Is Rezz the most iconic woman in electronic music today?
It would’ve been hard to argue otherwise standing in a half-rain, half-snow flurry drizzle at Red Rocks Amphitheater late Saturday night, where Rezz had just finished up her sold-out, headlining debut at Colorado’s most historic venue.
In September, she released her sophomore album Certain Kind of Magic, hitting her highest charting position to date at #12. On the global festival circuit, she’s made waves headlining main stages at events like Electric Forest, Lost Lands, and most-recently ACL Festival in Austin, TX.
Her well-reputed ability to create event-catered experiences for crowds in addition to the spell-binding nature of her music has made her one of the more clamored for electronic acts worldwide, and more often than not her billing demands a primetime night set wherever she goes. This reputation for creating an experience each time out boded well for her largest show to date, and her first headlining gig at Red Rocks Amphitheater, a venue noted for making concerts like these special.
On Saturday, the concert doors opened up to fans at 4:30PM, an earlier start time enacted due to fears of light rain and snow coming over the mountains later on in the night. “Rezz Rocks” featured a slew of enticing openers in Fytch, Charlesthefirst, Digital Ethos and Bleep Bloop, but the main lead up spot was reserved for LA-based DJ/producer Tokimonsta. The fellow lady — real name Jennifer Lee — took the stage later in the night, playing some of her lighter tunes and remixes before following suit with a bass-heavy themed set. As that set neared its end, the sun had all but abandoned the park as the cooler weather and breeze began to set in, with temperatures diving down into the 30s.
At 8:30PM, as if on cue with total darkness, Rezz made her way to the stage, booting on her patented-LED goggles as both the music and visuals for “Life and Death” began to play. Within minutes the 10,000-plus in attendance found themselves entranced in one of electronic music’s more captivating shows.
With an hour and a half set time, the Canadian producer dished out all the tools in her arsenal, debuting new tracks, visuals and stellar remixes. During a slowed-down version of Liquid Stranger’s “Creature,” a giant eyeball with tentacles sprang to life on screen, while other tracks like “H E X” and “Teleportal” utilized geometric shapes and patterns on the LED-board to help bring the music to life. On a night that dipped below freezing, Rezz seemed mostly unbothered while only sporting a hoodie, regularly dancing or swaying along with the slow-bass drops.
Around 10PM the weather began to make a turn for the worse, as the temperature continued to drop and the winds spiked, sending droplets of rain dancing above the crowd. It was here the night began to come to a close, as Rezz met the crowd at the lip of the stage to acknowledge both their energy and the cold.
“Thanks for sticking with me in the cool,” she gleamed while looking out at the sold-out amp crowd, struggling to form her trademark third-eye hand gesture. “I can barely feel my hands.”
To the delight of everyone, Rezz dropped back in for one more song, asking fans to “put all [their] energy into” a high-powered, unreleased, unnamed track that we can't wait to hear on record.
In a world where we’re constantly working towards a climate where women are celebrated for their uniqueness and individuality, Rezz serves as an early champion. On what she claimed to be “the best night of her life,” Rezz proved that she is well ahead of her peers, and at only 23, she’s just getting started. She hasn’t achieved this level of status or fame by following others. Instead her rise has fed off the energy she puts out there for fans, grown by her humbled dedication in being the best version of herself regardless of what others would say.
If that isn’t iconic, what is?
All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.