sock dance to in the comfort of your own home.

At least that’s the first thing their breezy, playful, jaunt-worthy, ear-pleasing, non-lyrical vocals and sounds make me want to immediately do. The sound of longboards chuck-chucking over wooden slatted boardwalks would sound great with this jam on in your headphones. But this month is an indoor sport so I’ll settle for a sock dance on the hardwoods instead.

4. Josh Dillard, The Bright Light of Shipwreck (2013), “Ever Since You’ve Been Gone”

Best song to try and swoon your holiday crush with.

Dillard’s vocals come from deeper than his diaphragm. He’s not a heavy baritone or anything. Just plenty vocally soulful. I admire how he paces out syllables. Sometimes he lets vowels linger and sometimes he wraps them up in a neat quick-time that adds a certain freshness to his tunes. Anyone who sang this to me would definitely get a first date, provided they sang it with the exact same expressiveness that convinced me here we have a man with heart, personality, and poetry.

5. Anthony Ruptak, Between the Hangman and the Halo (2015), “The Bus Song”

Best song to let your mind wander away with.

Since you can’t go skipping flat rocks on the silver pool so easily this time of year, Anthony Ruptak brings the next best-feeling thing to your living room. This sweetly woven story of gratitude will waft right in over you and walk into your daydreaming heart. The harmonica on this track lends customary nostalgia. It’s a nourishing tune that brings it home, and makes it warm inside to boot.

6. Land Lines, The Natural World (2015), “Etiquette”

Best song to listen to when you wish you could be out hiking the trails.

The hand shaker really is a staple of percussive force. My hand wants to spasm just imagining keeping pace on this one. Ross Harada persists, but never intrudes or exceeds a wise clip of pace on this percussion, and that includes his drum playing. The complex instrumental variation of this one mixed with a certain sparseness in each instrument individually empowers the sonic valleys and peaks of “Etiquette.” I’m not sure whether it’s Anna Mascorella or Martina Grbac plucking cello here, but it’s the nicest touch this song could possibly have. Oh the views.

7. The Ghost of Joseph Buck, Scenic (2015), “Not About You”

Best song to splatter paint on your bedroom walls to in large, sweeping, unapologetic motions.

The Ghost of Joseph Buck would rather break your heart slowly. Polly Beck’s lead vocals come out sultry, lyrics a smidge salty, piano wisely. You have to listen for Stephanie Schooley on bass, but she’s there as much as the spinal cord that supports your body’s basic structure without you hardly thinking about it once. Marc Walker’s drums hold off on any and all cymbals and hi-hat until 2:04, a crux moment to the song’s bursting, multi-instrumental power crescendo and caterwauling vocals. The fact that together, the group winds this one back down to its original slower pacing at 3:15 is no less an impressive transition. Killing me not so softly, but in a welcome way no less.

8. Sur Ellz (feat. Kid Astronaut), Sur Ellz (feat. Kid Astronaut) (single; 2016), “Seasons”

Best song to bump the snow off your window pane with.  

Just because November’s an indoor sport doesn’t mean the soundtrack can’t be bumpable. Neo-soul and R&B have as much a job to do to here as mellow acoustic instrumentation or synthy shoegaze. Denver’s Khalil Arcady (Sur Ellz) and Jon Shockness (Kid Astronaut) conspire to bring you raw stories across fresh, smooth beats. Here are two men that don’t fear too much for their manhood to be lyrically vulnerable, to get sonically romantic, to sing about some real feelings. Electronically reproduced hand claps with what sounds like a snare-reminiscent drum machine hit mix with a simmering electronic warbling on slow-cook. Snow gone.

9. Mesita, With Love From Laniakea (2016), “Blank Slate”

Best song to curl up in your favorite blanket with.

A little Thom Yorke to the vocals, a little Nirvana’s “All Apologies” stylistically in the chorus, and the electro fuzz juxtaposed with what sounds like a xylophone played in a piano style, if you will, demonstrate my meaning. Solo act Mesita (James Cooley) doesn’t just do layers. He uses them to create his very worthy-of-a-listen ends: richly interlaced, juxtaposed interplays that create entirely new, richly textured soundscapes. He has a humble willingness in being limitless with what he’s willing to include. For Mesita, 1+1 never equals two. It always equals three, because he takes one thing plus another, and makes a whole new third one straight from it.

10. Moda Spira, Moda Spira (2016), “She Whispers”

Best song to shave your legs, lie in silk sheets, and lament with.

Gentle keys couple with tender and light acoustic guitar. As with the sound of whispering, there is a particular intimacy in Latifah Phillips (Moda Spira’s) singing. In "She Whispers", it’s not always the vocals, but sometimes the pauses taken between sung parts that lend the breathing room in which the sounds seep across your heart and emotions. Come to find out via Reel Gospel’s 2016 She Whispers album review, Moda Spira means “just breathe” in Latin. Her talent in piano is a mainstay in the stewing build of her protracted, draw-you-in musical magnetism.

11. Maxwell Mud, Maxwell Mud (2015), “I Just Wanna Be Good”

Best song to make a New Year’s resolution never to be good again.

Maxwell Mud, as would be appropriate for chillin’ inside, cooking soup, and contemplating, goes for the slow cook much like others on this playlist. However hard Brian Kitrell’s lyrics profess he just wanted to be good, it’s quite clear in his words, guitar riffs, Kenny Jones’ accomplice bass, and Kevin Johnson’s rock’n’roll blues drums that this is a foregone conclusion. At least in the present circumstances and context. His vocals are too steamy for anything but a pot on the brink of hot boil rupture-rapture.

12. Eye and the Arrow, Eye and the Arrow (single; 2015), “Tiger”

Best song to “look out at the cold night from your warm room at the bright moon on the white snow through the window frost and the forest shadows.”

Paul Dehaven has a marvelous storytelling song-voice, and he harkens on stories Portland’s The Decemberists might tell. His own finger flicks at the guitar, Jason Haas-Hecker’s slightly foreboding bass line, and Mark Anderson’s non-deviant foreword drumming collaborate with Dehaven’s story, vocals, and backup echoes to leave you listening to the very scene of walking through the forest when it’s too uncomfortably cold to actually do so.

13. Nearby Liars, Unlearning (2016), “Wither and Rust”

Best song to reflect upon your real feelings to in the bathtub.

Lyrically, this one doesn’t happen as an outright love song. It’s just that the rest sure sounds like a heart that’s known love, is reflecting upon it, and is expressing a definite fallout story of hard facts and cold truth love experiences. It’s lamentation, regrettable, and real. Riley Sbrana’s songwriting waxes and pounds with hard earned self-knowledge for better and for worse. The backup vocals on this one prove to be an emotive staple, and the light acoustic guitar sounds that nudge their way in at 3:20 are the most perfectly subtle, elegant touch.

Thanks for playing with us this November, Colorado. Make sure to follow us on Spotify and take a listen to this playlist and more Colorado music playlists at BolderBeat.

-Joliene

All tracks per the artists featured. This feature was edited for brevity and clarity by BolderBeat.

BolderBeat's 'Get Your Creep On' Colorado Halloween Spotify Playlist

By: Joliene Adams

As an Introduction to Film Studies T.A. at CU Boulder for three years, I became no expert, but learned right quick and true: a film soundtrack, and to a much larger extent, a score, can make or break the terrifying in a horror film. So I moved to emulate that, best I could. Here you have what could or should be on a horror film soundtrack if it were Colorado-music exclusive. Make sure to follow us on Spotify and take a listen to these tunes at BolderBeat:

BolderBeat's 'Get Your Creep On' Playlist

1. Echo Beds, New Icons of a Vile Faith (2016), “Obvious Signs Of Forced Entry”

Genre: Suggestively invasive, disquieting fertile terror.

Staccato snare drums set this one off, and from there, I can’t place all the sounds of this track, but according to Echo Beds, I’m maybe not supposed to. As they themselves describe, “Echo Beds crafts a caterwaul of contact-mic'd oil drums, broken cymbals, battered basses, unrecognizable tape loops, and dilapidated voices.” It’s sound like art, completely, so listen and let this one creep into your distorted veins and “excorcise” its sound notes. It’s precisely that all the sounds can’t readily be placed, nor their arrangement readily recognized or described, which acts to unhinge the bolts on your comfort zone.

2. church fire, Pussy Blood (2016), “Midnight Sidewalks”

Genre: Alien abduction gone right (for the aliens).

“Midnight Sidewalks” starts you off nice and easy. As easy as slightly screeching metal on the ears. What happens next sounds like a battle between an alien ship's tractor beam shining down on you, and your attempt to fight it beaming you upward. But the tractor beam locks on at 00:26, a struggle ensues, and around 00:40 the UFO starts to win; 00:50 comes, and you’ve lost the battle. Once you’re on the ship, the vocals hit, and you chill into the groove safely, but as the melodies tick higher at the chorus, so do your nerves instinctually.

3. itchy-O, Burn the Navigator (2014), “Burn”

Genre: Fight or flight.

00:00-00:05 should be put in a stock horror film sound library, if it didn’t come from one. And since there’s nothing more calming than police sirens and medical equipment beeps, the 32-piece Denver-based percussion-centered electronic performance band itchy-O naturally included both. The percussive pacing races the song ahead, with a mix of blended elements. And the continual return to a combination of hand drums and hard driving guitar downstrokes, punctuated with unapologetic crashes on splash cymbals, will have you running or biking at more than your normal pace. But that’s a good thing, because you don’t want to burn in the fire that, it’s only fair to assume, the muffled static background voices are talking about. Of course this band has a Halloween Show booked at The Gothic Theatre! Get tickets here.

4. The Blue Rider, Year of the Horse (2016), “Nightmare”

Genre: Dracula Monster Mashing on a surfboard.

You could easily put this song right into a late 60s or early 70s horror film without too much question. This one doesn’t terrify me, but it’s oldie pop surf rock vibe mixed with the prospect of a nightmare from which you can’t wake up from have me, to my horror, dancing to a terrifying prospect. I blame the lyrics and the organ for the extremely catchy quality that found me in such a nefarious position.

5. Slim Cessna’s Auto Club, The Commandments According to SCAC (2016), “Commandment 3”

Genre: Suspiciously benign late 50s era-esque death pop.

“Commandment 3” is a lighter track musically that doesn’t disquiet like Echo Beds, Animal / Object, or Janet Feder quite do; it’s a fun ditty with lyrically dire consequences. There’s a “Love Potion No. 9” quality to this track, from the mix of it’s catchy melody, to the very serious subject matter and consequences of drinking a love potion & kissing a cop, to that of the acutely real difference between you catching the Queen Snake or the Queen Snake having caught you.

6. Animal / Object featuring HAALAND, Yule – Ogy (2016), “Little Drummer Boy”

Genre: Unpredictably sourced nonlinear chaotic noise.

There was a period of time at Guantanamo Bay when David Gray’s “Babylon” was put on loud and constant repeat as a form of torture. This seems like a particularly cruel form of torture. The original “Little Drummer Boy” on repeat would be my personal hell. But when it comes down to it, even your favorite song on repeat 24/7 becomes torture as equal and painful. What this song by Animal / Object does to really creep at you is not as heavily percussion-dependent as many others. It’s all strings. Not the whole song, but the part that gets you where it matters on Halloween.

7. Stella Luce, Zugenruhe (2009), “Monsters”

Genre: Murderous lullaby crooning creepstyle.

If Bjork and Joanna Newsom have an illegitimate child out there that we do not know about, Stella Luce is her. She might live in a beautiful, albeit potentially haunted music box. When she sings in the shower, I imagine it in all minor chords, which tend to stimulate greater feelings of tension or apprehension. From the sliding up the xylophone scale the starts it off, to the plucking strings that come in, the sounds reminiscent of record player static with drums in no hurry, and a Bjork-Newsom voice, the lyrics of this one seal the deal of songs about monsters we’ve told our children forever. Brothers Grimm, anyone? I can’t believe we called those “fairy tales” and read them to children…

8. Jane Rigler and Janet Feder, Rarefactions (2015), “Quiver”

Genre: Ambient jungle terror.

Pan flutes make a quiver effect, and an intermittent reminiscence of Spanish-style guitar suggest a regional, cultural musical theme and influence on “Quiver”. It skits and scatters and slithers around your ankles, and mostly, you definitely wouldn’t want to be walking alone in the jungle listening to this tonight, unless you like being that much more freaked out… especially if you’ve ingested Ayahuasca first…

9. Snake Rattle Rattle Snake, Totem (2014), “Bad Magic”

Genre: House of mirrors B movie camp-glam.

In “Bad Magic”, subtle percussive underlayers usher you into that haunted house in a film scene where you go inside, get lost in a hall of mirrors, and sense Mike Myers may be in possible pursuit (from Halloween, not Austin Powers). It doesn’t sounds like the infamous score or soundtrack from Halloween, but it does sound like something people in a film would look cool dying to. If that’s too weird, too bad. It’s Halloween.

10. Colfax Speed Queen, Satisfaction Intended (2013), “Skeleton Man”

Genre: Rock'n’roll into the grave.

This tune plunges straight into vocals. “Bag of bones!” guitar riffs punctuated with exclamatives from the organ make this song comparatively friendly and funky. And let’s be honest, a skeleton was always the least scary of the scary-costume genre. But then you realize here “he’s gonna kill himself,” and Skeleton Man isn’t really dead yet, which is why he terrifies us. Because if he doesn’t change his story, he might show up right here, right now.

11. Native Daughters, War Elephant (2012), “War Elephant”

Genre: Horror western languid death march rock.

It’s the fact that I think the narrator is dead by the time we get this musical missive that unsettles me most. His narrations are presented as happening in a nightmare: “And then I woke up,” his husky voice tells. The musical narrative that ensues then takes us where the dream wouldn’t have if he’d stayed asleep. The horn serenades like a march to meet fate with the man, creature, spirit; whatever it/he/she may be. Which never ends well. Enjoy the discomfiting solitude of lamenting guitar strokes and bass chords knowing you’re on a journey in the dark toward an even greater darkness.

12. Qbala, Battle Cries (2015), “So Alone”

Genre: Reality based lyrical fear hop.

This one represents fundamental questions and anxieties that will stick with you long after Halloween. The fears of the day-to-day: “At an all time low… When you fail you must continue to begin, within the walls of desperation and hesitation...  is it all in my head? Or is it in the mirror?”  The honesty, lyricism, and frequently minimalist style of this track are almost chilling, and the fear of who you maybe haven’t become feels real. Same with what’s held you back. It shows the earnestness it takes to do you. The time is now.

13. Rubedo, Love is the Answer (2015), “Psychic Tune”

Genre: Teddy Ruxpin death rattle.

You’re a child. You have a doll or stuffed animal that talks when you pull a cord or push a button or squeeze its plush palm. And then the batteries start to die, the voice slows, and it terrifies the dickens out of you. The deliberate vocal torpor in this song brings those vibes, and makes even understanding the lyrics, in a seeming contradiction, at times more challenging. Equally slow, loose acoustic guitar strokes sit behind nearly-spoken backup vocals with drum hits you could almost call lazy, but not in the derogatory sense, make this song the one you might like to go to bed or wake to the morning after your many Halloween rousings.

Happy Halloween. Follow BolderBeat on Spotify for more Colorado music playlists. 

-Joliene

All tracks per the artists featured. This feature was edited for brevity and clarity by BolderBeat.

Listen to BolderBeat's 'End of Summer' Spotify Playlist

By: Joliene Adams

Every month, we publish a new Spotify playlist for your ears. Make sure to follow us on Spotify and take a listen at BolderBeat. Here is September's playlist:

BolderBeat's 'End of Summer' Playlist:

1. Tenth Mountain Division, “Drunk Man’s Blues”

Song most likely to sneak jam bandy vibes and bluegrass inspirations right under your nose without it mattering one wit.

There’s something about the way the vowels are pronounced. I’m convinced it has something to do with the hints of warm, soulful vocal spice. You won’t have much to say about a mandolin not being able to throw down after this song either. Rock undertones and jam overtones effectively avoid over-indulgence and hit the baby bear right where the Goldilocks counts.

2. Big Gigantic, “Got The Love”

Song most likely to dance in hi-tops on a spaceship to.

Somewhere along the way, soulful hip hop meets orchestral marching band and they all go to Burning Man together and start a band. This is what happens afterwards. If not a true story, it’s a believable back-story. Also, I couldn’t help but think, “Is that a wooden cowbell coming in at 1:44?”, even though I know better. How can that not make a person smile?

3. A Shadow Of A Jaguar, “Mama Needs The Bottle”

Song most likely to be mistaken as coming from Denver.

Denver isn’t the end all be all. But they do have more rock and roll. Bar none. We almost did, until West Water Outlaws broke up. And then there’s The Yawpers, who relocated to and announced themselves officially as a Denver band. Drop into the rock bowl at the sound of charging, down-stroke guitar grit, and quick, punchy drumbeat stalls between classic, unfrilled, rolling rock drums. Watch out for rhythmic vocals with attitude enough to make you want to spill your whiskey. Just buy the cheap stuff before, m’kay?

4. Envy Alo, “Bodzinger”

Song I most want to see the crew of Scooby Doo dance to.

Instrumentals done well drive me wild. I’m no less obsessed with words than music. But music doesn’t need words. It can communicate perfectly fine on it’s own. Also, killin’ it cool on the keyboards. Anyone would look amazing dancing to this song in bell bottoms. Groovy, but in the still totally hip way.

5. Policulture, “Great Respect”

Song most likely to render me unable to think of anything but bunny rabbits in sunglasses dancing in a field throughout it’s entirety.

You can definitely skank to this, but you don’t have to. You can dance like a slinky might to the guitar too. Ska and reggae are certain influences, but the track is in no way walled-in by them. Short, jumping keyboard strokes with a steady low-key bass keeps the groove moving forward.

6. Sunsquabi, “Odyssey” (feat. GriZ)

Song most likely to jet ski in outer space to.

If you hear this song in the elevator on your way to work, by golly you have the right job. Elevator music has a nasty reputation. My words here are no diss and all compliment. Sunsquabi and GRiZ could totally fly on an elevator, and chances are everyone’s day would be better and the world itself would be a better place for it. High five.

7. Gregory Alan Isakov, “Suitcase Full of Sparks”

Song with the best story to tell, and the best way of putting it.

“Travelin’ through the graveyard/suitcase full of sparks/honey I’m just trying to find you.” You’ve got my attention Mister Isakov. Light smatterings of harmonica and banjo punctuate earnest lyricism, and have a way of making new feelings come from old familiars. It’s amazing how light instrumentation and unobtrusive background vocals can hit your heart with a such a thunderous thud. Here is the song most likely to make me feel feelings & get those goosebumps.

8. Augustus, “Virtues”

Song that’s the most unto itself amongst all.

Augustus’ “Virtues” is the most own unto itself amongst the whole set. This number has the most interesting musical arrangements and distinct use of instrumentation. Won’t find vocals that hit so high delicately and then swing low anywhere else on this playlist, period. Cello like molasses that doesn’t stick, and thus doesn’t slow down the way it pours over you so warm and soft.

9. Cold River City, “Time Slips Away”

Song most likely to make me chill the heck out when a bus is late, all the while falling in love with the person at the bus stop next to me.

Now that’s some saxy sexaphone (courtesy of guest Jeremy Mohney). Back and forth male and female vocals lend this song a lyrical, crooning playfulness that doesn’t hinge on catchy word play. It speaks to the still-in-love love struggle when it’s done in reality, but far from it in heart. Hits me like permission to move on from any break up while still knowing the past was special and untouchable. If you think that’s hokey, it still won’t stop my pokey.

10. Sixty Minute Men, “Born This Way”

Song most likely to listen to on a catamaran at sunset.

Possiblly the best transition from and into a song on the playlist. Cold River City to Sixty Minute Men rolls like a board off one wave, up onto another. This song’s not in a hurry, and the slow simmer gives the listener rooted boots on the ground and soaring above the clouds vibes all at once. Put it in cruise control and tap those thumbs on your steering wheel folks.

11. Na’an Stop, “Questions”

Song that sounds most like an album single, and I somehow feel most likely to least question if I heard it on commercial alternative radio.

It’s catchy, folks. It makes me grateful for stereo speakers and headphones. It’s lyrics call you out and leave you feeling encouraged all at once. Keys and horns sometimes make you feel like someone might be laughing at you, but in a way that doubles back and only has you laughing at yourself, life, and all of us. It’s catchy. But it’s way more than a surface tune.

12. Evanoff, “Transcendance”

Song whose title best matches its music.  

Transcen + (d) + ance. That’s how we do on this ditty. The song title works on two levels. I feel like I could transcend my next climbing problem to this at The Spot, then dance the good vibes that follow off at The Fox straight after. Vocal thunder emanating from a teacup, heavy beats that don’t browbeat: this song communicates what it calls itself without riffing off some theme or line from lyrics, because it has none!! Best guitar shredding to boot.

13. The Motet, “Know It Too Well”

Song I’m most likely to dance to on isolated vocals alone.

More cowbell?! How yesterday of you. MORE ORGAN. The Motet knows it too well. I’d call this articulate funk, an ice cream sundae of funky guitar layers cut fresh and so clean. So much more than a wedding song, I can’t help but say that I can picture everyone from grandma to the youngest buckaroo dancing out on the floor having a good sass time at anyone’s matrimony.

Follow BolderBeat on Spotify for more Colorado music playlists. 

-Joliene

All tracks per the artists featured. This feature was edited for brevity and clarity by BolderBeat.