Review: The Fremonts' 'We Don't Live There' Is A Fresh Take On Classic Americana Sounds

By: Trevor Ryan

Americana blues rock band The Fremonts dropped their first full-length album We Don't Live There last Friday, June 9th. I recently had the pleasure of giving it a listen and I’m here to tell yah: it’s a fresh take on the classic Colorado Americana folk/blues sound. Because let’s be honest- the Colorado music scene has welcomed a number of Americana folk performers to its various stages over the years, and continues to do so, even in the popular music realm. So what sets The Fremonts apart? This definitely isn't a short answer, so buckle up:

The band, founded in New York City, relocated to Boulder just a couple of years ago to find their niche, which some would argue they did find instrumentally in folk-heavy Colorado. But they (Stephanie Dodd and Justin Badger) did so pretty organically, and with more than just their instrumentation. What really sets this husband and wife duo apart is their storytelling and the inspiration behind their stories. On We Don’t Live There, The Fremonts combine what sometimes feel like ghost stories of old with what they say is “the heartache of leaving our past in a distant skyline and walking into fresh, open spaces with hope for the future.” You'll hear what I mean in the ballad track “Olivia.” It’s a tune with a progressive interlude (which you don’t always find in classic Americana) that also beckons the roots of the genre in an original way with a story that leaves you a bit haunted.

Listen to The Fremonts' We Don't Live There:

There are a lot of emotions that surround this album, and they show in the songwriting and composition of the record. Starting with the whimsical, somewhat mellow opening and title track “We Don't Live There,” the record then levels out with classic, upbeat Americana tracks such as “Back To The Mountain,” “Holding Place,” and “Tell My Mother.” It also offers a darker, more emotionally haunting feel with “Tillman's Wall,” and with the violin in “Joanne.” “Tillman’s Wall” is such a treat that I can say I’d love to see more of the darker, grittier production on this tune in more of The Fremonts’ future recordings.

The Fremonts.

The Fremonts.

My only real criticism of this record is that though both Dodd and Badger front the project strong vocally, and each have notable leading tunes throughout the record, their harmonies can sometimes feel as though they’re battling for that lead sound. Other than that, I really find this record a refreshing take on classic sounds that you should definitely listen to. 

When it comes to We Don’t Live There, The Fremonts have a new take on the Americana sound that I’ve been told is even more of a fun ride live. So be sure to catch them while they're still in Colorado at Denver's Squire Lounge on June 16th. And if you're traveling this summer, crash a couple of shows on their summer tour, or support them on the road with their tour Kickstarter campaign. Get their full list of dates on the road here

-Trevor

 All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.