I Prevail Bringing 'Trauma' on Tour This Spring & Summer, Including a Red Rocks Amphitheatre Set

By: Nathan Sheppard

I Prevail recently released their newest album Trauma, which is the band's first album in three years. This highly anticipated record offers fans a look at what their genre has to offer in the future, while also giving us the classic I Prevail that we fans have come to love.

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The first track of the album is “Bow Down,” and was the first single released. This track gives us everything that we know the band is great at: the back and forth between Brian Burkheiser’s clean, smooth vocals and Eric Vanlerberghe’s harsher tones, a melodic chorus, and heavy breakdowns. This song is a clear indication that I Prevail still know how to make the jams they’re known for. They also produced one of their heaviest songs to date on this record with “Gasoline,” a tune that showcases Eric’s screaming abilities.

In “Paranoid,” we get a very different track which shows us a possible direction the band could evolve into. They experiment with different genres by incorporating bits of electronic, hip-hop, and alternative elements into this song. This is seen heavily throughout Trauma and is on par with the trend in rock music today to try and appeal to a wider variety of fans. While I Prevail are trying to expand their musicianship, they still stay true to their roots by not overwhelming you with the electronics; you can still tell there are heavy instrumentals in each track.

I Prevail gained a major following with some of their softer rock ballads like “Alone” and “My Heart I Surrender,” and with Trauma we get two of new awesome ballads. The first is “Every Time You Leave” featuring Delaney Jane and the second is the last track on the album “I Don’t Belong Here.” Both of these songs are definitely tunes that you will be turning the volume up to and singing along.

Overall Trauma takes us to an updated version of I Prevail. The album is very well produced and has a much cleaner sound to it than previous ones. While a good chunk of the rock scene is going towards a more mainstream pop style, I Prevail is able to add elements of that without losing who they are as a band. They experiment with newer sounds in a way that is easier to digest compared to changing their sound all together. Trauma is an album you want to listen to all the way through, whether you’re an old fan or new.

I Prevail will being taking their brand new album on tour this spring/summer with Issues and Justin Stone. Their tour starts at the end of April and hits Colorado when the band will make their way to Red Rocks Amphitheatre on May 13th for KBPI’s annual birthday bash. Tickets and dates can be found here.

-Nathan

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Colorado Springs' Audible Release Debut EP 'First Contact'

By: Norman Hittle

Colorado Springs hip-hop group Audible released their debut EP First Contact recently. Mixing traditional hip-hop with the setup of an alternative rock band, HoTT (vocals) and Jeb (guitar/vocals) are the faces of the project that bear a nod of resemblance to The Roots and underground hip-hop legends Atmosphere.

The debut is a solid effort of strong instrumentation and vocals that flow through the speakers like a river through a diamond canyon. Well-rounded lyrical topics and a divergence from typical hip-hop vocals with some strong singing points and lush vocal harmonies can be found throughout the debut. The record’s engineering by drummer Ryan May, pulls First Contact’s lively experience together.

Along with the vocalists, the rest of the band members featured on this debut are none other than the indie-alt rock trio Sound|Studies, known for making some solid waves in the Colorado rock scene over the past seven years, and broadening their horizons in joining with the guys in Audible.

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Audible has a performance in Colorado Springs on April 19th in the basement of Oskar Blues. Their live sets have been said to be stellar, so if you have the time, try to make it!

-Norman

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Modern Suspects Release New Music Video for "Desufnoc"

By: Julia Talen

On April 1st, Denver band Modern Suspects released a music video for their latest single “Desufnoc.” Filmed entirely on an iPhone X, guitarist Bart William’s visualized the inspiration behind the film, while frontman Garret Myers wrote the song, galvanized out of a devastating tragedy in which a close friend of his died in a plane crash.

If you haven’t figured it out yet, “Desufnoc,” is confused spelled backwards, and the single and video grip viewers as the group explores the absurdities and the inexplicable aspects of life through visual and audio media.

The video opens with an old Volvo pulling out of a garage on a dry, sunny day. There is music in the background and the viewer thinks that the song is beginning, but the camera hones in the the Volvo’s driver- a woman in a leopard coat with blue hair- listening to what’s on the radio. Anticipation builds as she pulls into a parking garage and we wonder where she is going, but before we can find out, she walks past a series of framed pictures hung on a wall and the camera zooms in to one of the frames, taking the viewer into another realm of the film as the song begins.

As the music flows, the camera continues to hone in on other picture frames, glasses, or mirrors and we melt into new scenes. This movement between different corners of life through pictures and frames elevates lyrics such as, “I’m confused/I’m confused/I feel so confused/Don’t know which way to go.” Viewers become disoriented much like the aftermath of a tragic and sudden loss. The symbolism of moving through frames also makes the audience consider memory and time, and how these play out in the stories that make up our lives and the lives of others.

Modern Suspects.

Modern Suspects.

As the film progresses, the viewer progresses through scenes that are perhaps touchstones of Myers’ personal experience: there is a scene in a body of water, a cemetary, a church. The film ends with a man running toward a house, jumping through a window into a scene evocative of the beginning of the video. The leopard-coated lady listening to Modern Suspects through headphones then walks past another series of frames hung on a wall as the story closes.

Overall, the video sets out to “confuse” viewers, reflecting on events, scenes, stories, and tragedies that take place each day of our own lives and can easily feel disconnected and absurd.

It’s no doubt that Modern Suspects’ visual and musical talent shine in this dreamy pop tune, beautifully accompanied by a thought-provoking video project which brings viewer closer to the lyrics of the track.

Keep up with Modern Suspects here.

-Julia

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

More Than 20 Years Later, The Acid Mothers Temple Continues to Carry On Their Free-Spirited Way of Life

By: Adam Cabrera

Though perhaps far past their prime, The Acid Mothers Temple & The Melting Paraiso U.F.O. continues to carry on their free-spirited way of life pertinent to the beatnik soul collective that the group helped found over two decades ago.

The Japanese psychedelic/noise band, who have played a significant role in the psych revival of the past two decades, performed at the Larimer Lounge on Monday night. Though I had the feeling that the band may have lost some of its muster since their heyday in the ‘90s, their bohemian personality and genuine passion for live performance made for a unique show experience.

Yamantaka // Sonic Titan opened for the headlining act, a five-piece psych/metal band whose diabolic guitar meddling, dark organ sounds, and powerful vocals effortlessly captured the attention of the crowd and got them moving. Faces painted and wearing decorative costumes which resembled traditional Japanese attire, their performance had a theatrical and often menacing tone as if the music was tapping into some ancient oriental mysticism. But the strange and experimental attitude of the band was only the tip of the iceberg compared to the following act.

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The Acid Mothers group is just a small part of the larger collective led by founding band member Kawabata Makoto. “A group of social dropouts of every description – musicians, dancers, artists, farmers, channellers, ex-yakuza, mermaid researchers and professional vagrants” as the band describes it. So, as the group began to gather themselves onstage to set up their equipment, it was clear each member jived with the nonconformist mantra of the collective.

Kawabata, with a head of long unkempt hair and casually touting a pair of paisley bell bottoms, oddly unpacked his gear out of a grocery basket showing perhaps how he never felt the need to buy cases for his equipment. Likewise, the band’s vocalist, Mitsuko Tabata adorned themselves with a purple cape and orange wig while Higashi Hiroshi played synthesizer; not touching a single key throughout his performance. It seemed he much preferred the alien-like whirring of the machines pitch generator.

Drummer Satoshima Nani humorously came dressed in runners shorts and a loose workout shirt. During the show he pounded relentlessly behind the kit; so much so that he broke his sticks halfway through the set and by the end of the night, he was drenched head to toe in sweat, which explained the runner’s getup.

Together the band was a curious group of misfits who in every action displayed just what the AMT collectives motto states, “Do Whatever You Want, Don’t Do Whatever You Don’t Want!” In their largely improvised set they similarly denied any of the usual trappings of traditional rock performances. And in winding psychedelic jams, they would regularly devolve into ear-splitting noise freakouts or relax comfortably into tranquil sonic meditations.

However, despite the youthful energy of the music at certain points during the evening, the oldest members of the group did show their age. Kawabata often would lean against the wall providing relief from standing for so long. And on one occasion, amid Higashi’s long white hair, you could see him wince as he rubbed his sore back. They may have been long past their prime, but their performance surely was one of the most energizing I’ve seen in recent months.

Before the show, I spotted Kawabata hard at work on his computer, most likely plugging away at the multiple AMT projects he is apart of, and as soon as the show ended the band ran to the front of the club to run their merch table. It’s plain to see that nearly 24 years after their start in 1995, they remain true to their carefree and untroubled beginnings with the AMT soul collective as the band continues to tour the U.S. independently. Over the next few months, be sure to catch them live as they make their way across the country as part of their 2019 North American tour.

Keep up with The Acid Mothers Temple here.

-Adam

All photos per the author. All videos and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

FreeMusicForFreePeople Is Throwing an Immersive Event at Denver's Mercury Cafe This Weekend

This Saturday April 13th at Denver’s Mercury Cafe is the FreeMusicForFreePeople (FM4FP) Showcase “Live from the Multi-Verse,” an interactive multi-art experience to celebrate community. FM4FP is a community and media organization that has been serving the Denver area since 2013 who formerly held a residency at Gypsy House Cafe. This year’s event is thrilled to have a home at Mercury.

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With an emphasis on synesthesia, the FM4FP Showcase will focus on an immersive theatrical storyline to engage and entertain the audience with music, circus art, dance, visual art and poetry.   The event is in partnership with Youth on Record’s FEMpowered program and participants have been offered an event internship opportunity at the showcase so they can develop their performance and event planning skills.

Starting at 7PM, the night will feature performances by Lady Gang, Reed Fox, Definitely Maybe, Twin Flame Medicine, Random Temple, Smiley Gatmouth, Sunflower duBois, Circus Performers (Dani Rose and Katie Nadal), Abby Moon & Crescent Dance Project, Nimbus, Bun Bun and FEMpowered Interns. MO SPKX, “2017 Westword MasterMind” and “2018 Westword Best Solo Rapper” will emcee the evening.

Find more information on FM4FP and their mission click here; learn more about Saturday’s event at this link.  

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

LA's Balto Making Two Stops in Colorado This Week

By: Mirna Tufekcic

Balto is a brave Americana-rock band hailing from the City of Angels who will grace us with their presence right here in our own Denver, Colorado this week. They are playing in Loveland at 5030 Local this Friday, April 12th, and then coming to Denver on Saturday, April 13th to play at the Black Buzzard. Oskar Blues’ Denver bar is the perfect setting for this band, and for you to go enjoy local brews while lubricating your ears with the boozy, swaggering style of American music rooted at the intersection of Motown, Big Star, Plastic Ono Band-era Lennon, and Jackson Browne. When you’re listening to Balto’s music, it paints an open-road landscape of nostalgia. Basically, they make you feel like a character from one of Jack Kerouac's novels.  

Balto.

Balto.

And these guys are going places. They’re already on their way, actually. Balto’s newly released single “Black Snake, Mojave Blues was featured in Rolling Stone’s 10 New Americana and Country Songs. They have over 3 million listeners on Spotify, and have supported nationally touring bands including The Revivalists, Blind Pilot, David Nail, and Current Swell.

Balto is also on the “Top 20 Sessions”of 2018’s Jam in the Van. You can check out their video above, or watch their new live video from BalconyTV. Make sure to catch their Colorado shows this week and keep up with Balto here.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

The Nomadik Sends You the Latest & Greatest in Outdoor Adventure Gear Just in Time for Summer

As camping season begins and Coloradoans throughout the state start ascending into the Rocky Mountains for the spring and summer seasons, there is one must-have companion: The Nomadik.

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Featuring the best in outdoor adventure gear, The Nomadik is a monthly subscription service sent straight to your door with all of the latest and greatest in camping and adventurewear. Through April 12th, Nomadik’s Earth Day box is available for order here and features:

MPOWERD Luci Light EMRG - An inflatable, waterproof and floatable pocket-sized solar powered lantern that doubles as a flashlight and emergency light only needs a bit of sunlight to stay charged!

Simply Straws Stainless Steel Re-usable Straw - Plastic-free, guilt-free reusable straw helps reduce your waste!

Eco Vessel The Metro- 24oz Insulated & Reusable Tumbler -  This eco-friendly reusable mug is BPA free, phthalates free and free of harmful liners!

While April’s theme was Earth Day, The Nomadik switches up their themes monthly so that every new box includes a “challenge” for the month along with it, keeping even the most well-mountaineered folks on their toes. The Nomadik is constantly curating fresh and innovation gear from all the top outdoor brands and retailers for a fraction of industry prices. Monthly subscription boxes start at $32.95 and include a value of up to $70 + up to 7 full-size premium gear pieces with brands like Mountainsmith, Mizu, RX Bar, SealLine, Gear Aid, Kammock, Skratch Labs, Grand Trunk, MPOWERD, Power Practical, MoraKniv, GSI, Mountain House and more.

So fellow climbers, campers, kayakers, 14er adventurers and all you other great Colorado outdoors lovers, join The Nomadik today! They’ll deliver the gear for your next trip here for a fraction of what you’d spend anywhere else. Live Nomadik.

First Listen: Whiskey Autumn's 'Modern Doubt' Is a Synth Pop Hollywood Dream

Today, we’re proud to premiere Whiskey Autumn’s new record ‘Modern Doubt.’ The Denver four-piece are releasing the record this Friday, April 12th at Lost Lake Lounge with fellow Denver bands The Milk Blossoms, OptycNerd, and a DJ set from Motion Trap. Synesthesia, who hosted The Pink Party earlier this year, is presenting the show. Take a listen:

 ‘Modern Doubt’ is the follow-up to Whiskey Autumn’s 2017 EP Ice Cream In The Sun. The first single from the album “Birds That Flew,” premiered with 303 Magazine, followed by the premiere of “Let’s Go Sailing Instead” on CPR’s OpenAir. The studio recording of “Monochrome Actress” premiered with our friends at Ultra5280 recently, and the band’s live music video for that song just debuted with Westword last week. Whiskey Autumn will also be on CPR’s OpenAir this Friday for a live session in support of their release and Lost Lake show. Clearly, this is a Denver band with a trajectory worth watching.

Whiskey Autumn. Photo Credit:   Vossling

Whiskey Autumn. Photo Credit: Vossling

Overall, ‘Modern Doubt’ is a psychedelic pop rock album with an overarching theme rooted in modern anxieties such as technology, political doubts, and navigating an always connected world. The album features dancey synth lines, jangly beach guitars, a Hollywood film noir sample, natural sound interludes, and produced hip-hop drum breaks. The record was written by frontman Greg Laut, produced by band members Laut and Jason Paton, mixed by Chris Scott (OptycNerd, Young The Giant) and mastered by Jim Wilson (David Byrne, Neko Case, The Yawpers). Recently, Laut answered a few questions for us about the band’s new record, Friday’s show, and Whiskey Autumn’s 2019 plans:

Tell us more about ‘Modern Doubt’.

Modern Doubt was written and recorded throughout 2017 and 2018 and reflects my experience of the tumultuous landscape of our current times. My bandmate Jason Paton and I threw out any preconceived notions of what our sound is supposed to be and challenged ourselves to create a record that transports the listener to the world that each song exists in, whether it be a dreamy beach, an old Hollywood film, or a crowded airport. For us, that meant looking at the songs through a cinematic lens and setting the scene with natural sound samples and production choices that catered to the storyline.

That’s really cool. It seems like you’ve already had a lot of attention surrounding this record. What else can you tell us about the release show this Friday?

This will be a Whiskey Autumn show like you've never seen before! We have a new rhythm section and a batch of new songs that will be played live for the first time. Synesthesia is presenting the show and they're bringing along Andy Ai and Kat Phenna who will be providing dystopian, film noir visuals that tie into the themes of Modern Doubt. It's going to be a wild night!

What else can we expect from Whiskey Autumn in 2019?

You can expect a vinyl release of Modern Doubt later this year, summer tour dates to be announced soon, and more surprises coming your way in the next few months!

Catch Whiskey Autumn live this Friday, April 12th at Lost Lake Lounge for the release of ‘Modern Doubt’. Tickets are $10 right now if you Venmo @whiskeyautumn; $15 day of show. Find more information on Friday’s gig at this link and keep up with Whiskey Autumn here.

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Review: Lief Sjostrom's 'Impossible Parade' Focuses on Post-Rock Vibes in a Neo-Classical Fashion

By: Norman Hittle

The cello-wielding force of reckoning Lief Sjostrom has released a new EP Impossible Parade.

As with the growing body of work that is Lief Sjostrom, this EP sufficiently augments the sonic progress of his career. Almost like the next release of a trilogy or series, it makes you want to go back and hear the last pieces to fulfill the story and relive the experience again. However, Impossible Parade focuses more on the post-rock vibe in Sjostrom’s neo-classical fashion, with tracks that are laced with a bit more momentum and tension.

Impossible Parade is both canon and progressive to the tale Lief is weaving for us. It fits nicely in the sense of feeling like the composition of a somber and grieving movie or game. I have and continue to imagine the darker moments of Lord of the Rings, Vikings, Skyrim, and the Witcher series in comparison. In simpler terms, his songs have a stygian Celtic folk feel that resonates with an almost enchanted medieval era.

Lief Sjostrom.

Lief Sjostrom.

If you haven’t ventured into the ambient, yet visceral soundscapes of Lief’s previous releases, I’d encourage you to take a moment to do so. I’ve detailed his other works for BolderBeat, Counting Breaths and The Longest Night. I promise, if you enjoy Impossible Parade, you’ll enjoy all of Sjostrom’s records.

Lief will be performing Saturday, April 13th at Ophelia’s Electric Soapbox. Make it a point to enjoy this evening by grabbing details at this link!

Keep up with Lief Sjostrom here.

-Norman

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Boulder-Based Nobide Are Making Waves One Big Stage at a Time

By: Natalie Pulvino

Boulder-based live electronic band Nobide is fresh off a show at the Boulder Theater, soon to headline the Larimer Lounge, and has a lot in store for this summer’s festival season. We sat down with Nick Vann, founder of Nobide, to ask him about the band’s authentic sound, local influences, and upcoming endeavors.   

What differentiates Nobide from other live-electronic acts?

Probably our versatility- we want to make all types of music, not get caught in one sound or genre. We’ve been working on combining the production elements with the live instruments, figuring out how to allow the produced pieces to function like a band member. Our live setup is pretty crazy- I can now manipulate and change the sound of the guys as they’re playing [and] do DJ production effects live which is pretty crazy.

You’ve described Nobide to BolderBeat previously as “organic-electronica,” emphasizing the live aspect to your music. What is your process for infusing the produced pieces with the organic element to create the perfect blend?

Our process is evolving as we figure out our sound. We’re still fresh as a unit, so we’re not sticking to any one process for writing or playing- it’s all very open right now. As far as putting songs together it’s really important to me that the songs don’t come out sounding like just another band. There’s so much possibility with production and sound… I’m always looking to hear something new, both musically and in regards to how a piece actually sounds.

Are there any local live-electronic acts that you draw inspiration from?

Mxxnwatchers is making some really forward thinking stuff, as is Evanoff. Break Science are the OGs. I think we all feed off each other, but we’re all sorta doing our own thing and pushing it as far it can go. To me that’s the ideal- there doesn’t seem to be much of a point in making stuff that sounds too much like someone else.

How do you cultivate that influence while maintaining a strong sense of authenticity in your music?

I think seeing how other people approach their music is the best kind of inspiration. We try not to take what other people are actually doing musically or sonically into account and just focus on doing what sounds best to us. In that sense we have no choice but to be authentic.

Nobide recently opened for The Floozies at the Boulder Theater- what was that like for the band?

It was a huge moment for all of us. I grew up in Boulder, so it was especially exciting for me. It was so killin’ to play for the hometown crew and have them show up like that. Nobide is Boulder-bred, and I think it was cool for the Boulderites to see the evolution of the project. A lot of people got introduced to the music that night too which was exciting. We’ve got mad love for Boulder.

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Are there any shows you guys have played that have been super memorable?

The Boulder Theater show was one for sure, as well as The Fiillmore when we opened for Sunsquabi in January. It’s always exciting to play big rooms with big sound systems. We played with Michal Menert in January and that was a full-circle moment. I’ve been listening to his music for years.

Nobide is on the bill for Summer Camp Music Festival, Sonic Bloom, and a few others that will be announced soon. What is the band looking forward to most about being on the lineup for these festivals?

I think mostly meeting new people- artists and fans alike. It’ll be cool to see how our music stands up and translates in new environments. It’s a big opportunity, but it’s also just gonna be fun as heck.

Do you foresee any challenges that may arise from playing festivals as opposed to singular shows?

It’s definitely going to be a compromise on some fronts [since] we have a pretty complex setup for performing, but it’s nothing we can’t handle. It’ll be a good challenge to be pros, to know it’s not all about us but more about the vibe of the whole event.

There’s been talk that the band may be hitting the road soon. If you guys go on tour, where would you want to play and who would you love to play with?

Eventually all over the world! But for now we’re trying to get down South and out to the West Coast and Midwest, start slowly expanding our radius through the U.S. We’d love to play with all sorts of people that like to get down. Lettuce, Pretty Lights, Zhu, Rufus Du Sol, Bonobo, Odesza… We want to bring this music all over!

Keep up with Nobide here and don’t miss their headlining show at the Larimer Lounge this Saturday, April 6th. Tickets & information here.  

-Natalie

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Catch Jazz is PHSH All Over Colorado This Week, Starting Tonight

By: Mirna Tufekcic

It’s not because Phish isn’t an expansive, easy-to-groove-and-get-down-with band that a group of highly talented musicians decided to form a fluid, tribute Phish collective and name it Jazz is PHSH.  

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Who are Jazz is PHSH? Well, let me tell yah. They’re a floating ensemble of world-renowned, highly talented jazzers who take Phish to the jazziest level, all instrumental and quite gentle on the ears and inner landscapes. Formed by The Chase Brothers in 2015, they gained momentum fast and have attracted many influential jazz and jam musicians including Dennis Chambers (Santana, Miles Davis, Parliament Funkadelic), Jeff Coffin (Dave Matthews Band, The Flecktones), three-time Grammy winning saxophonist Chris Bullock (Snarky Puppy), Michael Ray (Sun Ra, Giant Country Horns, Cosmic Crewe), Grant Green Jr. (Groove Masters), Anthony Wellington (Victor Wooten Band), the teenage piano prodigy hailing from France DOMi Degalle, at one point the late, great, R.I.P. Kofi Burbridge (Tedeschi Trucks Band, Aquarium Rescue Unit, Trey Anastasio Band), & many more!

Jazz is PHSH are playing at the Aggie Theatre in Fort Collins tonight, April 2nd, Denver’s Cervantes Other Side this Thursday, April 4th, Fox Theatre in Boulder on Friday the 5th, and Colorado Springs’ The Black Sheep on Saturday 6th before they hit the rest of North America. (Pssst… all the hyperlinks lead straight to the event tickets so no excuses and you’re welcome!)  

In case you didn’t already know, Phish’s compositions are deep. Jazz deep. All of us who have seen Phish once or twice (or 187 times exactly) know their nature is improvisational and they love to play around with their instruments on stage. Jazz is PHSH takes that to a whole other level. It’s like buying a VW wagon Lego set, taking all the non-foundational pieces and turning it into another kind of VW van altogether… They create original compositions to support unique and playful melodies of Phish, mashing Phish songs with the legendary work of jazz musicians like Miles Davis, Herbie Hancock, Charles Mingus and Wayne Shorter, which is truly a bountiful blend of sounds to inspire Phish fans, jazz lovers, and musicians alike.

So whether you didn’t get enough of Phish at Dick’s last summer or you can’t wait until their appearance again this year, or if your ears are yearning for another rendition of Phish’s musical genius in the jazz format, or if you’ve never heard of Phish but really get off on the jazz stuff, or if you just love seeing awe-inspiring talent live, then catch Jazz is PHSH at any one of the venues they’re playing across our beautiful state of Colorado this week. And be hasty! Catch ‘em while you can because they’re in Colorado for this week only before they take their jazz back on the road.

-Mirna

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: Denver's Boot Gun Debuts with a Bang with Two Singles & a New Music Video

Denver’s Boot Gun have entered the Colorado music scene with a serious bang. Today, the three-piece are releasing their debut single and video for “Virginia,” a high-energy rock’n’roll track with a Southern twang, and a rebellious video featuring a slew of Denver haunts to match. And folks, one thing’s for sure, the trio comprised of Keith Lawrence (guitar/vocals), Davie Landry (bass/vocals), and Cody Hart (drums), have brought the party.

“Virginia” was recorded and mixed by Todd Divel (The Yawpers, In The Whale, The Velveteers) of Silo Sound and mastered by Hans Liburd of Burdhouse Mastering. The video was directed and filmed by Colin Anders of Slice Cinematics (Nathaniel Rateliff & The Nightsweats, A Shadow of a Jaguar, Dragondeer). Boot Gun also featured several friends on the track’s instrumentals including Bullfrog Baugh on harmonica, who makes an appearance in the video about 40 seconds in, Sam Janik on guitar, and Bill McKay on organ and piano.

Says frontman Keith Lawrence about the track, "Virginia came to me in multiple dreams last summer. I showed the boys the main riff and they said ‘Sounds great. Where's the rest of the song?' I told 'em I had to go back to sleep to hear [and] see the rest of it. A few months and a couple of disco naps later, we had us a rock’n’roll ripper."

A ripper it is indeed. “Virginia” is a boot-stompin’ tune rife with slashing rips, harmonica twang, and a jangly toe-tappin’ keys solo that will force you on your feet. Some of that energy didn’t enter the track until the boys rounded things out in the studio though.

Says Keith, “As a band, we all believe that a song isn't finished being written until we record it. Todd at Silo pushed for certain creative ideas that we were able to let shine on these tracks. Having Bill McKay sit in on keys helped round out the sound and bring our musical intention into fruition."

Boot Gun. Photo Credit:  Mountain Trout Photography

Boot Gun. Photo Credit: Mountain Trout Photography

Along with “Virginia” and their debut music video, Boot Gun also released their B side “Feels Like A Storm” today. While “Virginia” takes you on a wild ride, quite literally in the video, “Feels Like A Storm” is the moodier, heavy-hitting track from the trio.

Says Davie, “‘Storm’ is a song that we wrote collectively. It started with Keith singing but never felt completely right. So we argued and laughed, and laughed and argued, and I was forced to sing it… In the end, it became the beast that you're listening to today."

You can listen to “Virginia” and “Feels Like A Storm” on all major streaming platforms and catch Boot Gun live at Cervantes with Dave Watts & Friends on Friday, April 12th.

Says Davie on Boot Gun’s debut, “It’s a young band's take on all the rock’n'roll we love and grew up on. We go from A to Z, then back to A just make sure you're still with us."

Join that trip and keep up with Boot Gun here.

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Weir Drops New Single "Copper" with Local Electronic Label Alias

By: Natalie Pulvino

One way Colorado has distinguished itself in the music world is through the unwavering rise of live-electronic bands. With influencers like Pretty Lights, Big Gigantic, GRiZ, SunSquabi and more, young and aspiring musicians are crafting something fresh every day. This week, we sat down with Nick Vann of Nobide and Chris Weir of Weir to talk about Weir’s new track “Copper”, which is being released through Vann’s label Alias today.

So Nick, tell us about your record label Alias. When was it formed, what inspired the project, and what is your vision for the label?

NV: It started in January 2018 with my buddy Gunter- it’s a pretty similar vision to other Colorado labels in that we want to put out organic electronic music. Electronic music with live elements in there with really good branding. The vision is to make it a taste-maker label I suppose. Our slogan is “Global Taste, Local Face,” so it’s focused on the local element as well.

Can you give a brief overview of the other artists on the label? Are they all local electronic acts?

NV: Yeah, local, organic electronic incorporating live elements that aren’t completely made on the computer. We have Hxrse, mxxnwathcers, f-ether, and Nobide, to name a few.  

What is your or your team’s current process for choosing what music you’ll distribute through Alias?

NV: Pretty much, if it hits us sonically and “in the feels,” and if we sort of know the person.

Chris Weir.

Chris Weir.

This leads us into the next portion of our interview, which is Weir’s new single “Copper.” Nick, what excited you about “Copper” enough to distribute it through Alias?

NV: It was really different from Weir, not the stuff he’d been making prior. Cinematic and organic, a bit more instrument-based than his prior music. The arrangement is killer.

Very cool. And Chris, tell us a bit more about “Copper.” The song is intense and thick with emotion. What drove this project and what were your inspirations?

CW: Originally I had a friend reach out to make a track for a ski video that he was working on, so I wanted to experiment with more of a hip-hop based, slower tempo, and ended up developing it into something a lot more than a ski video. And by writing it through a dark time, I used that energy in the core progressions and in the sound I was picking out. I wanted to create a vibe similar to the mountains, or tie it in with nature in some way.

What’s the most experimental or exciting part of the song for you?

CW: Probably the overall hip-hop vibe because pretty much all I’ve written in the past has been more dance-house beats, so it was cool to take the tempo a lot slower and fill the space more.

Why did you feel Alias was a good fit to distribute and help promote “Copper?”

CW: It really was more up to Nick, but I saw it fitting Alias more so than my previous projects for sure, in terms of the organic soundscape that I was messing with.

Do you think “Copper” represents a shift in your musical work, and if so, where do you see this shift going?

CW: One hundred percent- I definitely see myself going towards more of a live performance and incorporating more instruments on stage. To me, this track has a lot more elements that I think I could play out live and develop more into what I see Weir being.

Weir at work.

Weir at work.

These last two questions are for both of you. What is your read on the thriving live-electronic scene in the Boulder/Denver area?

NV: It’s so all over the place in the best possible way. Every type of music is getting produced and there’s a really strong community vibe around it, where people just want everybody to succeed. At the end of the day, everybody just wants more good music.

CW: I think it’s just really cool that there’s so much variety both in Boulder and Denver, and all of Colorado. There’s obviously a huge pop of jam bands, soul and funk, but it’s cool to see more electronic and live-electronic acts popping up.

NV: It seems like Colorado may be doing that in a more forward-thinking way than other areas.

What do you mean by that?

NV: It seems that there’s more technological innovation with the blending [of] instruments to create more of a band. Geographically, we’re right in the middle of the country, so musically we’re blending everything together here.

Lastly, can we expect any further artistic collaboration between you two?

NV: Absolutely.

CW: I would certainly hope so.

Be sure to give “Copper” a listen now and catch these guys live in action at Larimer Lounge next Saturday, April 6th.

Keep up with Weir here and check out alias.fm.

-Natalie

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Ryan Bingham's 'American Love Song' Is Aptly Inspired by Life on the Road

By: Natalie Pulvino

“I’m just a person like everyone else who’s influenced by the world around him.”

Photo Credit: Donnie Hedden.

Photo Credit: Donnie Hedden.

Ryan Bingham, a renowned singer-songwriter based in Los Angeles, got his “big break” by co-writing the theme song “The Weary Kind” for the 2009 acclaimed film ‘Crazy Heart.’ Now, he’s on tour across the U.S. performing his newest work, ‘American Love Song.’ We sat down with him this week to talk about the record, his songwriting process, and what his music means to him.

How does ‘American Love Song’ differ from your previous projects/records?

I’d say it’s a lot more on the blues side than my previous records. I definitely set out to make more of a blues record than anything.

What was your musical process for writing this album? Can you describe your emotional journey with it?

You know, I always tend to need a bit of solitude to write songs. I wrote some at home, some on the road, and some at a friend’s place in New Mexico out in the middle of nowhere. I need to find some place where I can get away from distractions. You know, I definitely draw off of all my experiences, kind of past and present- it’s all a part of it. If the songs aren’t making me feel something while I’m writing... I try to feel those emotions first, I think that’s pretty important.

Do you typically write lyrics first or instrumentals? Was that the case with this particular record?

Usually the music always comes first- yes definitely.

Can you describe your process for choosing lyrics to fit the instrumentals?

The music just really sets the tone for whatever emotion is going to come. There are definitely notes and chords that are lighter and darker than others, so the tempo and then the key of the song sets the tone for what’s to follow.

This album has a lot of political references and even touches on border politics. What, in your words, is this album truly about?

Well there’s a lot of layers to it, a lot of stuff that I’ve experienced growing up as a kid, moving around the country. A lot of it ties into social issues and what not. I wouldn’t necessarily call it a political album, but it’s consciously aware, which I try to do when I write. I’m just a person like everyone else who’s influenced by the world around him.

A lot of your music touches on your childhood and life experiences. What role would you say music has played in helping you get through hard times?

Writing songs has always been a kind of therapy for me. Sometimes things are difficult to express or talk about. Writing music and playing guitar has always been an outlet. Now, you find folks that you have common experiences with, and it’s gratifying to share that stuff with people and hear stories about how maybe a song helped someone get through something similar.

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Tying your new album ‘American Love Story’ in here, what did you portray through this album?

You know I think at the end of the day, the album is pretty layered, it’s very autobiographical, very personal, but it’s kind of my take on the world around me and how I’ve been influenced by current events. I’m not necessarily sure if that was the goal. I’m always going to write songs about things that I’ve experienced, and the past few years I’ve traveled around the country and met people, and now I’m telling stories about that and sharing experiences with people.

Do you have a song, written or not written by yourself, that you’d say you identify with the most?

I do, there’s a Bob Dylan song called a “A Hard Rain’s A-Gonna Fall” that I heard when I was very young that I very much identified with. You don’t hear that kind of song on the radio.

What, in your mind, makes an album cohesive? How do you know when it’s complete?

I don’t know, sometimes it never does feel complete. I guess the narrative of the album, you kind of revolve around the center of that. You know the album is complete when you have 12-13 songs and you don’t want to take them off the record.

Who are you speaking to in ‘American Love Song’?

It’s really just anybody who wants to listen and enjoys the music. I try to take everybody into consideration when writing these songs, and everybody’s feelings and emotions are reflections of my own. If there’s some young kid in a small town looking for music that has a different message than they’re portraying in the pop commercial world, then maybe that’s a good thing.

You’ve won a number of awards, including a Grammy. After such an accomplishment, where do you hope to see your music career take you in the next few years?

Oh, you know, I just feel very lucky to have the opportunity to get out on the road and play for people. It’s never really been about winning awards or accomplishing a sense of, I don’t know…  my interpretation of success is being out here and being able to do it and people want to hear the songs. I feel like I’ve already ‘made it’ in so many ways, [that] I don’t know if it could get any better.

Catch Ryan Bingham at Denver’s Ogden Theatre this Tuesday, April 2nd. Grab tickets at this link.

Keep up with Ryan here.

-Natalie

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: Levi Double U & Reed Fox Release 'Animalz & Stuff' Singles Featuring 7-Year-Old Foofy

Levi Double U & Reed Fox. Photo Credit:   Julianna Photography

Levi Double U & Reed Fox. Photo Credit: Julianna Photography

Denver’s Reed Fox is busy. Along with being the frontman of Denver’s deCollage and the founder of Moon Magnet Studios, Fox has recently started creating and producing electronic dance tunes. Over the course of 2019, he has plans to release more than a dozen singles, two of which hit the interwebs today with Levi Double U (HR People, Adiel Mitchell):

Both tracks feature Fox’s 7-year-old niece Isa, who goes by Foofy. Fox recently went on vacation with Foofy where she reportedly wrote the second track “Poodlez” on the spot. Reed “grabbed his laptop immediately” and he and Levi began production. Later, when Foofy dropped by Moon Magnet to film the “Poodlez” music video, she laid down the vocals for “Fish Are Small” over a beat that Levi and Fox were working on together. From these two sessions, Fox’s latest bangers were born.

Next month, Fox will be releasing a lyric music video for “Poodlez,” which is currently in post-production with Kyle Gray from Rubedo. Mikey Rae of Meow Wolf crafted the illustrations that the video will feature. Keep an eye out for the “Poodlez” video, and in the meantime, check out Fox’s newest tunes above.

Keep up with Reed Fox here and check out Levi Double U’s other work at this link.

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Premiere: Elektric Animals' "Vulnerable Thing" Digs Deep

By: Sam Piscitelli

There’s always been some sort of heaviness that accompanies the Rock genre; a pressure to make as much noise as possible. The tricky part is keeping the music grounded in the roots of its composition and lyrics. A lot of the time, the story of the song can become muddled in the making of it and what the band itself is trying to convey. Luckily, for Elektric Animals their song “Vulnerable Thing” not only deserves recognition, but shines a light on the future of what alternative rock can be, if only fought for with a little persistence and love for the craft. The Denver trio, comprised of Nick Sanders (vocals), Oscar Jara (guitar), and Jerrid Van Scoy (bass) recently formed and today, we’re proud to premiere their newest single:

“Vulnerable Thing” digs deep into the message that in life, you have a tendency to carry the past into the present. It can be both a force of positivity, or of negativity. Whether it’s the scars you’ve endured or the happiness you wish to see fulfilled, life can either make you or break the person you are destined to become. Elektric Animals decided to pour their souls about this aspect of life into this track. This band is fearless, yet honest, which reminds us that music is a treasure, not just a glimmer you can shove on a shelf somewhere.

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The music industry at times seems to settle for uninspired music; music that only garners in split seconds of attention. Elektric Animals seem to be the opposite, creating music that involves fleeting moments and engraving them more permanently inside our heads. Not many bands or artists can take fleeting moments and engrave them like this, but this is a band who does so knowing that the only attention they crave is from the real stories they lead.

Keep up with Elektric Animals here.

-Sam

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Jr. Rabbit Talks Band Dynamics, Influences, & What Music Means to Them

By: Natalie Pulvino

Amidst some of the most notable jam bands and the thriving live-electronic scene, Denver is exploding with a number of up-and coming indie-rock bands. This week, we sat down with Jr. Rabbit, a four-piece project with a laid-back attitude but a serious vision. Singer-songwriter and guitarist Ryan Howell talked to us about the band’s formation, their new singles, and what rehearsals can look like. Read on:

Tell us a bit about Jr. Rabbit. How many people are in the band and who plays what?

I’m [Ryan] on guitar, and I lyrically write most of the music. Shayne MacLaughlin plays lead guitar and drums, Stephen (Eski) Edwards plays bass guitar, and Tyler Moyer plays the drums.

How did you all meet and form Jr. Rabbit?

It mainly started with Tyler and I last year jamming and writing originals, and [we] took it from there. It’s sort of an open project- we let a lot of people in on the recording process. Another cool fact is that me, Tyler, and Shayne are all from the East Coast and all met up around 2012 when I was in Colorado on tour with a different band. Three years later, I moved out here to start my own thing and it sort of went from there.

How would you describe your music?

Musically we try to work on dynamics- most of our songs are three to four chords. Personally, I try to just write things that are relatable. I try to relate to the inner-emotion of the person in our songs.

What inspired the name Jr. Rabbit?

Honestly, there’s not a cool story, I wish there was. I was driving one day and that phrase just popped up in my brain and I thought it flowed nicely, and it was just something that stuck in my head.

Who are your main influencers?

I vocally reflect off Deer Tick and definitely Modest Mouse. We also gain a lot of influence from Classic Rock, which is instilled into all of us… that’s what we grew up listening to with our folks. But we all have different backgrounds. Eski grew up on AC/DC and Tyler and I grew up on Funk.

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What excites you guys about the two singles you’ve released, “Situation” and “Rain to Wine?”

We’re getting good overall- we’re not just trying to make it a catchy song lyrically, we’re trying to make it something that other people can relate to but maybe are afraid to express. “Rain to Wine” is about addiction, and I’ve struggled, and I know friends who have struggled. Songs like that make it okay for other people to talk about that problem, and if not at least it’s a sigh of release for someone who’s going through the same thing. That’s sort of why I got into music- I felt like someone else was writing what I was feeling and it made me feel less alone.

What has been your biggest challenge since working together as a band and how did you overcome it?

Showing up on time. Shayne is always on “Shayne Time,” as we call it. But other than that the challenge is trying to believe in what we’re trying to do and hoping to see that catch on. We’re not doing covers; we’re mainly originals, so the biggest frustration is for people to get on board with our originals.

What are your band rehearsals typically like?

It’s mainly a little bit of everything. At first we usually just start jamming, whether it be a cover song or just improv. We do at least one improv jam per show to just create something in that moment. Then we’ll typically go through our new stuff and end off on the stuff we all know to make sure it’s polished and sharp.

Where has Jr. Rabbit played recently, and which venues are in the books?

We’ve been playing at this place called Maddie's Biergarten in Castle Rock. They’ve got the full setup with a stage and soundboard, and they gave us residency there for all of March. We’ll be in Denver and Fort Collins in June.

Where would you guys like to be with your music career in 2020?

Hopefully in a place where we’re making a living off of it, wherever that may be. I want to be playing for anyone who wants to listen to real, genuine, authentic music. But we’ll see, everything takes time.

Keep up with Jr. Rabbit here.

-Natalie

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Spectra Art Space Is Our Favorite Thing Happening in Denver Art Right Now

By: Hannah Oreskovich

Last Saturday, BolderBeat entered the neon-lit doors of Denver’s Spectra Art Space to an at-capacity crowd. The gallery and event space’s latest art opening party “Colorado Vibes 3” was in full swing with walls dripping in local photography and paint work, fashion models strutting down a catwalk outfitted with black-lights, and musicians playing in the venue’s outdoor patio space. The exhibit, which is available to view over the next month, features all-local artists and a slew of mediums: pencil work, hand-drawn illustrations, mixed media, sculpture work, clothing, fashionable eyewear, photography, jewelry, and more. Whether your eye is drawn to Lexie Lund’s girl-power glitter guns and metallic tampon display, the psychedelic colored pencil work of Nick Fast, Nova Lee’s ominously friendly “ET Phone Ohm”, C.o.l.t.A.l.i.t.Y’s polaroid posters, glitchybb’s kitties, or iamnotunique’s illustrated boxy creature collection, there’s something for every art fiend at Spectra. To check out all of the artists in the “Colorado Vibes 3” showcase click here.


All photos in this feature by Ana White Photography.


Owned and operated by Sadie Young and Kayla Smith, together this lady duo have transformed their storefront on Denver’s South Broadway into a full-on art escape. Young has been hosting music and art events in Denver for nearly 10 years, and has a BFA from MSU Denver with a focus in painting. Smith is an actress and theater aficionado when she is not working at Spectra.

Says Young, “It's important for us to showcase local art because every single artist/musician/actor etcetera is a small business and small businesses are what hold communities together.”

Most everything in Spectra is for sale, with proceeds from sales and events benefiting both the space and the artist. The one-room gallery features a ton of winding niches to explore; behind it there is a covered patio and a retro CD-decorated gazebo equipped with heaters perfect for early spring nights. For “Colorado Vibes 3”, the outdoor area had bite-sized food and drink options with various singer/songwriters playing to the socializing crowd. Indoors, a DJ booth which looks as though it were blasted onto Broadway straight out of a spaceship, had artists spinning tunes while attendees gallery-perused until the synthy percussiveness of DR3AM CA$T took the stage and started a dance party.

The evening’s fashion show was a definite highlight and featured Denver designers including Ellen Bronson, Smasher Robot, KatDog Couture, iLit Designs, and Impek Apparel. From Bronson’s flashy fabrics with a rock’n’roll feel, to the black-light button-ups and bow ties from Smasher Robot, there was enough stylish garb for any Denver fashionista to drool over. Hair & makeup for the show took six hours to complete and was fabulously done by Amanda Brooke of Wonderland Hair Parlor.

Says Young, “My favorite part of the ‘Colorado Vibes’ showcase is how many new artists it adds to our growing family of makers. One of the things I am most proud of Spectra for is being a lot of artists’, musicians’, and designers’ very first taste of being a professional creative. We have been several artist’s first show and first sale, we have been musician’s first show, and designer’s first fashion show. I think we are especially unique because we actually believe in our artists and our creative community, and we would do just about anything to support them and encourage them to pursue their passions. The ‘Colorado Vibes’ format we created is a way for us to highlight the amazing underrepresented talent in Denver and present art and the creative scene in a way that's accessible to everyone, patrons and artists included. I started Spectra because I love being a resource for artists and I wanted to present the art world in a unique way including fashion, fine art, lowbrow art, music, comedy, installation, and performance in one space.”

Spectra’s mission is to “support artists and provide a space that cultivates creativity through highly curated contemporary art exhibitions, events, and detailed immersive experiences” and the opening party for “Colorado Vibes 3” was all of these things wrapped into one glittery, psychedelic ball of smiles and awesome dance moves.

Needless to say, if you haven’t yet explored Spectra Art Space in Denver, it’s time you made the trip. Not only will they send you down a rabbit hole of haute creativity; every time you go, you benefit the local Denver arts scene in more ways than one.

Says Young, “I would like for people to know that we offer several creative classes each month, as well as a plethora of fun events. We are also looking to raise money so that we can renew our lease and hire an additional employee so we can grow and continue to support the hundreds of artists in our family. We have just started a Patreon with a ton of amazing reward options [too]!”

An   iLit Designs    eyewear look by    Ana White Photography  .

Spectra has two upcoming events on their calendar: a performance night by Ahee with • AVRY • on April 25th and their “Bombastic Plastic Toy Show” on May 4th with Meow Wolf, Ratio Beerworks, and others.

Turn up your imagination today and visit Spectra! Learn more about this amazing art space here.

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Attila & All That Remains Brought Heavy Hits & a Wall of Death to Recent Denver Show

By: Nathan Sheppard

All That Remains and Attila hit the stage at the Oriental Theatre this past week for a night that every metalhead could appreciate. Sleep Signals and Escape the Fate opened things up for the co-headliners.

Attila, who released their newest album Villian in February, took the show to the next level with their party animal antics. Those antics led to a love-hate relationship with most people, but for those who love them, Attila puts on one of the best live performances of any band in their sphere. From start to finish, frontman Chris Fronzak had the crowd moshing and and even threw in a “wall of death” just for kicks. The set was filled with mostly favorites like “Moshpit” and “Pizza” with some new songs from their latest album as well.

All That Remains was the second headliner of the night and continued the mosh party right where it left off. ATR released their ninth studio album Victim of the New Disease this past November which has been a welcome return to their roots as a heavy metalcore band. The first quarter of their set was heavy, with newer songs from New Disease, followed with a medley of older hits. Vocalist Phil Labonte was able to show off a wide vocal range from high screams to low growls, and even showcased his clean vocals in “What if I Was Nothing?”. They topped off the night with their smash hit single “Two Weeks”, leaving everyone exhausted from moshing and jumping throughout the set.

Attila and All That Remains are about halfway through their American co-headlining tour, so make sure you make it out to one of these insane shows! Remaining dates can be found here.

-Nathan

All photos, videos, and embedded tracks per the artists featured and those credited. This feature was edited for brevity and clarity by BolderBeat.

Corda Vera's Brand of Indie Is Rocking the Boulder House Party Scene

By: Taylor Falkner

Boulder, Colorado may be a land for new music, but it is certainly not a new land to the music scene. Once considered the next mecca of young musicians and “…the Berkeley of the Mountain Time Zone”, Boulder is a place for musical exploration and inspiration. It is located at the foothills of the Rocky Mountains, with the majestic Flatirons at the backdrop of everyday life. It helped create legendary bands like Zephyr, The String Cheese Incident, 3OH!3 and Big Gigantic just to name a few. The unique aspect of this list is that it encapsulates a variety of genres, and therefore further exemplifies how up and coming artistry in Boulder is not bound to the limits of a single genre.

This limitless sound opportunity is also expressed in the genre of indie rock. Indie originated from the concept of independent labels, but has evolved to describe “a sonic aesthetic influenced by various forms of post-punk and lo-fi music”. Moreover, indie is not overly concerned with meeting the criteria of what makes a good “commercial sound”. It is raw, and the use of at home recording equipment adds another unfiltered and imperfect dimension to the music which enriches the listeners experience. In this generation dominated by technological advancement, the D.I.Y. mentality of indie is blossoming due to the convenience and easy accessibility of online platforms like SoundCloud and Spotify. The spirit of this fresh freedom is very much alive in the city of Boulder, and it is where you can also find the beginnings of the very local band Corda Vera. As an underground, basement dwelling, house party band of Boulder, Corda Vera, swiftly takes on the essence of Boulder and the attitude of indie music in the twenty-first century.

Corda Vera.

Corda Vera.

Corda Vera is a band of four twenty-year olds, one female and three males, some of which are on the journey to obtaining a college degree at the University of Colorado in Boulder. Simone Fohrman (vocals), Josh Bennett (drums), Sam Sawyer (bass), and Thomas Perry (guitar) all have been brought together through the allure of Boulder. Each member has their own style and differing musical background and inspirations, which compliment each other very well in their original music. They have an undeniably otherworldly aura to them, which makes them relatable to the confusion and individual growth that many college students experience while away from home where everything is safe and comforting. Their songs manifest a perfect blend of Sonic Youth grunge rock vibes with an indie, and somewhat psychedelic, sound. Setting themselves apart from today’s millennial teenage angst, Corda Vera plays into their emotions rather than becoming a victim of them.

As the band guides listeners on a trip away from wherever they may be, the lyrics sung by band leader Simone touch base on the interpersonal connections in all kinds of relationships. Their song “Over The Edge” encapsulates this well. The dark, yet enchanting bass riff that Sam bewitches listeners’ ears with transports one to the shuffling streets, lit only by the moon, in the faraway land of Istanbul. The song sends one to face the unknown. Through every thud of the bass drum the city breathes and comes to life and then, “Bang!” A shot echoes from Josh’s snare drum and the chills run down your spine. “We’re lost in translation/building my agitation/you can’t keep what ain’t yours,” Simone croons. Immediately the tension the band has been building is released by a powerful statement that gives the listener a piece of mind. Simone’s lyrics of feeling uncertain about her own emotions towards her counterpart reflect the universal angst that anyone can relate too when they feel shorted in a relationship. Instead of shying away from this angst, Simone and the rest of Corda Vera embrace it by turning it into a powerful energy, one that makes the listener feel as if they are walking a fine line and indeed about to fall “Over the Edge.”

A major factor to the unique tone and mood that Corda Vera puts out is due to the vast array of musical influences. All sorts of unconventional things can be heard in their music from various genres, scales, and even the effects used on every instrument. Their use of the harmonic minor scale in “Over the Edge” is what gives it its eerie vibe by dancing with the devil’s note. At the same time, however, you can here an influence from The Zombies’ “Time of the Season” which helps keep the song in a mystical world of its own.

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In the song “Nao” Corda Vera makes you feel as if you are floating through the clouds daydreaming. With a heavy chorus and reverb, Thomas, the guitarist and Boulder native, encapsulates what it is to feel weightless and floating. The ticking of the hi-hat alters time, and the audience is left in a place where there is no up and down or left and right. In respects to most other songs called “Heartbreaker,” Corda Vera’s version is one of the band’s fastest tempo songs. Moreover, it stands far apart from sounding that of Led Zeppelin, Pat Benatar or even Taio Cruz’s “Heartbreaker,” and sounds more like a contemporary electronica song. The drums are reminiscent of that of Seal’s in his hit “Crazy” or Moby’s “Porcelain”, while the guitar bares resemblance to that of Lenny Kravitz. Mesh all of this up with chorus-driven spacey vocals, and you have something totally new.

The motley crew that is Corda Vera has led them to create a sound that they can call their own. They all have different musical influences but their love for music, courage to face unsettling truths, and their desire to just have a good time has brought them to create something unique to everything else going on in Boulder currently. By blending such a vast array of sounds and with themes based in personal experience, Corda Vera are as authentic as it gets. There is no facade that they are attempting to convey. They are a group of friends who met through their love of music at open mic nights at Innisfree Cafe on the Hill and decided to join forces. In turn, they have given the students of Boulder, and hopefully more to come, a chance of a genuine experience.

Keep up with Corda Vera here.

-Taylor

All photos, videos, and embedded tracks per the artist featured and those credited. This feature was edited for brevity and clarity by BolderBeat.