Templo's New 'Mountains Can’t Cry' Features Naturescape Vibes, Reggae Beats & More

By: Mirna Tufekcic

Agreeing to review Templo’s newest EP Mountains Can’t Cry was a bit of a stretch for me; a test to see if I could get down with dub. Generally, I do not subject my ears to dubstep of any kind, but I made an exception this time out of pure curiosity, and to give the genre another chance because this EP was presented to me as an “ethnic dub album.” I like CloZee and I really like Beats Antique, Bonobo, Ott, and Dynohunter, none of whom are dub, but all of whom definitely know how to throw down some gooey good ethnic sounds. So here I was with Templo, and it did not disappoint!  

Though Mountains Can’t Cry certainly falls into the dubstep category, it is subtle, and filters through the ears without leaving you feeling like you just lost brain cells huffing glue, which is how most of the genre has left me feeling before. At the forefront of each of the six songs are naturescape vibes, reggae beats, and the aforementioned “ethnic” sounds.

The first two tracks on the EP have a Middle Eastern flare. “Magnetics,” has a more up-beat, daytime feel and “The Owl Watches,” turns a little darker and is seductive, with calls from night creatures accompanied by mesmerizing sounds resembling far-east wind instruments and maybe even a bit of Balkan folk. 

Templo.

Templo.

The third track, “Shot in the Dark,” is probably the most traditionally “dubby” track on the EP, with heavy reggae beats and a lot of record scratching. Not long after that, the fourth track reawakens the spirit with a playfulness reminiscent of video games from the early 2000s, and mixes in what sounds like Native American or African tribal chants. “They Gone,” the next to last track on Mountains Can’t Cry, is heavy with reggae vibes. The final track on the album, “RedShotScandal,” incorporates a lot of everything heard in the previous five tracks, but like a fireworks finale, it creates a loud explosion of light and sound only to fade into silence, smoke and gratification at the end. 

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Mountains Can’t Cry is built like a journey through naturescapes. It’s an easy and enjoyable listen that doesn’t even take thirty minutes to complete, and even as someone who wasn’t a fan before, I am confident you’ll like it whether you’re winding down the summer, or catching Templo live on tour this fall. 

Keep up with Templo here.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Larry Keel Is Bringing His Mountain Music Experience to The Caribou Room This Weekend

By: Mirna Tufekcic

Though not mainstream or in the common vernacular among casual music listeners, Larry Keel is a living legend in the flatpicking, guitar shredding, bluegrass universe that is all encompassing, especially if you’ve lived in Colorado for a decade or so. If you are not at all familiar with Larry Keel, but consider yourself a lover of bluegrass tunes and Appalachia country vibes, then by all means get yourself to Keel’s show at The Caribou Room this Saturday, September 7th in support of his new album One and hear what greatness sounds like. The venue has a state of the art sound system bound to bring the real-deal-Keel-experience to the forefront and surround you with an authentic, superior music performance. 

Keel’s latest record.

Keel’s latest record.

If you don’t trust me, then here are some things that have been said about Larry Keel’s musical talents:

  • Keel comes from a bluegrass-playing family, hailing from the mountain music culture only Southwest Virginia can produce, and Keel’s been a steadfast pupil of the genre since birth. 

  • Music critics consider him one of the finest flatpicking guitarists around. 

  • Keel is a prolific songwriter, having produced 16 albums, and was featured on 10. 

  • He has earned the highest respect and billing among the top acoustic and jam rock musicians alive, and some now gone: Tony Rice, Chris Thile, Steve Martin, Tyler Childers, Tim O’Brien, Vassar Clements, Billy Strings, Sam Bush, Del McCoury, John Hartford, Bill Monroe, Peter Rowan, and Danny Barnes to name a few. 

  • Among the younger generation of bluegrass musicians, he has played alongside jamband and rock giants Greensky Bluegrass, Infamous Stringdusters,Yonder Mountain String Band, Keller Williams, Jorma Kaukonen, David Nelson, Little Feat, Railroad Earth, String Cheese Incident, Fruition, Leftover Salmon, and the list goes on. 

  • And lastly but by no means the last, when Larry Keel is not pursuing his solo music endeavors, he is channeling his unstoppable talent in a variety of musical formats including his core band, The Larry Keel Experience, featuring award-winning and highly accomplished Jared Pool on mandolin and penetrating vocals, and wife Jenny Keel with her rock solid bass lines as well as tenor vocal harmonies. 

The Larry Keel Experience.

The Larry Keel Experience.

If you are still skeptical about how good this man is at mesmerizing the crowd with his raspy voice and killer guitar shred-seshes, then head to the show for a personal, first hand experience.  You can preview his tunes via Soundcloud and for tickets to his show at The Caribou Room this weekend, which is bound to be a hell of a mountain time experience, click here. They’re only $15 advance; $18 at the door. See you there! 

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Lyle Divinisky Tells Us of His Journey with The Motet Before They Headline Red Rocks Amphitheatre This Weekend

By: Mirna Tufekcic

Once upon a time, in the small town of Boulder, Colorado, hippies roamed freely, love was abound, and it gave birth to a music scene rich with homegrown, grassroots vibes where people jammed for the love. After a while, that Boulder scene died out and moved to a place called Denver, where the music community urbanized and became more serious. Today, Denver holds one of the most unique music scenes around. From this community of awesomeness came the band The Motet. Their first album came out in the year 2000, and since then, they’ve been expanding their musical family and crushing it. In lieu of their headlining Red Rocks Amphitheatre show this Friday, July 12th and their massive upcoming fall tour, I phoned frontman Lyle Divinisky to chat about what we should expect to see from their upcoming shows. Read on:

Lyle joined The Motet sometime in 2014-2015, just when the band was looking for something fresh and new to add to their mix. Already a part of the extended grassroots music scene, Lyle was recommended to The Motet by his friend Ryan Zoidas from Lettuce and Dave Brandwein and Taylor Shell from Turkuaz

“The Motet reached out to the guys from Lettuce and Turkuaz when they were looking for a singer, and those guys recommended me. I guess you can say the rest is history. The guys from The Motet had me collaborate on a couple of songs, which turned out to be the songs on the Totem album and we vibed so well that shortly after that, they asked me to join them on tour, starting with a headlining show at Red Rocks with the likes of Vulfpeck and Medeski Martin and Wood. At that time, I was skeptical about leaving my goals as a solo soul singer, but I knew I couldn’t pass up that kind of offer. I think I made the right decision,” he laughs.  

The Motet.

The Motet.

And that he did! For Lyle, the most exciting part of becoming the lead singer of The Motet was exactly the Colorado vibe I mentioned earlier. As he says, “Being able to come into that built-in grassroots, home legacy, and to be welcomed so deeply and quickly, I think, is a really special thing about this band and the Colorado scene in general. The Colorado lifestyle, the Colorado excitement, the Colorado loyalty and investment in music; the music experience and culture created around this community is my favorite part.” 

Lyle grew up on R&B, hip-hop, and soul. His dad, Phil, was his biggest influence. “Yeah I got these pipes from my dad. He ended up choosing the home route and he’s been a teacher his whole life, but while I was growing up, he would play gigs on the weekends and at home, he would have friends come over who would play guitar and sing and I would be around all of that.” 

How he chose to be a singer by profession was a purely instinctive inclination. “I never took any singing lessons, but I grew up around it and was really good at listening. When I finally got old enough to be left alone around the house when I was about 12 or 13 years old, I started singing by myself. But even then, I was just kind of doing it for fun. I didn’t really start becoming serious about singing until I was 17 when I realized a basketball career for a slow, barely-six-foot-tall white guy who can hadrly dunk wasn’t going anywhere. Naturally, I chose the next most successful job placement and that was to be a soul singer,” he laughs. And honestly, we both laugh at that one, but sometimes a strong dedication to what feels right, despite the odds, pays off. So far, in Lyle’s case, it’s been a successful ride that shows no signs of stopping. 

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Lyle and I spent a little time talking about The Motet’s history and how the feel, sound and direction of the band has changed over the years. On that topic he says, “The coolest thing about The Motet’s history is a supreme lack of fear in constantly changing. There’s no thought of trying to build walls or boxes around who the band is. It started as a worldly music with heavy bass and percussion, then moved into afro-jazz and afro-beat, then it went straight funk and right now, with the configuration of the people in the band like Parris on the trombone, Drew with a reggae vibe, and me with a heavy R&B and soul influence… it was inevitable for the band to journey more into that realm than ever before.” 

Parris Fleming, who Lyle mentioned, is also the newest addition to the band. Only 27 years old, he is truly a breath of fresh air for the band as a whole. He took Jazz Instrumental studies at Columbia College in Chicago and played in Dumpstaphunk before joining The Motet. Adds Lyle, “We all feel really lucky to have Parris in the band. He is a superb musician, but he also brings some calm energy to the group. To be only 27 years old and to be such a mature and well-rounded, calm, and confident dude is pretty amazing.” The age range of the band members of The Motet is 27 to 51, a nice mix of experiences where everyone has something worthwhile to bring to the table. 

As far as the band’s live performances, they don’t seem to be stopping. The Motet will be doing the weekend warrior thing this year, playing shows every weekend from now until Thanksgiving. Even though the band’s been on a headlining streak at music festivals and big venues across the nation for several years now, their out-of-the-box approach to making music is unwavering. Staying as a cohesive whole, made of different parts, their performances remain engaging and aspire to connect and impress every time. “We really don't want to box ourselves in. Everything we write and create we want to be genuine. It comes from all of our inspirations coming together and we all have different influences that we bring to the table. As we present that music to the audience we know that we want to create an experience and we know that we want to take the people on a journey, whether that’s to give them the freedom to be as weird and wonderful as they want to be or to nerd out to Garrett Sayers being the most ridiculous bass player and Joey Porter being the funkiest dude ever… you know, we want to create moments and scenarios with the music are very proud of and share it with the audience.” says Lyle.

As for their upcoming headlining Red Rocks show this Friday, they're playing with Galactic and Moon Hooch. Lyle is pretty stoked, saying, “Headlining Red Rocks, once again, is such a dream come true. You hear people always say, ‘Oh man that is such a cool venue!’ And yeah, they’re not wrong! It never gets old and it’s a magical experience, one I am honored to be a part of. This time around, we will have a few special guests and it will be a non-stop-funk-filled dance party. It’s really what we try to do every time and what we do best. The band as a whole is in a really cool place right now. It just feels like there’s something special happening within the group and the music we’re playing. I think it’s undoubtedly going to show in our live performance.” 

As far as magic goes, the dudes of The Motet are also playing during a magical time of the year: summer in Colorado! You can buy tickets for The Motet’s Red Rocks show here while they last. I look forward to seeing you out there!   

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Travers Brothership Return to Colorado After European Tour; Set to Play a Host of Local Shows

By: Mirna Tufekcic

Haling all the way from North Carolina, Travers Brothership will be gracing us with their unconventional, improv-driven live performance, playing gigs across Colorado this week. I had the privilege to chat with Kyle Travers, the guitar and one-third of the vocals of the band. Read on: 

Travers Brothership just finished their first European tour, and Kyle was pleased with the band’s shows abroad: “We were received really well, way better than I expected,” he says, “I think the Europeans are craving that homegrown American sound and because we have that jazz and rock’n’roll vibe, I think they really liked us. And some even knew who we were!” 

Travers Brothership.

Travers Brothership.

Kyle continues about the band’s current state saying, “It’s a somewhat unfathomable feeling to be where we are as a band at this point. Since we became more successful and were signed by Madison House, touring has become a serious part of our lives. I think all four of us love traveling, so being on the road is not a big deal. It’s a blast for me- I love adventure and meeting new people. But what’s really great about it is that we don’t have to do any side jobs anymore when we come home. It feels great not having to put up dry-wall or pick up a hammer or go work in a restaurant on our days off the road. Now, Eric and I will go play golf instead!”

Eric and Kyle Travers are twins. They were born into a musical family; their father Hurricane Bob Travers was a traveling, touring rock’n’roll musician.

“When we were about four years old, our dad gave us toy musical instruments. By the time we were seven, the toys were replaced with real instruments, and that’s really how it all began. Fast forward a few years; by the time we were 12 years old, we were playing biker bars and private events. I consider us really lucky to have had supportive parents who would drive us to these gigs when we were too young to go anywhere.” Kyle laughs. 

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Travers Brothership became a cohesive band when a group of friends, who happened to be neighbors, started jamming together in the Travers house basement. Kyle explains, “Eric and I didn’t want to be the focus of the group and we wanted to expand beyond just the two of us.  That’s why we’re called Travers Brothership and not something like ‘The Travers Brothers Band.’ We really see the band as a community and we all play a major role in the creative process.”   

From Jimmy Hendrix to Donnie Hathaway, Travers Brothership’s influences mesh succinctly, moving from rock’n’roll into soul both smoothly and precisely. The band’s latest album has moved from a harder rock’n’roll vibe into the soul realm more than ever before. 

“I think we owe it to my brother Eric and our bassist Josh Clark, more than anything else, for changing directions a bit. Eric was really getting into Wilson Picket and other 70s soulful artists, while Josh was into Donnie Hathaway and Marvin Gaye. Naturally, from listening to these artists, a lot of our sound started to morph. Aggressive, coming for you mentality will always be at the core of who we are as a band, but it’s important for a band to grow and evolve. Naturally, what you listen to will show in what music you write. And at the end of the day, we always like to challenge ourselves as musicians.” Kyle muses. 

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Eric and Kyle Travers, and the band’s bassist Josh Clark contribute to the vocals of the band and it’s their three-part harmonies, which have caught the eyes and ears of spectators over the years. Their unique three-part harmonies are their signature talent and what they’re most known for. Says Kyle, “Some people who have heard us play, even fans in Europe, compared us to Queen because of our three-part harmonies. It’s pretty crazy!” 

And when it comes to showing off their talent onstage, Kyle says, “We’re a high-energy band onstage. Our motto is to ‘break a sweat and play to the best of our ability, give everything we got from the heart.’ We’re kind of a jam band, so during our live shows, we improvise a lot. Improvisation is one of the most creative ways to be… if you listen to Sun Ra or Thelonious Monk, they’re breaking every rule in the book and they are held in high regard!” 

The band has already toured the nation with established bands like Charles Bradley, Taj Mahal, Moe, Kyle Hollingsworth Band, Blues Traveler, Robert Randolph, Leftover Salmon, Trombone Shorty, The Marcus King Band, Dr. John, and many more. Their most recent album Let the World Decide dropped last December, and now they are embarking on a massive national tour in support of it. Among the Colorado gigs they have lined up, some of them are Denver’s Cervantes Other Side on July 12th, The Lazy Dog in Boulder (which is a free show!) on July 13th, and Hodi’s Half Note in Fort Collins on July 17th. 

Keep up with Travers Brothership here.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Color Red Studios Releases Dragondeer's Latest Digital 45 Record

By: Mirna Tufekcic

Denver’s own Southern-funk disco-blues band Dragondeer dropped a digital 45 earlier this month with two tracks featuring bassist Jeff Franca from Thievery Corporation and guitarist Jordan Lint from Analog Son. The band dove into deep sonic territories during their Color Red Studios session. Color Red is a Denver-based record label and music hub for local and visiting artists to collaborate and create music together. Self-proclaimed to be “more than just a record label, Color Red is; a music scene, a curated artist group, a media outlet, a studio, a genre-fluid music platform, a global launch pad of ideas.”

From the Color Red sessions, Dragondeer’s two new tracks are a true testament to the above statement. “Mirage Á Trois” has a cool-cat sexy vibe that grooves, but listen closer and you’ll hear it’s really talking about the delusional traps one’s own mind can create, you know, the me, myself, and I kind of mind tricks that suck you in and leave you wandering in an illusion. “Max Patch,” a more upbeat, carefree funk groove, is a jam session among the bandmates during their stay at a mountain cabin on the border of North Carolina and Tennessee. Equal parts soul and rock’n’roll, the lyrics speak to the easy vibes of sipping on moonshine and jamming with family and friends while fluffy white clouds pass above a Smoky Mountains cabin. The boys sure did paint quite the scene and ambiance with these two tracks.

Dragondeer has played with the likes of Nathaniel Rateliff & the Night Sweats, Shakey Graves, and Drive By Truckers; they’ve been at the Telluride Bluegrass Festival; and now the band is hitting the road for a summer tour. They will be making appearances at the Firefly Music Festival and Electric Forest (with The String Cheese Incident). Click here for Dragondeer’s full tour dates.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Nick Murphy fka as Chet Faker Hits Ogden Theatre This Friday With New Music

By: Mirna Tufekcic

Here’s a little gossip for you: not long ago, legendary music producer Rick Rubin hit up Nick Murphy, the artist formerly known as Chet Faker, to suggest they collaborate and create some music together. Murphy wasn’t convinced. But after some sweet talking and email exchanges (and the irresistible gravity of Rubin’s reputation), Murphy found himself working with Rubin at Shangri La, Malibu’s famous music studio. Rubin was also the first to throw out the idea that Chet Faker change his artist name back to his birth name, a risk Murphy took for the betterment of himself as an artist, even at the risk of losing everything he built as Chet Faker. A brave and genuine move, it beckons respect and sparks an interest in hearing his new stuff and upcoming projects.

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Fast forward to April 2019, when Run Fast Sleep Naked was released as Nick Murphy’s latest project, co-produced by Dave Harrington. Murphy’s album is actually pretty good. It’s definitely NOT Chet Faker. Though his voice is still recognizable, everything else about the songs and the album as a whole is refreshingly new. Since its release, it has received a number of positive reviews. The AV Club even wrote, "Run Fast Sleep Naked is Murphy’s unbridled catharsis, vacillating between starry-eyed epiphany and startling heartache. It’s a bumpy ride, but still one worth taking."

Curious about seeing Murphy’s transformation in person? Lucky for you, he’s headed to Denver this week! Nick Murphy hits the Ogden Theatre this Friday, June 21st with tickets here. See you at the show!

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Lettuce's New Record 'Elevate' Will Help You Do Just That + See the Band Live This Saturday, June 15th at Red Rocks

By: Mirna Tufekcic

What happens when a group of award-winning musicians conspire and take three years to incubate a new album? Pure awesomeness, that’s what! I had the privilege to preview Lettuce’s upcoming album Elevate, which drops this Friday June 14th, and boy oh boy, am I excited to share the news! Elevate is a sweet nectar of melodies and sounds emitting only the good vibes you can groove to, hoop to, clean to, and live to! Finally, a spankin’ new, sparklin’ fresh album of 11 songs that make you want to hear more than the record can hold. It’s not often that a band can pull that off these days, so when it does happen the feelings felt are undeniable. Yep, that’s how good it is. Elevate is f*cking awesome.

Lettuce. Photo Credit: Casey Flanigan

Lettuce. Photo Credit: Casey Flanigan

Oh I’m sorry, was it too presumptuous of me to assume you already knew who Lettuce are and jump right into raving about their upcoming album? Forgive me. I’ll start you off on your discovery right here: If you love funky music, then get yourself acquainted with these dudes. They’re super. Lettuce has released something like seven or eight (if you count a live recording session) albums since 2002, and each record has its own wonders and musings, but Elevate really pops, snaps, and crackles with funk and hip-hop, a distinguished horn section, and all-around playfulness in primo artistry.

Based out of Denver, Colorado, Lettuce is a six-member collective of Grammy-nominated drummer and percussionist Adam Deitch, guitarist Adam “Shmeeans” Smirnoff, bassist Erick "Jesus" Coomes, Grammy Award-winning keyboardist and vocalist Nigel Hall, Grammy Award-winning saxophonist Ryan Zoidis and Grammy Award-winning trumpet player Eric “Benny” Bloom.  The band exudes an eclectic, free-wheeling style while embracing a progressive and futuristic vibe, thanks to their love of improvisational music. What I said earlier about it being hard to come across a band today that produces a superb album from start to finish still holds, and Lettuce is a testament to the fact that when you follow in the footsteps of musical giants like Pink Floyd, The Grateful Dead, Miles Davis, and modern-day ensembles like Snarky Puppy, you are bound for greatness. If you want to get to know the members of Lettuce a little more, then are you in luck! A six-part series called The Krewe – A Lettuce Documentary Series is up on the band’s YouTube page and even features an in-depth interview with bassist Erick “Jesus” Coomes, plus behind-the-scenes vignettes filmed during the recording process of Elevate.

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Now, back to the album review of Elevate. Sophista-funkated with oozing swagger, Elevate opens with “Trapezoid” and sets the mood reminiscent of a universe only possible because of Lettuce. “Royal Highness,” the second track on the record, continues deeper into lounge-funk. “Krewe,” the single off the album, keeps the groove in more of a swaying, beachy vibe and you notice yourself grooving a little faster. “Love is Too Strong” is a bluesy funk tune with all the feelings, provided by those undeniably rock-blues guitar riffs. Right smack in the middle of the album is “Gang Ten,” a 13-minute tune you don’t even realize goes on for that long because, yep, you’re still grooving in a sort of perpetually-compelling state of motion. But if you know Lettuce, you know they are not shy about lengthy tracks. There are plenty of those throughout the album.

Elevate also features a couple of tasteful cover tracks, namely “Ready To Live” and “Everybody Wants to Rule the World.” I most love “Purple Cabbage;” in my opinion it’s thee signature Lettuce track on the album. The record ends with “Trapezoid Dub,” and yes it’s got the same name as the first track, but it’s different because it’s, well, like the title implies, tastefully dubby. You see, it’s not just the distinct Lettuce funk that puts you in a trance when you listen to Elevate; there are expanded trip-hop sounds and space-age audio-samples creating a unique atmosphere as the instruments come in together and explode out into the listener’s mind. Boom!

If you’re not compelled by my enthusiastic review of the album, I’m not offended. I would just encourage you to have a listen yourself. Trust me, your ears and soul will thank you. I know mine did. Lettuce is also on a massive tour in lieu of their new album release, so you can see them across the nation. If you want to stay local, they’re playing Red Rocks Amphitheatre this Saturday, June 15th. Check out their website for more deets and dates.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The River Arkansas Releasing New Record & Embarking on Colorado Tour

By: Mirna Tufekcic

Just when you think there is no room for more blues, folk, country & Americana music in this world, another band pops up and proves its undeniable lure and creative spin on what’s already been done. The River Arkansas is one of those bands that fit that genre, but play with crossing and blurring boundaries as to where they fall exactly. Their sound is just another testament to today’s melting pot of genres that go beyond the box of just blues, just folk, or just country.

The River Arkansas. Photo Credit:   Art Heffron

The River Arkansas. Photo Credit: Art Heffron

The band started in 2014 as a solo project by Mike Clark of The Haunted Windchimes from Pueblo, Colorado. Shortly after laying down some tracks, Clark brought in his friend and bassist Macon Terry. After spending some time playing together, they realized there was something bigger there than just one project. Since then, the band has expanded to include a fiddle player Rachel Sliker, Benjamin Gallagher on the piano, and Robin Chestnut on drums. Each of these musicians is a very talented addition to the band. Together, they give off a heartfelt and wholesome sound which resonates with the Colorado lifestyle of mountain life meets pavement.

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The River Arkansas has played with other Colorado local gems like Grant Farm and the Gasoline Lollipops. The band has released two albums since 2014, and on May 30th they’re releasing their newest album Any Kind of Weather at Syntax Physic Opera in Denver before embarking on tour to several other local mountain venues including the Jamestown Mercantile, Brues Alehouse in Pueblo, Elevation Brewing in Salida, and Deerprint Wine in La Veta.

Any Kind of Weather is a continuation of the band’s effort to blend folk, country, blues and Americana into a smooth concoction. I had the privilege of previewing the album for BolderBeat in lieu of the album release party this week and here are my two cents: The album is certainly country-forward, if not for Clark’s distinct, heartfelt, growling, and raspy country vocals than most certainly for the fiddle, harmonica and banjo sounds that predominate songs on the album, like “Bury Me,” “Big Bald Buddy,” and “Lady Luck.”

Photo Credit:   Art Heffron

Photo Credit: Art Heffron

Many of the songs are easy listening, either moving the listener to a gentle sway, or a light stomp of the feet. Tasteful peppering of the piano throughout the album gives the songs depth that a lot of country music doesn’t experiment with. The drums and guitar of the more upbeat songs like “Balloon Girl,” “Gone in the Morning” and “Mona” add a bit of a rock’n’roll vibe to the mix, allowing some of the songs on the album to break away from a heavy country/folk feel and move into the Americana realm. The slower songs like “Cuernavaca,” “SF Bay” and “Slow Down” take on more of that folky-country-blues tune, giving the album a hardy dose of all the goods. Reminiscent of The Band, Sturgill Simpson, and The Sam Chase, fans of country and Americana are surely going to enjoy The River Arkansas’ junior album Any Kind of Weather.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Dynohunter Ending Their Spring Tour at Cervantes' with New Music

By: Mirna Tufekcic

Live tech-house music is not a frequent occurrence, even if you find yourself attending a lot of music festivals. However, if you are one of the festival goers who really enjoys electronic music, then live tech is what you ought to seek out if you haven’t already! What I’m getting at here festheads is Dynohunter, a live tech-house act you might have seen perform at music festivals across the country including Electric Forest, Summercamp, Joshua Tree, Sonic Bloom, Arise and others. They've opened for some of the biggest names in livetronica including Papadosio, Eoto, Opiuo, Sunsquabi, Ott, and The New Deal, and supported world renowned DJs Shpongle, Bonobo, Infected Mushroom, Klingande, and The M Machine. The trio has been on a six-week nationwide tour as of late, and they’re closing it out on May 22nd by headlining Denver’s homegrown music event Re:Search Wednesdays at Cervantes’ Other Side.To add to the shenanigans, the event will also feature Casual Commander (Sunsquabi), Aaron Bordas (Late Set), Mikey Thunder and Jordan Polovina. Needless to say, if you’re a tech-house fan, this will be one for the books!

Dynohunter.

Dynohunter.

It’s an added bonus if you like to dance fellow festi lover, because a live Dynohunter show is a sure way to be moved. With a sound embraced by fans of house and techno, and a live performance fueled by the organic energy of live instrumentation, their music is undeniable on the dance floor. Trust me, I’ve seen a few myself. The group’s sound is dark and tribal, peppered with worldly rhythms and deep hypnotic grooves tastefully mixed in with hard-hitting dance tracks, uplifting melodies, and soulful improvisations. This trio is truly a breath of fresh air to the world of electronic dance music. The band’s creative ways of blending deep electronic influences with live saxophone (Clark Smith), bass (Fred Reisen), and drums (Nic Thornsberry) forges a new path in the vast expanse of electronic music.

Dynohunter has released 12 EPs and three full-length records in the past four years with no sign of slowing down. Their newest releases “Third Rock from the Sun,” “Lyra” with Eli Spiral, and “Ectoplasm” have been running hot during their current tour. They’re also keeping it fresh with a single, “Night Tripper”, due for release on May 31st which you may just get to hear early if you stop by their Cervantes’ set. Come and get your electro fix on Wednesday, May 22nd and experience Dynohunter for yourself! It’s bound to be a non-stop tech-house dance party. See you on the dance floor!

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

LA's Balto Making Two Stops in Colorado This Week

By: Mirna Tufekcic

Balto is a brave Americana-rock band hailing from the City of Angels who will grace us with their presence right here in our own Denver, Colorado this week. They are playing in Loveland at 5030 Local this Friday, April 12th, and then coming to Denver on Saturday, April 13th to play at the Black Buzzard. Oskar Blues’ Denver bar is the perfect setting for this band, and for you to go enjoy local brews while lubricating your ears with the boozy, swaggering style of American music rooted at the intersection of Motown, Big Star, Plastic Ono Band-era Lennon, and Jackson Browne. When you’re listening to Balto’s music, it paints an open-road landscape of nostalgia. Basically, they make you feel like a character from one of Jack Kerouac's novels.  

Balto.

Balto.

And these guys are going places. They’re already on their way, actually. Balto’s newly released single “Black Snake, Mojave Blues was featured in Rolling Stone’s 10 New Americana and Country Songs. They have over 3 million listeners on Spotify, and have supported nationally touring bands including The Revivalists, Blind Pilot, David Nail, and Current Swell.

Balto is also on the “Top 20 Sessions”of 2018’s Jam in the Van. You can check out their video above, or watch their new live video from BalconyTV. Make sure to catch their Colorado shows this week and keep up with Balto here.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Catch Jazz is PHSH All Over Colorado This Week, Starting Tonight

By: Mirna Tufekcic

It’s not because Phish isn’t an expansive, easy-to-groove-and-get-down-with band that a group of highly talented musicians decided to form a fluid, tribute Phish collective and name it Jazz is PHSH.  

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Who are Jazz is PHSH? Well, let me tell yah. They’re a floating ensemble of world-renowned, highly talented jazzers who take Phish to the jazziest level, all instrumental and quite gentle on the ears and inner landscapes. Formed by The Chase Brothers in 2015, they gained momentum fast and have attracted many influential jazz and jam musicians including Dennis Chambers (Santana, Miles Davis, Parliament Funkadelic), Jeff Coffin (Dave Matthews Band, The Flecktones), three-time Grammy winning saxophonist Chris Bullock (Snarky Puppy), Michael Ray (Sun Ra, Giant Country Horns, Cosmic Crewe), Grant Green Jr. (Groove Masters), Anthony Wellington (Victor Wooten Band), the teenage piano prodigy hailing from France DOMi Degalle, at one point the late, great, R.I.P. Kofi Burbridge (Tedeschi Trucks Band, Aquarium Rescue Unit, Trey Anastasio Band), & many more!

Jazz is PHSH are playing at the Aggie Theatre in Fort Collins tonight, April 2nd, Denver’s Cervantes Other Side this Thursday, April 4th, Fox Theatre in Boulder on Friday the 5th, and Colorado Springs’ The Black Sheep on Saturday 6th before they hit the rest of North America. (Pssst… all the hyperlinks lead straight to the event tickets so no excuses and you’re welcome!)  

In case you didn’t already know, Phish’s compositions are deep. Jazz deep. All of us who have seen Phish once or twice (or 187 times exactly) know their nature is improvisational and they love to play around with their instruments on stage. Jazz is PHSH takes that to a whole other level. It’s like buying a VW wagon Lego set, taking all the non-foundational pieces and turning it into another kind of VW van altogether… They create original compositions to support unique and playful melodies of Phish, mashing Phish songs with the legendary work of jazz musicians like Miles Davis, Herbie Hancock, Charles Mingus and Wayne Shorter, which is truly a bountiful blend of sounds to inspire Phish fans, jazz lovers, and musicians alike.

So whether you didn’t get enough of Phish at Dick’s last summer or you can’t wait until their appearance again this year, or if your ears are yearning for another rendition of Phish’s musical genius in the jazz format, or if you’ve never heard of Phish but really get off on the jazz stuff, or if you just love seeing awe-inspiring talent live, then catch Jazz is PHSH at any one of the venues they’re playing across our beautiful state of Colorado this week. And be hasty! Catch ‘em while you can because they’re in Colorado for this week only before they take their jazz back on the road.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

F I N K E L's Spring Tour Features New Sounds & Will Be in Denver Next Week

By: Mirna Tufekcic

F I N K E L, a duo formerly known as Less Is More, is coming to Denver’s Three Kings Tavern on March 19th and FoCO’s Surfside7 on March 20th to spook you with eerie synth noises not unlike the Stranger Things intro. The husband and wife duo of Brian and Jane Spencer will mesmerize you with soothing harmonies and complete the experience by bathing you in ethereal synthetic textures. This bizarrely intriguing band has a few singles already released since the change in name and direction, which can be listened to and viewed along with stylistic and artsy videos, like their single “n e e d.,” “l e x i c o n,” and the most recent “w/o.”

F I N K E L. Photo credit: Erin Soorenko

F I N K E L. Photo credit: Erin Soorenko

This band will definitely not give you what you expect- it’s not defined by any genre per se nor is it your run-of-the-mill obscure indie band. So if you’re interested in seeing their live performance, come with an open mind and open ears! As F I N K E L’s “About” page on Facebook states, “Their lyrics explore themes of love and desire; understanding oneself and one another beyond surface qualities; and questioning the status quo. With every track, they’re suggesting we take another, closer look, because what we think we see and hear just might deserve inspection…  She triggering a MIDI mixing board, he on guitar, their vocals intertwine with a shadowy fluidity that invokes notions of another time; perhaps the middle of next week…” Errr, exactly that, but Mountain Standard Time.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Rubblebucket Bringing 'Sun Machine' to Colorado for Two Shows Next Week

By: Mirna Tufekcic

Rubblebucket is hitting the road this month for their Spring Tour to spread the warmth and burns of their latest album Sun Machine. Lucky for us Coloradans, they’ll be stopping at the Aggie Theatre in Fort Collins on March 20th before heading straight to The Fox Theatre in Boulder on March 21st.

Rubblebucket.

Rubblebucket.

Sun Machine is a post-relationship child of the band’s core duo, Kalmia Traver and Alex Toth. As a sort of a homage to the duo’s romantic 11-year relationship end, Sun Machine addresses the trials and tribulations, and the persevering love that lasts despite the breakup. Sun Machine is a testament to the musically fertile nature of breakups, and the introspection and growth that follows. But if relationship tunes aren’t your thing, don’t be discouraged because Sun Machine is out on all mainstream music media platforms and it will take you on an intimate journey you can definitely sing and dance to.

Unlike their two previous albums, Survival Sounds and Omega La La, Sun Machine has a deeper, darker, and more serious mood. And not without reason. The band saw its end when the duo split, but despite and because of it, it also brought Rubblebucket a more grown-up sound with this newest record. The band’s lead singer Kalmia Traver went through ovarian cancer while Alex Toth took to sobriety from alcohol. Both artists came out stronger mentally and musically from these hardships, which are obvious in Sun Machine.

Rubblebucket’s upbeat, danceable core is decidedly still intact though, shining through on tracks like “Party Like Your Heart Hurts” and “Inner Cry,” both of which don’t pull any punches, emotionally or sonically. “Lemonade” on the other hand will make you feel things. A track with opening lyrics from which their latest album got the name, it reminisces on the beauty of days past when things were light and happy, then jerks you right into the day it all fell away. These musicians are a real deal; it’s why they couldn’t help themselves from continuing to create the sounds that move, despite all the hardships and a failed romance. That’s pretty powerful.

Ready to dance, cry, and dance some more with Rubblebucket? I am too. Get your tickets for The Aggie here and The Fox here for their shows next week!

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Desert Hearts Brought Their Creative & Colorful Vibes to Boulder on Current Tour

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It was a house and techno gathering without the grit: the Desert Hearts’ party last week at Boulder Theatre was a homey vibe with a very young crowd, and yes, most people showed up in costume. The 15+ and up show was full of colorful vibes.

Desert Hearts began in 2012 at Burning Man as a dream founded by Mikey Lion, Lee Reynolds, Porky, and Marbs. Since then, it has evolved into a mission of radiating love and a conscious ethos of house and techno. The quartet takes turns on the turntables and projects heavy percussion for hours, and last week’s party was no exception. The band’s vibe is approachable and lighthearted, which is why any age interested in getting into the techno and house scene would find Desert Hearts a non-threatening beginning.  

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Much like Burning Man, coming dressed up in costume is totally a thing at a DH gathering, and highly celebrated. There was an aura of a music festival like Electric Forest, where the crew also threw a party this summer. With a whiff of innocence in the air and plenty of time and space to dance it out, Desert Hearts won’t bring out the dark side of the bumpin’ house genre if that’s what you’re into, but if lightness and percussion within the comfort of your living room is what you’re after, this is a band you’ve got to check out.

Catch a Desert Hearts show for yourself here.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Campout for the Cause Was the Most Grounding Music Festival I've Ever Been To

By: Mirna Tufekcic

The 10th Anniversary of Campout for the Cause took place the first weekend of June at the beautiful Meadows in Buena Vista, Colorado. Kicking off the high country summer, Campout was a community gathering of yogis, nature, and music lovers alike. Campout’s mission over the years has been to step away from the party so familiar to music festivals and focus more on community, conversation, yoga, and music while contributing to a meaningful cause. Each year the cause changes, but it generally focuses around environmental, humanitarian, and educational topics, and it’s always for a not-for-profit organization.

Acrobatics. Photo Credit: Molly McCormick

Acrobatics. Photo Credit: Molly McCormick

This year, however, the cause was a little closer to home. The proceeds went to a Campout for the Cause partner Michael Welle and his family to help pay for their daughter’s medical expenses. Emery, now two years old, has been fighting embryonal rhabdomyosarcoma, a pediatric cancer, since she was five months old. For almost two years, Emmy has been undergoing regular chemotherapy treatments at Children's Hospital in Denver. Her prognosis is encouraging, but this tough little ladybug still has a long road to travel before she gets better.  For more information or ways to donate, you can visit Emmy’s Friends.   

That being said, attending Campout for the Cause this past weekend felt really good. Knowing that the money spent at the festival was going to be an honorable cause while enjoying nature, yoga, music, and learning about sustainable living filled my cup for the weekend and was a great way to start the summer days. It also felt really good to relax and be surrounded by families with children, without the pressure of drinking, taking drugs, or partying to fit in. The vibe of the festival was really grounding and quiet, despite the loud music coming from the stage every evening.

Pixie and Party Grass. Photo Credit: Zach Malone

Pixie and Party Grass. Photo Credit: Zach Malone

Speaking of the loud music, the lineup was quite enjoyable. Unfortunately I missed Mandolin Orange on Friday night, but I caught the whole lineup on Saturday evening which featured The Lil’ Smokies, Intuit, Tierro with Bridget Law, Grantful Dead Review (Grant Farm’s very own take on the Grateful Dead), and others. Sunday evening, last of the festival, featured Bonnie Paine of Elephant Revival with Friends, while Grant Farm closed the night.

Workshops during the weekend ranged from building a sustainable lifestyle and self-love to belly dancing and hula hooping. Yoga classes were offered each day with instructors like Gina Caputo teaching on the main stage, “Stand Up Paddle Board Yoga” at the pond of the meadows, and aerial yoga for both adults and kiddos. If you think these sound unappealing, think again. All of them filled up before the afternoon!

Yoga. Photo Credit: Zach Malone.

Yoga. Photo Credit: Zach Malone.

Campout for the Cause is presented by Wondergrass, the same people who put together the annual Winter Wondergrass music festival in Steamboat Springs. So if you like the grassy, rooty, folk feel of a music festival without all the beer and party fuss, come out next year for a real feel-good, wholesome experience at Campout. And give to the cause! See you next year.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Jaden Carlson Band Releasing New Record With Release Party This Saturday (04/28)

By: Mirna Tufekcic

Jaden Carlson Band is set to release their latest album on May 4th, 2018 and it’s going to sound very different from their earlier work. Heavily leaning into the electro-funk jamscapes, JCB’s upcoming album Keep It Moving is chock full of electric guitar and synth shreds, with groovy bass and drums to smooth it out and literally keep you moving.  The album release party is set to take place at The Lazy Dog in Boulder this Saturday April 28th, so mark your calendar and come for a free show with high quality music and talent!

JCB.

JCB.

Jaden Carlson, born and raised in Boulder, Colorado is known around the Boulder-Denver music scene as a young guitar prodigy who can really shred. Jaden’s undeniable wizardly guitar skills have gained her respect and a shining spotlight in the scene- and all of this before she was even a teenager! Today, at the age of seventeen, she is leading JCB into new heights while experimenting with hip-hop, synth-pop, and electro-funk jams. She has played a huge role in bringing Keep It Moving to fruition, from leading the band with vocals, guitar, and keys to producing the new record. The band has been raising money for their new album on PledgeMusic and they are 95% of the way to getting all or nothing on their campaign. You can help them with the homestretch by going to donate here.

And finally, for your listening pleasure and preview of what’s coming, here is a track titled “Outer Lands” off the upcoming album, exclusively shared with us for you to hear. The track features Adam Deitch (Lettuce; Break Science) on drums. Enjoy!

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Viretta To Release New Music Video This Friday (03/30)

By: Mirna Tufekcic

Viretta, a Denver-based alt-rock band, is coming out with a 12-track album that took over two years to complete. Why? The band took it upon themselves to record and mix the whole thing in their own studio, making it sound exactly the way they wanted. The tracks were their oysters. 

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As it turns out, taking on this task all by themselves was no small feat. Mike Moroni, Viretta’s frontman, lightheartedly admits to the pains and turmoil of taking on such an endeavor saying, “It was hell!” Ultimately though, he acknowledges it was worth the fruits of labor. Combining the heavy riffs reminiscent of Queens of Stone Age and with Radiohead-like reverb, the album fronts an electric hard-rock swagger with vulnerable and emotional wanting. And now the band wants you to get ready!

The single off the upcoming album, “You are My IV” is already out. If the rest of the tracks deliver like this song does, then we’re all in for an angsty, roaring, riff-rocking treat to satisfy all our alt-rock cravings.

The Fear is scheduled for release in full across all platforms on May 18th. In lieu of the date, Viretta will be releasing three music videos to get you amped, starting with the first video for the album’s second track “Cordyceps,” which will be released this Friday, March 30th to view online, or if you find yourself on Market Street in Denver at The Black Buzzard, Oskar Blues Grill & Brew you can see it in person. Viretta will play a live show, along with The SIR Band, before unveiling the video to the crowd.

Want more details? Head to the Facebook event and get tickets!

-Mirna 

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Famous Men Release Debut Single & Video "Gambler's Cry"

By: Mirna Tufekcic

A brand-spankin’ new trio, Famous Men, who were forged while busking the Pearl Street Mall during the summer of 2017 in Boulder, Colorado, are coming out with their very first album Gambler’s Cry this spring. Recently they released a video for the title track from their upcoming record and we have it here for your viewing pleasure. Check it out below and get stoked for more cool things to come from these guys, like their weekly Facebook live shows every Thursday where they serenade you with originals and covers (of your choice!). You can follow them here.

The band focuses on traditional folk songwriting, while pairing it with rock’n’roll and blues, reminiscent of The Black Keys if they melded with The Wood Brothers and Ryan Adams. Hunter Stone, vocals and guitar of the band, brings a unique twist to this style with a raspy tone that is undeniably cool. His slide guitar skills kill too. Joe Plante on the bass and keys and Joshua Thomas on the drums add to the blues-rock-country feel of this band as a whole. In fact the vibes from these guys at their live performances simply capture the audience’s attention effortlessly. I know because I’ve already seen them on several occasions.

Famous Men.

Famous Men.

Famous men mean business and they deliver. So check them out here first with the video produced by the band themselves. Then make sure to go see them live. How will you know where and when? Head over to their Facebook page.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The Velveteers' Release Party Was Bloody Good Rock'N'Roll

By: Mirna Tufekcic

The Velveteers sold-out the iconic Hi-Dive in Denver last Friday for their self-titled EP release party. An hour after the doors opened, the place was packed with both young and seasoned heavy rock’n’roll fans.

Plastic Daggers. Photo Credit: George L. Bosser

Plastic Daggers. Photo Credit: George L. Bosser

The keen energy in the room was stoked by Denver’s own hard rock/punk band Plastic Daggers, who by the end of their set decided to smash their bass against the stage. Their drummer also brought so much thrill to the performance that he left the stage with bloody hands. There is nothing like blood and broken instruments to start off a good night of music at the Hi-Dive.

Plastic Daggers. Photo Credit: George L. Bosser

Plastic Daggers. Photo Credit: George L. Bosser

During set break, fans were getting excited for the main event of the evening. As sound check started, people eagerly stared at the stage in anticipation for the first riff from The Velveteers to send them off. When you have fans getting this excited for sound check, let’s be real, you must be doing something right.

The Velveteers. Photo Credit: George L. Bosser

The Velveteers. Photo Credit: George L. Bosser

The lights dimmed and The Velveteers walked onstage, accompanied by grave-like organ instrumentation blasting over the speakers. Noah Shomberg and John Demitro hit the first beat on two synced drum sets positioned on opposite sides of the stage as Demi Demitro, the front lady set dead center between them, sent out her signature harsh and heavy, yet elegant strokes of baritone guitar off into the crowd.

Demi Demitro. Photo Credit: George L. Bosser

Demi Demitro. Photo Credit: George L. Bosser

If you haven’t already heard, Demi Demitro is a powerhouse to be reckoned with. Her undeniable talent and presence on stage demands attention and awe as she sings mesmerizing lyrics with enchanted vocals seasoned to put a hex on you. But it’s the song “Just Like The Weather,” the lead single from the band's new self-titled EP, that is ripe with vivacity and momentum to take this band to even higher places than they've already been. Their entire performance was the guitar-scraping-monitors, head-banging blast that the band has come to be known for.

The Velveteers. Photo Credit: George L. Bosser

The Velveteers. Photo Credit: George L. Bosser

The Velveteers’ Hi-Dive show kicked off their release tour, which will take them around the Midwest for the rest of the month. For their upcoming shows, keep up with their Facebook. May the rock’n’roll be with you!

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

This Is Why Every Fruition Show Feels Like Home

By: Mirna Tufekcic

Fruition, a five-piece band from Portland, Oregon, have been playing around Colorado for around ten years, accumulating big love from their fans and innocent first-time observers alike. I proudly consider myself a part of the Fruity Freaks Family, as we Fruition fans like to call ourselves. I have been following Fruition for over eight years now, seeing them play in bars like Oskar Blues in Lyons and at day sets at Ned Fest. They’ve come a long way since then and their newest album, Watching It All Fall Apart, which dropped earlier this month, is a testament to that growth.

Fruition.

Fruition.

For someone like me, who has seen Fruition turn from a green seedling into a blossoming tree, experiencing them rock Denver’s Ogden this past weekend was heartwarming. Their Saturday night performance was nothing short of awesome. The set was filled with music off the new record with soulful songs like “Northern Town” and “I Should Be (On Top Of The World),” rock’n’roll tunes like “I’ll Never Sing Your Name,” “Stuck On You,” “There She Was,” and finally sprinkled throughout were old school Fruition barn-stompers like “Never Again and Boil Over.”  As the band got onstage and the lights turned red and blue, the energy was stoked and by the third song in, the room was electric. People were dancing and singing and catching up with old friends. Taking it all in was a blast.

The thing about a band like Fruition is their family, good-time, sing-and-stomp-along vibe beckons to be experienced on multiple occasions. Going to their shows is like coming back home to catch up with old friends and family and share in the common thread that is their amazing musical talent and performance. And although their latest record is a departure from their grassroots foundation toward an experiment in rock‘n’roll and soul, the essence of Fruition still remains. Any band that plays together and stays together for ten years or more is bound to search and experiment new ways of expressing themselves, and these five members just keep exploring ways to harmonize and express themselves individually and simultaneously cohesively. Morphing into maturity through depth and curiosity, all the while staying grounded and kind, is something that I have always admired about Fruition and why I always believed that they were a powerhouse of musicians worthy of everyone’s attention. After seeing them play this past weekend, my admiration of them is only stronger and my anticipation of their next Colorado visit only higher.   

Check out Fruition at Winter Wondergrass this month, February 24th in Steamboat Springs and later this summer at Red Rocks Amphitheater on August 18th. You can follow them on Facebook for more events and cool videos, like behind the making of their latest album.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.