After several consecutive years of bringing dance music entertainment to Denver, Decadence has become an established music festival during New Year’s holiday season, and it shows. BolderBeat attended the first night of the two-day, EDM-focused event, and we were impressed to see clear improvements from previous years.
First, the lineup…
The first night of Decadence was clearly geared more to the “hard” EDM loving fans. With names like Zed’s Dead and Bassnectar, there were some big dubstep fans ready to get down. The lineup for New Year’s Eve was a little more dancey and mainstream, with names like Marshmello headlining.
On January 30th, with two main stages and a smaller silent disco, Decadence had no choice but to stack the lineup with talent, and they did just that. The first notable names of the night were Above & Beyond and Alison Wonderland. Although these two acts are significantly different styles of EDM, this was clearly the attendees’ most difficult decision regarding which show to see. Bouncing around both stages, it was obvious that each show was its own party. But Alison Wonderland garnered a larger crowd, which made sense. The only DJs whose names were sported on fans’ clothing were Allison Wonderland and Bassnectar.
Which brings us to the most anticipated performance of the night. Bassnectar, a Colorado favorite, did what he does best: mixing new and old hip-hop with his hard hitting classics. This night’s set included a fun, sped-up remix of “Teach Me How to Dougie,” which of course got the whole crowd moving.
Meanwhile, if you wanted a break from the big stages, there were always enough headphones to go around at the “Silent Disco.” Always a fun battle of colors, there were constantly three different DJs competing to change the headphones to their own “channel.” It was surprisingly easy to be social at the Silent Disco though; you could take off your headphones and chat it up with your dancing neighbors!
Vegas favorite Skrillex closed the night with an hour-long 2AM set. He played the oldie “Scary Monsters and Nice Sprites,” and also the entirety of his newer remixes of rap songs, both Kendrick Lamar’s “Humble“ and Travis Scott’s “Sicko Mode.“ The fans were pleased; this set definitely had the most jumping and moving compared to the others.
Next, the logistics…
New Year’s is inevitably a hectic holiday, and when you pack thousands of partying people into one building, it is easy for things to get out of hand. But Decadence did a great job of controlling everything. Entering and exiting moved smoothly, although security was still diligent. And coat check, which can prove to be a huge time waster at events like this, ran efficiently, which was awesome to see. The only word of advice to those who don’t want to wait out the end of their night in the cold at Decadence is to leave 20 minutes before the last set ends to avoid waiting forever for an overpriced Uber/Lyft. Spoken from experience.
Lastly, the production…
The lights and lasers at the stages were impressive, but you didn’t need to see a show to experience cool visuals. Throughout the Denver Convention Center were different light fixtures and displays that had fans double-taking over and over again. Above the crowd were interesting inflated white balloons, and UFO-looking ships that lowered and raised to the music. It was a playground for adults and a really cool sight to see.
After a very successful weekend, it’s safe to say we’re even more excited now to see what Decadence has in store for ringing in 2020!
All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.