Premiere: Denver's Boot Gun Debuts with a Bang with Two Singles & a New Music Video

Denver’s Boot Gun have entered the Colorado music scene with a serious bang. Today, the three-piece are releasing their debut single and video for “Virginia,” a high-energy rock’n’roll track with a Southern twang, and a rebellious video featuring a slew of Denver haunts to match. And folks, one thing’s for sure, the trio comprised of Keith Lawrence (guitar/vocals), Davie Landry (bass/vocals), and Cody Hart (drums), have brought the party.

“Virginia” was recorded and mixed by Todd Divel (The Yawpers, In The Whale, The Velveteers) of Silo Sound and mastered by Hans Liburd of Burdhouse Mastering. The video was directed and filmed by Colin Anders of Slice Cinematics (Nathaniel Rateliff & The Nightsweats, A Shadow of a Jaguar, Dragondeer). Boot Gun also featured several friends on the track’s instrumentals including Bullfrog Baugh on harmonica, who makes an appearance in the video about 40 seconds in, Sam Janik on guitar, and Bill McKay on organ and piano.

Says frontman Keith Lawrence about the track, "Virginia came to me in multiple dreams last summer. I showed the boys the main riff and they said ‘Sounds great. Where's the rest of the song?' I told 'em I had to go back to sleep to hear [and] see the rest of it. A few months and a couple of disco naps later, we had us a rock’n’roll ripper."

A ripper it is indeed. “Virginia” is a boot-stompin’ tune rife with slashing rips, harmonica twang, and a jangly toe-tappin’ keys solo that will force you on your feet. Some of that energy didn’t enter the track until the boys rounded things out in the studio though.

Says Keith, “As a band, we all believe that a song isn't finished being written until we record it. Todd at Silo pushed for certain creative ideas that we were able to let shine on these tracks. Having Bill McKay sit in on keys helped round out the sound and bring our musical intention into fruition."

Boot Gun. Photo Credit:  Mountain Trout Photography

Boot Gun. Photo Credit: Mountain Trout Photography

Along with “Virginia” and their debut music video, Boot Gun also released their B side “Feels Like A Storm” today. While “Virginia” takes you on a wild ride, quite literally in the video, “Feels Like A Storm” is the moodier, heavy-hitting track from the trio.

Says Davie, “‘Storm’ is a song that we wrote collectively. It started with Keith singing but never felt completely right. So we argued and laughed, and laughed and argued, and I was forced to sing it… In the end, it became the beast that you're listening to today."

You can listen to “Virginia” and “Feels Like A Storm” on all major streaming platforms and catch Boot Gun live at Cervantes with Dave Watts & Friends on Friday, April 12th.

Says Davie on Boot Gun’s debut, “It’s a young band's take on all the rock’n'roll we love and grew up on. We go from A to Z, then back to A just make sure you're still with us."

Join that trip and keep up with Boot Gun here.

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

A Shadow Of Jaguar Release New Music Video "Don't Want to Die Here" In Anticipation Of Debut Record 'RAW'

By: Andrew Wright

The 60s and 70s were largely marked by civil unrest on multiple fronts, and when you compare those times to the events of today, it’s not hard to see similarities. Music artists are picking up on that reality, and bringing back not only the sound of that time, but the ideas and movements as well. A Shadow of Jaguar’s new music video “Don’t Want To Die Here” is one example of this kind of art. The music video features a woman dancing in white against a white screen with multiple apocalyptic images behind her, and at one point, the dancer even puts a small sunflower in her mouth before anything starts, beginning with a sort of symbolic silence that harkens back to “flower children” of the late 60s, an acid hit, and the anti-war protest of the 60s and 70s all at once.

The music itself here has crunchy distortion, a catchy rhythm, and a singer with a vintage-sounding voice (Brian Hubbert) singing about a dismal place, of smoking cities and other ghastly images. He sings the title of the track, “Don’t Want to Die Here” multiple times as a cry for life and safety. The more you listen to this song, the more you almost get a sense of a past voice crying out, but in something that is relevant today with current events, like the threats of nuclear war, civil unrest, and war that seems never ending and unwinnable at times.

A Shadow of Jaguar.

A Shadow of Jaguar.

If you care about music that has the soul of this era in sound and message, then listen to and watch the music video for “Don’t Want to Die Here” by A Shadow of Jaguar. Their debut album, RAW is coming fast, and drops this weekend on October 28th.

Keep up with A Shadow of Jaguar here.

-Andrew

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.
 

Tyto Alba Release Haunting Video For "The Hunger"

By: Hannah Oreskovich

Denver’s indie rock outfit Tyto Alba released their newest music video this week for their track “The Hunger.” The song is from the band’s EP, In Our Own Time, which dropped earlier this year.

Frontwoman Melanie Steinway’s haunting vocals combined with eerie masked figures make “The Hunger” and its accompanying music video a mysterious and emotive track. The video, which was filmed by Slice Cinematics (A Shadow of Jaguar), showcases Steinway performing at Syntax Physic Opera surrounded by men in feathered masks interspersed with eldritch church scenes and Steinway calling out at her own reflection. Colorado’s Brent Cowles makes an anonymous appearance as the band’s “voodoo priest” at the start of the video as well.

A scene from "The Hunger."

A scene from "The Hunger."

Tyto Alba held their release show for the video last night at Syntax, a venue which has turned into a local haven for many musicians, and which was a new addition to this year’s Underground Music Showcase spots.

Brent Cowles as the "voodoo priest."

Brent Cowles as the "voodoo priest."

Check out the band’s video for yourself above and stay on the lookout for more new music from Tyto Alba by keeping up with the band here.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

White Denim & A Shadow of Jaguar Will Keep You Alive After The Dead

White Denim.

White Denim.

White Denim are rolling into Boulder for a Post-Dead Late Night Party at The Fox Theater this Friday night. That’s right! If you are not quite done dancing the night away after The Dead & Company show at Folsom Field, you can head on over to The Fox for a continuation of rock & roll tunes. So lace up your shoes, shake off those jam band vibes and get ready for crunchier, punchier driving drum beats and ripping guitar solos to wrap up your night of music.  

Watch White Denim's "Ha Ha Ha Ha (Yeah)" music video:

White Denim hail from Austin, Texas and have become well known for their unique classic rock approach. Their most recent album release was Stiff, which they dropped last year. The band teamed up with Ethan Johns to produce the record, and collaborated with Cass McCombs to write the track, “Thank You.” The album was a sweet sixteen of sorts, leaving behind the group’s less mature garage rock sound and stepping into a more bluesy, retro rock sound.   

NYC’s A Shadow of Jaguar will be opening the evening. We last caught up with this blues rock duo after their release of their music video for the track “Keep On Knockin’,” which was filmed in Boulder. This band actually formed in Colorado, so their return back to these roots of sorts should be a kickin’ time.

Rumor has it these boys all know how to put on a show. Get your tickets here!

 -Sierra

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Brooklyn's A Shadow of Jaguar Release New Music Video For "Keep On Knocking"

By: Hannah Oreskovich

This past fall, Boulder, CO rock duo A Shadow of Jaguar made the move to New York. Now based in Brooklyn, members Brian Hubbert (lead vocals/slide guitar/bass) and Andrew Oakley (drums/vocals) actually laid down several tracks before their Colorado departure at Denver’s Silo Studios back in 2015. One of these tracks, “Keep on Knocking,” is a tune originally written and recorded in 1976 by pronto-punk band Death. The track itself was not released until 2009, and now, ASOJ have put their own spin on the rock’n’roll hit “as an homage to America’s rock pioneers.”

Just last week, A Shadow of Jaguar dropped an accompanying music video for their version of “Keep on Knocking.” The video features shots of the duo gallivanting around several Boulder hometown haunts, including The Fox Theatre, Dot’s Diner, and The No Name Bar, where Whiskey Autumn’s Matty Schelling actually makes a short cameo appearance. These scenes are interspersed with action shots of a lady friend rocking out, skateboarders, and an ASOJ live performance. Filmed and directed by Colin Anders of Slice Cinematics, you can peep the video for yourself below:

Currently, ASOJ are busy gigging around NYC, but have plans to release more singles for your ears in 2017. Keep up with their tour schedule here.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Listen to BolderBeat's 'End of Summer' Spotify Playlist

By: Joliene Adams

Every month, we publish a new Spotify playlist for your ears. Make sure to follow us on Spotify and take a listen at BolderBeat. Here is September's playlist:

BolderBeat's 'End of Summer' Playlist:

1. Tenth Mountain Division, “Drunk Man’s Blues”

Song most likely to sneak jam bandy vibes and bluegrass inspirations right under your nose without it mattering one wit.

There’s something about the way the vowels are pronounced. I’m convinced it has something to do with the hints of warm, soulful vocal spice. You won’t have much to say about a mandolin not being able to throw down after this song either. Rock undertones and jam overtones effectively avoid over-indulgence and hit the baby bear right where the Goldilocks counts.

2. Big Gigantic, “Got The Love”

Song most likely to dance in hi-tops on a spaceship to.

Somewhere along the way, soulful hip hop meets orchestral marching band and they all go to Burning Man together and start a band. This is what happens afterwards. If not a true story, it’s a believable back-story. Also, I couldn’t help but think, “Is that a wooden cowbell coming in at 1:44?”, even though I know better. How can that not make a person smile?

3. A Shadow Of A Jaguar, “Mama Needs The Bottle”

Song most likely to be mistaken as coming from Denver.

Denver isn’t the end all be all. But they do have more rock and roll. Bar none. We almost did, until West Water Outlaws broke up. And then there’s The Yawpers, who relocated to and announced themselves officially as a Denver band. Drop into the rock bowl at the sound of charging, down-stroke guitar grit, and quick, punchy drumbeat stalls between classic, unfrilled, rolling rock drums. Watch out for rhythmic vocals with attitude enough to make you want to spill your whiskey. Just buy the cheap stuff before, m’kay?

4. Envy Alo, “Bodzinger”

Song I most want to see the crew of Scooby Doo dance to.

Instrumentals done well drive me wild. I’m no less obsessed with words than music. But music doesn’t need words. It can communicate perfectly fine on it’s own. Also, killin’ it cool on the keyboards. Anyone would look amazing dancing to this song in bell bottoms. Groovy, but in the still totally hip way.

5. Policulture, “Great Respect”

Song most likely to render me unable to think of anything but bunny rabbits in sunglasses dancing in a field throughout it’s entirety.

You can definitely skank to this, but you don’t have to. You can dance like a slinky might to the guitar too. Ska and reggae are certain influences, but the track is in no way walled-in by them. Short, jumping keyboard strokes with a steady low-key bass keeps the groove moving forward.

6. Sunsquabi, “Odyssey” (feat. GriZ)

Song most likely to jet ski in outer space to.

If you hear this song in the elevator on your way to work, by golly you have the right job. Elevator music has a nasty reputation. My words here are no diss and all compliment. Sunsquabi and GRiZ could totally fly on an elevator, and chances are everyone’s day would be better and the world itself would be a better place for it. High five.

7. Gregory Alan Isakov, “Suitcase Full of Sparks”

Song with the best story to tell, and the best way of putting it.

“Travelin’ through the graveyard/suitcase full of sparks/honey I’m just trying to find you.” You’ve got my attention Mister Isakov. Light smatterings of harmonica and banjo punctuate earnest lyricism, and have a way of making new feelings come from old familiars. It’s amazing how light instrumentation and unobtrusive background vocals can hit your heart with a such a thunderous thud. Here is the song most likely to make me feel feelings & get those goosebumps.

8. Augustus, “Virtues”

Song that’s the most unto itself amongst all.

Augustus’ “Virtues” is the most own unto itself amongst the whole set. This number has the most interesting musical arrangements and distinct use of instrumentation. Won’t find vocals that hit so high delicately and then swing low anywhere else on this playlist, period. Cello like molasses that doesn’t stick, and thus doesn’t slow down the way it pours over you so warm and soft.

9. Cold River City, “Time Slips Away”

Song most likely to make me chill the heck out when a bus is late, all the while falling in love with the person at the bus stop next to me.

Now that’s some saxy sexaphone (courtesy of guest Jeremy Mohney). Back and forth male and female vocals lend this song a lyrical, crooning playfulness that doesn’t hinge on catchy word play. It speaks to the still-in-love love struggle when it’s done in reality, but far from it in heart. Hits me like permission to move on from any break up while still knowing the past was special and untouchable. If you think that’s hokey, it still won’t stop my pokey.

10. Sixty Minute Men, “Born This Way”

Song most likely to listen to on a catamaran at sunset.

Possiblly the best transition from and into a song on the playlist. Cold River City to Sixty Minute Men rolls like a board off one wave, up onto another. This song’s not in a hurry, and the slow simmer gives the listener rooted boots on the ground and soaring above the clouds vibes all at once. Put it in cruise control and tap those thumbs on your steering wheel folks.

11. Na’an Stop, “Questions”

Song that sounds most like an album single, and I somehow feel most likely to least question if I heard it on commercial alternative radio.

It’s catchy, folks. It makes me grateful for stereo speakers and headphones. It’s lyrics call you out and leave you feeling encouraged all at once. Keys and horns sometimes make you feel like someone might be laughing at you, but in a way that doubles back and only has you laughing at yourself, life, and all of us. It’s catchy. But it’s way more than a surface tune.

12. Evanoff, “Transcendance”

Song whose title best matches its music.  

Transcen + (d) + ance. That’s how we do on this ditty. The song title works on two levels. I feel like I could transcend my next climbing problem to this at The Spot, then dance the good vibes that follow off at The Fox straight after. Vocal thunder emanating from a teacup, heavy beats that don’t browbeat: this song communicates what it calls itself without riffing off some theme or line from lyrics, because it has none!! Best guitar shredding to boot.

13. The Motet, “Know It Too Well”

Song I’m most likely to dance to on isolated vocals alone.

More cowbell?! How yesterday of you. MORE ORGAN. The Motet knows it too well. I’d call this articulate funk, an ice cream sundae of funky guitar layers cut fresh and so clean. So much more than a wedding song, I can’t help but say that I can picture everyone from grandma to the youngest buckaroo dancing out on the floor having a good sass time at anyone’s matrimony.

Follow BolderBeat on Spotify for more Colorado music playlists. 

-Joliene

All tracks per the artists featured. This feature was edited for brevity and clarity by BolderBeat.

The Weekend Six: Six Shows to See This Labor Day Weekend

By: Hannah Oreskovich

It’s a three-day weekend, so spend it at some shows Colorado:

Today (Friday 09/02):

A Shadow of Jaguar with The Red Petals at The Lazy Dog in Boulder 10PM-Close

A Shadow of Jaguar.

A Shadow of Jaguar.

Colorado’s A Shadow of Jaguar officially announced this week that tonight’s show at The LD will be their last in CO for a while, as the delta rock’n’roll duo are moving to New York. We’ve enjoyed a number of live shows from ASOJ over the years, and they’ve promised they’ll still be playing Colorado on tour as regularly as their busy show schedule allows. But it will be a minute until they make their way back to our mountains, so make sure to stop in at their show tonight and say your goodbyes! They’ll be joined onstage by The Red Petals, a Colorado trio of the blues rock variety who we first covered here. We’ll be here tonight, and so should you.

Watch ASOJ’s music video for their track “Mama Needs The Bottle”:

R Michael Rhodes’ EP Release Party at Meadows Golf Club in Littleton 6PM-10PM

R Michael Rhodes.

R Michael Rhodes.

Just last week, we brought you the lowdown on R Michael Rhodes’ upcoming EP Release Party. Rhodes will be playing his new tunes tonight from After All These Years, as well as some of his older hits. Amy Kress will be making an appearance at the show as well, bringing her pop songs to the mix. So dress to the nines and head over to Meadows Golf Club to celebrate with these Colorado artists! Ticket packages here.

Check out R Michael Rhodes’ latest music video for his tune, “The Only Song”:

Tomorrow (Saturday 09/03):

Booster Pre-Phish Show at Vine Street Pub in Denver 1PM-4PM

Booster.

Booster.

Colorado’s funk fusion four-piece Booster recently switched up their lineup and added some new tunes to their repertoire. We sat down with them recently to learn all about it, so catch those details before you roll to their set tomorrow afternoon. The band blasts off before Phish’s show, so roll to Vine Street Pub for this funky pre-party. You can peep Booster’s new tunes, and get ready to groove to Phish. Now that’s a good combo.

Read our recent interview with Booster.

Jeremy Mohney’s EP Release Party at The No Name Bar in Boulder 4PM-7PM

Jeremy Mohney.

Jeremy Mohney.

Yesterday we brought you a whole feature on Jeremy Mohney’s new EP release, On The Mellowside. It’s a crooning, jazzy set of songs that really showcase all of the talented local musicians on it. And tomorrow, those artists will be performing the EP live at The No Name Bar. Head over for this special afternoon dance party and groove out. It’s gonna be sweet! The EP will also be available for purchase tomorrow here.

Read our review of Jeremy Mohney’s new EP On The Mellowside.

The Next Day (Sunday 09/04):

Gregory Alan Isakov with Ani DiFranco and Shook Twins at Red Rocks Amphitheatre in Morrison 7PM-Close

Gregory Alan Isakov.

Gregory Alan Isakov.

Boulder-based singer/songwriter Gregory Alan Isakov is making his return to Red Rocks this weekend, this time as a headliner. Sunday’s show is Isakov’s last in the US for quite some time, as he’s jetting overseas in September for the remainder of his tour. Ani DiFranco shares this bill, and Shook Twins will open the evening. Plus, you don’t work Monday, so you’ve got no excuse not to be at the best venue in the world Sunday night. Get your tickets now.

Watch Isakov’s new video of “Stable Song” with the Colorado Symphony:

All Weekend (09/02-09/04):

Riot Fest & Rodeo in Denver- Various Sets and Times

13668766_10153874611833737_8360979623211890426_o.jpg

Denver’s Riot Fest & Rodeo is happening this weekend, and we’ll be on the scene bringing you awesome coverage courtesy of our contributor Sierra Voss. With a lineup that includes Jane’s Addiction, Death Cab for Cutie, Deftones, Ween, Sleater-Kinney, Julian Marley, The Original Misfits, this is going to be one fest for the books. Some tickets are still available, so get yours here!

Check out the full lineup for the weekend on Riot Fest’s website.

Head out for the holiday weekend Colorado!

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

On the Record with Zach & David: The Red Petals

By: David Landry and Zach Dahmen

Colorado's newest blues band sat down with us for records and a chat.

On the Record: Where David & Zach sit down with musicians, listen to records, and bring you their conversation.

The Red Petals choices for this session were: 

  1. Crosby, Stills, Nash & Young - Deju Vu
  2. The Beach Boys - Pet Sounds
  3. My Morning Jacket - It Still Moves
  4. The Everly Brothers - The Very Best of
  5. The Band - The Band

House Choice:

  1. Ryan Adams - Rock n Roll

Newly formed blues band The Red Petals walked through the door and went straight for the records; that’s JC McKim, Matt Lowber, and Austin Pacharz. Their story goes likes this: JC and Matt both grew up in Alaska and played in rival high school bands before they both ended up in Boulder. The two played together in a local project, Slanted Jack, but that eventually came to an end.

The Red Petals.

The Red Petals.

In late 2015, JC wanted to start a new project and Matt was itching to play more after a stint of shows playing percussion for Na’an Stop. And that is where Austin (Cold River City) comes in. Na’an Stop happened to need a temporary bass player for a couple of shows and Austin got the gig.

One night, while loading gear, Matt was talking music with the guys and that’s when it happened, the “Hey Austin, want to start a trio with JC and I?” And Austin, “Yeah!” So the three met up in Lyons, the mountain town that Matt calls home, and started to jam old blues and soul standards. It was fluid from the start, and not a lot of questions were asked.

From the beginning, Austin and Matt locked in playing together, and that’s a good thing because it allows JC to dance. JC plays a red, semi-hollowbody guitar, which drives the sound of the band. JC describes the guitar as “flashy blues”, and it’s made him want to play just that.

The three-piece are influenced by 50s and 80s blues, but still allow pop elements to fold in. Each member has their own influences too:

“Funk, jazz, reggae, and hiphop [are] a huge part of my drumming, and my musical approach to drumming.” said Matt.

Austin, on the other hand, is more into the great Pino Palladino (JMT, D’Angelo) and Chris Wood (Wood Brothers). Said Austin, “They know when to hold back and when to push the music further out into space into something cohesive.”

With all of these influences, The Red Petals form a blues power trio, like the greats Stevie Ray Vaughn, The Jimi Hendrix Experience, and even the John Mayer Trio. Being a three-piece lets every instrument have its own space, but blend well together, giving the guys a rich, full tone.

Watch a video about The Red Petals formation:

After their experiences in other projects, the guys decided to go into this one with a different approach: have a solid foundation and act like it’s a business. Which is why they went straight to the studio to record singles before playing shows.

“Knowing we want to approach this professionally means that we have more than just the music to worry about,” said Matt.

And so the guys went to Andrew Oakley’s (WWO, A Shadow of Jaguar, Cold River City, BANDITS) practice space, a spot well seasoned and setup for recording. After tracking their first single, “Ruby Sky”, and an old Robert Johnson tune, “Come On In My Kitchen”, The Red Petals headed to Coupe Studios, where Greg McRae helped engineer and mix their sessions. The trio already has plans for more recordings too, and music videos to help push their vision forward.

Currently, The Red Petals are gearing up to play their first live show in Boulder at the Bohemian Biergarten this Thursday, March 31st, with a hometown show for Matt the following day in Lyons at Pizza Bar 66. In the meantime, keep up with the band here and get a taste of The Red Petals' music on their website

-David and Zach on the record

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The Weekend Six: Six Shows to See 01/15 & 01/16

By: Hannah Oreskovich

TGIF! We are soooo ready for the weekend. Here’s our six, Beaters:

Today (Friday, 01/15)

Amoramora with Natural Motives at The Armoury in Denver 9PM-Close

These two Boulder-based bands are hitting the D tomorrow night for a show at The Armoury. Amoramora want you to know that their set will be “original tunes mixed with bust-out covers; an eclectic mix of improvisational musical gumbo.” The trio is a funk/psych/roots/reggae mix that promises to “make you shake your groove thing”. And reggae rock group Natural Motives will be opening up the set to get you movin’! Plus live painting and visuals by Laura McGowan and Suncat. Go get down!

Listen to an Amoramora original, “Rafiki’s Expedition”:

Booster at The Lazy Dog in Boulder 10PM-Close

10929946_988051447872867_2646883278337913342_n.jpg

Rocket fuel, aka the “high-energy funk fusion powerhouse” that is Boulder’s Booster will be lockin’ down The Lazy Dog this evening! Their improvisational jazz, funk, rock, and “everything in-between” is sure to keep you moving all night long. The four-piece, who are best known for their “no guitars” rule, have some big plans for 2016 so catch this Boulder show while you can!

Give their live performance of “Fepic Jam” a listen:

A Shadow of Jaguar at Conor O’Neill’s Irish Pub in Boulder 10PM-Close

Boulder’s delta rock duo A Shadow of Jaguar have a show at Conor’s tonight that promises to “make you scrunch your face and nod your head”. Comprised of Brian Hubbert (also of Cold River City) and Andrew Oakley (also of Cold River City and BANDITS), this powerful duo will have Conor’s spinnin’. Though they’re Boulder-based, the two are so busy touring that they rarely have a local show. So drop in and catch ‘em while you can.

Watch the duo’s video for their single “Mama Needs The Bottle”:

Theogen at The No Name Bar in Boulder 10PM-Close

Denver’s Theogen describe themselves as a group of people dedicated to pushing the boundaries of the live psychedelic electronic music experience”. We’re really in the psych sort of mood tonight, so this show behind the big brown door sounds like a Friday night win. Come get weird.

Peep Theogen’s “Solar Hymn”:

Tomorrow (Saturday, 01/16)

Dragondeer with Toi Et Moi, Mark’s Midnight Carnival Show, and Jocelyn & Chris Arndt at Larimer Lounge in Denver 8PM-Close

Denver’s psych/blues four piece Dragondeer will be rockin’ Larimer Lounge tonight with a sweet lineup of friends. Their swampy cosmic sounds will close out the night after appearances by Denver’s French retro outfit Toi Et Moi, indie rock trio Mark’s Midnight Carnival Show (also of Denver), and the touring rock four-piece Jocelyn & Chris Arndt. Tickets are only $10 in advance; $13 at the door. Show’s 21+. Get ‘em here.

Watch Dragondeer play “Don’t That Feel Good” live:

The Zimmermans at Conor O’Neill’s Irish Pub in Boulder 10PM-Close

If you like Bob Dylan, you should probably head over to Conor’s tomorrow night. The Zimmermans, Boulder’s favorite Bobby D cover band, will be rockin’ the stage. The group has been bringing BD’s sounds to Boulder and beyond for ten years now! Celebrate with them tonight at their show; it’s gonna be a good one.

Listen to their version of “You Ain’t Goin’ Nowehere”:


PS: This week, our Sunday feature with Green Light Radio and Streetside Productions will feature a track by Boulder rock group Villain Baritone! We’ll bring you a full rundown on them and their Studio 700 Music Masquerade show with us next week, but in the meantime, tune in between 9-10PM to 95.5 in Boulder, or stream it live to hear their song “Vines” Sunday night!

That’s a lot of sweet options Boulder! We’ll see you out there!

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Cold River City: Home for the Holidays

Cold River City. Photo Credit:   Hannah Oreskovich

Cold River City. Photo Credit: Hannah Oreskovich

The Fox Theatre gave Boulder an early Christmas present this year: a local lineup, and atop it, Boulder’s own Cold River City. The night started off with Tenth Mountain Division’s improv bluegrass rock and continued with Lula Granji’s grooving electronic instrumentals. Both bands delivered and set the tone for Cold River City’s third return to The Fox stage.

Emma Fields. Photo Credit:  Hannah Oreskovich

Emma Fields. Photo Credit: Hannah Oreskovich

Arguably one of Boulder’s most successful and talented bands, Cold River City weaves between funk, soul, blues, and rock like they’re crocheting their music together. The six-piece is comprised of Jeremy Baugh (guitar/vocals), Emma Fields (vocals/percussion), Cody Hart (guitar), Brian Hubbert (vocals/guitar), Austin Pacharz (bass), and Andrew Oakley (drums). Almost every member is also involved in other projects- A Shadow of Jaguar, Asalott, Campos, BANDITS, and Groov are just a few. Clearly, this makes Cold River City a band that has its hands deep in the heart of the Boulder music scene.  

Cold River Cody (Hart). Photo Credit:  Hannah Oreskovich

Cold River Cody (Hart). Photo Credit: Hannah Oreskovich

As it came time for CRC to take the stage, their giant sign flashed and the noise of the crowd swelled. The atmosphere felt like coming home: something familial but with the kind of energy that left the crowd of several hundred buzzing for hours. Cold River played a medley of songs, stringing through their four previous releases and their upcoming album, Thank You. Sorry. Love You.

Jeremy Baugh. Photo Credit:  Hannah Oreskovich

Jeremy Baugh. Photo Credit: Hannah Oreskovich

Taking the stage at The Fox is an honor for any band, but especially a local one. It comes with great reverence; almost too much. But Cold River City struck the right balance at their show and rightfully so. For as eclectic as their musical collection is, they know exactly who they are. There is a real sense of family on stage; you can see how much they love what they do individually and as a group. And that sort of energy translates to the audience in a very real way. The manner in which Cold River City connects with their audience has a real and comfortable truth to it. At one point in the show, Hubbert told us “Put down your cell phones and let’s be present here in this moment.” And it was an authentic moment. This is a band that wants to connect here, now, and tonight.

Brian Hubbert. Photo Credit:  Hannah Oreskovich

Brian Hubbert. Photo Credit: Hannah Oreskovich

And though there were a few sentimental moments like this, one must remember that Cold River City is also the type of rock and roll band who takes full pulls of Jack Daniels onstage between songs. They know how to make your head swing with purpose and how to shake souls with authentic solos. 

Andrew Oakley. Photo Credit:  Hannah Oreskovich

Andrew Oakley. Photo Credit: Hannah Oreskovich

The show closed with a highlight: Oakley’s set-ending drum solo followed by Pacharz jumping on Oakley’s kit and presenting Oakley his bass to drum on. The two wildly whipped sounds until the rest of the band joined them for an encore, which ended with Hubbert knocking over Oakley’s kit and slamming down his own guitar.

Austin Pacharz. Photo Credit:  Hannah Oreskovich

Austin Pacharz. Photo Credit: Hannah Oreskovich

It was a night full of memorable music and moments that created a hazy morning for many in the Boulder crowd. It was a great party, an early Christmas present, and an incredible night of local music.

Happy Holidays Boulder.

-Zach

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Wednesay Double Feature: Nod & Rose Release Party + ASOJ Music Video Release

By: Hannah Oreskovich

Some hoppin' news for your humpday.

First up- have you been to Nod & Rose lately? Come on, you know you need another button up. We love ‘em because they’re big supporters of the local music scene, so come to the Nod & Rose 3 year anniversary party tonight! They’re setting up a pop-up shop at Vapor House with new merchandise for you to peruse AND there’s an after-party at Taco Junky! Entrance is $5 to TJ’s and local acts Sun Jr. and Abstract Solution will be playing! So that’s totally worth yo cash. Who doesn’t want to shop and then get a marg or two? Join the event here for a chance at free admission and drinks! We’ll see you there.

And second- remember when we first brought you a feature on A Shadow of Jaguar? The Boulder-based duo has kept super busy since their inception. They had studio time with producer Robbie Stiefel, had a short multi-state tour, and dropped their first official single Mama Needs the Bottle in just a few months. Then yesterday, they released their first official music video for their debut single. Today they’ve got a gig in Aspen, but tomorrow night they play here at The Lazy Dog! So go check ‘em out. And in the meantime, watch their vid:

Watch a slew of other local artist’s music videos on our vid page here. Enjoy your hump day.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Producer Robbie Stiefel: Wolves, Making Studio Magic, & Finding That Thing.

By: Hannah Oreskovich

Robbie Stiefel is a talented set of ears crafting tunes with several of your favorite local bands.

Ben Hanna and the Knighthawks. A Shadow of Jaguar. Whiskey Autumn. Greg Corcione. These are just a few of the Boulder-based acts that producer Robbie Stiefel has worked with over the past few months. And after recently watching Stiefel insert his own beats and sounds to a band’s live performance while he sat next to me at The No Name, I can see why so many local acts are partnering with him. His job is to bring that thing into a band’s recording. That thing. You know, the one that every musician is always chasing. And the one that Robbie can somehow hear in his head whenever he listens to a track. So I sat down with him over a giant calzone to find out exactly how he does it. How did he develop finding that thing? And this is what he told me:

Stiefel’s from the East Coast. He grew up in DC, started playing sax at 11, and followed that with guitar, which is when he says “the addiction started.” Toss in his Dad’s love for James Brown and Stiefel’s own discovery of Zeppelin’s discography at 13 and there was Robbie: a kid obsessed with sound.

“I used to sneak into my high school gym and re-record songs with this rudimentary cassette four-track trying to recreate Led sounds using ambient rooms. I was always trying to capture different noises, different ways to do something. And I played in a couple of high school bands too.”

Robbie at   The Crucible Recording Studio  . Photo Credit: Kristy Gray.

Robbie at The Crucible Recording Studio. Photo Credit: Kristy Gray.

And eventually, playing in bands is actually what brought Stiefel to Colorado.

“My first more serious band project was Ego Vs Id. I grew up with Jesse [Parmet, currently of The Yawpers] and when we first moved here, he had this big house and it was basically just a studio for us. It was like our college- we were just teaching ourselves and experimenting for a couple of years with different recording techniques. Eventually, things got more serious with Ego Vs Id and we had unlimited access to a local studio. We actually just worked for a year and a half on an album and learned to craft songs in the studio, trying to make them sound effortless. Making that album solidified something in me.”

But, like many bands, eventually the guys went their separate ways into other projects. And for Stiefel, the most serious of those became production.

“I ended up moving to the Bay area for awhile. I worked with artists there and made connections at different studios. And then I made my way back here eventually and have kind of been doing that same thing.”

Stiefel at   The Crucible Recording Studio   with Whiskey Autumn. Photo Credit: Kristy Gray. 

Stiefel at The Crucible Recording Studio with Whiskey Autumn. Photo Credit: Kristy Gray. 

Which is when I wondered, what exactly is the producer-artist relationship like? To which Robbie had my favorite answer of our whole conversation:

“Being a producer is like holding a wolf by its ears- I feel so responsible for the project and its success and to make sure that what a band wants done is done. By the end, I want them to feel like I’ve made it more clear as to what they are. I put a lot of pressure on myself- I can be obsessive but I think that’s a good thing. I mean- it’s a lot of money to record. I’m getting paid here. And it’s not like paying someone to fix your deck- it’s paying someone to work on what is most important to you. So I always feel like I’m playing with this very dangerous thing- like a wolf- but it’s only dangerous because I care about it so much.”

Robbie and the wolf. Photo Credit: Kristy Gray at   The Crucible Recording Studio .

Robbie and the wolf. Photo Credit: Kristy Gray at The Crucible Recording Studio.

Though holding a wolf by its ears sounds like an almost impossible task, Robbie assures me that while it’s a challenge and a fine balance of sorts, he puts in a ton of preparation before heading into the studio with an artist:

“What it’s really about in preparation before the studio is synergy. The way I work with projects is that I’m basically being invited in as a temporary member of the band or a collaborator, and so there has to be this initial connection there. Especially with bands- they have this brotherhood-tribal-thing and I’m coming into the mix aware that I’m in that situation and building trust. And sometimes you don’t have a lot of time to do that before you start recording. But I’m an artist too, so when I ask them to make big choices, I get the whole ‘I don’t want anyone telling me how to make my music.’ That’s why building that initial trust and having synergy are so important. I know that what I’m asking an artist to do [in my role as a producer] is a lot.”

And so what does one do when there’s a battle back and forth on finding that thing: on finding the right mix, the right beat, the right shaker for a track? On creating and developing one’s sound and making studio magic?

“In those situations, it goes back to trust. But the best thing I can do is to let a certain amount of any idea be worked through- everyone needs to be able to express what they want. You can’t shut anyone down. And then I have to ask, ‘How passionate are you about this?’ because then I need to let them know realistically I will go down that road with them, even if I wasn’t intending to, but that the consequences and hesitations will be x,y, and z. I can’t beat around the bush- that’s the worst thing you can do in a creative environment. At the same time, they have to feel comfortable- somehow you have to have that.”

Stiefel at   The Mountain House Recording Studio   with Greg Corcione.

Stiefel at The Mountain House Recording Studio with Greg Corcione.

Which brings me back to the night I watched Robbie tapping out new rhythms and making sounds that somehow fit into a song he’d never heard before at that live performance. How did he hear those beats he was making? Where does that come from? When I ask him about this, he laughs:

“I’m at a point now where I do just hear it. It’s hard to explain. But I think the development of that came from having an awareness when I’m listening to something of what excites me. There’s this alarm that goes off and I’m suddenly aware that something has grabbed my attention. ‘Oh that’s where that shaker comes in’ or ‘That’s where that intentional harmony changes.’ And I can pull sounds from so many things that I’ve listened to. Eventually, you just kind of have this idea of ‘Oh that might go there’ and things come together.”

And in listening to music from several of the Boulder artists that Stiefel’s been working with, things sure do. A Shadow of a Jaguar already released their single that Stiefel worked with them on, titled “Mama Needs the Bottle” and you can listen to it here:

And the other artists mentioned have plans for new releases soon. We’ll be featuring those as they come out, but in the meantime, go check out two of the artists Stiefel has worked with LIVE THIS FRIDAY at The Fall Showcase.

Read more about Robbie here.

And get details for The Fall Showcase on our FB event here.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

A Shadow of Jaguar's Debut Single: "Mama Needs the Bottle"

By: Hannah Oreskovich

A Shadow of Jaguar's new single is tasty.

ASOJ.

ASOJ.

As you might recall, we covered an A Shadow of Jaguar show back in June at the Pub. Comprised of Cold River City’s Brian Hubbert and former West Water Outlaws’ drummer Andrew Oakley, desker David Landry described the boys as a “super-powered project” with “a thumping kick drum and a whip-cracking snare.” Following that performance, the duo played The UMS and various gigs around Colorado. The pair then hit the studio, The Crucible Recording Studio to be exact, and worked with producer Robbie Stiefel and bassist John Demitro of Branded Bandits to lay down a few licks. After tossing things around in mixing with John Peacock and having their jams mastered by Brian Gardner, A Shadow of Jaguar have released their debut single, “Mama Needs the Bottle.”

Cheers to new music! Check it out here and leave your thoughts in the comments:

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The UMS Starts Tomorrow!

By: Hannah Oreskovich

Denver's giant rock festival is this weekend.

Tomorrow is a magical day. The Underground Music Showcase begins! Just what is The UMS you ask? Why, it’s Colorado’s biggest indie musical festival! Located in Denver, 2015 marks the 15th year for the festival, which features more than 400 local and national music acts at 20 venues. What originally began as a collection of groups playing one Bluebird show is now a four-day fest spread throughout Denver’s best rock venues. Not only is it huge for local music, but all proceeds come right back to Colorado through the Denver Post Community Foundation. You can buy $50 tickets here, or pay the walk-up price of $75 at the box-office. And if you just want a single-day pass, it’s $35. The UMS is always a whisper of aspiration among local artists, so check out the bands who made the cut! See you in Denver! Here’s the schedule for the weekend.

PS: Don't forget to read about the bands we interviewed on the lineup & check out their shows:  A Shadow of Jaguar, Josh Moorehead & the GuestlistSnake Rattle Rattle Snake, The Strawberry Runners & Tyto Alba.

-Hannah

Follow Hannah on Instagram and Twitter.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.