COIN Making Debut Red Rocks Amphitheater Set Wednesday, June 12th

By: Elena Marti

 While they may be supporting Young the Giant and Fitz and The Tantrums on their 2019 North American Tour, COIN are no strangers to the spotlight, having made appearances at Lollapalooza and Austin City Limits in recent years. They’re familiar with the Colorado altitude as well, having just headlined the Gothic Theatre in Englewood in March 2018.

COIN.

COIN.

While it may appear easy to write COIN off as another cookie cutter pop group at first, the trio are incredibly good at writing songs that allow you to relate and feel understood. COIN’s third studio album is said to be released later this year, but the three-piece have already released four singles from the album including: “Growing Pains,” “Simple Romance,” “Cemetery” and “I Want it All.”

“Growing Pains” deals with the uncomfortable part of falling in love we all wish we could ignore, or at least fast-track through: when you have to put up this front, trying to be the coolest version of yourself, and overall, just desperately trying not to screw everything up. “Cemetery” confronts the dangers of spending your life focusing on money above all else with lines like, “never had time for a family/but he is the richest man in the cemetery.” The dark undertone of the lyrics is counterbalanced by the exuberant beat on this tune. For COIN fans, singles like these have listeners excited for the band’s new record.

Fortunately for you, COIN are headed back our way! On Friday, June 12th, head out early to catch COIN’s debut Red Rocks set, which will surely draw you in and keep you hooked. It’ll only take one listen for you to be singing this band in your head for the rest of the night! Get tickets while they last here and keep up with COIN at this link

-Elena

 All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Good Charlotte's Albuquerque Stop Was One of Their Last on the 'Generation Rx' Tour, But Also One of Their Best

By: Ryan Schultz

Good Charlotte's Albuquerque stop on their Generation Rx tour was a performance that fans won’t soon forget. It started with The Dose, who opened the night with a great showcase of their musical ability. With only two members- vocalist/guitarist Indio Downey and drummer Ralph Alexander- I was surprised and amazed at the fullness of their sound. With Indio covering the vocals and guitar and Ralph handling the drums and basslines using synth add-ons to his kit, The Dose had a sound that I would describe as a heavier Nirvana. They’re a group I would choose to see live over and over again.

Knuckle Puck.

Knuckle Puck.

Knuckle Puck was up next. Hailing from Chicago, this group was full of energy, and put on an amazing show. They even wore Lobos jerseys onstage to show support for our local sports team, which fans admired.

Unfortunately, Sleeping With Sirens had to cancel this stop due to personal reasons. So after Knuckle Puck, it was time for Good Charlotte to take the stage, and their set was amazing in a few ways. First, the visual and audio production was superb, and honestly one of the best-looking shows I’ve been to recently. Secondly, vocalist Joel Madden made it a point to interact with the crowd, giving small speeches between a few songs to talk about the band’s story and the meaning of some of their songs. The packed venue sang along to every song the group played, and the overall experience was something I would recommend to anyone who has been a fan of this band.

The Generation Rx tour wraps up in North America this month, but picks up again in Europe starting on February 1st. You can check out those upcoming dates here.

And if you’re curious about Good Charlotte’s recent Denver stop, check out our coverage of that show at this link.

-Ryan

All photos per the author. All videos and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Verses The Inevitable Are Bringing Their 'Grit & Grace' to Larimer Lounge Tonight!

By: Will Baumgartner

Daniel Hertel’s band Verses The Inevitable are in no hurry. They take their time making records, plan their shows carefully, and perform relatively infrequently. All these things, combined with their surfeit of talent and the excellence of their songs, are great reasons to check out their most recent album Grit & Grace, and then get on over to Denver’s Larimer Lounge tonight for an experience you won’t soon forget.

Verses The Inevitable.

Verses The Inevitable.

Every song on Grit & Grace is a gem, and one of several reminders of how apt the album’s title is: there’s clearly a lot of artistry and polish that went into the crafting of each track but at the same time, nothing is over-polished. These songs, multifaceted and sparkling though they may be, still retain their original natural beauty and rough charm. Like any stone, they were formed from gritty elements, from the hard and dirty places found in any truly beautiful location. There’s a sense of struggle in nearly every song on the album, but also an appreciation of the beauty of life, an acknowledgement that light can often only be appreciated by trekking through the darkness.

The album begins with “Tuscaloosa,” a wistful yet gently-driving song, like a letter to a lover the narrator is determined to return to. Its folk rock feel sets the tone for a lot of the tracks to come- while the band regularly dives into other genres, the overall feel of Verses The Inevitable is that of a folk rock band.

Next up is “Horizon,” a ballad that manages to combine a resigned sadness with more determination. “Hard Times” is a bluesy slow-burner enumerating the problems and challenges of the down-and-out, and the first song on the album where singer Madalynn Rose really steps out and shows her stuff. This young woman can really sing, and is a talent worth watching in her own right. Her harmonies with Hertel also reminded me of another way in which the album’s title feels so appropriate, because while they’re both powerful vocalists, Daniel brings the grit while Madalynn carries the grace.

The album artwork for  Grit & Grace .

The album artwork for Grit & Grace.

Next up is “Morgan City Blues,” which Hertel says is one of two songs on the album that were written ten years ago, this one because of its “sad personal nature.” That much is obvious from the lyrics, which tell the tale of watching an addict go all the way down, but through rewriting the song with his partner, keyboardist Wil Snyder, they were able to leaven its heavy subject matter into a shuffling blues with classic piano/organ grooves and a killer harmonica solo from great local stalwart Mad Dog Friedman. “Saint Gertrude” is a somewhat pastoral folk song that sounds like a grateful, quiet tribute to some very personal female saint-like presence in the songwriter’s life. “Unclaimed Ground” is, according to Hertel, about acceptance of the end of a relationship, and yet has a bouncy Americana rock feel with some wry humor in the lyrics. For this listener anyway, it ultimately has a hopeful feel- while accepting what is, the singer still seems to be looking forward to what could be.

“Avarice” is a simple little song that sounds like it was written on a sleepless night by a guy who longs to be a better person. As such, it expresses both doubt and faith in a quietly powerful way. The penultimate song, “Nayasa” is a dirty blues-rock piece with hints of the music of Sub-Saharan Africa. It is apropos since Hertel told me it was inspired by a trip he took there, and expresses the helpless anger he felt seeing the pervasive corruption in each country he visited, and that corruption’s very real consequences of death and starvation. The album’s final song, “Presence” is by far its happiest and silliest, a jazzy swing tune with a New Orleans feel complete with barrelhouse piano and horns. The verses lay out all the either/or dilemmas we could focus on in life, but the chorus just tells us, “Get outta your head!”

In short, Grit & Grace takes the listener through some dark places, all the while reminding us that it’s all part of a journey full of surprising beauty and even some good laughs along the way. We’re all in this life and it ain’t the easiest ride, Hertel seems to be telling us (and himself), but we’ve got to keep going- going and watching our surroundings for whatever stones we might find to contain hidden gems.

Verses The Inevitable contains some of the best musicians on Colorado’s Front Range, including aforementioned Wil Snyder and MD Friedman, with drummer Michael McKee, bassist Matt Certosimo, guitarist Zach Adler, and cellist Zack Reaves. They’re all stellar on record and, as your reviewer can attest, they totally bring it live. There’s nothing quite like a concert by Verses The Inevitable, so get yourself on over to the Larimer Lounge tonight! 

Keep up with Verses The Inevitable here.

-Will

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The SIR Band Brought Power and Passion to Their Globe Hall Set Last Saturday

By: Will Baumgartner

Honestly, I didn’t know what to expect when attending Saturday’s concert by The SIR Band at Globe Hall in Denver last Saturday. I knew they were a local band getting some buzz, playing at a venue I’d also heard enough about to want to check it out, and that was enough reason to go. In this sense, being a music journalist is the same as being a dedicated music fan, because if you only listen to and go to shows by bands and artists you already love, you’re limiting yourself and not helping the scene to grow. Of course there’s always a chance of being underwhelmed, but without exploration there would be no discovery, and I happened to discover a local treasure Saturday night. An unassuming little trio with a rather innocuous name, The SIR Band will surprise you with the amount of power, passion, and artistry that can be packed into such a small frame.

Speaking of small packages, the band’s frontwoman Sarah Angela doesn’t come bounding onstage looking larger than life. A rather petite woman dressed simply in cutoff jeans and a white blouse, SA (as she is also known to fans) let her voice and songs do the business of winning us over, which she most emphatically did, without resorting to any flashy theatrics or excessive costuming. She didn’t just stand there, of course, but her onstage energy was something that seemed to come up organically through the depth and richness of her singing with the simple beauty and layered architecture of the songs themselves, and with her interaction with the formidable talents of her bandmates Kim O’Hara (guitar/backing vocals) and Luke Mehrens (drums/percussion).

The SIR Band. Photo Credit: Joel Rekiel of   BLDGBLKS Music Company .

The SIR Band. Photo Credit: Joel Rekiel of BLDGBLKS Music Company.

Most of the material performed during this show came from the band’s stellar debut album So Cold (released January 2018 and available through iTunes and other digital platforms), but I was also impressed by their choice of covers and unique takes on those songs, including a rousing version of The Weeknd’s “Can’t Feel My Face,” enhanced by two more exceptional female talents who’d already graced the stage that night, R&B/Pop powerhouse Chloe Tang and Vicoda’s firecracker of a frontwoman Shivani Bhatt. There’s something about getting that much female energy and talent onstage that’s just overwhelmingly beautiful and inspiring. These women clearly enjoyed it at least as much as the audience did, and that was an awful lot.

Overall, it’s difficult to say what I was most impressed with during The SIR Band’s performance. Between SA’s bits on synthesizer and acoustic guitar and her dynamic and varied use of her vocal skills, O’Hara’s switching between different guitars and settings, and Mehrens’ precise and expansive drumming, there was so much going on. But I’d have to say that the moment I was most affected emotionally was definitely the quietest part of  an otherwise pretty rocking evening, and that was the performance of “Abby’s Song.” It was an achingly beautiful piece that I knew nothing of except that it got to me, to the point of creating a lump in my throat and a bit of mist over my eyes. As is so often the case with live performances, I wasn’t devoting a lot of my attention span to the lyrics either, but when I mentioned the song afterward to Kim O’Hara, she told me the bittersweet story behind the song, and all I could say was, “Well done.” Without any intellectual knowledge of its subject matter, I was still able to feel the love, beauty and heartache that went into its creation.

Sarah Angela. Photo Credit: Joel Rekiel of   BLDGBLKS Music Company .

Sarah Angela. Photo Credit: Joel Rekiel of BLDGBLKS Music Company.

Another reason I wanted to see this show was because I saw Chloe Tang’s name on the bill, along with the note that it was her last Denver show before moving to Los Angeles. I had the pleasure of being introduced to Chloe’s music about a year and a half ago when I wrote Millennial Wise: Chloe Tang’s ‘Passion//Aggression’ for BolderBeat, but in the time since, I’d regrettably not gotten around to seeing her live. I can now say unequivocally that it was worth the wait, and I’ll be continuing to follow her closely. Talk about little bombs: this young woman packs an incredible punch into her small stature, and her material has continued to grow into something even more powerful than the great stuff I’d already been exposed to, as evidenced by her recent EP Stranger. Wherever you are, listen to her and go see her when you get any opportunity to do so; you will not be disappointed. This bill was truly a satisfying evening of sounds, and wouldn’t have been so complete without Vicoda and Shivani Bhatt who are hurricane of a band with a lightning rod of a singer at its center. They blew me away not only with the joyful fury of their performance, but also with the precision and skill of their attack.

Denver is one of the most happening places in the whole wide world of music right now, so I cannot encourage you enough to take your chances more often than not. You may be fearful of the possibility of wasting an evening, but as The SIR Band and their wonderful guests showed me again this weekend, it’s much more likely that you’ll end up grateful, happy, enriched and the exact opposite of “underwhelmed.”

-Will

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Whiskey Autumn & The Beeves Talk to Us About Why They're Excited to Play Benevolence Festival This Weekend & Their Upcoming Tour Plans

In honor of Benevolence Festival which we’re presenting to benefit RAICES this Saturday, August 18th at Boulder’s Twisted Pine Brewing from 2PM-10PM, we recently chatted with Denver bands Whiskey Autumn and The Beeves. They’ll be playing Saturday’s fest along with headliner Augustus and bands Native Station, Ben Hanna Band, and ChinaRose. We sat down with Whiskey Autumn frontman Greg Laut and The Beeves’ Matthew Sease to learn about why they felt called to play this benefit and what their bands are up to this year:

Why was playing a benefit for RAICES important to you?

Laut: Separating families is unquestionably inhumane and raising awareness about the ongoing crisis is imperative. Hundreds of children still remain separated from their parents and the Trump administration's efforts to reunite the families has been weak and insincere. RAICES is an amazing organization that provides crucial legal support to underserved migrants and is putting quantifiable plans in place to reunite families. Anything we can do to raise money and awareness for the cause feels right.

Sease: We're happy we have a platform to make some kind of difference in this epidemic of evil. Despite the small scale of the event, we hope the money raised will benefit the cause in some tangible way. This is important to us on the most basic human level, as [it] should be to all people.

Whiskey Autumn. 

Whiskey Autumn. 

What has your band been working on this year?

Laut: We've been recording a new album throughout 2018. The first single was released earlier this summer and our next track premieres with CPR’s OpenAir next Tuesday, August 21st on “Mile High Noon” with Alisha Sweeney. Keep your eyes peeled!

Sease: Last February we began work on our debut album with producer, Nate Cook of The Yawpers and engineer Tyler Imbrogno of Eldren. The album is set to release in late 2018.

What can we expect from your set this weekend at Benevolence Fest?

Laut: You can expect a high energy set of rock'n'roll, synth pop, and good time vibes that get you up on the dance floor. We may even play our new song!

Sease: Tuba?

The Beeves. Photo Credit: George L. Bosser

The Beeves. Photo Credit: George L. Bosser

What’s on your agenda for the rest of 2018?

Laut: We'll be touring the Pacific Northwest in late August and early September. It will be our first time performing in that part of the country, so we're very excited to meet some fresh faces along the way. After that we'll be finishing our new record, which you can expect to hear soon!

Sease: As of now, our focus is on the album. Tours are imminent, and an album release show is in the works. Follow our social media accounts and stay tuned!

Anything else you’d like to catch us up on guys?   

Laut: Big ups to Augustus for organizing this festival. They have been close friends of ours for some time now and have put together a great lineup. We're excited and honored to be on the bill!

Sease: We would like to thank Augustus for having us on this important event, and you all at BolderBeat for covering it.

Looking forward to it! Benevolence Fest is just $6 for six bands this Saturday. Come through!

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Dead & Co Boulder Block Party Announced

IMG_7435.JPG

In celebration of the Dead & Company shows at Folsom Field on Friday, June 9th and Saturday, June 10th, Boulder's Fox Theatre will be hosting an outdoor street fair and music celebration on Saturday, June 10th at 12PM. This Pre-Dead & Company street festival features live music, vendors, and a craft beer garden. Shakedown Street, Dragondeer, Cycles, & Mickey Thunder will all perform. And finally, the best part? This is a FREE event! More details here