In the heat of summer, hundreds of people from the East and West Coasts and beyond gathered in the hills outside Berthoud, Colorado to celebrate the traditions of Old-time music and dance.
The Central Rockies Old-Time Music Association (CROMA) celebrated its 8th annual festival at Parrish Ranch, and while for some, barn dances and pre-World War II fiddle tunes may seem anachronistic in 2017, this property offers the perfect environment to stop time and celebrate these traditions. In fact, that’s exactly what the property was established for over half a century ago.
The late 1950s were more than ice cream socials, Elvismania, and record parties. It was one of the contemporary heydays of Old-time music and square dancing. Competitive square dancing was serious business for some, and in 1958, Vaughn Parrish built a barn on his ranch specifically for square dancing. People flocked in from across the United States (even beyond the border from Canada) to spend a week or two practicing their square dancing skills. Many of them competed in square dance competitions throughout the nation.
Today, Vaughn’s son Terry runs Parrish Ranch and is thrilled to host the annual CROMA fest as well as weddings, camping outings, and other special events throughout the year. At the Friday night barn dance, Terry stepped up to the microphone and shared, “My mother and father would be so happy to know that this festival happens on their property. It’s exactly what this place was built for.” The crowd cheered, and Terry even joined squares throughout the night, laughing and chatting with attendees, which included ticket-holders alongside the festival’s performers.
This year’s festival brought various scholars and performers of Old-time from across the nation, predominantly the Ozark and Appalachian regions of the United States, to offer diverse programming throughout the weekend.
Phil Jamison, author of Hoedowns, Reels, and Frolics: Roots and Branches of Southern Appalachian Dance and professor of mathematics and Appalachian music and dance at Warren Wilson College in Asheville, North Carolina, taught a workshop on flatfoot dancing (also known as clogging). He shared how not only Old-time music, but also flatfooting and square dancing, have rich African-American roots, and how those traditions merged with European and new innovative styles in the time to create a rich tradition that’s truly American.
The New Smokey Valley Boys offered a workshop on fiddle/banjo duets, a common means of instrumentation for house parties when, as fiddler Andy Edmonds described, “They’d throw all the furniture out in the yard and have the fiddler and banjo player face each other knee to knee in the doorway between two rooms, and each room would have a caller, so they’d have two different dances happening, but everyone could hear the same music.”
Jesse Milnes and Emily Miller offered several workshops, spanning duet singing, fingerstyle guitar, and West Virginia fiddling in addition to performing sweet, heartbreaking, and foot-stomping duets.
With over 30 workshops, daily main stage performances, nightly barn dances, kids’ programming, and community meals (a Thursday potluck and a Sunday morning pancake breakfast), this year’s festival continued to expand upon the quaint beginnings of the CROMA into one of the best festivals in Colorado, and arguably the best Old-time festival in the nation.
While you count down to next year’s festival in 2018, you can keep up with CROMA’s barn dances, fundraisers, and other special events on their website and by signing up for their newsletter. Dances throughout the front range can be found here, which also includes the Westminster dance, the only regularly scheduled dance that mixes squares, contras, reels, and circle dances.
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All photos per the author. This feature was edited for brevity and clarity by BolderBeat.