It’s no mystery that the ladies of Denver’s music scene are a force to be reckoned with. And when it comes to finding a place that not only satiates your musical thirst, but also your need for some downright tasty pizza, The Walnut Room is where it’s at.
Last Saturday, ladies took over the stage at The Walnut Room for a night of indie electronica flavor. Tana Victoria, Amy Kress, Bonne Finken with DJ/backup vocalist Christine Steeples, and Phee all kept it edgy, poetic, and even a bit dark at times. The lineup consisted of mostly Colorado locals, with the exception of Iowa native Bonne Finken, who lit up the room with her booming vocals and phantasmal projections.
Each performer wowed during their time on stage, but this week, we wanted to give special props to Bonne Finken, who, despite her strong Midwest following, made her Denver debut at the show. We sat down with Bonne prior to her set to ask her a few questions about what she’s been up to, including her upcoming album, her Grammy consideration, and her plans for SXSW 2017. Here’s what she had to say:
This is your first time playing in Denver. Welcome! How are you feeling?
I feel excited! We just got done with soundcheck, and I got to hear the other artists play a bit. It sounds like we’re all in the same genre, so that’s pretty cool.
Earlier this summer you released your single and video “Speak to Me.” What have you been up to in the meantime?
I’ve been working on the new album, which will be released in 2017. “Speak to Me” was just the first release from that album. We’ve been recording, which is why I’m in Denver now. Joel Rekiel, my publicist, lined this show up for me while I was in town. I’ve been working on the album; retooling the show. It’s gone really electronic now learning a bunch of technologies, and the band is relearning gear. So that’s what we’re working on now.
You’ve been recording at The Spot Studios. How long have you been working with them?
I just went there last spring to record “Speak to Me.” And then I just started again about a week ago. I’ll be returning next spring and will hopefully have it all done by June 2017.
So what’s the experience been like this past week?
Really awesome. They’re so great to work with, and they (Glenn Sawyer and Rich Veltrop) understand my sound more than anybody I’ve worked with before. So it feels super easy. Instead of me trying to translate my sound or fight on sounds, it feels very comfortable, and goes so fast. It’s incredible! It’s been fun, relaxing and exciting.
Last time we talked, we discussed how you put your heart and soul into your music. You take the time to learn everything about every aspect of your music, so it really becomes a piece of you. I’m curious about what that process has been like, and how much of your blood, sweat, and tears will be going into this next album.
Definitely more than ever before. It’s hard to explain. Literally they’re using my own sessions and my own sounds and it’s demoed to the point where if I want a certain harmony figured out, I better have it figured out when I bring it in. [On other records] we would bring in really sketched out ideas and flush them out in the studio, where as now we bring it in and execute whatever we have, so we have to be more prepared. Which is scary and good. It goes faster, but it means whatever my idea is in real time is what they execute. So that’s been a big difference on this album. And I’ve learned a lot about MIDI. You’re able to use electronic instruments of any kind, and write with them. So that’s been very freeing for me as a writer and as an artist. I love the freeness of MIDI.
Regarding your recorded work, what can your fans expect in the coming months?
I’ll probably have a couple more singles out and promote them like I did “Speak to Me.” “Speak to Me” was kind of a campaign to try to get on the Grammy ballot, which it did do, so that was cool that we released it in time. But I’ll probably release a couple of music videos almost quietly. Not necessarily to sell, but to test out some of the sounds on the album. You’ll be hearing what’s been in my brain for the last decade but has taken me a long time to understand how to articulate audibly. I’ve always had crazy ideas, but now I feel like I can really make it happen and show that off in my music.
How will those those crazy, cool ideas be manifested in your future performances?
When I write, I keep in mind my live shows, because that’s what I love most, maybe to the detriment of thinking, “Will this song work live?” It’s important for me to get [my work] across in my live shows. So if anything, my live shows will be stronger because I keep that in mind and am able to manipulate the recordings knowing that. I like going to shows and hearing artists sound like they do in the recording, rather than not being able to recognize the song because it’s been changed too much.
Do you have any upcoming shows, or tours around the country?
We’re actually coming down into recording mode. Most winters I hole up. I don’t like to travel in bad weather. So I’ve learned to call a spade a spade, and not push it. But we are going to SXSW so I’m super stoked for that. We might just go underground a bit [this winter], write some songs, work on the show, and let SXSW be our big reveal for some of these new songs.
We can’t wait to hear more! Keep up with Bonne Finken here.
All photos per the author. Videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.